Writings through John Cage's music, poetry, and art:
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Chicago
University of Chicago Press
2001
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Proceedings from the conference entitled "Here Comes Everybody: The Music, Poetry, and Art of John Cage" which took place at Mills College in Oakland, Calif. from November 15 to 19, 1995. - Includes index "In order to thicken the plot" : toward a critical reception of Cage's music / David W. Bernstein -- John Cage's queer silence; or, how to avoid making matters worse / Jonathan D. Katz -- The intent of the musical moment : Cage and the transpersonal / Austin Clarkson -- Cage as performer / Gordon Mumma -- As time passes / Deborah Campana -- David Tudor and the Solo for piano / John Holzaepfel -- Here comes everything / Paul van Emmerik -- Cage's influence : a panel discussion / Gordon Mumma [and others] -- Cage and the computer " a panel discussion / James Pritchett [and others] -- Cage's writings up to the late 1980s / Jackson Mac Low -- Cage and the structure of chance / Constance Lewallen -- Diary : Cage's Mountain Lake Workshop, April 8-15, 1990 / Ray Kass -- The making of Cage's One / Henning Lohner Includes bibliographical references and index This volume looks at the creative work of the great avant-gardist John Cage from an exciting interdisciplinary perspective, exploring his activities as a composer, performer, thinker, and artist. The essays in this collection grew out of a pivotal gathering during which a spectrum of participants including composers, music scholars, and visual artists, literary critics, poets, and filmmakers convened to examine Cage's extraordinary artistic legacy. Beginning with David Bernstein's introductory essay on the reception of Cage's music, the volume addresses topics ranging from Cage's reluctance to |
| Beschreibung: | 1 Online-Ressource (x, 310 pages) |
| ISBN: | 0226044076 0226044874 9780226044071 9780226044088 9780226044873 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV043099846 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 151126s2001 |||| o||u| ||||||eng d | ||
| 020 | |a 0226044076 |9 0-226-04407-6 | ||
| 020 | |a 0226044076 |9 0-226-04407-6 | ||
| 020 | |a 0226044874 |c electronic bk. |9 0-226-04487-4 | ||
| 020 | |a 9780226044071 |9 978-0-226-04407-1 | ||
| 020 | |a 9780226044088 |9 978-0-226-04408-8 | ||
| 020 | |a 9780226044873 |c electronic bk. |9 978-0-226-04487-3 | ||
| 035 | |a (OCoLC)646067952 | ||
| 035 | |a (DE-599)BVBBV043099846 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1046 |a DE-1047 | ||
| 082 | 0 | |a 780/.92 |2 22 | |
| 084 | |a LP 91580 |0 (DE-625)108170: |2 rvk | ||
| 245 | 1 | 0 | |a Writings through John Cage's music, poetry, and art |c edited by David W. Bernstein and Christopher Hatch |
| 264 | 1 | |a Chicago |b University of Chicago Press |c 2001 | |
| 300 | |a 1 Online-Ressource (x, 310 pages) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Proceedings from the conference entitled "Here Comes Everybody: The Music, Poetry, and Art of John Cage" which took place at Mills College in Oakland, Calif. from November 15 to 19, 1995. - Includes index | ||
| 500 | |a "In order to thicken the plot" : toward a critical reception of Cage's music / David W. Bernstein -- John Cage's queer silence; or, how to avoid making matters worse / Jonathan D. Katz -- The intent of the musical moment : Cage and the transpersonal / Austin Clarkson -- Cage as performer / Gordon Mumma -- As time passes / Deborah Campana -- David Tudor and the Solo for piano / John Holzaepfel -- Here comes everything / Paul van Emmerik -- Cage's influence : a panel discussion / Gordon Mumma [and others] -- Cage and the computer " a panel discussion / James Pritchett [and others] -- Cage's writings up to the late 1980s / Jackson Mac Low -- Cage and the structure of chance / Constance Lewallen -- Diary : Cage's Mountain Lake Workshop, April 8-15, 1990 / Ray Kass -- The making of Cage's One / Henning Lohner | ||
| 500 | |a Includes bibliographical references and index | ||
| 500 | |a This volume looks at the creative work of the great avant-gardist John Cage from an exciting interdisciplinary perspective, exploring his activities as a composer, performer, thinker, and artist. The essays in this collection grew out of a pivotal gathering during which a spectrum of participants including composers, music scholars, and visual artists, literary critics, poets, and filmmakers convened to examine Cage's extraordinary artistic legacy. Beginning with David Bernstein's introductory essay on the reception of Cage's music, the volume addresses topics ranging from Cage's reluctance to | ||
| 600 | 1 | 4 | |a Cage, John / 1912- / Congresses / Criticism and interpretation |
| 600 | 1 | 4 | |a Cage, John / Critique et interprétation / Congrès |
| 600 | 1 | 7 | |a Cage, John |2 fast |
| 600 | 1 | 7 | |a Cage, John |2 swd |
| 600 | 1 | 4 | |a Cage, John |x Criticism and interpretation |v Congresses |
| 600 | 1 | 7 | |a Cage, John |d 1912-1992 |0 (DE-588)118518291 |2 gnd |9 rswk-swf |
| 650 | 7 | |a MUSIC / Individual Composer & Musician |2 bisacsh | |
| 650 | 7 | |a Kongress |2 swd | |
| 655 | 7 | |0 (DE-588)1071861417 |a Konferenzschrift |2 gnd-content | |
| 689 | 0 | 0 | |a Cage, John |d 1912-1992 |0 (DE-588)118518291 |D p |
| 689 | 0 | |8 1\p |5 DE-604 | |
| 700 | 1 | |a Bernstein, David W. |e Sonstige |4 oth | |
| 700 | 1 | |a Hatch, Christopher |e Sonstige |4 oth | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Paperback |z 0-226-04408-4 |
| 856 | 4 | 0 | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=325408 |x Aggregator |3 Volltext |
| 912 | |a ZDB-4-EBA | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-028524038 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=325408 |l FAW01 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=325408 |l FAW02 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804175508646133760 |
|---|---|
| any_adam_object | |
| building | Verbundindex |
| bvnumber | BV043099846 |
| classification_rvk | LP 91580 |
| collection | ZDB-4-EBA |
| ctrlnum | (OCoLC)646067952 (DE-599)BVBBV043099846 |
| dewey-full | 780/.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780/.92 |
| dewey-search | 780/.92 |
| dewey-sort | 3780 292 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04158nmm a2200601zc 4500</leader><controlfield tag="001">BV043099846</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">151126s2001 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0226044076</subfield><subfield code="9">0-226-04407-6</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0226044076</subfield><subfield code="9">0-226-04407-6</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0226044874</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">0-226-04487-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780226044071</subfield><subfield code="9">978-0-226-04407-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780226044088</subfield><subfield code="9">978-0-226-04408-8</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780226044873</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">978-0-226-04487-3</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)646067952</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043099846</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-1047</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">780/.92</subfield><subfield code="2">22</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LP 91580</subfield><subfield code="0">(DE-625)108170:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Writings through John Cage's music, poetry, and art</subfield><subfield code="c">edited by David W. Bernstein and Christopher Hatch</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Chicago</subfield><subfield code="b">University of Chicago Press</subfield><subfield code="c">2001</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (x, 310 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Proceedings from the conference entitled "Here Comes Everybody: The Music, Poetry, and Art of John Cage" which took place at Mills College in Oakland, Calif. from November 15 to 19, 1995. - Includes index</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">"In order to thicken the plot" : toward a critical reception of Cage's music / David W. Bernstein -- John Cage's queer silence; or, how to avoid making matters worse / Jonathan D. Katz -- The intent of the musical moment : Cage and the transpersonal / Austin Clarkson -- Cage as performer / Gordon Mumma -- As time passes / Deborah Campana -- David Tudor and the Solo for piano / John Holzaepfel -- Here comes everything / Paul van Emmerik -- Cage's influence : a panel discussion / Gordon Mumma [and others] -- Cage and the computer " a panel discussion / James Pritchett [and others] -- Cage's writings up to the late 1980s / Jackson Mac Low -- Cage and the structure of chance / Constance Lewallen -- Diary : Cage's Mountain Lake Workshop, April 8-15, 1990 / Ray Kass -- The making of Cage's One / Henning Lohner</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">This volume looks at the creative work of the great avant-gardist John Cage from an exciting interdisciplinary perspective, exploring his activities as a composer, performer, thinker, and artist. The essays in this collection grew out of a pivotal gathering during which a spectrum of participants including composers, music scholars, and visual artists, literary critics, poets, and filmmakers convened to examine Cage's extraordinary artistic legacy. Beginning with David Bernstein's introductory essay on the reception of Cage's music, the volume addresses topics ranging from Cage's reluctance to</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Cage, John / 1912- / Congresses / Criticism and interpretation</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Cage, John / Critique et interprétation / Congrès</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Cage, John</subfield><subfield code="2">fast</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Cage, John</subfield><subfield code="2">swd</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Cage, John</subfield><subfield code="x">Criticism and interpretation</subfield><subfield code="v">Congresses</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Cage, John</subfield><subfield code="d">1912-1992</subfield><subfield code="0">(DE-588)118518291</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC / Individual Composer & Musician</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Kongress</subfield><subfield code="2">swd</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)1071861417</subfield><subfield code="a">Konferenzschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Cage, John</subfield><subfield code="d">1912-1992</subfield><subfield code="0">(DE-588)118518291</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bernstein, David W.</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hatch, Christopher</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Paperback</subfield><subfield code="z">0-226-04408-4</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=325408</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028524038</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=325408</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=325408</subfield><subfield code="l">FAW02</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| genre | (DE-588)1071861417 Konferenzschrift gnd-content |
| genre_facet | Konferenzschrift |
| id | DE-604.BV043099846 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:17:24Z |
| institution | BVB |
| isbn | 0226044076 0226044874 9780226044071 9780226044088 9780226044873 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028524038 |
| oclc_num | 646067952 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 Online-Ressource (x, 310 pages) |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2001 |
| publishDateSearch | 2001 |
| publishDateSort | 2001 |
| publisher | University of Chicago Press |
| record_format | marc |
| spelling | Writings through John Cage's music, poetry, and art edited by David W. Bernstein and Christopher Hatch Chicago University of Chicago Press 2001 1 Online-Ressource (x, 310 pages) txt rdacontent c rdamedia cr rdacarrier Proceedings from the conference entitled "Here Comes Everybody: The Music, Poetry, and Art of John Cage" which took place at Mills College in Oakland, Calif. from November 15 to 19, 1995. - Includes index "In order to thicken the plot" : toward a critical reception of Cage's music / David W. Bernstein -- John Cage's queer silence; or, how to avoid making matters worse / Jonathan D. Katz -- The intent of the musical moment : Cage and the transpersonal / Austin Clarkson -- Cage as performer / Gordon Mumma -- As time passes / Deborah Campana -- David Tudor and the Solo for piano / John Holzaepfel -- Here comes everything / Paul van Emmerik -- Cage's influence : a panel discussion / Gordon Mumma [and others] -- Cage and the computer " a panel discussion / James Pritchett [and others] -- Cage's writings up to the late 1980s / Jackson Mac Low -- Cage and the structure of chance / Constance Lewallen -- Diary : Cage's Mountain Lake Workshop, April 8-15, 1990 / Ray Kass -- The making of Cage's One / Henning Lohner Includes bibliographical references and index This volume looks at the creative work of the great avant-gardist John Cage from an exciting interdisciplinary perspective, exploring his activities as a composer, performer, thinker, and artist. The essays in this collection grew out of a pivotal gathering during which a spectrum of participants including composers, music scholars, and visual artists, literary critics, poets, and filmmakers convened to examine Cage's extraordinary artistic legacy. Beginning with David Bernstein's introductory essay on the reception of Cage's music, the volume addresses topics ranging from Cage's reluctance to Cage, John / 1912- / Congresses / Criticism and interpretation Cage, John / Critique et interprétation / Congrès Cage, John fast Cage, John swd Cage, John Criticism and interpretation Congresses Cage, John 1912-1992 (DE-588)118518291 gnd rswk-swf MUSIC / Individual Composer & Musician bisacsh Kongress swd (DE-588)1071861417 Konferenzschrift gnd-content Cage, John 1912-1992 (DE-588)118518291 p 1\p DE-604 Bernstein, David W. Sonstige oth Hatch, Christopher Sonstige oth Erscheint auch als Druck-Ausgabe, Paperback 0-226-04408-4 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=325408 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Writings through John Cage's music, poetry, and art Cage, John / 1912- / Congresses / Criticism and interpretation Cage, John / Critique et interprétation / Congrès Cage, John fast Cage, John swd Cage, John Criticism and interpretation Congresses Cage, John 1912-1992 (DE-588)118518291 gnd MUSIC / Individual Composer & Musician bisacsh Kongress swd |
| subject_GND | (DE-588)118518291 (DE-588)1071861417 |
| title | Writings through John Cage's music, poetry, and art |
| title_auth | Writings through John Cage's music, poetry, and art |
| title_exact_search | Writings through John Cage's music, poetry, and art |
| title_full | Writings through John Cage's music, poetry, and art edited by David W. Bernstein and Christopher Hatch |
| title_fullStr | Writings through John Cage's music, poetry, and art edited by David W. Bernstein and Christopher Hatch |
| title_full_unstemmed | Writings through John Cage's music, poetry, and art edited by David W. Bernstein and Christopher Hatch |
| title_short | Writings through John Cage's music, poetry, and art |
| title_sort | writings through john cage s music poetry and art |
| topic | Cage, John / 1912- / Congresses / Criticism and interpretation Cage, John / Critique et interprétation / Congrès Cage, John fast Cage, John swd Cage, John Criticism and interpretation Congresses Cage, John 1912-1992 (DE-588)118518291 gnd MUSIC / Individual Composer & Musician bisacsh Kongress swd |
| topic_facet | Cage, John / 1912- / Congresses / Criticism and interpretation Cage, John / Critique et interprétation / Congrès Cage, John Cage, John Criticism and interpretation Congresses Cage, John 1912-1992 MUSIC / Individual Composer & Musician Kongress Konferenzschrift |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=325408 |
| work_keys_str_mv | AT bernsteindavidw writingsthroughjohncagesmusicpoetryandart AT hatchchristopher writingsthroughjohncagesmusicpoetryandart |