Mafia movies: a reader
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Toronto
University of Toronto Press
©2011
|
| Schriftenreihe: | Toronto Italian studies
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references (pages 391-398) and filmography (p. 387-390) Setting the scene - Introduction - The Corleones at home and abroad - Dana Renga - Gender and Violence - four themes in the everyday world of mafia wives - Peter Schneider and Jane Schneider -- - American mafia movies - the Corleones at home and abroad - Wallace McCutchen's The Black Hand - a different version of a biograph kidnapping - Vincenzo Maggitti - "Most thrilling subjects" - D.W. Griffith and the biograph revenge films - JoAnne Ruvoli - Ethnicity and the classical gangster film - Mervyn LeRoy's Little Caesar and Howard Hawks' Scarface - Norma Bouchard - Playing good Italian - bad Italian in ABC's The untouchables - Jonathan Cavallero - Prelude to The Godfather - Martin Ritt's The brotherhood - Robert Casillo - Micheal Corleone's tie - Francis Ford Coppola's The Godfather - Anthony Tamburri - Nihilism and Mafiositá in Martin Scorsese's Mean streets - Pellegrino D'Acierno - Thematic patterns in Francis Ford Coppola's The Godfather - part II - John Paul Russo - The sexual politics of loyalty in John Huston's Prizzi's honor - Rebecca Bauman - Between postmodern parody and generic hybridization - the gangsters of Brian De Palma's The untouchables - Norma Bouchard - The bandit, the gangster, and the American Army shorts - Michael Cimino's The Sicilian - Chiara Mazzucchelli - Martin Scorsese's GoodFellas - hybrid storytelling between realism and formalism - Fulvio Orsitto - Redemption in Francis Ford Coppola's The Godfather - part III - John Paul Russo - "Nothing romantic about It" - gender and the legacy of crime in Abel Ferrara's The funeral - Lara Santoro - Inside the mafia - Mike Newell's Donnie Brasco - Robert Casillo - Martin Scorsese's The departed, or the quest for a departed ethnic identity - Margherita Heyer-Caput - When words can kill - David Chase's The sopranos - Franco Ricci - Don't stop believin', don't stop- (de)structuring expectations in the final season of The sopranos - Giancarlo Lombardi -- - Italian Mafia movies - myth and resistance - Which law is the father's - gender and generic oscillation in Pietro Germi's In the name of the law - Danielle Hipkins - The visible, unexposed - Francesco Rosi's Salvatore Giuliano - Laura Wittman - Modernity, mafia style - Alberto Lattuada's Il mafioso - Nelson Moe - Francesco Rosi's Hands over the city - a contemporary perspective on the Camorra - Anna Paparcone - Prototypes of the mafia - Luchino Visconti's The leopard - Elizabeth Leake - The failure of the intellectual - Elio Petri's filming of Leonardo Sciascia's To each his own - Daniela Bini - Damiano Damiani's The day of the owl - a Western flirtation - Piero Garofalo - Smaller and larger families - Lina Wertmuller's The seduction of Mimi - Thomas Harrison - Deconstructing the enigma - logical investigations in Francesco Rosi's Lucky Luciano - Gaetana Marrone - Power as such - the idea of the mafia in Franceso Rosi's Illustrious corpses - Alan O'Leary - Marco Risi's Forever Mary - desperate lives converge in Sicilia "non bedda" - George De Stefano - Threads of political violence in Italy's spiderweb - Giorgio Ambrosoli's murder in Michele Placido's A Bourgeois Hero - Carlo Testa - Sacrifice, sacrament, and the body in Ricky Tognazzi's La scorta - Myriam Ruthenburg - Pasquale Scimeca's Placido Rizzotto - a different view of Corleone - Amy Boylan - Marco Tullio Giordana's The hundred steps - the biopic as political cinema - George De Stefano - Roberta Torre's Angela - the mafia and the "woman's film" - Catherine O'Rawe - Organized crime and unfulfilled promises in Gabriele Salvatores' I'm not scared - Michael O'Riley - Growing up Camorrista - Antonio and Andrea Frazzi's Certi bambini - Allison Cooper - Lipstick and chocolate - Paolo Sorrentino's The consequences of love - Mary Wood - The in(di)visibility of the mafia, politics, and ethics in Bianchi and Nerazzini's The mafia is white - Robin Pickering-Iazzi - Marco Turco's Excellent cadavers - an Italian tragedy - Maddalena Spazzini - Dispatches from Hell - Matteo Garrone's Gomorrah - Pierpaolo Antonello |
| Beschreibung: | 1 Online-Ressource (xiv, 400 pages, [16] pages of plates) |
| ISBN: | 0802096654 0802099696 1442661739 9780802096654 9780802099693 9781442661738 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV043098743 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 151126s2011 |||| o||u| ||||||eng d | ||
| 020 | |a 0802096654 |9 0-8020-9665-4 | ||
| 020 | |a 0802099696 |9 0-8020-9969-6 | ||
| 020 | |a 1442661739 |9 1-4426-6173-9 | ||
| 020 | |a 9780802096654 |9 978-0-8020-9665-4 | ||
| 020 | |a 9780802099693 |9 978-0-8020-9969-3 | ||
| 020 | |a 9781442661738 |9 978-1-4426-6173-8 | ||
| 035 | |a (OCoLC)751053883 | ||
| 035 | |a (DE-599)BVBBV043098743 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1046 |a DE-1047 | ||
| 082 | 0 | |a 791.43/6556 |2 22 | |
| 245 | 1 | 0 | |a Mafia movies |b a reader |c edited by Dana Renga |
| 264 | 1 | |a Toronto |b University of Toronto Press |c ©2011 | |
| 300 | |a 1 Online-Ressource (xiv, 400 pages, [16] pages of plates) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Toronto Italian studies | |
| 500 | |a Includes bibliographical references (pages 391-398) and filmography (p. 387-390) | ||
| 500 | |a Setting the scene - Introduction - The Corleones at home and abroad - Dana Renga - Gender and Violence - four themes in the everyday world of mafia wives - Peter Schneider and Jane Schneider -- - American mafia movies - the Corleones at home and abroad - Wallace McCutchen's The Black Hand - a different version of a biograph kidnapping - Vincenzo Maggitti - "Most thrilling subjects" - D.W. Griffith and the biograph revenge films - JoAnne Ruvoli - Ethnicity and the classical gangster film - Mervyn LeRoy's Little Caesar and Howard Hawks' Scarface - Norma Bouchard - Playing good Italian - bad Italian in ABC's The untouchables - Jonathan Cavallero - Prelude to The Godfather - Martin Ritt's The brotherhood - Robert Casillo - Micheal Corleone's tie - Francis Ford Coppola's The Godfather - Anthony Tamburri - Nihilism and Mafiositá in Martin Scorsese's Mean streets - Pellegrino D'Acierno | ||
| 500 | |a - Thematic patterns in Francis Ford Coppola's The Godfather - part II - John Paul Russo - The sexual politics of loyalty in John Huston's Prizzi's honor - Rebecca Bauman - Between postmodern parody and generic hybridization - the gangsters of Brian De Palma's The untouchables - Norma Bouchard - The bandit, the gangster, and the American Army shorts - Michael Cimino's The Sicilian - Chiara Mazzucchelli - Martin Scorsese's GoodFellas - hybrid storytelling between realism and formalism - Fulvio Orsitto - Redemption in Francis Ford Coppola's The Godfather - part III - John Paul Russo - "Nothing romantic about It" - gender and the legacy of crime in Abel Ferrara's The funeral - Lara Santoro - Inside the mafia - Mike Newell's Donnie Brasco - Robert Casillo - Martin Scorsese's The departed, or the quest for a departed ethnic identity - Margherita Heyer-Caput - When words can kill - David Chase's The sopranos - Franco Ricci | ||
| 500 | |a - Don't stop believin', don't stop- (de)structuring expectations in the final season of The sopranos - Giancarlo Lombardi -- - Italian Mafia movies - myth and resistance - Which law is the father's - gender and generic oscillation in Pietro Germi's In the name of the law - Danielle Hipkins - The visible, unexposed - Francesco Rosi's Salvatore Giuliano - Laura Wittman - Modernity, mafia style - Alberto Lattuada's Il mafioso - Nelson Moe - Francesco Rosi's Hands over the city - a contemporary perspective on the Camorra - Anna Paparcone - Prototypes of the mafia - Luchino Visconti's The leopard - Elizabeth Leake - The failure of the intellectual - Elio Petri's filming of Leonardo Sciascia's To each his own - Daniela Bini - Damiano Damiani's The day of the owl - a Western flirtation - Piero Garofalo - Smaller and larger families - Lina Wertmuller's The seduction of Mimi - Thomas Harrison - Deconstructing the enigma | ||
| 500 | |a - logical investigations in Francesco Rosi's Lucky Luciano - Gaetana Marrone - Power as such - the idea of the mafia in Franceso Rosi's Illustrious corpses - Alan O'Leary - Marco Risi's Forever Mary - desperate lives converge in Sicilia "non bedda" - George De Stefano - Threads of political violence in Italy's spiderweb - Giorgio Ambrosoli's murder in Michele Placido's A Bourgeois Hero - Carlo Testa - Sacrifice, sacrament, and the body in Ricky Tognazzi's La scorta - Myriam Ruthenburg - Pasquale Scimeca's Placido Rizzotto - a different view of Corleone - Amy Boylan - Marco Tullio Giordana's The hundred steps - the biopic as political cinema - George De Stefano - Roberta Torre's Angela - the mafia and the "woman's film" - Catherine O'Rawe - Organized crime and unfulfilled promises in Gabriele Salvatores' I'm not scared - Michael O'Riley - Growing up Camorrista - Antonio and Andrea Frazzi's Certi bambini - Allison Cooper | ||
| 500 | |a - Lipstick and chocolate - Paolo Sorrentino's The consequences of love - Mary Wood - The in(di)visibility of the mafia, politics, and ethics in Bianchi and Nerazzini's The mafia is white - Robin Pickering-Iazzi - Marco Turco's Excellent cadavers - an Italian tragedy - Maddalena Spazzini - Dispatches from Hell - Matteo Garrone's Gomorrah - Pierpaolo Antonello | ||
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Films de gangsters / États-Unis / Histoire et critique | |
| 650 | 4 | |a Films de gangsters / Italie / Histoire et critique | |
| 650 | 4 | |a Mafia au cinéma | |
| 650 | 7 | |a ART / Film & Video |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / Reference |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / General |2 bisacsh | |
| 650 | 7 | |a Gangster films |2 fast | |
| 650 | 7 | |a Mafia in motion pictures |2 fast | |
| 650 | 7 | |a Filmkunst |2 gtt | |
| 650 | 7 | |a Maffia |2 gtt | |
| 650 | 4 | |a Film | |
| 650 | 4 | |a Gangster films |z United States |x History and criticism | |
| 650 | 4 | |a Gangster films |z Italy |x History and criticism | |
| 650 | 4 | |a Mafia in motion pictures | |
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Mafia |g Motiv |0 (DE-588)4406818-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Gangsterfilm |0 (DE-588)4155936-8 |2 gnd |9 rswk-swf |
| 651 | 4 | |a Italien | |
| 651 | 4 | |a USA | |
| 655 | 7 | |8 1\p |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Gangsterfilm |0 (DE-588)4155936-8 |D s |
| 689 | 0 | 1 | |a Mafia |g Motiv |0 (DE-588)4406818-9 |D s |
| 689 | 0 | 2 | |a Geschichte |A z |
| 689 | 0 | |8 2\p |5 DE-604 | |
| 689 | 1 | 0 | |a Film |0 (DE-588)4017102-4 |D s |
| 689 | 1 | 1 | |a Mafia |g Motiv |0 (DE-588)4406818-9 |D s |
| 689 | 1 | 2 | |a Geschichte |A z |
| 689 | 1 | |8 3\p |5 DE-604 | |
| 700 | 1 | |a Renga, Dana |e Sonstige |4 oth | |
| 856 | 4 | 0 | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=467842 |x Aggregator |3 Volltext |
| 912 | |a ZDB-4-EBA | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-028522934 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 2\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 3\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=467842 |l FAW01 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=467842 |l FAW02 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804175506492358656 |
|---|---|
| any_adam_object | |
| building | Verbundindex |
| bvnumber | BV043098743 |
| collection | ZDB-4-EBA |
| ctrlnum | (OCoLC)751053883 (DE-599)BVBBV043098743 |
| dewey-full | 791.43/6556 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/6556 |
| dewey-search | 791.43/6556 |
| dewey-sort | 3791.43 46556 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>07355nmm a2200841zc 4500</leader><controlfield tag="001">BV043098743</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">151126s2011 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0802096654</subfield><subfield code="9">0-8020-9665-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0802099696</subfield><subfield code="9">0-8020-9969-6</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1442661739</subfield><subfield code="9">1-4426-6173-9</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780802096654</subfield><subfield code="9">978-0-8020-9665-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780802099693</subfield><subfield code="9">978-0-8020-9969-3</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781442661738</subfield><subfield code="9">978-1-4426-6173-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)751053883</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043098743</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-1047</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.43/6556</subfield><subfield code="2">22</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Mafia movies</subfield><subfield code="b">a reader</subfield><subfield code="c">edited by Dana Renga</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Toronto</subfield><subfield code="b">University of Toronto Press</subfield><subfield code="c">©2011</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xiv, 400 pages, [16] pages of plates)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Toronto Italian studies</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (pages 391-398) and filmography (p. 387-390)</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Setting the scene - Introduction - The Corleones at home and abroad - Dana Renga - Gender and Violence - four themes in the everyday world of mafia wives - Peter Schneider and Jane Schneider -- - American mafia movies - the Corleones at home and abroad - Wallace McCutchen's The Black Hand - a different version of a biograph kidnapping - Vincenzo Maggitti - "Most thrilling subjects" - D.W. Griffith and the biograph revenge films - JoAnne Ruvoli - Ethnicity and the classical gangster film - Mervyn LeRoy's Little Caesar and Howard Hawks' Scarface - Norma Bouchard - Playing good Italian - bad Italian in ABC's The untouchables - Jonathan Cavallero - Prelude to The Godfather - Martin Ritt's The brotherhood - Robert Casillo - Micheal Corleone's tie - Francis Ford Coppola's The Godfather - Anthony Tamburri - Nihilism and Mafiositá in Martin Scorsese's Mean streets - Pellegrino D'Acierno</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a"> - Thematic patterns in Francis Ford Coppola's The Godfather - part II - John Paul Russo - The sexual politics of loyalty in John Huston's Prizzi's honor - Rebecca Bauman - Between postmodern parody and generic hybridization - the gangsters of Brian De Palma's The untouchables - Norma Bouchard - The bandit, the gangster, and the American Army shorts - Michael Cimino's The Sicilian - Chiara Mazzucchelli - Martin Scorsese's GoodFellas - hybrid storytelling between realism and formalism - Fulvio Orsitto - Redemption in Francis Ford Coppola's The Godfather - part III - John Paul Russo - "Nothing romantic about It" - gender and the legacy of crime in Abel Ferrara's The funeral - Lara Santoro - Inside the mafia - Mike Newell's Donnie Brasco - Robert Casillo - Martin Scorsese's The departed, or the quest for a departed ethnic identity - Margherita Heyer-Caput - When words can kill - David Chase's The sopranos - Franco Ricci</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a"> - Don't stop believin', don't stop- (de)structuring expectations in the final season of The sopranos - Giancarlo Lombardi -- - Italian Mafia movies - myth and resistance - Which law is the father's - gender and generic oscillation in Pietro Germi's In the name of the law - Danielle Hipkins - The visible, unexposed - Francesco Rosi's Salvatore Giuliano - Laura Wittman - Modernity, mafia style - Alberto Lattuada's Il mafioso - Nelson Moe - Francesco Rosi's Hands over the city - a contemporary perspective on the Camorra - Anna Paparcone - Prototypes of the mafia - Luchino Visconti's The leopard - Elizabeth Leake - The failure of the intellectual - Elio Petri's filming of Leonardo Sciascia's To each his own - Daniela Bini - Damiano Damiani's The day of the owl - a Western flirtation - Piero Garofalo - Smaller and larger families - Lina Wertmuller's The seduction of Mimi - Thomas Harrison - Deconstructing the enigma</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a"> - logical investigations in Francesco Rosi's Lucky Luciano - Gaetana Marrone - Power as such - the idea of the mafia in Franceso Rosi's Illustrious corpses - Alan O'Leary - Marco Risi's Forever Mary - desperate lives converge in Sicilia "non bedda" - George De Stefano - Threads of political violence in Italy's spiderweb - Giorgio Ambrosoli's murder in Michele Placido's A Bourgeois Hero - Carlo Testa - Sacrifice, sacrament, and the body in Ricky Tognazzi's La scorta - Myriam Ruthenburg - Pasquale Scimeca's Placido Rizzotto - a different view of Corleone - Amy Boylan - Marco Tullio Giordana's The hundred steps - the biopic as political cinema - George De Stefano - Roberta Torre's Angela - the mafia and the "woman's film" - Catherine O'Rawe - Organized crime and unfulfilled promises in Gabriele Salvatores' I'm not scared - Michael O'Riley - Growing up Camorrista - Antonio and Andrea Frazzi's Certi bambini - Allison Cooper</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a"> - Lipstick and chocolate - Paolo Sorrentino's The consequences of love - Mary Wood - The in(di)visibility of the mafia, politics, and ethics in Bianchi and Nerazzini's The mafia is white - Robin Pickering-Iazzi - Marco Turco's Excellent cadavers - an Italian tragedy - Maddalena Spazzini - Dispatches from Hell - Matteo Garrone's Gomorrah - Pierpaolo Antonello</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Films de gangsters / États-Unis / Histoire et critique</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Films de gangsters / Italie / Histoire et critique</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Mafia au cinéma</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART / Film & Video</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / Reference</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / General</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Gangster films</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Mafia in motion pictures</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Filmkunst</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Maffia</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Gangster films</subfield><subfield code="z">United States</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Gangster films</subfield><subfield code="z">Italy</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Mafia in motion pictures</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Mafia</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4406818-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Gangsterfilm</subfield><subfield code="0">(DE-588)4155936-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Italien</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">USA</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="8">1\p</subfield><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Gangsterfilm</subfield><subfield code="0">(DE-588)4155936-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Mafia</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4406818-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">2\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Mafia</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4406818-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="8">3\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Renga, Dana</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=467842</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028522934</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">3\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=467842</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=467842</subfield><subfield code="l">FAW02</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| genre | 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| geographic | Italien USA |
| geographic_facet | Italien USA |
| id | DE-604.BV043098743 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:17:22Z |
| institution | BVB |
| isbn | 0802096654 0802099696 1442661739 9780802096654 9780802099693 9781442661738 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028522934 |
| oclc_num | 751053883 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 Online-Ressource (xiv, 400 pages, [16] pages of plates) |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | University of Toronto Press |
| record_format | marc |
| series2 | Toronto Italian studies |
| spelling | Mafia movies a reader edited by Dana Renga Toronto University of Toronto Press ©2011 1 Online-Ressource (xiv, 400 pages, [16] pages of plates) txt rdacontent c rdamedia cr rdacarrier Toronto Italian studies Includes bibliographical references (pages 391-398) and filmography (p. 387-390) Setting the scene - Introduction - The Corleones at home and abroad - Dana Renga - Gender and Violence - four themes in the everyday world of mafia wives - Peter Schneider and Jane Schneider -- - American mafia movies - the Corleones at home and abroad - Wallace McCutchen's The Black Hand - a different version of a biograph kidnapping - Vincenzo Maggitti - "Most thrilling subjects" - D.W. Griffith and the biograph revenge films - JoAnne Ruvoli - Ethnicity and the classical gangster film - Mervyn LeRoy's Little Caesar and Howard Hawks' Scarface - Norma Bouchard - Playing good Italian - bad Italian in ABC's The untouchables - Jonathan Cavallero - Prelude to The Godfather - Martin Ritt's The brotherhood - Robert Casillo - Micheal Corleone's tie - Francis Ford Coppola's The Godfather - Anthony Tamburri - Nihilism and Mafiositá in Martin Scorsese's Mean streets - Pellegrino D'Acierno - Thematic patterns in Francis Ford Coppola's The Godfather - part II - John Paul Russo - The sexual politics of loyalty in John Huston's Prizzi's honor - Rebecca Bauman - Between postmodern parody and generic hybridization - the gangsters of Brian De Palma's The untouchables - Norma Bouchard - The bandit, the gangster, and the American Army shorts - Michael Cimino's The Sicilian - Chiara Mazzucchelli - Martin Scorsese's GoodFellas - hybrid storytelling between realism and formalism - Fulvio Orsitto - Redemption in Francis Ford Coppola's The Godfather - part III - John Paul Russo - "Nothing romantic about It" - gender and the legacy of crime in Abel Ferrara's The funeral - Lara Santoro - Inside the mafia - Mike Newell's Donnie Brasco - Robert Casillo - Martin Scorsese's The departed, or the quest for a departed ethnic identity - Margherita Heyer-Caput - When words can kill - David Chase's The sopranos - Franco Ricci - Don't stop believin', don't stop- (de)structuring expectations in the final season of The sopranos - Giancarlo Lombardi -- - Italian Mafia movies - myth and resistance - Which law is the father's - gender and generic oscillation in Pietro Germi's In the name of the law - Danielle Hipkins - The visible, unexposed - Francesco Rosi's Salvatore Giuliano - Laura Wittman - Modernity, mafia style - Alberto Lattuada's Il mafioso - Nelson Moe - Francesco Rosi's Hands over the city - a contemporary perspective on the Camorra - Anna Paparcone - Prototypes of the mafia - Luchino Visconti's The leopard - Elizabeth Leake - The failure of the intellectual - Elio Petri's filming of Leonardo Sciascia's To each his own - Daniela Bini - Damiano Damiani's The day of the owl - a Western flirtation - Piero Garofalo - Smaller and larger families - Lina Wertmuller's The seduction of Mimi - Thomas Harrison - Deconstructing the enigma - logical investigations in Francesco Rosi's Lucky Luciano - Gaetana Marrone - Power as such - the idea of the mafia in Franceso Rosi's Illustrious corpses - Alan O'Leary - Marco Risi's Forever Mary - desperate lives converge in Sicilia "non bedda" - George De Stefano - Threads of political violence in Italy's spiderweb - Giorgio Ambrosoli's murder in Michele Placido's A Bourgeois Hero - Carlo Testa - Sacrifice, sacrament, and the body in Ricky Tognazzi's La scorta - Myriam Ruthenburg - Pasquale Scimeca's Placido Rizzotto - a different view of Corleone - Amy Boylan - Marco Tullio Giordana's The hundred steps - the biopic as political cinema - George De Stefano - Roberta Torre's Angela - the mafia and the "woman's film" - Catherine O'Rawe - Organized crime and unfulfilled promises in Gabriele Salvatores' I'm not scared - Michael O'Riley - Growing up Camorrista - Antonio and Andrea Frazzi's Certi bambini - Allison Cooper - Lipstick and chocolate - Paolo Sorrentino's The consequences of love - Mary Wood - The in(di)visibility of the mafia, politics, and ethics in Bianchi and Nerazzini's The mafia is white - Robin Pickering-Iazzi - Marco Turco's Excellent cadavers - an Italian tragedy - Maddalena Spazzini - Dispatches from Hell - Matteo Garrone's Gomorrah - Pierpaolo Antonello Geschichte gnd rswk-swf Films de gangsters / États-Unis / Histoire et critique Films de gangsters / Italie / Histoire et critique Mafia au cinéma ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh PERFORMING ARTS / Film & Video / General bisacsh Gangster films fast Mafia in motion pictures fast Filmkunst gtt Maffia gtt Film Gangster films United States History and criticism Gangster films Italy History and criticism Mafia in motion pictures Film (DE-588)4017102-4 gnd rswk-swf Mafia Motiv (DE-588)4406818-9 gnd rswk-swf Gangsterfilm (DE-588)4155936-8 gnd rswk-swf Italien USA 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Gangsterfilm (DE-588)4155936-8 s Mafia Motiv (DE-588)4406818-9 s Geschichte z 2\p DE-604 Film (DE-588)4017102-4 s 3\p DE-604 Renga, Dana Sonstige oth http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=467842 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Mafia movies a reader Films de gangsters / États-Unis / Histoire et critique Films de gangsters / Italie / Histoire et critique Mafia au cinéma ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh PERFORMING ARTS / Film & Video / General bisacsh Gangster films fast Mafia in motion pictures fast Filmkunst gtt Maffia gtt Film Gangster films United States History and criticism Gangster films Italy History and criticism Mafia in motion pictures Film (DE-588)4017102-4 gnd Mafia Motiv (DE-588)4406818-9 gnd Gangsterfilm (DE-588)4155936-8 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4406818-9 (DE-588)4155936-8 (DE-588)4143413-4 |
| title | Mafia movies a reader |
| title_auth | Mafia movies a reader |
| title_exact_search | Mafia movies a reader |
| title_full | Mafia movies a reader edited by Dana Renga |
| title_fullStr | Mafia movies a reader edited by Dana Renga |
| title_full_unstemmed | Mafia movies a reader edited by Dana Renga |
| title_short | Mafia movies |
| title_sort | mafia movies a reader |
| title_sub | a reader |
| topic | Films de gangsters / États-Unis / Histoire et critique Films de gangsters / Italie / Histoire et critique Mafia au cinéma ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh PERFORMING ARTS / Film & Video / General bisacsh Gangster films fast Mafia in motion pictures fast Filmkunst gtt Maffia gtt Film Gangster films United States History and criticism Gangster films Italy History and criticism Mafia in motion pictures Film (DE-588)4017102-4 gnd Mafia Motiv (DE-588)4406818-9 gnd Gangsterfilm (DE-588)4155936-8 gnd |
| topic_facet | Films de gangsters / États-Unis / Histoire et critique Films de gangsters / Italie / Histoire et critique Mafia au cinéma ART / Film & Video PERFORMING ARTS / Film & Video / Reference PERFORMING ARTS / Film & Video / General Gangster films Mafia in motion pictures Filmkunst Maffia Film Gangster films United States History and criticism Gangster films Italy History and criticism Mafia Motiv Gangsterfilm Italien USA Aufsatzsammlung |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=467842 |
| work_keys_str_mv | AT rengadana mafiamoviesareader |