Opera and drama in eighteenth-century London: the King's Theatre, Garrick and the business of performance
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
©2001
|
| Schriftenreihe: | Cambridge studies in opera
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references (pages 295-330) and index Introduction -- The Hobart management -- The new managers take control -- Sacchini and the revival of opera seria -- Recruitment procedures and artistic policy -- The King's Theatre in crisis -- The recruitment of Lovattini -- The English community in Rome -- Lucrezia Agujari at the Pantheon -- Caterina Gabrielli -- Rauzzini's last season -- The King's Theatre flourishes -- The Queen of Quavers satire -- Financial management -- Opera salaries -- The sale of 1778 -- Appendices. The accounts of Richard Yates and James Brooke at Henry Hoare & Co. The customer account ledgers of Sheridan and Harris (1778-1779). Selected entries from the account of Jonathan Garton at Drummonds Bank (1778-1779). The account of Gasparo Pacchierotti at Coutts & Co. (1779-1784). A page of opera payments and receipts in the Salt MSS (1780). Petition to the Lord Chamberlain (c.1770). Petition to the Lord Chamberlain (c.1775). Draft petition to the Lord Chamberlain from Sheridan and Harris (1777). Journal Etranger, No. 1 (June 1777). Opera reviews from Journal Etranger (1777-1778) In this study, Ian Woodfield explores the cultural and commercial life of Italian opera in late eighteenth-century London. It was a period when theatre and opera worlds mixed, venues were shared, and agents and managers collaborated and competed. Through primary sources, many analysed for the first time, Woodfield examines such issues as finances, recruitment policy, the handling of singers and composers, links with Paris and Italy, and the role of women in opera management. These key topics are also placed within the context of a personal dispute between two of the most important managers of the day, the woman writer Frances Brooke and the actor David Garrick, which influenced the running of the major venues, the King's Theatre, Drury Lane and Covent Garden. Woodfield has also uncovered new information concerning the influential role of the eighteenth-century music historian and critic Charles Burney, as artistic advisor to the King's Theatre.--Publisher description |
| Beschreibung: | 1 Online-Ressource (xii, 339 pages) |
| ISBN: | 0511015984 0511481756 0521028833 0521800129 9780511015984 9780511481758 9780521028837 9780521800129 |
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Datensatz im Suchindex
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| any_adam_object | |
| author | Woodfield, Ian |
| author_facet | Woodfield, Ian |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.5/09421 |
| dewey-search | 792.5/09421 |
| dewey-sort | 3792.5 49421 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | 1700 - 1799 fast Geschichte 1700-1800 Geschichte 1700-1800 gnd |
| era_facet | 1700 - 1799 Geschichte 1700-1800 |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:17:22Z |
| institution | BVB |
| isbn | 0511015984 0511481756 0521028833 0521800129 9780511015984 9780511481758 9780521028837 9780521800129 |
| language | English |
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| publisher | Cambridge University Press |
| record_format | marc |
| series2 | Cambridge studies in opera |
| spelling | Woodfield, Ian Verfasser aut Opera and drama in eighteenth-century London the King's Theatre, Garrick and the business of performance Ian Woodfield Opera and drama in 18th-century London Cambridge Cambridge University Press ©2001 1 Online-Ressource (xii, 339 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge studies in opera Includes bibliographical references (pages 295-330) and index Introduction -- The Hobart management -- The new managers take control -- Sacchini and the revival of opera seria -- Recruitment procedures and artistic policy -- The King's Theatre in crisis -- The recruitment of Lovattini -- The English community in Rome -- Lucrezia Agujari at the Pantheon -- Caterina Gabrielli -- Rauzzini's last season -- The King's Theatre flourishes -- The Queen of Quavers satire -- Financial management -- Opera salaries -- The sale of 1778 -- Appendices. The accounts of Richard Yates and James Brooke at Henry Hoare & Co. The customer account ledgers of Sheridan and Harris (1778-1779). Selected entries from the account of Jonathan Garton at Drummonds Bank (1778-1779). The account of Gasparo Pacchierotti at Coutts & Co. (1779-1784). A page of opera payments and receipts in the Salt MSS (1780). Petition to the Lord Chamberlain (c.1770). Petition to the Lord Chamberlain (c.1775). Draft petition to the Lord Chamberlain from Sheridan and Harris (1777). Journal Etranger, No. 1 (June 1777). Opera reviews from Journal Etranger (1777-1778) In this study, Ian Woodfield explores the cultural and commercial life of Italian opera in late eighteenth-century London. It was a period when theatre and opera worlds mixed, venues were shared, and agents and managers collaborated and competed. Through primary sources, many analysed for the first time, Woodfield examines such issues as finances, recruitment policy, the handling of singers and composers, links with Paris and Italy, and the role of women in opera management. These key topics are also placed within the context of a personal dispute between two of the most important managers of the day, the woman writer Frances Brooke and the actor David Garrick, which influenced the running of the major venues, the King's Theatre, Drury Lane and Covent Garden. Woodfield has also uncovered new information concerning the influential role of the eighteenth-century music historian and critic Charles Burney, as artistic advisor to the King's Theatre.--Publisher description King's Theatre (London, England) King's Theatre (Londres, Angleterre) King's Theatre (Londres, Angleterre) / Gestion King's Theatre (London, England) fast King's Theatre (London, England) Management 1700 - 1799 fast Geschichte 1700-1800 Geschichte 1700-1800 gnd rswk-swf Théâtre / Gestion / Angleterre / Londres / 18e siècle Opéra / Angleterre / Londres / 18e siècle MUSIC / Genres & Styles / Opera bisacsh Management fast Opera fast Theater management fast Theater management England London 18th century Opera England London 18th century Oper (DE-588)4043582-9 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Englisch (DE-588)4014777-0 s Drama (DE-588)4012899-4 s Geschichte 1700-1800 z 1\p DE-604 Großbritannien (DE-588)4022153-2 g Oper (DE-588)4043582-9 s 2\p DE-604 3\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=77969 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Woodfield, Ian Opera and drama in eighteenth-century London the King's Theatre, Garrick and the business of performance King's Theatre (London, England) King's Theatre (Londres, Angleterre) King's Theatre (Londres, Angleterre) / Gestion King's Theatre (London, England) fast King's Theatre (London, England) Management Théâtre / Gestion / Angleterre / Londres / 18e siècle Opéra / Angleterre / Londres / 18e siècle MUSIC / Genres & Styles / Opera bisacsh Management fast Opera fast Theater management fast Theater management England London 18th century Opera England London 18th century Oper (DE-588)4043582-9 gnd Englisch (DE-588)4014777-0 gnd Drama (DE-588)4012899-4 gnd |
| subject_GND | (DE-588)4043582-9 (DE-588)4014777-0 (DE-588)4012899-4 (DE-588)4022153-2 |
| title | Opera and drama in eighteenth-century London the King's Theatre, Garrick and the business of performance |
| title_alt | Opera and drama in 18th-century London |
| title_auth | Opera and drama in eighteenth-century London the King's Theatre, Garrick and the business of performance |
| title_exact_search | Opera and drama in eighteenth-century London the King's Theatre, Garrick and the business of performance |
| title_full | Opera and drama in eighteenth-century London the King's Theatre, Garrick and the business of performance Ian Woodfield |
| title_fullStr | Opera and drama in eighteenth-century London the King's Theatre, Garrick and the business of performance Ian Woodfield |
| title_full_unstemmed | Opera and drama in eighteenth-century London the King's Theatre, Garrick and the business of performance Ian Woodfield |
| title_short | Opera and drama in eighteenth-century London |
| title_sort | opera and drama in eighteenth century london the king s theatre garrick and the business of performance |
| title_sub | the King's Theatre, Garrick and the business of performance |
| topic | King's Theatre (London, England) King's Theatre (Londres, Angleterre) King's Theatre (Londres, Angleterre) / Gestion King's Theatre (London, England) fast King's Theatre (London, England) Management Théâtre / Gestion / Angleterre / Londres / 18e siècle Opéra / Angleterre / Londres / 18e siècle MUSIC / Genres & Styles / Opera bisacsh Management fast Opera fast Theater management fast Theater management England London 18th century Opera England London 18th century Oper (DE-588)4043582-9 gnd Englisch (DE-588)4014777-0 gnd Drama (DE-588)4012899-4 gnd |
| topic_facet | King's Theatre (London, England) King's Theatre (Londres, Angleterre) King's Theatre (Londres, Angleterre) / Gestion King's Theatre (London, England) Management Théâtre / Gestion / Angleterre / Londres / 18e siècle Opéra / Angleterre / Londres / 18e siècle MUSIC / Genres & Styles / Opera Management Opera Theater management Theater management England London 18th century Opera England London 18th century Oper Englisch Drama Großbritannien |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=77969 |
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