American ethnographic film and personal documentary: the Cambridge turn
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berkeley
University of California Press
2013
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references and index "American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism's focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century."-- Cover; American Ethnographic Film and Personal Documentary; Title; Copyright; Dedication; CONTENTS; Introduction; A Tentative Overview of Boston-Area Documentary Filmmaking; Ethnographic Film and Personal Documentary; Pragmatism: Learning from Experience; The Mission of American Ethnographic Film and Personal Documentary: The Cambridge Turn; Subjects for Further Research; Acknowledgments; 1. Lorna and John Marshall; Beginnings: Lorna Marshall and First Film; John Marshall: The Hunters; Idylls of the !Kung; Pedagogy; Expulsion from Eden: Bitter Melons and N!ai, the Story of a !Kung Woman The Pittsburgh Police Films and Brakhage's EyesPutting Down the Camera and Picking Up the Shovel; The Road Taken: A Kalahari Family; A Process in Time; 2. Robert Gardner; East Coast/West Coast: Early Experiments; Gardner and the Marshalls; Dead Birds; The Experience of Filmmaking as Thought Process; Robert Fulton: Reality's Invisible-"Serious Playing Around"; Screening Room: Midnight Movies; City Symphony: Forest of Bliss; The Return of the Repressed: Ika Hands; Still Journeying On: Unfinished Examinations of a Life; Studio7Arts: Sharon Lockhart's Double Tide and Robert Fenz's Correspondence 3. Timothy AschDodoth Morning and the Ethnographic Deadpan; Asch and the Yanomamo; The Ax Fight; 4. Ed Pincus and the Emergence of Personal Documentary; The Miriam Weinstein Quartet and Richard P. Rogers's Elephants: Fragments of an Argument; Ed Pincus's Diaries (1971-1976); Alfred Guzzetti: Family Portrait Sittings; Guzzetti: It's a Small World; Guzzetti: Time Exposure; 5. Alfred Guzzetti and Personal Cinema; Air; Experimental Video: "Language Lessons"; Scylla and Charybdis; Still Point; 6. Ross McElwee; Finding a Muse: Charleen Finding a Voice: Ann Schaetzel's Breaking and Entering and McElwee's BackyardDopplegänger: Sherman's March; Nesting Dolls: Time Indefinite; On the Road Again: Six O'Clock News; Occupational Hazards: Bright Leaves; Orpheus: In Paraguay and Photographic Memory; 7. Robb Moss; Riverdogs: A Possible Eden; The Tourist: "Freelance Editing"; Voyage of Life: The Same River Twice; 8. Panorama: Other Approaches to Personal Documentary; Steven Ascher and Jeanne Jordan: Families in Transition; Michel Negroponte: Getting Involved; Leacock and Lalonde The Subject Rebels: Nina Davenport's Films and Ed Pincus and Lucia Small's The Axe in the AtticThe Political Is the Personal: John Gianvito's Profit Motive and the Whispering Wind and Jeff Daniel Silva's Balkan Rhapsodies; Alexander Olch's The Windmill Movie: "This Little Séance of Flickering Light"; Amie Siegel's DDR/DDR; 9. Lucien Castaing-Taylor and Sensory Ethnography; Ilisa Barbash, Lucien Castaing-Taylor, and Sweetgrass; "Sheeple": Castaing-Taylor's Audio-Video Installations; The Sensory Ethnography Lab: J. P. Sniadecki, Stephanie Spray, Véréna Paravel, and Leviathan; Epilogue |
| Beschreibung: | 1 Online-Ressource (pages cm.) |
| ISBN: | 0520275616 0520275624 0520954939 9780520275614 9780520275621 9780520954939 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV043093370 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 151126s2013 |||| o||u| ||||||eng d | ||
| 020 | |a 0520275616 |9 0-520-27561-6 | ||
| 020 | |a 0520275624 |9 0-520-27562-4 | ||
| 020 | |a 0520954939 |c electronic bk. |9 0-520-95493-9 | ||
| 020 | |a 9780520275614 |9 978-0-520-27561-4 | ||
| 020 | |a 9780520275621 |9 978-0-520-27562-1 | ||
| 020 | |a 9780520954939 |c electronic bk. |9 978-0-520-95493-9 | ||
| 035 | |a (OCoLC)846495005 | ||
| 035 | |a (DE-599)BVBBV043093370 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1046 |a DE-1047 | ||
| 082 | 0 | |a 070.1/8 |2 23 | |
| 100 | 1 | |a MacDonald, Scott |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a American ethnographic film and personal documentary |b the Cambridge turn |c Scott MacDonald |
| 264 | 1 | |a Berkeley |b University of California Press |c 2013 | |
| 300 | |a 1 Online-Ressource (pages cm.) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 500 | |a "American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism's focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century."-- | ||
| 500 | |a Cover; American Ethnographic Film and Personal Documentary; Title; Copyright; Dedication; CONTENTS; Introduction; A Tentative Overview of Boston-Area Documentary Filmmaking; Ethnographic Film and Personal Documentary; Pragmatism: Learning from Experience; The Mission of American Ethnographic Film and Personal Documentary: The Cambridge Turn; Subjects for Further Research; Acknowledgments; 1. Lorna and John Marshall; Beginnings: Lorna Marshall and First Film; John Marshall: The Hunters; Idylls of the !Kung; Pedagogy; Expulsion from Eden: Bitter Melons and N!ai, the Story of a !Kung Woman | ||
| 500 | |a The Pittsburgh Police Films and Brakhage's EyesPutting Down the Camera and Picking Up the Shovel; The Road Taken: A Kalahari Family; A Process in Time; 2. Robert Gardner; East Coast/West Coast: Early Experiments; Gardner and the Marshalls; Dead Birds; The Experience of Filmmaking as Thought Process; Robert Fulton: Reality's Invisible-"Serious Playing Around"; Screening Room: Midnight Movies; City Symphony: Forest of Bliss; The Return of the Repressed: Ika Hands; Still Journeying On: Unfinished Examinations of a Life; Studio7Arts: Sharon Lockhart's Double Tide and Robert Fenz's Correspondence | ||
| 500 | |a 3. Timothy AschDodoth Morning and the Ethnographic Deadpan; Asch and the Yanomamo; The Ax Fight; 4. Ed Pincus and the Emergence of Personal Documentary; The Miriam Weinstein Quartet and Richard P. Rogers's Elephants: Fragments of an Argument; Ed Pincus's Diaries (1971-1976); Alfred Guzzetti: Family Portrait Sittings; Guzzetti: It's a Small World; Guzzetti: Time Exposure; 5. Alfred Guzzetti and Personal Cinema; Air; Experimental Video: "Language Lessons"; Scylla and Charybdis; Still Point; 6. Ross McElwee; Finding a Muse: Charleen | ||
| 500 | |a Finding a Voice: Ann Schaetzel's Breaking and Entering and McElwee's BackyardDopplegänger: Sherman's March; Nesting Dolls: Time Indefinite; On the Road Again: Six O'Clock News; Occupational Hazards: Bright Leaves; Orpheus: In Paraguay and Photographic Memory; 7. Robb Moss; Riverdogs: A Possible Eden; The Tourist: "Freelance Editing"; Voyage of Life: The Same River Twice; 8. Panorama: Other Approaches to Personal Documentary; Steven Ascher and Jeanne Jordan: Families in Transition; Michel Negroponte: Getting Involved; Leacock and Lalonde | ||
| 500 | |a The Subject Rebels: Nina Davenport's Films and Ed Pincus and Lucia Small's The Axe in the AtticThe Political Is the Personal: John Gianvito's Profit Motive and the Whispering Wind and Jeff Daniel Silva's Balkan Rhapsodies; Alexander Olch's The Windmill Movie: "This Little Séance of Flickering Light"; Amie Siegel's DDR/DDR; 9. Lucien Castaing-Taylor and Sensory Ethnography; Ilisa Barbash, Lucien Castaing-Taylor, and Sweetgrass; "Sheeple": Castaing-Taylor's Audio-Video Installations; The Sensory Ethnography Lab: J. P. Sniadecki, Stephanie Spray, Véréna Paravel, and Leviathan; Epilogue | ||
| 648 | 7 | |a Geschichte 1960- |2 gnd |9 rswk-swf | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / General |2 bisacsh | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES / Journalism |2 bisacsh | |
| 650 | 7 | |a Documentary films |2 fast | |
| 650 | 7 | |a Ethnographic films |2 fast | |
| 650 | 4 | |a Documentary films |z United States |x History and criticism | |
| 650 | 4 | |a Ethnographic films |z United States |x History and criticism | |
| 650 | 0 | 7 | |a Regisseur |0 (DE-588)4049050-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Dokumentarfilm |0 (DE-588)4012653-5 |2 gnd |9 rswk-swf |
| 651 | 4 | |a USA | |
| 651 | 7 | |a Massachusetts |0 (DE-588)4037858-5 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Massachusetts |0 (DE-588)4037858-5 |D g |
| 689 | 0 | 1 | |a Dokumentarfilm |0 (DE-588)4012653-5 |D s |
| 689 | 0 | 2 | |a Regisseur |0 (DE-588)4049050-6 |D s |
| 689 | 0 | 3 | |a Geschichte 1960- |A z |
| 689 | 0 | |8 1\p |5 DE-604 | |
| 856 | 4 | 0 | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=589319 |x Aggregator |3 Volltext |
| 912 | |a ZDB-4-EBA | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-028517562 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=589319 |l FAW01 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=589319 |l FAW02 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804175496345288704 |
|---|---|
| any_adam_object | |
| author | MacDonald, Scott |
| author_facet | MacDonald, Scott |
| author_role | aut |
| author_sort | MacDonald, Scott |
| author_variant | s m sm |
| building | Verbundindex |
| bvnumber | BV043093370 |
| collection | ZDB-4-EBA |
| ctrlnum | (OCoLC)846495005 (DE-599)BVBBV043093370 |
| dewey-full | 070.1/8 |
| dewey-hundreds | 000 - Computer science, information, general works |
| dewey-ones | 070 - Documentary, educational, news media; journalism |
| dewey-raw | 070.1/8 |
| dewey-search | 070.1/8 |
| dewey-sort | 270.1 18 |
| dewey-tens | 070 - Documentary, educational, news media; journalism |
| discipline | Allgemeines |
| era | Geschichte 1960- gnd |
| era_facet | Geschichte 1960- |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06581nmm a2200661zc 4500</leader><controlfield tag="001">BV043093370</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">151126s2013 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0520275616</subfield><subfield code="9">0-520-27561-6</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0520275624</subfield><subfield code="9">0-520-27562-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0520954939</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">0-520-95493-9</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780520275614</subfield><subfield code="9">978-0-520-27561-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780520275621</subfield><subfield code="9">978-0-520-27562-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780520954939</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">978-0-520-95493-9</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)846495005</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043093370</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-1047</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">070.1/8</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">MacDonald, Scott</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">American ethnographic film and personal documentary</subfield><subfield code="b">the Cambridge turn</subfield><subfield code="c">Scott MacDonald</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Berkeley</subfield><subfield code="b">University of California Press</subfield><subfield code="c">2013</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (pages cm.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">"American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism's focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century."--</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Cover; American Ethnographic Film and Personal Documentary; Title; Copyright; Dedication; CONTENTS; Introduction; A Tentative Overview of Boston-Area Documentary Filmmaking; Ethnographic Film and Personal Documentary; Pragmatism: Learning from Experience; The Mission of American Ethnographic Film and Personal Documentary: The Cambridge Turn; Subjects for Further Research; Acknowledgments; 1. Lorna and John Marshall; Beginnings: Lorna Marshall and First Film; John Marshall: The Hunters; Idylls of the !Kung; Pedagogy; Expulsion from Eden: Bitter Melons and N!ai, the Story of a !Kung Woman</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">The Pittsburgh Police Films and Brakhage's EyesPutting Down the Camera and Picking Up the Shovel; The Road Taken: A Kalahari Family; A Process in Time; 2. Robert Gardner; East Coast/West Coast: Early Experiments; Gardner and the Marshalls; Dead Birds; The Experience of Filmmaking as Thought Process; Robert Fulton: Reality's Invisible-"Serious Playing Around"; Screening Room: Midnight Movies; City Symphony: Forest of Bliss; The Return of the Repressed: Ika Hands; Still Journeying On: Unfinished Examinations of a Life; Studio7Arts: Sharon Lockhart's Double Tide and Robert Fenz's Correspondence</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">3. Timothy AschDodoth Morning and the Ethnographic Deadpan; Asch and the Yanomamo; The Ax Fight; 4. Ed Pincus and the Emergence of Personal Documentary; The Miriam Weinstein Quartet and Richard P. Rogers's Elephants: Fragments of an Argument; Ed Pincus's Diaries (1971-1976); Alfred Guzzetti: Family Portrait Sittings; Guzzetti: It's a Small World; Guzzetti: Time Exposure; 5. Alfred Guzzetti and Personal Cinema; Air; Experimental Video: "Language Lessons"; Scylla and Charybdis; Still Point; 6. Ross McElwee; Finding a Muse: Charleen</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Finding a Voice: Ann Schaetzel's Breaking and Entering and McElwee's BackyardDopplegänger: Sherman's March; Nesting Dolls: Time Indefinite; On the Road Again: Six O'Clock News; Occupational Hazards: Bright Leaves; Orpheus: In Paraguay and Photographic Memory; 7. Robb Moss; Riverdogs: A Possible Eden; The Tourist: "Freelance Editing"; Voyage of Life: The Same River Twice; 8. Panorama: Other Approaches to Personal Documentary; Steven Ascher and Jeanne Jordan: Families in Transition; Michel Negroponte: Getting Involved; Leacock and Lalonde</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">The Subject Rebels: Nina Davenport's Films and Ed Pincus and Lucia Small's The Axe in the AtticThe Political Is the Personal: John Gianvito's Profit Motive and the Whispering Wind and Jeff Daniel Silva's Balkan Rhapsodies; Alexander Olch's The Windmill Movie: "This Little Séance of Flickering Light"; Amie Siegel's DDR/DDR; 9. Lucien Castaing-Taylor and Sensory Ethnography; Ilisa Barbash, Lucien Castaing-Taylor, and Sweetgrass; "Sheeple": Castaing-Taylor's Audio-Video Installations; The Sensory Ethnography Lab: J. P. Sniadecki, Stephanie Spray, Véréna Paravel, and Leviathan; Epilogue</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1960-</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / General</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LANGUAGE ARTS & DISCIPLINES / Journalism</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Documentary films</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Ethnographic films</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Documentary films</subfield><subfield code="z">United States</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Ethnographic films</subfield><subfield code="z">United States</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Regisseur</subfield><subfield code="0">(DE-588)4049050-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Dokumentarfilm</subfield><subfield code="0">(DE-588)4012653-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">USA</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Massachusetts</subfield><subfield code="0">(DE-588)4037858-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Massachusetts</subfield><subfield code="0">(DE-588)4037858-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Dokumentarfilm</subfield><subfield code="0">(DE-588)4012653-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Regisseur</subfield><subfield code="0">(DE-588)4049050-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1960-</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=589319</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028517562</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=589319</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=589319</subfield><subfield code="l">FAW02</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| geographic | USA Massachusetts (DE-588)4037858-5 gnd |
| geographic_facet | USA Massachusetts |
| id | DE-604.BV043093370 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:17:13Z |
| institution | BVB |
| isbn | 0520275616 0520275624 0520954939 9780520275614 9780520275621 9780520954939 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028517562 |
| oclc_num | 846495005 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 Online-Ressource (pages cm.) |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | University of California Press |
| record_format | marc |
| spelling | MacDonald, Scott Verfasser aut American ethnographic film and personal documentary the Cambridge turn Scott MacDonald Berkeley University of California Press 2013 1 Online-Ressource (pages cm.) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index "American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism's focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century."-- Cover; American Ethnographic Film and Personal Documentary; Title; Copyright; Dedication; CONTENTS; Introduction; A Tentative Overview of Boston-Area Documentary Filmmaking; Ethnographic Film and Personal Documentary; Pragmatism: Learning from Experience; The Mission of American Ethnographic Film and Personal Documentary: The Cambridge Turn; Subjects for Further Research; Acknowledgments; 1. Lorna and John Marshall; Beginnings: Lorna Marshall and First Film; John Marshall: The Hunters; Idylls of the !Kung; Pedagogy; Expulsion from Eden: Bitter Melons and N!ai, the Story of a !Kung Woman The Pittsburgh Police Films and Brakhage's EyesPutting Down the Camera and Picking Up the Shovel; The Road Taken: A Kalahari Family; A Process in Time; 2. Robert Gardner; East Coast/West Coast: Early Experiments; Gardner and the Marshalls; Dead Birds; The Experience of Filmmaking as Thought Process; Robert Fulton: Reality's Invisible-"Serious Playing Around"; Screening Room: Midnight Movies; City Symphony: Forest of Bliss; The Return of the Repressed: Ika Hands; Still Journeying On: Unfinished Examinations of a Life; Studio7Arts: Sharon Lockhart's Double Tide and Robert Fenz's Correspondence 3. Timothy AschDodoth Morning and the Ethnographic Deadpan; Asch and the Yanomamo; The Ax Fight; 4. Ed Pincus and the Emergence of Personal Documentary; The Miriam Weinstein Quartet and Richard P. Rogers's Elephants: Fragments of an Argument; Ed Pincus's Diaries (1971-1976); Alfred Guzzetti: Family Portrait Sittings; Guzzetti: It's a Small World; Guzzetti: Time Exposure; 5. Alfred Guzzetti and Personal Cinema; Air; Experimental Video: "Language Lessons"; Scylla and Charybdis; Still Point; 6. Ross McElwee; Finding a Muse: Charleen Finding a Voice: Ann Schaetzel's Breaking and Entering and McElwee's BackyardDopplegänger: Sherman's March; Nesting Dolls: Time Indefinite; On the Road Again: Six O'Clock News; Occupational Hazards: Bright Leaves; Orpheus: In Paraguay and Photographic Memory; 7. Robb Moss; Riverdogs: A Possible Eden; The Tourist: "Freelance Editing"; Voyage of Life: The Same River Twice; 8. Panorama: Other Approaches to Personal Documentary; Steven Ascher and Jeanne Jordan: Families in Transition; Michel Negroponte: Getting Involved; Leacock and Lalonde The Subject Rebels: Nina Davenport's Films and Ed Pincus and Lucia Small's The Axe in the AtticThe Political Is the Personal: John Gianvito's Profit Motive and the Whispering Wind and Jeff Daniel Silva's Balkan Rhapsodies; Alexander Olch's The Windmill Movie: "This Little Séance of Flickering Light"; Amie Siegel's DDR/DDR; 9. Lucien Castaing-Taylor and Sensory Ethnography; Ilisa Barbash, Lucien Castaing-Taylor, and Sweetgrass; "Sheeple": Castaing-Taylor's Audio-Video Installations; The Sensory Ethnography Lab: J. P. Sniadecki, Stephanie Spray, Véréna Paravel, and Leviathan; Epilogue Geschichte 1960- gnd rswk-swf PERFORMING ARTS / Film & Video / General bisacsh LANGUAGE ARTS & DISCIPLINES / Journalism bisacsh Documentary films fast Ethnographic films fast Documentary films United States History and criticism Ethnographic films United States History and criticism Regisseur (DE-588)4049050-6 gnd rswk-swf Dokumentarfilm (DE-588)4012653-5 gnd rswk-swf USA Massachusetts (DE-588)4037858-5 gnd rswk-swf Massachusetts (DE-588)4037858-5 g Dokumentarfilm (DE-588)4012653-5 s Regisseur (DE-588)4049050-6 s Geschichte 1960- z 1\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=589319 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | MacDonald, Scott American ethnographic film and personal documentary the Cambridge turn PERFORMING ARTS / Film & Video / General bisacsh LANGUAGE ARTS & DISCIPLINES / Journalism bisacsh Documentary films fast Ethnographic films fast Documentary films United States History and criticism Ethnographic films United States History and criticism Regisseur (DE-588)4049050-6 gnd Dokumentarfilm (DE-588)4012653-5 gnd |
| subject_GND | (DE-588)4049050-6 (DE-588)4012653-5 (DE-588)4037858-5 |
| title | American ethnographic film and personal documentary the Cambridge turn |
| title_auth | American ethnographic film and personal documentary the Cambridge turn |
| title_exact_search | American ethnographic film and personal documentary the Cambridge turn |
| title_full | American ethnographic film and personal documentary the Cambridge turn Scott MacDonald |
| title_fullStr | American ethnographic film and personal documentary the Cambridge turn Scott MacDonald |
| title_full_unstemmed | American ethnographic film and personal documentary the Cambridge turn Scott MacDonald |
| title_short | American ethnographic film and personal documentary |
| title_sort | american ethnographic film and personal documentary the cambridge turn |
| title_sub | the Cambridge turn |
| topic | PERFORMING ARTS / Film & Video / General bisacsh LANGUAGE ARTS & DISCIPLINES / Journalism bisacsh Documentary films fast Ethnographic films fast Documentary films United States History and criticism Ethnographic films United States History and criticism Regisseur (DE-588)4049050-6 gnd Dokumentarfilm (DE-588)4012653-5 gnd |
| topic_facet | PERFORMING ARTS / Film & Video / General LANGUAGE ARTS & DISCIPLINES / Journalism Documentary films Ethnographic films Documentary films United States History and criticism Ethnographic films United States History and criticism Regisseur Dokumentarfilm USA Massachusetts |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=589319 |
| work_keys_str_mv | AT macdonaldscott americanethnographicfilmandpersonaldocumentarythecambridgeturn |