Post-impressionism:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English French |
| Veröffentlicht: |
New York
Parkstone International
©2010
|
| Schriftenreihe: | Art of century collection
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Paul Cezanne -- Neo-Impressionism -- Vincent van Gogh -- Paul Gauguin -- Henri de Toulouse-Lautrec -- The Nabis This volume presents the late 1890s French art movement known as Post-Impressionism. Post-Impressionists extended Impressionism while rejecting its limitations: they continued using vivid colors, thick application of paint, distinctive brush strokes, and real-life subject matter, but they were more inclined to emphasize geometric forms, to distort form for expressive effect, and to use unnatural or arbitrary color. The Post-Impressionists were dissatisfied with the triviality of subject matter and the loss of structure in Impressionist paintings, though they did not agree on the way forward, leading to several informal sub-movements pointillism, cloisonnism, synthetism, and symbolism Includes bibliographical reference (page 194) and index |
| Beschreibung: | 1 Online-Ressource (199 pages) |
| ISBN: | 1283952238 1780428022 1844847462 9781283952231 9781780428024 9781844847464 |
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| 500 | |a This volume presents the late 1890s French art movement known as Post-Impressionism. Post-Impressionists extended Impressionism while rejecting its limitations: they continued using vivid colors, thick application of paint, distinctive brush strokes, and real-life subject matter, but they were more inclined to emphasize geometric forms, to distort form for expressive effect, and to use unnatural or arbitrary color. The Post-Impressionists were dissatisfied with the triviality of subject matter and the loss of structure in Impressionist paintings, though they did not agree on the way forward, leading to several informal sub-movements pointillism, cloisonnism, synthetism, and symbolism | ||
| 500 | |a Includes bibliographical reference (page 194) and index | ||
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Datensatz im Suchindex
| _version_ | 1804175487066439680 |
|---|---|
| any_adam_object | |
| author | Brodskai͡a, N. V., (Natalʹi͡a Valentinovna) |
| author_facet | Brodskai͡a, N. V., (Natalʹi͡a Valentinovna) |
| author_role | aut |
| author_sort | Brodskai͡a, N. V., (Natalʹi͡a Valentinovna) |
| author_variant | n v n v b nvnv nvnvb |
| building | Verbundindex |
| bvnumber | BV043088430 |
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| ctrlnum | (OCoLC)778448542 (DE-599)BVBBV043088430 |
| dewey-full | 709.0346 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.0346 |
| dewey-search | 709.0346 |
| dewey-sort | 3709.0346 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| id | DE-604.BV043088430 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:17:04Z |
| institution | BVB |
| isbn | 1283952238 1780428022 1844847462 9781283952231 9781780428024 9781844847464 |
| language | English French |
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| oclc_num | 778448542 |
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| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 Online-Ressource (199 pages) |
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| publishDate | 2010 |
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| publishDateSort | 2010 |
| publisher | Parkstone International |
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| spelling | Brodskai͡a, N. V., (Natalʹi͡a Valentinovna) Verfasser aut Post-impressionism Nathalia Brodskaia New York Parkstone International ©2010 1 Online-Ressource (199 pages) txt rdacontent c rdamedia cr rdacarrier Art of century collection Paul Cezanne -- Neo-Impressionism -- Vincent van Gogh -- Paul Gauguin -- Henri de Toulouse-Lautrec -- The Nabis This volume presents the late 1890s French art movement known as Post-Impressionism. Post-Impressionists extended Impressionism while rejecting its limitations: they continued using vivid colors, thick application of paint, distinctive brush strokes, and real-life subject matter, but they were more inclined to emphasize geometric forms, to distort form for expressive effect, and to use unnatural or arbitrary color. The Post-Impressionists were dissatisfied with the triviality of subject matter and the loss of structure in Impressionist paintings, though they did not agree on the way forward, leading to several informal sub-movements pointillism, cloisonnism, synthetism, and symbolism Includes bibliographical reference (page 194) and index ART / History / Modern (late 19th Century to 1945) bisacsh Post-impressionism (Art) fast Geschichte Post-impressionism (Art) http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=436227 Aggregator Volltext |
| spellingShingle | Brodskai͡a, N. V., (Natalʹi͡a Valentinovna) Post-impressionism ART / History / Modern (late 19th Century to 1945) bisacsh Post-impressionism (Art) fast Geschichte Post-impressionism (Art) |
| title | Post-impressionism |
| title_auth | Post-impressionism |
| title_exact_search | Post-impressionism |
| title_full | Post-impressionism Nathalia Brodskaia |
| title_fullStr | Post-impressionism Nathalia Brodskaia |
| title_full_unstemmed | Post-impressionism Nathalia Brodskaia |
| title_short | Post-impressionism |
| title_sort | post impressionism |
| topic | ART / History / Modern (late 19th Century to 1945) bisacsh Post-impressionism (Art) fast Geschichte Post-impressionism (Art) |
| topic_facet | ART / History / Modern (late 19th Century to 1945) Post-impressionism (Art) Geschichte |
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