Holdings: Impressionism :: THWS Bibkatalog

Impressionism:

Saved in:

Bibliographic Details
Main Author:	Brodskai͡a, N. V., (Natalʹi͡a Valentinovna) (Author)
Format:	Electronic eBook
Language:	English
Published:	New York Parkstone International 2010
Series:	Art of century collection
Subjects:	ART / History / General Impressionism (Art) Geschichte
Online Access:	FAW01 FAW02 Volltext
Item Description:	Includes bibliographical references (page 194) and index "Ipaint what I see and not what it pleases others to see." What other words than these of Édouard Manet, seemingly so different from the sentiments of Monet or Renoir, could best define the movement of Impressionism? Without a doubt this singularity was explained when, shortly before his death, Claude Monet wrote: "I remain sorry to have been the cause of the name given to a group the majority of which did not have anything Impressionist."In this work, Nathalia Brodskaïa examines the contradictions of this late 19th-century movement through the paradox of a group who, while forming a coherent PREFACE; THE IMPRESSIONISTS AND ACADEMIC PAINTING; THE FIRST IMPRESSIONIST EXHIBITION; ÉDOUARD MANET; CLAUDE MONET; PIERRE AUGUSTE RENOIR; ALFRED SISLEY; CAMILLE PISSARRO; EDGAR DEGAS; BERTHE MORISOT; BIBLIOGRAPHY; INDEX.
Physical Description:	1 Online-Ressource (199 pages)
ISBN:	1283952424 1780428014 1844847438 9781283952422 9781780428017 9781844847433

Staff View

MARC


LEADER	00000nmm a2200000zc 4500
001	BV043084995
003	DE-604
005	00000000000000.0
007	cr\|uuu---uuuuu
008	151126s2010 \|\|\|\| o\|\|u\| \|\|\|\|\|\|eng d
020			\|a 1283952424 \|c ebk \|9 1-283-95242-4
020			\|a 1780428014 \|c electronic bk. \|9 1-78042-801-4
020			\|a 1844847438 \|9 1-84484-743-8
020			\|a 1844847438 \|9 1-84484-743-8
020			\|a 9781283952422 \|c ebk \|9 978-1-283-95242-2
020			\|a 9781780428017 \|c electronic bk. \|9 978-1-78042-801-7
020			\|a 9781844847433 \|9 978-1-84484-743-3
020			\|a 9781844847433 \|9 978-1-84484-743-3
035			\|a (OCoLC)778448857
035			\|a (DE-599)BVBBV043084995
040			\|a DE-604 \|b ger \|e aacr
041	0		\|a eng
049			\|a DE-1046 \|a DE-1047
082	0		\|a 759.409034 \|2 22
100	1		\|a Brodskai͡a, N. V., (Natalʹi͡a Valentinovna) \|e Verfasser \|4 aut
245	1	0	\|a Impressionism \|c Nathalia Brodskaïa
264		1	\|a New York \|b Parkstone International \|c 2010
300			\|a 1 Online-Ressource (199 pages)
336			\|b txt \|2 rdacontent
337			\|b c \|2 rdamedia
338			\|b cr \|2 rdacarrier
490	0		\|a Art of century collection
500			\|a Includes bibliographical references (page 194) and index
500			\|a "Ipaint what I see and not what it pleases others to see." What other words than these of Édouard Manet, seemingly so different from the sentiments of Monet or Renoir, could best define the movement of Impressionism? Without a doubt this singularity was explained when, shortly before his death, Claude Monet wrote: "I remain sorry to have been the cause of the name given to a group the majority of which did not have anything Impressionist."In this work, Nathalia Brodskaïa examines the contradictions of this late 19th-century movement through the paradox of a group who, while forming a coherent
500			\|a PREFACE; THE IMPRESSIONISTS AND ACADEMIC PAINTING; THE FIRST IMPRESSIONIST EXHIBITION; ÉDOUARD MANET; CLAUDE MONET; PIERRE AUGUSTE RENOIR; ALFRED SISLEY; CAMILLE PISSARRO; EDGAR DEGAS; BERTHE MORISOT; BIBLIOGRAPHY; INDEX.
650		7	\|a ART / History / General \|2 bisacsh
650		7	\|a Impressionism (Art) \|2 fast
650		4	\|a Geschichte
650		4	\|a Impressionism (Art)
856	4	0	\|u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=436199 \|x Aggregator \|3 Volltext
912			\|a ZDB-4-EBA
999			\|a oai:aleph.bib-bvb.de:BVB01-028509187
966	e		\|u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=436199 \|l FAW01 \|p ZDB-4-EBA \|q FAW_PDA_EBA \|x Aggregator \|3 Volltext
966	e		\|u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=436199 \|l FAW02 \|p ZDB-4-EBA \|q FAW_PDA_EBA \|x Aggregator \|3 Volltext

Record in the Search Index

_version_	1804175480416370688
any_adam_object
author	Brodskai͡a, N. V., (Natalʹi͡a Valentinovna)
author_facet	Brodskai͡a, N. V., (Natalʹi͡a Valentinovna)
author_role	aut
author_sort	Brodskai͡a, N. V., (Natalʹi͡a Valentinovna)
author_variant	n v n v b nvnv nvnvb
building	Verbundindex
bvnumber	BV043084995
collection	ZDB-4-EBA
ctrlnum	(OCoLC)778448857 (DE-599)BVBBV043084995
dewey-full	759.409034
dewey-hundreds	700 - The arts
dewey-ones	759 - History, geographic treatment, biography
dewey-raw	759.409034
dewey-search	759.409034
dewey-sort	3759.409034
dewey-tens	750 - Painting and paintings
discipline	Kunstgeschichte
format	Electronic eBook
fullrecord	<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02749nmm a2200493zc 4500</leader><controlfield tag="001">BV043084995</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr\|uuu---uuuuu</controlfield><controlfield tag="008">151126s2010 \|\|\|\| o\|\|u\| \|\|\|\|\|\|eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1283952424</subfield><subfield code="c">ebk</subfield><subfield code="9">1-283-95242-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1780428014</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">1-78042-801-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1844847438</subfield><subfield code="9">1-84484-743-8</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1844847438</subfield><subfield code="9">1-84484-743-8</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781283952422</subfield><subfield code="c">ebk</subfield><subfield code="9">978-1-283-95242-2</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781780428017</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">978-1-78042-801-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781844847433</subfield><subfield code="9">978-1-84484-743-3</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781844847433</subfield><subfield code="9">978-1-84484-743-3</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)778448857</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043084995</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-1047</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">759.409034</subfield><subfield code="2">22</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Brodskai͡a, N. V., (Natalʹi͡a Valentinovna)</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Impressionism</subfield><subfield code="c">Nathalia Brodskaïa</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Parkstone International</subfield><subfield code="c">2010</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (199 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Art of century collection</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (page 194) and index</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">"Ipaint what I see and not what it pleases others to see." What other words than these of Édouard Manet, seemingly so different from the sentiments of Monet or Renoir, could best define the movement of Impressionism? Without a doubt this singularity was explained when, shortly before his death, Claude Monet wrote: "I remain sorry to have been the cause of the name given to a group the majority of which did not have anything Impressionist."In this work, Nathalia Brodskaïa examines the contradictions of this late 19th-century movement through the paradox of a group who, while forming a coherent</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">PREFACE; THE IMPRESSIONISTS AND ACADEMIC PAINTING; THE FIRST IMPRESSIONIST EXHIBITION; ÉDOUARD MANET; CLAUDE MONET; PIERRE AUGUSTE RENOIR; ALFRED SISLEY; CAMILLE PISSARRO; EDGAR DEGAS; BERTHE MORISOT; BIBLIOGRAPHY; INDEX.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART / History / General</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Impressionism (Art)</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Impressionism (Art)</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=436199</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028509187</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=436199</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=436199</subfield><subfield code="l">FAW02</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection>
id	DE-604.BV043084995
illustrated	Not Illustrated
indexdate	2024-07-10T07:16:57Z
institution	BVB
isbn	1283952424 1780428014 1844847438 9781283952422 9781780428017 9781844847433
language	English
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-028509187
oclc_num	778448857
open_access_boolean
owner	DE-1046 DE-1047
owner_facet	DE-1046 DE-1047
physical	1 Online-Ressource (199 pages)
psigel	ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA
publishDate	2010
publishDateSearch	2010
publishDateSort	2010
publisher	Parkstone International
record_format	marc
series2	Art of century collection
spelling	Brodskai͡a, N. V., (Natalʹi͡a Valentinovna) Verfasser aut Impressionism Nathalia Brodskaïa New York Parkstone International 2010 1 Online-Ressource (199 pages) txt rdacontent c rdamedia cr rdacarrier Art of century collection Includes bibliographical references (page 194) and index "Ipaint what I see and not what it pleases others to see." What other words than these of Édouard Manet, seemingly so different from the sentiments of Monet or Renoir, could best define the movement of Impressionism? Without a doubt this singularity was explained when, shortly before his death, Claude Monet wrote: "I remain sorry to have been the cause of the name given to a group the majority of which did not have anything Impressionist."In this work, Nathalia Brodskaïa examines the contradictions of this late 19th-century movement through the paradox of a group who, while forming a coherent PREFACE; THE IMPRESSIONISTS AND ACADEMIC PAINTING; THE FIRST IMPRESSIONIST EXHIBITION; ÉDOUARD MANET; CLAUDE MONET; PIERRE AUGUSTE RENOIR; ALFRED SISLEY; CAMILLE PISSARRO; EDGAR DEGAS; BERTHE MORISOT; BIBLIOGRAPHY; INDEX. ART / History / General bisacsh Impressionism (Art) fast Geschichte Impressionism (Art) http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=436199 Aggregator Volltext
spellingShingle	Brodskai͡a, N. V., (Natalʹi͡a Valentinovna) Impressionism ART / History / General bisacsh Impressionism (Art) fast Geschichte Impressionism (Art)
title	Impressionism
title_auth	Impressionism
title_exact_search	Impressionism
title_full	Impressionism Nathalia Brodskaïa
title_fullStr	Impressionism Nathalia Brodskaïa
title_full_unstemmed	Impressionism Nathalia Brodskaïa
title_short	Impressionism
title_sort	impressionism
topic	ART / History / General bisacsh Impressionism (Art) fast Geschichte Impressionism (Art)
topic_facet	ART / History / General Impressionism (Art) Geschichte
url	http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=436199
work_keys_str_mv	AT brodskaianvnatalʹiavalentinovna impressionism

Holdings

There is no print copy available.

Interlibrary loan Place Request Caution: Not in THWS collection! Get full text

MARC

Record in the Search Index

There is no print copy available.

Similar Items