Impressionism:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Parkstone International
2010
|
| Schriftenreihe: | Art of century collection
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references (page 194) and index "Ipaint what I see and not what it pleases others to see." What other words than these of Édouard Manet, seemingly so different from the sentiments of Monet or Renoir, could best define the movement of Impressionism? Without a doubt this singularity was explained when, shortly before his death, Claude Monet wrote: "I remain sorry to have been the cause of the name given to a group the majority of which did not have anything Impressionist."In this work, Nathalia Brodskaïa examines the contradictions of this late 19th-century movement through the paradox of a group who, while forming a coherent PREFACE; THE IMPRESSIONISTS AND ACADEMIC PAINTING; THE FIRST IMPRESSIONIST EXHIBITION; ÉDOUARD MANET; CLAUDE MONET; PIERRE AUGUSTE RENOIR; ALFRED SISLEY; CAMILLE PISSARRO; EDGAR DEGAS; BERTHE MORISOT; BIBLIOGRAPHY; INDEX. |
| Beschreibung: | 1 Online-Ressource (199 pages) |
| ISBN: | 1283952424 1780428014 1844847438 9781283952422 9781780428017 9781844847433 |
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| 500 | |a "Ipaint what I see and not what it pleases others to see." What other words than these of Édouard Manet, seemingly so different from the sentiments of Monet or Renoir, could best define the movement of Impressionism? Without a doubt this singularity was explained when, shortly before his death, Claude Monet wrote: "I remain sorry to have been the cause of the name given to a group the majority of which did not have anything Impressionist."In this work, Nathalia Brodskaïa examines the contradictions of this late 19th-century movement through the paradox of a group who, while forming a coherent | ||
| 500 | |a PREFACE; THE IMPRESSIONISTS AND ACADEMIC PAINTING; THE FIRST IMPRESSIONIST EXHIBITION; ÉDOUARD MANET; CLAUDE MONET; PIERRE AUGUSTE RENOIR; ALFRED SISLEY; CAMILLE PISSARRO; EDGAR DEGAS; BERTHE MORISOT; BIBLIOGRAPHY; INDEX. | ||
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| 650 | 4 | |a Impressionism (Art) | |
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Datensatz im Suchindex
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| author | Brodskai͡a, N. V., (Natalʹi͡a Valentinovna) |
| author_facet | Brodskai͡a, N. V., (Natalʹi͡a Valentinovna) |
| author_role | aut |
| author_sort | Brodskai͡a, N. V., (Natalʹi͡a Valentinovna) |
| author_variant | n v n v b nvnv nvnvb |
| building | Verbundindex |
| bvnumber | BV043084995 |
| collection | ZDB-4-EBA |
| ctrlnum | (OCoLC)778448857 (DE-599)BVBBV043084995 |
| dewey-full | 759.409034 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 759 - History, geographic treatment, biography |
| dewey-raw | 759.409034 |
| dewey-search | 759.409034 |
| dewey-sort | 3759.409034 |
| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| id | DE-604.BV043084995 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:16:57Z |
| institution | BVB |
| isbn | 1283952424 1780428014 1844847438 9781283952422 9781780428017 9781844847433 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028509187 |
| oclc_num | 778448857 |
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| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 Online-Ressource (199 pages) |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2010 |
| publishDateSearch | 2010 |
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| publisher | Parkstone International |
| record_format | marc |
| series2 | Art of century collection |
| spelling | Brodskai͡a, N. V., (Natalʹi͡a Valentinovna) Verfasser aut Impressionism Nathalia Brodskaïa New York Parkstone International 2010 1 Online-Ressource (199 pages) txt rdacontent c rdamedia cr rdacarrier Art of century collection Includes bibliographical references (page 194) and index "Ipaint what I see and not what it pleases others to see." What other words than these of Édouard Manet, seemingly so different from the sentiments of Monet or Renoir, could best define the movement of Impressionism? Without a doubt this singularity was explained when, shortly before his death, Claude Monet wrote: "I remain sorry to have been the cause of the name given to a group the majority of which did not have anything Impressionist."In this work, Nathalia Brodskaïa examines the contradictions of this late 19th-century movement through the paradox of a group who, while forming a coherent PREFACE; THE IMPRESSIONISTS AND ACADEMIC PAINTING; THE FIRST IMPRESSIONIST EXHIBITION; ÉDOUARD MANET; CLAUDE MONET; PIERRE AUGUSTE RENOIR; ALFRED SISLEY; CAMILLE PISSARRO; EDGAR DEGAS; BERTHE MORISOT; BIBLIOGRAPHY; INDEX. ART / History / General bisacsh Impressionism (Art) fast Geschichte Impressionism (Art) http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=436199 Aggregator Volltext |
| spellingShingle | Brodskai͡a, N. V., (Natalʹi͡a Valentinovna) Impressionism ART / History / General bisacsh Impressionism (Art) fast Geschichte Impressionism (Art) |
| title | Impressionism |
| title_auth | Impressionism |
| title_exact_search | Impressionism |
| title_full | Impressionism Nathalia Brodskaïa |
| title_fullStr | Impressionism Nathalia Brodskaïa |
| title_full_unstemmed | Impressionism Nathalia Brodskaïa |
| title_short | Impressionism |
| title_sort | impressionism |
| topic | ART / History / General bisacsh Impressionism (Art) fast Geschichte Impressionism (Art) |
| topic_facet | ART / History / General Impressionism (Art) Geschichte |
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| work_keys_str_mv | AT brodskaianvnatalʹiavalentinovna impressionism |