Mad to be saved: the Beats, the '50s, and film
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Carbondale
Southern Illinois University Press
©1998
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 Includes bibliographical references (pages 223-249) and index "Film critic David Sterritt presents an interdisciplinary exploration of the Beat Generation, its intersections with mainstream and experimental film, and the interactions of all of these with American society and the culture of the '50s. Examining American society in the '50s, Sterritt balances the Beat countercultural goal of rebellion through both artistic creation and everyday behavior against the mainstream values of conformity and conservatism, growing worry over cold-war hostilities, and the "rat race" toward material success." "After an introductory overview of the Beat Generation, its history, its antecedents and its influences, Sterritt shows the importance of "visual thinking" in the lives and works of major Beat authors, most notably Jack Kerouac, Allen Ginsberg, and William S. Burroughs. He turns to Mikhail Bakhtin's dialogic theory to portray the Beat writers - who were inspired by jazz and other liberating influences - as carnivalesque rebels against what they perceived as a rigid and stifling social order." "Showing the Beats as social critics, Sterritt looks at the work of '50s photographers Robert Frank and William Klein; the attack against Beat culture in the pictures and prose of Life magazine; and the counterattack in Frank's film Pull My Daisy, featuring key Beat personalities. He further explores expressions of rebelliousness in film noir, the melodramas of director Douglas Sirk, and other Hollywood films." "Finally, Sterritt shows the changing attitudes toward the Beat sensibility in Beat-related Hollywood movies like A Bucket of Blood and The Beat Generation; television programs like Route 66 and The Many Loves of Dobie Gillis, nonstudio films like John Cassavetes's improvisational Shadows and Shirley Clarke's experimental The Connection; and radically avant-garde works by such doggedly independent screen artists as Stan Brakhage, Ron Rice, Bruce Connor, and Ken Jacobs, drawing connections between their achievements and the most subversive products of their Beat contemporaries."--Jacket |
| Beschreibung: | 1 Online-Ressource (xii, 258 pages) |
| ISBN: | 0585029733 0809321807 9780585029733 |
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| 500 | |a Includes bibliographical references (pages 223-249) and index | ||
| 500 | |a "Film critic David Sterritt presents an interdisciplinary exploration of the Beat Generation, its intersections with mainstream and experimental film, and the interactions of all of these with American society and the culture of the '50s. Examining American society in the '50s, Sterritt balances the Beat countercultural goal of rebellion through both artistic creation and everyday behavior against the mainstream values of conformity and conservatism, growing worry over cold-war hostilities, and the "rat race" toward material success." "After an introductory overview of the Beat Generation, its history, its antecedents and its influences, Sterritt shows the importance of "visual thinking" in the lives and works of major Beat authors, most notably Jack Kerouac, Allen Ginsberg, and William S. Burroughs. | ||
| 500 | |a He turns to Mikhail Bakhtin's dialogic theory to portray the Beat writers - who were inspired by jazz and other liberating influences - as carnivalesque rebels against what they perceived as a rigid and stifling social order." "Showing the Beats as social critics, Sterritt looks at the work of '50s photographers Robert Frank and William Klein; the attack against Beat culture in the pictures and prose of Life magazine; and the counterattack in Frank's film Pull My Daisy, featuring key Beat personalities. | ||
| 500 | |a He further explores expressions of rebelliousness in film noir, the melodramas of director Douglas Sirk, and other Hollywood films." "Finally, Sterritt shows the changing attitudes toward the Beat sensibility in Beat-related Hollywood movies like A Bucket of Blood and The Beat Generation; television programs like Route 66 and The Many Loves of Dobie Gillis, nonstudio films like John Cassavetes's improvisational Shadows and Shirley Clarke's experimental The Connection; and radically avant-garde works by such doggedly independent screen artists as Stan Brakhage, Ron Rice, Bruce Connor, and Ken Jacobs, drawing connections between their achievements and the most subversive products of their Beat contemporaries."--Jacket | ||
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Datensatz im Suchindex
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| any_adam_object | |
| author | Sterritt, David |
| author_facet | Sterritt, David |
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| bvnumber | BV043084572 |
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| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 810 - American literature in English |
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| dewey-search | 810.9/0054 |
| dewey-sort | 3810.9 254 |
| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
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| geographic | USA USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV043084572 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:16:57Z |
| institution | BVB |
| isbn | 0585029733 0809321807 9780585029733 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028508764 |
| oclc_num | 42329469 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 Online-Ressource (xii, 258 pages) |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 1998 |
| publishDateSearch | 1998 |
| publishDateSort | 1998 |
| publisher | Southern Illinois University Press |
| record_format | marc |
| spelling | Sterritt, David Verfasser aut Mad to be saved the Beats, the '50s, and film David Sterritt Carbondale Southern Illinois University Press ©1998 1 Online-Ressource (xii, 258 pages) txt rdacontent c rdamedia cr rdacarrier Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 Includes bibliographical references (pages 223-249) and index "Film critic David Sterritt presents an interdisciplinary exploration of the Beat Generation, its intersections with mainstream and experimental film, and the interactions of all of these with American society and the culture of the '50s. Examining American society in the '50s, Sterritt balances the Beat countercultural goal of rebellion through both artistic creation and everyday behavior against the mainstream values of conformity and conservatism, growing worry over cold-war hostilities, and the "rat race" toward material success." "After an introductory overview of the Beat Generation, its history, its antecedents and its influences, Sterritt shows the importance of "visual thinking" in the lives and works of major Beat authors, most notably Jack Kerouac, Allen Ginsberg, and William S. Burroughs. He turns to Mikhail Bakhtin's dialogic theory to portray the Beat writers - who were inspired by jazz and other liberating influences - as carnivalesque rebels against what they perceived as a rigid and stifling social order." "Showing the Beats as social critics, Sterritt looks at the work of '50s photographers Robert Frank and William Klein; the attack against Beat culture in the pictures and prose of Life magazine; and the counterattack in Frank's film Pull My Daisy, featuring key Beat personalities. He further explores expressions of rebelliousness in film noir, the melodramas of director Douglas Sirk, and other Hollywood films." "Finally, Sterritt shows the changing attitudes toward the Beat sensibility in Beat-related Hollywood movies like A Bucket of Blood and The Beat Generation; television programs like Route 66 and The Many Loves of Dobie Gillis, nonstudio films like John Cassavetes's improvisational Shadows and Shirley Clarke's experimental The Connection; and radically avant-garde works by such doggedly independent screen artists as Stan Brakhage, Ron Rice, Bruce Connor, and Ken Jacobs, drawing connections between their achievements and the most subversive products of their Beat contemporaries."--Jacket 1900 - 1999 fast Geschichte 1900-2000 Geschichte 1950-1960 gnd rswk-swf Beat generation Cinéma et littérature / États-Unis / Histoire / 20e siècle Littérature et société / États-Unis / Histoire / 20e siècle Littérature américaine / 20e siècle / Histoire et critique Films expérimentaux / États-Unis / Histoire et critique Cinéma / États-Unis / Histoire / 20e siècle LITERARY CRITICISM / American / General bisacsh American literature fast Beat generation fast Experimental films fast Literature and society fast Motion pictures fast Motion pictures and literature fast Film Geschichte Motion pictures and literature United States History 20th century Literature and society United States History 20th century American literature 20th century History and criticism Experimental films United States History and criticism Motion pictures United States History Beatgeneration (DE-588)4144238-6 gnd rswk-swf Gesellschaft (DE-588)4020588-5 gnd rswk-swf Kultur (DE-588)4125698-0 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Kultur (DE-588)4125698-0 s Beatgeneration (DE-588)4144238-6 s Geschichte 1950-1960 z 1\p DE-604 Gesellschaft (DE-588)4020588-5 s 2\p DE-604 Film (DE-588)4017102-4 s 3\p DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-8093-2180-3 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2304 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Sterritt, David Mad to be saved the Beats, the '50s, and film Beat generation Cinéma et littérature / États-Unis / Histoire / 20e siècle Littérature et société / États-Unis / Histoire / 20e siècle Littérature américaine / 20e siècle / Histoire et critique Films expérimentaux / États-Unis / Histoire et critique Cinéma / États-Unis / Histoire / 20e siècle LITERARY CRITICISM / American / General bisacsh American literature fast Beat generation fast Experimental films fast Literature and society fast Motion pictures fast Motion pictures and literature fast Film Geschichte Motion pictures and literature United States History 20th century Literature and society United States History 20th century American literature 20th century History and criticism Experimental films United States History and criticism Motion pictures United States History Beatgeneration (DE-588)4144238-6 gnd Gesellschaft (DE-588)4020588-5 gnd Kultur (DE-588)4125698-0 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4144238-6 (DE-588)4020588-5 (DE-588)4125698-0 (DE-588)4017102-4 (DE-588)4078704-7 |
| title | Mad to be saved the Beats, the '50s, and film |
| title_auth | Mad to be saved the Beats, the '50s, and film |
| title_exact_search | Mad to be saved the Beats, the '50s, and film |
| title_full | Mad to be saved the Beats, the '50s, and film David Sterritt |
| title_fullStr | Mad to be saved the Beats, the '50s, and film David Sterritt |
| title_full_unstemmed | Mad to be saved the Beats, the '50s, and film David Sterritt |
| title_short | Mad to be saved |
| title_sort | mad to be saved the beats the 50s and film |
| title_sub | the Beats, the '50s, and film |
| topic | Beat generation Cinéma et littérature / États-Unis / Histoire / 20e siècle Littérature et société / États-Unis / Histoire / 20e siècle Littérature américaine / 20e siècle / Histoire et critique Films expérimentaux / États-Unis / Histoire et critique Cinéma / États-Unis / Histoire / 20e siècle LITERARY CRITICISM / American / General bisacsh American literature fast Beat generation fast Experimental films fast Literature and society fast Motion pictures fast Motion pictures and literature fast Film Geschichte Motion pictures and literature United States History 20th century Literature and society United States History 20th century American literature 20th century History and criticism Experimental films United States History and criticism Motion pictures United States History Beatgeneration (DE-588)4144238-6 gnd Gesellschaft (DE-588)4020588-5 gnd Kultur (DE-588)4125698-0 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Beat generation Cinéma et littérature / États-Unis / Histoire / 20e siècle Littérature et société / États-Unis / Histoire / 20e siècle Littérature américaine / 20e siècle / Histoire et critique Films expérimentaux / États-Unis / Histoire et critique Cinéma / États-Unis / Histoire / 20e siècle LITERARY CRITICISM / American / General American literature Experimental films Literature and society Motion pictures Motion pictures and literature Film Geschichte Motion pictures and literature United States History 20th century Literature and society United States History 20th century American literature 20th century History and criticism Experimental films United States History and criticism Motion pictures United States History Beatgeneration Gesellschaft Kultur USA |
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| work_keys_str_mv | AT sterrittdavid madtobesavedthebeatsthe50sandfilm |