Devised and directed by Mike Leigh:
Renowned for making films that are at one sly comedies and stark, 'social realist' dramas, British writer-director Mike Leigh challenges his viewers to see the unvarnished truth about modern-day society. This collection features new essays that cover all phases of the BAFTA-award-winner�...
Saved in:
| Other Authors: | , |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
New York
Bloomsbury
2013
|
| Subjects: | |
| Online Access: | FAW01 FAW02 UBT01 Volltext |
| Summary: | Renowned for making films that are at one sly comedies and stark, 'social realist' dramas, British writer-director Mike Leigh challenges his viewers to see the unvarnished truth about modern-day society. This collection features new essays that cover all phases of the BAFTA-award-winner's career, from his early television work to his theatrical films, including 'Life is sweet,' 'Naked,' 'Secret & Lies,' 'All or Nothing,' and 'Vera Drake.' Contributions also cover many themes recurrent in many of his films, representations of politics, class, race, gender; the changing cultural and political landscape of Great Britain; the differentiation of Leigh from other British creators; and how Leigh's real life informs his work |
| Physical Description: | 1 Online-Ressource (VIII, 359 Seiten) Illustrationen |
| ISBN: | 9781628928662 9781623569532 9781623565640 |
| DOI: | 10.5040/9781628928662 |
Staff View
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| 505 | 8 | |a Introduction: the politics and poetics of comic-realist cinema / by Marc DiPaolo -- Devising Leigh. Christopher Meir: The industry and/of the auteur -- Robert Marchand : Devising and directing -- Andrew Crowther: Every performance is a contrivance: art & truth in Topsy-turvy -- Brenda Wentworth, Christopher Jordan, and Sharon Cogdill: Costuming choices: stylization and Leigh's selective realism -- Bryan Cardinale-Powell: Cultural stillbirth: an examination of reactions to Vera Drake -- It's an ordinary life. Leonard Quart: The uniqueness of ordinary lives: Home sweet home and Grown-ups -- Sarah Godfrey: Masculinities and male identities from Bleak moments to Happy-go-lucky -- William Verrone: Transgression and transcendence beyond verisimilitude. Stella Hockenhull: Melodrama and tradition in Vera Drake and Another year -- Frances Pheasant-Kelly: Class, loss and space: reframing Secrets & lies -- Bryan Cardinale-Powell: All or nothing: Mike Leigh and The fickle finger -- Leigh versus the Tories. Steven Morrison: "Those days are over": Naked & Something rotten in the 1990s -- Derek Gladwin: Gendered troubles on screen: reproducing nationalism in Four days in July -- Ana Miller: Fluctuating identifications, learning disability, and class in Meantime -- Kevin M. Flanagan: The grotesque state of the nation: Mike Leigh's High hopes and The Thatcherite comedy of errors -- David Sweeney: 'I spy': Mike Leigh in the age of Britpop | |
| 520 | |a Renowned for making films that are at one sly comedies and stark, 'social realist' dramas, British writer-director Mike Leigh challenges his viewers to see the unvarnished truth about modern-day society. This collection features new essays that cover all phases of the BAFTA-award-winner's career, from his early television work to his theatrical films, including 'Life is sweet,' 'Naked,' 'Secret & Lies,' 'All or Nothing,' and 'Vera Drake.' Contributions also cover many themes recurrent in many of his films, representations of politics, class, race, gender; the changing cultural and political landscape of Great Britain; the differentiation of Leigh from other British creators; and how Leigh's real life informs his work | ||
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Record in the Search Index
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| author2 | Cardinale-Powell, Bryan DiPaolo, Marc 1965- |
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| contents | Introduction: the politics and poetics of comic-realist cinema / by Marc DiPaolo -- Devising Leigh. Christopher Meir: The industry and/of the auteur -- Robert Marchand : Devising and directing -- Andrew Crowther: Every performance is a contrivance: art & truth in Topsy-turvy -- Brenda Wentworth, Christopher Jordan, and Sharon Cogdill: Costuming choices: stylization and Leigh's selective realism -- Bryan Cardinale-Powell: Cultural stillbirth: an examination of reactions to Vera Drake -- It's an ordinary life. Leonard Quart: The uniqueness of ordinary lives: Home sweet home and Grown-ups -- Sarah Godfrey: Masculinities and male identities from Bleak moments to Happy-go-lucky -- William Verrone: Transgression and transcendence beyond verisimilitude. Stella Hockenhull: Melodrama and tradition in Vera Drake and Another year -- Frances Pheasant-Kelly: Class, loss and space: reframing Secrets & lies -- Bryan Cardinale-Powell: All or nothing: Mike Leigh and The fickle finger -- Leigh versus the Tories. Steven Morrison: "Those days are over": Naked & Something rotten in the 1990s -- Derek Gladwin: Gendered troubles on screen: reproducing nationalism in Four days in July -- Ana Miller: Fluctuating identifications, learning disability, and class in Meantime -- Kevin M. Flanagan: The grotesque state of the nation: Mike Leigh's High hopes and The Thatcherite comedy of errors -- David Sweeney: 'I spy': Mike Leigh in the age of Britpop |
| ctrlnum | (OCoLC)852159177 (DE-599)BVBBV043083956 |
| dewey-full | 791.4302/33092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4302/33092 |
| dewey-search | 791.4302/33092 |
| dewey-sort | 3791.4302 533092 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| doi_str_mv | 10.5040/9781628928662 |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:16:55Z |
| institution | BVB |
| isbn | 9781628928662 9781623569532 9781623565640 |
| language | English |
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| spelling | Devised and directed by Mike Leigh edited by Bryan Cardinale-Powell & Marc Di Paolo New York Bloomsbury 2013 1 Online-Ressource (VIII, 359 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Introduction: the politics and poetics of comic-realist cinema / by Marc DiPaolo -- Devising Leigh. Christopher Meir: The industry and/of the auteur -- Robert Marchand : Devising and directing -- Andrew Crowther: Every performance is a contrivance: art & truth in Topsy-turvy -- Brenda Wentworth, Christopher Jordan, and Sharon Cogdill: Costuming choices: stylization and Leigh's selective realism -- Bryan Cardinale-Powell: Cultural stillbirth: an examination of reactions to Vera Drake -- It's an ordinary life. Leonard Quart: The uniqueness of ordinary lives: Home sweet home and Grown-ups -- Sarah Godfrey: Masculinities and male identities from Bleak moments to Happy-go-lucky -- William Verrone: Transgression and transcendence beyond verisimilitude. Stella Hockenhull: Melodrama and tradition in Vera Drake and Another year -- Frances Pheasant-Kelly: Class, loss and space: reframing Secrets & lies -- Bryan Cardinale-Powell: All or nothing: Mike Leigh and The fickle finger -- Leigh versus the Tories. Steven Morrison: "Those days are over": Naked & Something rotten in the 1990s -- Derek Gladwin: Gendered troubles on screen: reproducing nationalism in Four days in July -- Ana Miller: Fluctuating identifications, learning disability, and class in Meantime -- Kevin M. Flanagan: The grotesque state of the nation: Mike Leigh's High hopes and The Thatcherite comedy of errors -- David Sweeney: 'I spy': Mike Leigh in the age of Britpop Renowned for making films that are at one sly comedies and stark, 'social realist' dramas, British writer-director Mike Leigh challenges his viewers to see the unvarnished truth about modern-day society. This collection features new essays that cover all phases of the BAFTA-award-winner's career, from his early television work to his theatrical films, including 'Life is sweet,' 'Naked,' 'Secret & Lies,' 'All or Nothing,' and 'Vera Drake.' Contributions also cover many themes recurrent in many of his films, representations of politics, class, race, gender; the changing cultural and political landscape of Great Britain; the differentiation of Leigh from other British creators; and how Leigh's real life informs his work Leigh, Mike / 1943- fast Leigh, Mike 1943- Criticism and interpretation Leigh, Mike 1943- (DE-588)12223653X gnd rswk-swf PERFORMING ARTS / Film & Video / Direction & Production bisacsh Film (DE-588)4017102-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Leigh, Mike 1943- (DE-588)12223653X p Film (DE-588)4017102-4 s DE-604 Cardinale-Powell, Bryan (DE-588)1080528520 edt DiPaolo, Marc 1965- (DE-588)1020338008 edt Erscheint auch als Druck-Ausgabe, Festeinband 978-1-6235-6599-2 Erscheint auch als Druck-Ausgabe, Broschur 978-1-5013-0725-6 https://doi.org/10.5040/9781628928662 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Devised and directed by Mike Leigh Introduction: the politics and poetics of comic-realist cinema / by Marc DiPaolo -- Devising Leigh. Christopher Meir: The industry and/of the auteur -- Robert Marchand : Devising and directing -- Andrew Crowther: Every performance is a contrivance: art & truth in Topsy-turvy -- Brenda Wentworth, Christopher Jordan, and Sharon Cogdill: Costuming choices: stylization and Leigh's selective realism -- Bryan Cardinale-Powell: Cultural stillbirth: an examination of reactions to Vera Drake -- It's an ordinary life. Leonard Quart: The uniqueness of ordinary lives: Home sweet home and Grown-ups -- Sarah Godfrey: Masculinities and male identities from Bleak moments to Happy-go-lucky -- William Verrone: Transgression and transcendence beyond verisimilitude. Stella Hockenhull: Melodrama and tradition in Vera Drake and Another year -- Frances Pheasant-Kelly: Class, loss and space: reframing Secrets & lies -- Bryan Cardinale-Powell: All or nothing: Mike Leigh and The fickle finger -- Leigh versus the Tories. Steven Morrison: "Those days are over": Naked & Something rotten in the 1990s -- Derek Gladwin: Gendered troubles on screen: reproducing nationalism in Four days in July -- Ana Miller: Fluctuating identifications, learning disability, and class in Meantime -- Kevin M. Flanagan: The grotesque state of the nation: Mike Leigh's High hopes and The Thatcherite comedy of errors -- David Sweeney: 'I spy': Mike Leigh in the age of Britpop Leigh, Mike / 1943- fast Leigh, Mike 1943- Criticism and interpretation Leigh, Mike 1943- (DE-588)12223653X gnd PERFORMING ARTS / Film & Video / Direction & Production bisacsh Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)12223653X (DE-588)4017102-4 (DE-588)4143413-4 |
| title | Devised and directed by Mike Leigh |
| title_auth | Devised and directed by Mike Leigh |
| title_exact_search | Devised and directed by Mike Leigh |
| title_full | Devised and directed by Mike Leigh edited by Bryan Cardinale-Powell & Marc Di Paolo |
| title_fullStr | Devised and directed by Mike Leigh edited by Bryan Cardinale-Powell & Marc Di Paolo |
| title_full_unstemmed | Devised and directed by Mike Leigh edited by Bryan Cardinale-Powell & Marc Di Paolo |
| title_short | Devised and directed by Mike Leigh |
| title_sort | devised and directed by mike leigh |
| topic | Leigh, Mike / 1943- fast Leigh, Mike 1943- Criticism and interpretation Leigh, Mike 1943- (DE-588)12223653X gnd PERFORMING ARTS / Film & Video / Direction & Production bisacsh Film (DE-588)4017102-4 gnd |
| topic_facet | Leigh, Mike / 1943- Leigh, Mike 1943- Criticism and interpretation Leigh, Mike 1943- PERFORMING ARTS / Film & Video / Direction & Production Film Aufsatzsammlung |
| url | https://doi.org/10.5040/9781628928662 |
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