Devised and directed by Mike Leigh:
Renowned for making films that are at one sly comedies and stark, 'social realist' dramas, British writer-director Mike Leigh challenges his viewers to see the unvarnished truth about modern-day society. This collection features new essays that cover all phases of the BAFTA-award-winner...
Gespeichert in:
Weitere Verfasser: | , |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New York
Bloomsbury
2013
|
Schlagworte: | |
Online-Zugang: | FAW01 FAW02 UBT01 Volltext |
Zusammenfassung: | Renowned for making films that are at one sly comedies and stark, 'social realist' dramas, British writer-director Mike Leigh challenges his viewers to see the unvarnished truth about modern-day society. This collection features new essays that cover all phases of the BAFTA-award-winner's career, from his early television work to his theatrical films, including 'Life is sweet,' 'Naked,' 'Secret & Lies,' 'All or Nothing,' and 'Vera Drake.' Contributions also cover many themes recurrent in many of his films, representations of politics, class, race, gender; the changing cultural and political landscape of Great Britain; the differentiation of Leigh from other British creators; and how Leigh's real life informs his work |
Beschreibung: | 1 Online-Ressource (VIII, 359 Seiten) Illustrationen |
ISBN: | 9781628928662 9781623569532 9781623565640 |
DOI: | 10.5040/9781628928662 |
Internformat
MARC
LEADER | 00000nmm a2200000 c 4500 | ||
---|---|---|---|
001 | BV043083956 | ||
003 | DE-604 | ||
005 | 20200128 | ||
007 | cr|uuu---uuuuu | ||
008 | 151126s2013 |||| o||u| ||||||eng d | ||
020 | |a 9781628928662 |c Online |9 9781628928662 | ||
020 | |a 9781623569532 |c EPDF |9 978-1-6235-6953-2 | ||
020 | |a 9781623565640 |c EPUB |9 978-1-6235-6564-0 | ||
024 | 7 | |a 10.5040/9781628928662 |2 doi | |
035 | |a (OCoLC)852159177 | ||
035 | |a (DE-599)BVBBV043083956 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-1046 |a DE-1047 |a DE-703 | ||
082 | 0 | |a 791.4302/33092 |2 23 | |
084 | |a AP 51400 |0 (DE-625)7700: |2 rvk | ||
245 | 1 | 0 | |a Devised and directed by Mike Leigh |c edited by Bryan Cardinale-Powell & Marc Di Paolo |
264 | 1 | |a New York |b Bloomsbury |c 2013 | |
300 | |a 1 Online-Ressource (VIII, 359 Seiten) |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
505 | 8 | |a Introduction: the politics and poetics of comic-realist cinema / by Marc DiPaolo -- Devising Leigh. Christopher Meir: The industry and/of the auteur -- Robert Marchand : Devising and directing -- Andrew Crowther: Every performance is a contrivance: art & truth in Topsy-turvy -- Brenda Wentworth, Christopher Jordan, and Sharon Cogdill: Costuming choices: stylization and Leigh's selective realism -- Bryan Cardinale-Powell: Cultural stillbirth: an examination of reactions to Vera Drake -- It's an ordinary life. Leonard Quart: The uniqueness of ordinary lives: Home sweet home and Grown-ups -- Sarah Godfrey: Masculinities and male identities from Bleak moments to Happy-go-lucky -- William Verrone: Transgression and transcendence beyond verisimilitude. Stella Hockenhull: Melodrama and tradition in Vera Drake and Another year -- Frances Pheasant-Kelly: Class, loss and space: reframing Secrets & lies -- Bryan Cardinale-Powell: All or nothing: Mike Leigh and The fickle finger -- Leigh versus the Tories. Steven Morrison: "Those days are over": Naked & Something rotten in the 1990s -- Derek Gladwin: Gendered troubles on screen: reproducing nationalism in Four days in July -- Ana Miller: Fluctuating identifications, learning disability, and class in Meantime -- Kevin M. Flanagan: The grotesque state of the nation: Mike Leigh's High hopes and The Thatcherite comedy of errors -- David Sweeney: 'I spy': Mike Leigh in the age of Britpop | |
520 | |a Renowned for making films that are at one sly comedies and stark, 'social realist' dramas, British writer-director Mike Leigh challenges his viewers to see the unvarnished truth about modern-day society. This collection features new essays that cover all phases of the BAFTA-award-winner's career, from his early television work to his theatrical films, including 'Life is sweet,' 'Naked,' 'Secret & Lies,' 'All or Nothing,' and 'Vera Drake.' Contributions also cover many themes recurrent in many of his films, representations of politics, class, race, gender; the changing cultural and political landscape of Great Britain; the differentiation of Leigh from other British creators; and how Leigh's real life informs his work | ||
600 | 1 | 7 | |a Leigh, Mike / 1943- |2 fast |
600 | 1 | 4 | |a Leigh, Mike |d 1943- |x Criticism and interpretation |
600 | 1 | 7 | |a Leigh, Mike |d 1943- |0 (DE-588)12223653X |2 gnd |9 rswk-swf |
650 | 7 | |a PERFORMING ARTS / Film & Video / Direction & Production |2 bisacsh | |
650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
689 | 0 | 0 | |a Leigh, Mike |d 1943- |0 (DE-588)12223653X |D p |
689 | 0 | 1 | |a Film |0 (DE-588)4017102-4 |D s |
689 | 0 | |5 DE-604 | |
700 | 1 | |a Cardinale-Powell, Bryan |0 (DE-588)1080528520 |4 edt | |
700 | 1 | |a DiPaolo, Marc |d 1965- |0 (DE-588)1020338008 |4 edt | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Festeinband |z 978-1-6235-6599-2 |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Broschur |z 978-1-5013-0725-6 |
856 | 4 | 0 | |u https://doi.org/10.5040/9781628928662 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-162-BFS |a ZDB-4-EBA | ||
940 | 1 | |q ZDB-162-BFS_2000/2013 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-028508148 | ||
966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=604004 |l FAW01 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=604004 |l FAW02 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
966 | e | |u https://doi.org/10.5040/9781628928662?locatt=label:secondary_bloomsburyCollections |l UBT01 |p ZDB-162-BFS |q ZDB-162-BFS_2000/2013 |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804175478381084672 |
---|---|
any_adam_object | |
author2 | Cardinale-Powell, Bryan DiPaolo, Marc 1965- |
author2_role | edt edt |
author2_variant | b c p bcp m d md |
author_GND | (DE-588)1080528520 (DE-588)1020338008 |
author_facet | Cardinale-Powell, Bryan DiPaolo, Marc 1965- |
building | Verbundindex |
bvnumber | BV043083956 |
classification_rvk | AP 51400 |
collection | ZDB-162-BFS ZDB-4-EBA |
contents | Introduction: the politics and poetics of comic-realist cinema / by Marc DiPaolo -- Devising Leigh. Christopher Meir: The industry and/of the auteur -- Robert Marchand : Devising and directing -- Andrew Crowther: Every performance is a contrivance: art & truth in Topsy-turvy -- Brenda Wentworth, Christopher Jordan, and Sharon Cogdill: Costuming choices: stylization and Leigh's selective realism -- Bryan Cardinale-Powell: Cultural stillbirth: an examination of reactions to Vera Drake -- It's an ordinary life. Leonard Quart: The uniqueness of ordinary lives: Home sweet home and Grown-ups -- Sarah Godfrey: Masculinities and male identities from Bleak moments to Happy-go-lucky -- William Verrone: Transgression and transcendence beyond verisimilitude. Stella Hockenhull: Melodrama and tradition in Vera Drake and Another year -- Frances Pheasant-Kelly: Class, loss and space: reframing Secrets & lies -- Bryan Cardinale-Powell: All or nothing: Mike Leigh and The fickle finger -- Leigh versus the Tories. Steven Morrison: "Those days are over": Naked & Something rotten in the 1990s -- Derek Gladwin: Gendered troubles on screen: reproducing nationalism in Four days in July -- Ana Miller: Fluctuating identifications, learning disability, and class in Meantime -- Kevin M. Flanagan: The grotesque state of the nation: Mike Leigh's High hopes and The Thatcherite comedy of errors -- David Sweeney: 'I spy': Mike Leigh in the age of Britpop |
ctrlnum | (OCoLC)852159177 (DE-599)BVBBV043083956 |
dewey-full | 791.4302/33092 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.4302/33092 |
dewey-search | 791.4302/33092 |
dewey-sort | 3791.4302 533092 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
doi_str_mv | 10.5040/9781628928662 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04637nmm a2200553 c 4500</leader><controlfield tag="001">BV043083956</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20200128 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">151126s2013 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781628928662</subfield><subfield code="c">Online</subfield><subfield code="9">9781628928662</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781623569532</subfield><subfield code="c">EPDF</subfield><subfield code="9">978-1-6235-6953-2</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781623565640</subfield><subfield code="c">EPUB</subfield><subfield code="9">978-1-6235-6564-0</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.5040/9781628928662</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)852159177</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043083956</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-1047</subfield><subfield code="a">DE-703</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.4302/33092</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 51400</subfield><subfield code="0">(DE-625)7700:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Devised and directed by Mike Leigh</subfield><subfield code="c">edited by Bryan Cardinale-Powell & Marc Di Paolo</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Bloomsbury</subfield><subfield code="c">2013</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (VIII, 359 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Introduction: the politics and poetics of comic-realist cinema / by Marc DiPaolo -- Devising Leigh. Christopher Meir: The industry and/of the auteur -- Robert Marchand : Devising and directing -- Andrew Crowther: Every performance is a contrivance: art & truth in Topsy-turvy -- Brenda Wentworth, Christopher Jordan, and Sharon Cogdill: Costuming choices: stylization and Leigh's selective realism -- Bryan Cardinale-Powell: Cultural stillbirth: an examination of reactions to Vera Drake -- It's an ordinary life. Leonard Quart: The uniqueness of ordinary lives: Home sweet home and Grown-ups -- Sarah Godfrey: Masculinities and male identities from Bleak moments to Happy-go-lucky -- William Verrone: Transgression and transcendence beyond verisimilitude. Stella Hockenhull: Melodrama and tradition in Vera Drake and Another year -- Frances Pheasant-Kelly: Class, loss and space: reframing Secrets & lies -- Bryan Cardinale-Powell: All or nothing: Mike Leigh and The fickle finger -- Leigh versus the Tories. Steven Morrison: "Those days are over": Naked & Something rotten in the 1990s -- Derek Gladwin: Gendered troubles on screen: reproducing nationalism in Four days in July -- Ana Miller: Fluctuating identifications, learning disability, and class in Meantime -- Kevin M. Flanagan: The grotesque state of the nation: Mike Leigh's High hopes and The Thatcherite comedy of errors -- David Sweeney: 'I spy': Mike Leigh in the age of Britpop</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Renowned for making films that are at one sly comedies and stark, 'social realist' dramas, British writer-director Mike Leigh challenges his viewers to see the unvarnished truth about modern-day society. This collection features new essays that cover all phases of the BAFTA-award-winner's career, from his early television work to his theatrical films, including 'Life is sweet,' 'Naked,' 'Secret & Lies,' 'All or Nothing,' and 'Vera Drake.' Contributions also cover many themes recurrent in many of his films, representations of politics, class, race, gender; the changing cultural and political landscape of Great Britain; the differentiation of Leigh from other British creators; and how Leigh's real life informs his work</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Leigh, Mike / 1943-</subfield><subfield code="2">fast</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Leigh, Mike</subfield><subfield code="d">1943-</subfield><subfield code="x">Criticism and interpretation</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Leigh, Mike</subfield><subfield code="d">1943-</subfield><subfield code="0">(DE-588)12223653X</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / Direction & Production</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Leigh, Mike</subfield><subfield code="d">1943-</subfield><subfield code="0">(DE-588)12223653X</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Cardinale-Powell, Bryan</subfield><subfield code="0">(DE-588)1080528520</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">DiPaolo, Marc</subfield><subfield code="d">1965-</subfield><subfield code="0">(DE-588)1020338008</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Festeinband</subfield><subfield code="z">978-1-6235-6599-2</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Broschur</subfield><subfield code="z">978-1-5013-0725-6</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.5040/9781628928662</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-162-BFS</subfield><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">ZDB-162-BFS_2000/2013</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028508148</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=604004</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=604004</subfield><subfield code="l">FAW02</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.5040/9781628928662?locatt=label:secondary_bloomsburyCollections</subfield><subfield code="l">UBT01</subfield><subfield code="p">ZDB-162-BFS</subfield><subfield code="q">ZDB-162-BFS_2000/2013</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
genre_facet | Aufsatzsammlung |
id | DE-604.BV043083956 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:16:55Z |
institution | BVB |
isbn | 9781628928662 9781623569532 9781623565640 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028508148 |
oclc_num | 852159177 |
open_access_boolean | |
owner | DE-1046 DE-1047 DE-703 |
owner_facet | DE-1046 DE-1047 DE-703 |
physical | 1 Online-Ressource (VIII, 359 Seiten) Illustrationen |
psigel | ZDB-162-BFS ZDB-4-EBA ZDB-162-BFS_2000/2013 ZDB-4-EBA FAW_PDA_EBA ZDB-162-BFS ZDB-162-BFS_2000/2013 |
publishDate | 2013 |
publishDateSearch | 2013 |
publishDateSort | 2013 |
publisher | Bloomsbury |
record_format | marc |
spelling | Devised and directed by Mike Leigh edited by Bryan Cardinale-Powell & Marc Di Paolo New York Bloomsbury 2013 1 Online-Ressource (VIII, 359 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Introduction: the politics and poetics of comic-realist cinema / by Marc DiPaolo -- Devising Leigh. Christopher Meir: The industry and/of the auteur -- Robert Marchand : Devising and directing -- Andrew Crowther: Every performance is a contrivance: art & truth in Topsy-turvy -- Brenda Wentworth, Christopher Jordan, and Sharon Cogdill: Costuming choices: stylization and Leigh's selective realism -- Bryan Cardinale-Powell: Cultural stillbirth: an examination of reactions to Vera Drake -- It's an ordinary life. Leonard Quart: The uniqueness of ordinary lives: Home sweet home and Grown-ups -- Sarah Godfrey: Masculinities and male identities from Bleak moments to Happy-go-lucky -- William Verrone: Transgression and transcendence beyond verisimilitude. Stella Hockenhull: Melodrama and tradition in Vera Drake and Another year -- Frances Pheasant-Kelly: Class, loss and space: reframing Secrets & lies -- Bryan Cardinale-Powell: All or nothing: Mike Leigh and The fickle finger -- Leigh versus the Tories. Steven Morrison: "Those days are over": Naked & Something rotten in the 1990s -- Derek Gladwin: Gendered troubles on screen: reproducing nationalism in Four days in July -- Ana Miller: Fluctuating identifications, learning disability, and class in Meantime -- Kevin M. Flanagan: The grotesque state of the nation: Mike Leigh's High hopes and The Thatcherite comedy of errors -- David Sweeney: 'I spy': Mike Leigh in the age of Britpop Renowned for making films that are at one sly comedies and stark, 'social realist' dramas, British writer-director Mike Leigh challenges his viewers to see the unvarnished truth about modern-day society. This collection features new essays that cover all phases of the BAFTA-award-winner's career, from his early television work to his theatrical films, including 'Life is sweet,' 'Naked,' 'Secret & Lies,' 'All or Nothing,' and 'Vera Drake.' Contributions also cover many themes recurrent in many of his films, representations of politics, class, race, gender; the changing cultural and political landscape of Great Britain; the differentiation of Leigh from other British creators; and how Leigh's real life informs his work Leigh, Mike / 1943- fast Leigh, Mike 1943- Criticism and interpretation Leigh, Mike 1943- (DE-588)12223653X gnd rswk-swf PERFORMING ARTS / Film & Video / Direction & Production bisacsh Film (DE-588)4017102-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Leigh, Mike 1943- (DE-588)12223653X p Film (DE-588)4017102-4 s DE-604 Cardinale-Powell, Bryan (DE-588)1080528520 edt DiPaolo, Marc 1965- (DE-588)1020338008 edt Erscheint auch als Druck-Ausgabe, Festeinband 978-1-6235-6599-2 Erscheint auch als Druck-Ausgabe, Broschur 978-1-5013-0725-6 https://doi.org/10.5040/9781628928662 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Devised and directed by Mike Leigh Introduction: the politics and poetics of comic-realist cinema / by Marc DiPaolo -- Devising Leigh. Christopher Meir: The industry and/of the auteur -- Robert Marchand : Devising and directing -- Andrew Crowther: Every performance is a contrivance: art & truth in Topsy-turvy -- Brenda Wentworth, Christopher Jordan, and Sharon Cogdill: Costuming choices: stylization and Leigh's selective realism -- Bryan Cardinale-Powell: Cultural stillbirth: an examination of reactions to Vera Drake -- It's an ordinary life. Leonard Quart: The uniqueness of ordinary lives: Home sweet home and Grown-ups -- Sarah Godfrey: Masculinities and male identities from Bleak moments to Happy-go-lucky -- William Verrone: Transgression and transcendence beyond verisimilitude. Stella Hockenhull: Melodrama and tradition in Vera Drake and Another year -- Frances Pheasant-Kelly: Class, loss and space: reframing Secrets & lies -- Bryan Cardinale-Powell: All or nothing: Mike Leigh and The fickle finger -- Leigh versus the Tories. Steven Morrison: "Those days are over": Naked & Something rotten in the 1990s -- Derek Gladwin: Gendered troubles on screen: reproducing nationalism in Four days in July -- Ana Miller: Fluctuating identifications, learning disability, and class in Meantime -- Kevin M. Flanagan: The grotesque state of the nation: Mike Leigh's High hopes and The Thatcherite comedy of errors -- David Sweeney: 'I spy': Mike Leigh in the age of Britpop Leigh, Mike / 1943- fast Leigh, Mike 1943- Criticism and interpretation Leigh, Mike 1943- (DE-588)12223653X gnd PERFORMING ARTS / Film & Video / Direction & Production bisacsh Film (DE-588)4017102-4 gnd |
subject_GND | (DE-588)12223653X (DE-588)4017102-4 (DE-588)4143413-4 |
title | Devised and directed by Mike Leigh |
title_auth | Devised and directed by Mike Leigh |
title_exact_search | Devised and directed by Mike Leigh |
title_full | Devised and directed by Mike Leigh edited by Bryan Cardinale-Powell & Marc Di Paolo |
title_fullStr | Devised and directed by Mike Leigh edited by Bryan Cardinale-Powell & Marc Di Paolo |
title_full_unstemmed | Devised and directed by Mike Leigh edited by Bryan Cardinale-Powell & Marc Di Paolo |
title_short | Devised and directed by Mike Leigh |
title_sort | devised and directed by mike leigh |
topic | Leigh, Mike / 1943- fast Leigh, Mike 1943- Criticism and interpretation Leigh, Mike 1943- (DE-588)12223653X gnd PERFORMING ARTS / Film & Video / Direction & Production bisacsh Film (DE-588)4017102-4 gnd |
topic_facet | Leigh, Mike / 1943- Leigh, Mike 1943- Criticism and interpretation Leigh, Mike 1943- PERFORMING ARTS / Film & Video / Direction & Production Film Aufsatzsammlung |
url | https://doi.org/10.5040/9781628928662 |
work_keys_str_mv | AT cardinalepowellbryan devisedanddirectedbymikeleigh AT dipaolomarc devisedanddirectedbymikeleigh |