Text and act: essays on music and performance
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Oxford University Press
1995
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references and index On letting the music speak for itself -- The limits of authenticity : a contribution -- Down with the fence -- The pastness of the present and the presence of the past -- What, or where, is the original? -- The modern sound of early music -- Tradition and authority -- Beethoven : the new antiquity -- Beethoven : resisting the Ninth -- Mozart : an icon for our time -- A Mozart wholly ours -- Mozart : old (new) instruments, new (old) tempos -- Bach : backslide or harbinger? -- Facing up, finally, to Bach's dark vision -- Bach : the crooked straight and the rough places plain -- Report from Lincoln Center : the International Josquin Festival-Conference, 21-25 june 1971 -- The price of literacy, or, why we need musicology -- High, sweet, and loud -- Text and act -- Stravinsky lite (even "The rite") Over the last dozen years, the writings of Richard Taruskin have transformed the debate about "early music" and "authenticity." Text and Act collects for the first time the most important of Taruskin's essays and reviews from this period, many of which are now classics in the field. Taking a wide-ranging cultural view of the early music phenomenon, he shows that the movement, far from reviving ancient traditions, in fact represents the only truly modern style of performance being offered today. He goes on to contend that the movement is therefore far more valuable - and even authentic - than simple historical verisimilitude could ever be. These essays cast fresh light on many aspects of contemporary music-making and music-thinking, mixing lighthearted debunking with impassioned argumentation. Taruskin moves fluently from theoretical speculation to practical criticism, and covers a repertory ranging from Josquin des Prez to Stravinsky |
| Beschreibung: | 1 Online-Ressource (vi, 382 p.) |
| ISBN: | 0195094379 0195094581 0195357434 1280450991 9780195094374 9780195094589 9780195357431 9781280450990 |
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| 500 | |a Over the last dozen years, the writings of Richard Taruskin have transformed the debate about "early music" and "authenticity." Text and Act collects for the first time the most important of Taruskin's essays and reviews from this period, many of which are now classics in the field. Taking a wide-ranging cultural view of the early music phenomenon, he shows that the movement, far from reviving ancient traditions, in fact represents the only truly modern style of performance being offered today. He goes on to contend that the movement is therefore far more valuable - and even authentic - than simple historical verisimilitude could ever be. These essays cast fresh light on many aspects of contemporary music-making and music-thinking, mixing lighthearted debunking with impassioned argumentation. Taruskin moves fluently from theoretical speculation to practical criticism, and covers a repertory ranging from Josquin des Prez to Stravinsky | ||
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Datensatz im Suchindex
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| any_adam_object | |
| author | Taruskin, Richard |
| author_facet | Taruskin, Richard |
| author_role | aut |
| author_sort | Taruskin, Richard |
| author_variant | r t rt |
| building | Verbundindex |
| bvnumber | BV043083713 |
| classification_rvk | LR 56000 |
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| ctrlnum | (OCoLC)191942125 (DE-599)BVBBV043083713 |
| dewey-full | 781.4/3 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.4/3 |
| dewey-search | 781.4/3 |
| dewey-sort | 3781.4 13 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| spelling | Taruskin, Richard Verfasser aut Text and act essays on music and performance Richard Taruskin New York Oxford University Press 1995 1 Online-Ressource (vi, 382 p.) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index On letting the music speak for itself -- The limits of authenticity : a contribution -- Down with the fence -- The pastness of the present and the presence of the past -- What, or where, is the original? -- The modern sound of early music -- Tradition and authority -- Beethoven : the new antiquity -- Beethoven : resisting the Ninth -- Mozart : an icon for our time -- A Mozart wholly ours -- Mozart : old (new) instruments, new (old) tempos -- Bach : backslide or harbinger? -- Facing up, finally, to Bach's dark vision -- Bach : the crooked straight and the rough places plain -- Report from Lincoln Center : the International Josquin Festival-Conference, 21-25 june 1971 -- The price of literacy, or, why we need musicology -- High, sweet, and loud -- Text and act -- Stravinsky lite (even "The rite") Over the last dozen years, the writings of Richard Taruskin have transformed the debate about "early music" and "authenticity." Text and Act collects for the first time the most important of Taruskin's essays and reviews from this period, many of which are now classics in the field. Taking a wide-ranging cultural view of the early music phenomenon, he shows that the movement, far from reviving ancient traditions, in fact represents the only truly modern style of performance being offered today. He goes on to contend that the movement is therefore far more valuable - and even authentic - than simple historical verisimilitude could ever be. These essays cast fresh light on many aspects of contemporary music-making and music-thinking, mixing lighthearted debunking with impassioned argumentation. Taruskin moves fluently from theoretical speculation to practical criticism, and covers a repertory ranging from Josquin des Prez to Stravinsky Mozart, Wolfgang Amadeus swd Beethoven, Ludwig van swd Pratique de l'exécution (Musique) Style musical MUSIC / Instruction & Study / Techniques bisacsh Uitvoeringspraktijk gtt Muziekinterpretatie gtt Interprétation musicale rasuqam Style musical rasuqam Musique / Exécution ram Style musical ram Musikalische Aufführungspraxis swd Musikalischer Stil swd Performance practice (Music) fast Style, Musical fast Performance practice (Music) Style, Musical Musikalische Aufführungspraxis (DE-588)4170800-3 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Musikalische Aufführungspraxis (DE-588)4170800-3 s 2\p DE-604 Erscheint auch als Druck-Ausgabe, Paperback 0-19-509458-1 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=143894 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Taruskin, Richard Text and act essays on music and performance Mozart, Wolfgang Amadeus swd Beethoven, Ludwig van swd Pratique de l'exécution (Musique) Style musical MUSIC / Instruction & Study / Techniques bisacsh Uitvoeringspraktijk gtt Muziekinterpretatie gtt Interprétation musicale rasuqam Style musical rasuqam Musique / Exécution ram Style musical ram Musikalische Aufführungspraxis swd Musikalischer Stil swd Performance practice (Music) fast Style, Musical fast Performance practice (Music) Style, Musical Musikalische Aufführungspraxis (DE-588)4170800-3 gnd |
| subject_GND | (DE-588)4170800-3 (DE-588)4143413-4 |
| title | Text and act essays on music and performance |
| title_auth | Text and act essays on music and performance |
| title_exact_search | Text and act essays on music and performance |
| title_full | Text and act essays on music and performance Richard Taruskin |
| title_fullStr | Text and act essays on music and performance Richard Taruskin |
| title_full_unstemmed | Text and act essays on music and performance Richard Taruskin |
| title_short | Text and act |
| title_sort | text and act essays on music and performance |
| title_sub | essays on music and performance |
| topic | Mozart, Wolfgang Amadeus swd Beethoven, Ludwig van swd Pratique de l'exécution (Musique) Style musical MUSIC / Instruction & Study / Techniques bisacsh Uitvoeringspraktijk gtt Muziekinterpretatie gtt Interprétation musicale rasuqam Style musical rasuqam Musique / Exécution ram Style musical ram Musikalische Aufführungspraxis swd Musikalischer Stil swd Performance practice (Music) fast Style, Musical fast Performance practice (Music) Style, Musical Musikalische Aufführungspraxis (DE-588)4170800-3 gnd |
| topic_facet | Mozart, Wolfgang Amadeus Beethoven, Ludwig van Pratique de l'exécution (Musique) Style musical MUSIC / Instruction & Study / Techniques Uitvoeringspraktijk Muziekinterpretatie Interprétation musicale Musique / Exécution Musikalische Aufführungspraxis Musikalischer Stil Performance practice (Music) Style, Musical Aufsatzsammlung |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=143894 |
| work_keys_str_mv | AT taruskinrichard textandactessaysonmusicandperformance |