Interpreting the musical past: early music in nineteenth-century France
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford University Press
2005
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references (pages 263-284) and index Patterns of revival -- Uses, appropriations, meanings In an era of heightened patriotic fervor following France's defeat in the Franco-Prussian War, Parisians packed concert halls to hear performances of Handel's oratorios and Bach's organ works. At the same time, both royalists and republicans called for the re-evaluation of the once detested musique francaise of the ancien regime. Musicologist Katharine Ellis examines these unlikely aspects of cultural life in the new Republic as part of a broader study of the early music revival in nineteenth-century France. This revival gives us a vivid sense of how music's cultural meanings were contested, distilled into dominant visions, and then often revised. Peppering the century are famous fakes, pastiches and other creative negotiations between past and present. Descriptions of these phenomena by contemporary witnesses reveal how dissent could run along social, religious and political lines, and why certain genres became idealized while others were disparaged. After providing an overview of trends and contexts throughout the century, Ellis examines specific repertoires that evoked unusually spirited advocacy and debate.; She explores the attempts to revive French Baroque stage music in the 1870s; arguments on the appropriateness of Palestrina's liturgical music; the reception of Bach and Handel, and their relation to French choral activity; and, finally, musical "Frenchness." Four case-study chapters focus on key debates and repertories stretching from Adam de la Halle to Rameau, via Josquin, Janequin, Palestrina, Bach and Handel. "Interpreting the Musical Past" discusses what is at stake in the construction of a musical heritage, and how ideology informs musical value judgements. In its focus on the nature of musical experience and the meaning of music in society, the book explores amateur and professional music-making; working-class, aristocratic and bourgeois cultural life; national pride; religious politics; and ritual, both liturgical and secular. Based on extensive primary research in Paris and the French regions, "Interpreting the Musical Past" is at once a history of culture, of reception, and of historiography.; Covering five centuries of music (from the mid-thirteenth to the mid-eighteenth centuries) and a century of French history, it explains long-term changes of cultural meaning while celebrating the richness of local detail. This study of musical revivalism offers a penetrating analysis of what lies at the heart of the construction, championing, and development of a musical cultural memory |
| Beschreibung: | 1 Online-Ressource (xxii, 298 pages) |
| ISBN: | 1280428317 1423734173 9781280428319 9781423734178 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV043080823 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 151126s2005 |||| o||u| ||||||eng d | ||
| 020 | |a 1280428317 |9 1-280-42831-7 | ||
| 020 | |a 1423734173 |9 1-4237-3417-3 | ||
| 020 | |a 9781280428319 |9 978-1-280-42831-9 | ||
| 020 | |a 9781423734178 |9 978-1-4237-3417-8 | ||
| 035 | |a (OCoLC)62294753 | ||
| 035 | |a (DE-599)BVBBV043080823 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1046 |a DE-1047 | ||
| 082 | 0 | |a 780/.944/09034 |2 22 | |
| 100 | 1 | |a Ellis, Katharine |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Interpreting the musical past |b early music in nineteenth-century France |c Katharine Ellis |
| 264 | 1 | |a Oxford |b Oxford University Press |c 2005 | |
| 300 | |a 1 Online-Ressource (xxii, 298 pages) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Includes bibliographical references (pages 263-284) and index | ||
| 500 | |a Patterns of revival -- Uses, appropriations, meanings | ||
| 500 | |a In an era of heightened patriotic fervor following France's defeat in the Franco-Prussian War, Parisians packed concert halls to hear performances of Handel's oratorios and Bach's organ works. At the same time, both royalists and republicans called for the re-evaluation of the once detested musique francaise of the ancien regime. Musicologist Katharine Ellis examines these unlikely aspects of cultural life in the new Republic as part of a broader study of the early music revival in nineteenth-century France. This revival gives us a vivid sense of how music's cultural meanings were contested, distilled into dominant visions, and then often revised. Peppering the century are famous fakes, pastiches and other creative negotiations between past and present. Descriptions of these phenomena by contemporary witnesses reveal how dissent could run along social, religious and political lines, and why certain genres became idealized while others were disparaged. | ||
| 500 | |a After providing an overview of trends and contexts throughout the century, Ellis examines specific repertoires that evoked unusually spirited advocacy and debate.; She explores the attempts to revive French Baroque stage music in the 1870s; arguments on the appropriateness of Palestrina's liturgical music; the reception of Bach and Handel, and their relation to French choral activity; and, finally, musical "Frenchness." Four case-study chapters focus on key debates and repertories stretching from Adam de la Halle to Rameau, via Josquin, Janequin, Palestrina, Bach and Handel. "Interpreting the Musical Past" discusses what is at stake in the construction of a musical heritage, and how ideology informs musical value judgements. | ||
| 500 | |a In its focus on the nature of musical experience and the meaning of music in society, the book explores amateur and professional music-making; working-class, aristocratic and bourgeois cultural life; national pride; religious politics; and ritual, both liturgical and secular. Based on extensive primary research in Paris and the French regions, "Interpreting the Musical Past" is at once a history of culture, of reception, and of historiography.; Covering five centuries of music (from the mid-thirteenth to the mid-eighteenth centuries) and a century of French history, it explains long-term changes of cultural meaning while celebrating the richness of local detail. This study of musical revivalism offers a penetrating analysis of what lies at the heart of the construction, championing, and development of a musical cultural memory | ||
| 648 | 7 | |a 1800 - 1899 |2 fast | |
| 648 | 4 | |a Geschichte 1800-1900 | |
| 648 | 7 | |a Geschichte 1800-1900 |2 gnd |9 rswk-swf | |
| 650 | 7 | |a MUSIC / Genres & Styles / International |2 bisacsh | |
| 650 | 7 | |a Music |2 fast | |
| 650 | 7 | |a Music / Performance |2 fast | |
| 650 | 7 | |a National characteristics, French |2 fast | |
| 650 | 7 | |a Nationalism in music |2 fast | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Music |z France |y 19th century |x History and criticism | |
| 650 | 4 | |a Music |x Performance |x History | |
| 650 | 4 | |a National characteristics, French | |
| 650 | 4 | |a Nationalism in music | |
| 650 | 0 | 7 | |a Alte Musik |0 (DE-588)4691269-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musikleben |0 (DE-588)4075128-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Nationalismus |0 (DE-588)4041300-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Rezeption |0 (DE-588)4049716-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musik |0 (DE-588)4040802-4 |2 gnd |9 rswk-swf |
| 651 | 4 | |a Frankreich | |
| 651 | 7 | |a Frankreich |0 (DE-588)4018145-5 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Frankreich |0 (DE-588)4018145-5 |D g |
| 689 | 0 | 1 | |a Nationalismus |0 (DE-588)4041300-7 |D s |
| 689 | 0 | 2 | |a Musik |0 (DE-588)4040802-4 |D s |
| 689 | 0 | 3 | |a Geschichte 1800-1900 |A z |
| 689 | 0 | |8 1\p |5 DE-604 | |
| 689 | 1 | 0 | |a Frankreich |0 (DE-588)4018145-5 |D g |
| 689 | 1 | 1 | |a Alte Musik |0 (DE-588)4691269-1 |D s |
| 689 | 1 | 2 | |a Rezeption |0 (DE-588)4049716-1 |D s |
| 689 | 1 | 3 | |a Geschichte 1800-1900 |A z |
| 689 | 1 | |8 2\p |5 DE-604 | |
| 689 | 2 | 0 | |a Frankreich |0 (DE-588)4018145-5 |D g |
| 689 | 2 | 1 | |a Musikleben |0 (DE-588)4075128-4 |D s |
| 689 | 2 | 2 | |a Geschichte 1800-1900 |A z |
| 689 | 2 | |8 3\p |5 DE-604 | |
| 856 | 4 | 0 | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=143329 |x Aggregator |3 Volltext |
| 912 | |a ZDB-4-EBA | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-028505015 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 2\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 3\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=143329 |l FAW01 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=143329 |l FAW02 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804175472883400704 |
|---|---|
| any_adam_object | |
| author | Ellis, Katharine |
| author_facet | Ellis, Katharine |
| author_role | aut |
| author_sort | Ellis, Katharine |
| author_variant | k e ke |
| building | Verbundindex |
| bvnumber | BV043080823 |
| collection | ZDB-4-EBA |
| ctrlnum | (OCoLC)62294753 (DE-599)BVBBV043080823 |
| dewey-full | 780/.944/09034 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780/.944/09034 |
| dewey-search | 780/.944/09034 |
| dewey-sort | 3780 3944 49034 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | 1800 - 1899 fast Geschichte 1800-1900 Geschichte 1800-1900 gnd |
| era_facet | 1800 - 1899 Geschichte 1800-1900 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06011nmm a2200865zc 4500</leader><controlfield tag="001">BV043080823</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">151126s2005 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1280428317</subfield><subfield code="9">1-280-42831-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1423734173</subfield><subfield code="9">1-4237-3417-3</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781280428319</subfield><subfield code="9">978-1-280-42831-9</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781423734178</subfield><subfield code="9">978-1-4237-3417-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)62294753</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043080823</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-1047</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">780/.944/09034</subfield><subfield code="2">22</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Ellis, Katharine</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Interpreting the musical past</subfield><subfield code="b">early music in nineteenth-century France</subfield><subfield code="c">Katharine Ellis</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Oxford</subfield><subfield code="b">Oxford University Press</subfield><subfield code="c">2005</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xxii, 298 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (pages 263-284) and index</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Patterns of revival -- Uses, appropriations, meanings</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">In an era of heightened patriotic fervor following France's defeat in the Franco-Prussian War, Parisians packed concert halls to hear performances of Handel's oratorios and Bach's organ works. At the same time, both royalists and republicans called for the re-evaluation of the once detested musique francaise of the ancien regime. Musicologist Katharine Ellis examines these unlikely aspects of cultural life in the new Republic as part of a broader study of the early music revival in nineteenth-century France. This revival gives us a vivid sense of how music's cultural meanings were contested, distilled into dominant visions, and then often revised. Peppering the century are famous fakes, pastiches and other creative negotiations between past and present. Descriptions of these phenomena by contemporary witnesses reveal how dissent could run along social, religious and political lines, and why certain genres became idealized while others were disparaged. </subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">After providing an overview of trends and contexts throughout the century, Ellis examines specific repertoires that evoked unusually spirited advocacy and debate.; She explores the attempts to revive French Baroque stage music in the 1870s; arguments on the appropriateness of Palestrina's liturgical music; the reception of Bach and Handel, and their relation to French choral activity; and, finally, musical "Frenchness." Four case-study chapters focus on key debates and repertories stretching from Adam de la Halle to Rameau, via Josquin, Janequin, Palestrina, Bach and Handel. "Interpreting the Musical Past" discusses what is at stake in the construction of a musical heritage, and how ideology informs musical value judgements. </subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">In its focus on the nature of musical experience and the meaning of music in society, the book explores amateur and professional music-making; working-class, aristocratic and bourgeois cultural life; national pride; religious politics; and ritual, both liturgical and secular. Based on extensive primary research in Paris and the French regions, "Interpreting the Musical Past" is at once a history of culture, of reception, and of historiography.; Covering five centuries of music (from the mid-thirteenth to the mid-eighteenth centuries) and a century of French history, it explains long-term changes of cultural meaning while celebrating the richness of local detail. This study of musical revivalism offers a penetrating analysis of what lies at the heart of the construction, championing, and development of a musical cultural memory</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">1800 - 1899</subfield><subfield code="2">fast</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1800-1900</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1800-1900</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC / Genres & Styles / International</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music / Performance</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">National characteristics, French</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Nationalism in music</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music</subfield><subfield code="z">France</subfield><subfield code="y">19th century</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music</subfield><subfield code="x">Performance</subfield><subfield code="x">History</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">National characteristics, French</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Nationalism in music</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Alte Musik</subfield><subfield code="0">(DE-588)4691269-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikleben</subfield><subfield code="0">(DE-588)4075128-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Nationalismus</subfield><subfield code="0">(DE-588)4041300-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Rezeption</subfield><subfield code="0">(DE-588)4049716-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Frankreich</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Frankreich</subfield><subfield code="0">(DE-588)4018145-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Frankreich</subfield><subfield code="0">(DE-588)4018145-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Nationalismus</subfield><subfield code="0">(DE-588)4041300-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1800-1900</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Frankreich</subfield><subfield code="0">(DE-588)4018145-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Alte Musik</subfield><subfield code="0">(DE-588)4691269-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Rezeption</subfield><subfield code="0">(DE-588)4049716-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Geschichte 1800-1900</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Frankreich</subfield><subfield code="0">(DE-588)4018145-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="2" ind2="1"><subfield code="a">Musikleben</subfield><subfield code="0">(DE-588)4075128-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="2"><subfield code="a">Geschichte 1800-1900</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="8">3\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=143329</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028505015</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">3\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=143329</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=143329</subfield><subfield code="l">FAW02</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| geographic | Frankreich Frankreich (DE-588)4018145-5 gnd |
| geographic_facet | Frankreich |
| id | DE-604.BV043080823 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:16:50Z |
| institution | BVB |
| isbn | 1280428317 1423734173 9781280428319 9781423734178 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028505015 |
| oclc_num | 62294753 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 Online-Ressource (xxii, 298 pages) |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2005 |
| publishDateSearch | 2005 |
| publishDateSort | 2005 |
| publisher | Oxford University Press |
| record_format | marc |
| spelling | Ellis, Katharine Verfasser aut Interpreting the musical past early music in nineteenth-century France Katharine Ellis Oxford Oxford University Press 2005 1 Online-Ressource (xxii, 298 pages) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references (pages 263-284) and index Patterns of revival -- Uses, appropriations, meanings In an era of heightened patriotic fervor following France's defeat in the Franco-Prussian War, Parisians packed concert halls to hear performances of Handel's oratorios and Bach's organ works. At the same time, both royalists and republicans called for the re-evaluation of the once detested musique francaise of the ancien regime. Musicologist Katharine Ellis examines these unlikely aspects of cultural life in the new Republic as part of a broader study of the early music revival in nineteenth-century France. This revival gives us a vivid sense of how music's cultural meanings were contested, distilled into dominant visions, and then often revised. Peppering the century are famous fakes, pastiches and other creative negotiations between past and present. Descriptions of these phenomena by contemporary witnesses reveal how dissent could run along social, religious and political lines, and why certain genres became idealized while others were disparaged. After providing an overview of trends and contexts throughout the century, Ellis examines specific repertoires that evoked unusually spirited advocacy and debate.; She explores the attempts to revive French Baroque stage music in the 1870s; arguments on the appropriateness of Palestrina's liturgical music; the reception of Bach and Handel, and their relation to French choral activity; and, finally, musical "Frenchness." Four case-study chapters focus on key debates and repertories stretching from Adam de la Halle to Rameau, via Josquin, Janequin, Palestrina, Bach and Handel. "Interpreting the Musical Past" discusses what is at stake in the construction of a musical heritage, and how ideology informs musical value judgements. In its focus on the nature of musical experience and the meaning of music in society, the book explores amateur and professional music-making; working-class, aristocratic and bourgeois cultural life; national pride; religious politics; and ritual, both liturgical and secular. Based on extensive primary research in Paris and the French regions, "Interpreting the Musical Past" is at once a history of culture, of reception, and of historiography.; Covering five centuries of music (from the mid-thirteenth to the mid-eighteenth centuries) and a century of French history, it explains long-term changes of cultural meaning while celebrating the richness of local detail. This study of musical revivalism offers a penetrating analysis of what lies at the heart of the construction, championing, and development of a musical cultural memory 1800 - 1899 fast Geschichte 1800-1900 Geschichte 1800-1900 gnd rswk-swf MUSIC / Genres & Styles / International bisacsh Music fast Music / Performance fast National characteristics, French fast Nationalism in music fast Geschichte Musik Music France 19th century History and criticism Music Performance History National characteristics, French Nationalism in music Alte Musik (DE-588)4691269-1 gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf Nationalismus (DE-588)4041300-7 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Frankreich Frankreich (DE-588)4018145-5 gnd rswk-swf Frankreich (DE-588)4018145-5 g Nationalismus (DE-588)4041300-7 s Musik (DE-588)4040802-4 s Geschichte 1800-1900 z 1\p DE-604 Alte Musik (DE-588)4691269-1 s Rezeption (DE-588)4049716-1 s 2\p DE-604 Musikleben (DE-588)4075128-4 s 3\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=143329 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Ellis, Katharine Interpreting the musical past early music in nineteenth-century France MUSIC / Genres & Styles / International bisacsh Music fast Music / Performance fast National characteristics, French fast Nationalism in music fast Geschichte Musik Music France 19th century History and criticism Music Performance History National characteristics, French Nationalism in music Alte Musik (DE-588)4691269-1 gnd Musikleben (DE-588)4075128-4 gnd Nationalismus (DE-588)4041300-7 gnd Rezeption (DE-588)4049716-1 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4691269-1 (DE-588)4075128-4 (DE-588)4041300-7 (DE-588)4049716-1 (DE-588)4040802-4 (DE-588)4018145-5 |
| title | Interpreting the musical past early music in nineteenth-century France |
| title_auth | Interpreting the musical past early music in nineteenth-century France |
| title_exact_search | Interpreting the musical past early music in nineteenth-century France |
| title_full | Interpreting the musical past early music in nineteenth-century France Katharine Ellis |
| title_fullStr | Interpreting the musical past early music in nineteenth-century France Katharine Ellis |
| title_full_unstemmed | Interpreting the musical past early music in nineteenth-century France Katharine Ellis |
| title_short | Interpreting the musical past |
| title_sort | interpreting the musical past early music in nineteenth century france |
| title_sub | early music in nineteenth-century France |
| topic | MUSIC / Genres & Styles / International bisacsh Music fast Music / Performance fast National characteristics, French fast Nationalism in music fast Geschichte Musik Music France 19th century History and criticism Music Performance History National characteristics, French Nationalism in music Alte Musik (DE-588)4691269-1 gnd Musikleben (DE-588)4075128-4 gnd Nationalismus (DE-588)4041300-7 gnd Rezeption (DE-588)4049716-1 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | MUSIC / Genres & Styles / International Music Music / Performance National characteristics, French Nationalism in music Geschichte Musik Music France 19th century History and criticism Music Performance History Alte Musik Musikleben Nationalismus Rezeption Frankreich |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=143329 |
| work_keys_str_mv | AT elliskatharine interpretingthemusicalpastearlymusicinnineteenthcenturyfrance |