Between stillness and motion: film, photography, algorithms
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
2011
|
| Schriftenreihe: | Film culture in transition
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references (pages 225-233) Introduction. The still/moving field: an introduction / Eivind Røssaak -- Philosophies of motion. The play between still and moving images: nineteenth-century "philosophical toys" and their discourse / Tom Gunning -- Digital techniques beyond the "last machine": thinking digital media with Hollis Frampton / Mark B.N. Hansen -- The use of Freeze and slide motion. The figure of visual standstill in R.W. Fassbinder's films / Christa Blümlinger -- The temporalities of the narrative slide motion film / Liv Hausken -- The cinematic turn in the arts. Stop/motion / Thomas Elsaesser -- After "photography's expanded field" / George Baker -- On 'On Otto': moving images and the new collectivity / Ina Blom -- The algorithmic turn. Mutable temporality in and beyond the music video: and aesthetic of post-production / Arild Fetveit -- Algorithmic culture: beyond the photo/film divide Eivind Røssaak -- Archives in between. "The archives of the planet": and montage: the movement of the crowd and "the rhythm of life" / Trond Lundemo "New technological media such as film, photography and computers have altered the way we perceive possible relations between stillness and motion in the visual arts. Traditionally, cinema theory saw cinema and especially the 'illusion of motion' as part of the ideological swindle of the basic cinematic apparatus. This collection of essays by acclaimed international scholars including Tom Gunning, Thomas Elsaesser, Mark B.N. Hansen, George Baker, Ina Blom and Christa Blümlinger, starts out from a different premise to analyse stillness and motion as part of a larger ecology of images and media. They argue that the strategic uses of stillness and motion in art and entertainment since the 1850s illuminate and renegotiate urgent issues within both aesthetics, film, art and media history on the one hand, and, on the other, new perspectives on affects, memories and the contemporary patterns of communication and image circulation."--Publisher's website |
| Beschreibung: | 1 Online-Ressource (239 pages) |
| ISBN: | 1283334437 9048512093 9781283334433 9789048512096 |
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| spelling | Between stillness and motion film, photography, algorithms edited by Eivind Røssaak Amsterdam Amsterdam University Press 2011 1 Online-Ressource (239 pages) txt rdacontent c rdamedia cr rdacarrier Film culture in transition Includes bibliographical references (pages 225-233) Introduction. The still/moving field: an introduction / Eivind Røssaak -- Philosophies of motion. The play between still and moving images: nineteenth-century "philosophical toys" and their discourse / Tom Gunning -- Digital techniques beyond the "last machine": thinking digital media with Hollis Frampton / Mark B.N. Hansen -- The use of Freeze and slide motion. The figure of visual standstill in R.W. Fassbinder's films / Christa Blümlinger -- The temporalities of the narrative slide motion film / Liv Hausken -- The cinematic turn in the arts. Stop/motion / Thomas Elsaesser -- After "photography's expanded field" / George Baker -- On 'On Otto': moving images and the new collectivity / Ina Blom -- The algorithmic turn. Mutable temporality in and beyond the music video: and aesthetic of post-production / Arild Fetveit -- Algorithmic culture: beyond the photo/film divide Eivind Røssaak -- Archives in between. "The archives of the planet": and montage: the movement of the crowd and "the rhythm of life" / Trond Lundemo "New technological media such as film, photography and computers have altered the way we perceive possible relations between stillness and motion in the visual arts. Traditionally, cinema theory saw cinema and especially the 'illusion of motion' as part of the ideological swindle of the basic cinematic apparatus. This collection of essays by acclaimed international scholars including Tom Gunning, Thomas Elsaesser, Mark B.N. Hansen, George Baker, Ina Blom and Christa Blümlinger, starts out from a different premise to analyse stillness and motion as part of a larger ecology of images and media. They argue that the strategic uses of stillness and motion in art and entertainment since the 1850s illuminate and renegotiate urgent issues within both aesthetics, film, art and media history on the one hand, and, on the other, new perspectives on affects, memories and the contemporary patterns of communication and image circulation."--Publisher's website Geschichte gnd rswk-swf ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh Cinematography / Special effects fast Motion pictures / Aesthetics fast Stills (Motion pictures) fast Film Ästhetik Cinematography Special effects Motion pictures Aesthetics Stills (Motion pictures) Fotografie (DE-588)4045895-7 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Computeranimation (DE-588)4199710-4 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Film (DE-588)4017102-4 s Fotografie (DE-588)4045895-7 s Computeranimation (DE-588)4199710-4 s Geschichte z 2\p DE-604 Røssaak, Eivind Sonstige oth http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=413925 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Between stillness and motion film, photography, algorithms ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh Cinematography / Special effects fast Motion pictures / Aesthetics fast Stills (Motion pictures) fast Film Ästhetik Cinematography Special effects Motion pictures Aesthetics Stills (Motion pictures) Fotografie (DE-588)4045895-7 gnd Film (DE-588)4017102-4 gnd Computeranimation (DE-588)4199710-4 gnd |
| subject_GND | (DE-588)4045895-7 (DE-588)4017102-4 (DE-588)4199710-4 (DE-588)4143413-4 |
| title | Between stillness and motion film, photography, algorithms |
| title_auth | Between stillness and motion film, photography, algorithms |
| title_exact_search | Between stillness and motion film, photography, algorithms |
| title_full | Between stillness and motion film, photography, algorithms edited by Eivind Røssaak |
| title_fullStr | Between stillness and motion film, photography, algorithms edited by Eivind Røssaak |
| title_full_unstemmed | Between stillness and motion film, photography, algorithms edited by Eivind Røssaak |
| title_short | Between stillness and motion |
| title_sort | between stillness and motion film photography algorithms |
| title_sub | film, photography, algorithms |
| topic | ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh Cinematography / Special effects fast Motion pictures / Aesthetics fast Stills (Motion pictures) fast Film Ästhetik Cinematography Special effects Motion pictures Aesthetics Stills (Motion pictures) Fotografie (DE-588)4045895-7 gnd Film (DE-588)4017102-4 gnd Computeranimation (DE-588)4199710-4 gnd |
| topic_facet | ART / Film & Video PERFORMING ARTS / Film & Video / Reference Cinematography / Special effects Motion pictures / Aesthetics Stills (Motion pictures) Film Ästhetik Cinematography Special effects Motion pictures Aesthetics Fotografie Computeranimation Aufsatzsammlung |
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