What to listen for in rock: a stylistic analysis
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New Haven
Yale University Press
c2002
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes discography (p. 195-196), bibliographical references (p. 197-217), and index Phrase rhythm -- Key and mode -- Cadences -- Chord type and harmonic palette -- Harmonic succession -- Form -- Analyzing a hit In this analysis of rock music, music theorist Ken Stephenson explores the features that make this internationally popular music distinct from earlier music styles. The author offers a guided tour of rock music from the 1950s to the present, emphasizing the theoretical underpinnings of the style and systematically focusing not on rock music's history or sociology, but on the structural aspects of the music itself. What structures normally happen in rock music? What theoretical systems or models might best explain them? The text addresses these questions and more in chapters devoted to phrase rhythm, scales, key determination, cadences, harmonic palette and succession, and form. Each chapter provides detailed analyses of individual rock pieces from groups including Chicago; the Beatles; Emerson, Lake, and Palmer; Kansas; and others. Stephenson shows how rock music is stylistically unique, and he demonstrates how the features that make it distinct have tended to remain constant throughout the second half of the 20th century and within most substyles |
| Beschreibung: | 1 Online-Ressource (xvii, 253 p.) |
| ISBN: | 0300092393 0300128231 1281721689 9780300092394 9780300128239 9781281721686 |
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| 500 | |a In this analysis of rock music, music theorist Ken Stephenson explores the features that make this internationally popular music distinct from earlier music styles. The author offers a guided tour of rock music from the 1950s to the present, emphasizing the theoretical underpinnings of the style and systematically focusing not on rock music's history or sociology, but on the structural aspects of the music itself. What structures normally happen in rock music? What theoretical systems or models might best explain them? The text addresses these questions and more in chapters devoted to phrase rhythm, scales, key determination, cadences, harmonic palette and succession, and form. Each chapter provides detailed analyses of individual rock pieces from groups including Chicago; the Beatles; Emerson, Lake, and Palmer; Kansas; and others. Stephenson shows how rock music is stylistically unique, and he demonstrates how the features that make it distinct have tended to remain constant throughout the second half of the 20th century and within most substyles | ||
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Datensatz im Suchindex
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| author | Stephenson, Ken |
| author_facet | Stephenson, Ken |
| author_role | aut |
| author_sort | Stephenson, Ken |
| author_variant | k s ks |
| building | Verbundindex |
| bvnumber | BV043079273 |
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| dewey-raw | 781.66/117 |
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| dewey-sort | 3781.66 3117 |
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| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| id | DE-604.BV043079273 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:16:47Z |
| institution | BVB |
| isbn | 0300092393 0300128231 1281721689 9780300092394 9780300128239 9781281721686 |
| language | English |
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| physical | 1 Online-Ressource (xvii, 253 p.) |
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| publishDate | 2002 |
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| publisher | Yale University Press |
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| spelling | Stephenson, Ken Verfasser aut What to listen for in rock a stylistic analysis Ken Stephenson New Haven Yale University Press c2002 1 Online-Ressource (xvii, 253 p.) txt rdacontent c rdamedia cr rdacarrier Includes discography (p. 195-196), bibliographical references (p. 197-217), and index Phrase rhythm -- Key and mode -- Cadences -- Chord type and harmonic palette -- Harmonic succession -- Form -- Analyzing a hit In this analysis of rock music, music theorist Ken Stephenson explores the features that make this internationally popular music distinct from earlier music styles. The author offers a guided tour of rock music from the 1950s to the present, emphasizing the theoretical underpinnings of the style and systematically focusing not on rock music's history or sociology, but on the structural aspects of the music itself. What structures normally happen in rock music? What theoretical systems or models might best explain them? The text addresses these questions and more in chapters devoted to phrase rhythm, scales, key determination, cadences, harmonic palette and succession, and form. Each chapter provides detailed analyses of individual rock pieces from groups including Chicago; the Beatles; Emerson, Lake, and Palmer; Kansas; and others. Stephenson shows how rock music is stylistically unique, and he demonstrates how the features that make it distinct have tended to remain constant throughout the second half of the 20th century and within most substyles Rock (Musique) / Analyse et appréciation MUSIC / Genres & Styles / Punk bisacsh MUSIC / Genres & Styles / Heavy Metal bisacsh MUSIC / Genres & Styles / Rock bisacsh Rock music / Analysis, appreciation fast Rock music Analysis, appreciation Rockmusik (DE-588)4115774-6 gnd rswk-swf Musikalischer Stil (DE-588)4170806-4 gnd rswk-swf Stilistik (DE-588)4116621-8 gnd rswk-swf Rockmusik (DE-588)4115774-6 s Musikalischer Stil (DE-588)4170806-4 s Stilistik (DE-588)4116621-8 s 1\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=187796 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Stephenson, Ken What to listen for in rock a stylistic analysis Rock (Musique) / Analyse et appréciation MUSIC / Genres & Styles / Punk bisacsh MUSIC / Genres & Styles / Heavy Metal bisacsh MUSIC / Genres & Styles / Rock bisacsh Rock music / Analysis, appreciation fast Rock music Analysis, appreciation Rockmusik (DE-588)4115774-6 gnd Musikalischer Stil (DE-588)4170806-4 gnd Stilistik (DE-588)4116621-8 gnd |
| subject_GND | (DE-588)4115774-6 (DE-588)4170806-4 (DE-588)4116621-8 |
| title | What to listen for in rock a stylistic analysis |
| title_auth | What to listen for in rock a stylistic analysis |
| title_exact_search | What to listen for in rock a stylistic analysis |
| title_full | What to listen for in rock a stylistic analysis Ken Stephenson |
| title_fullStr | What to listen for in rock a stylistic analysis Ken Stephenson |
| title_full_unstemmed | What to listen for in rock a stylistic analysis Ken Stephenson |
| title_short | What to listen for in rock |
| title_sort | what to listen for in rock a stylistic analysis |
| title_sub | a stylistic analysis |
| topic | Rock (Musique) / Analyse et appréciation MUSIC / Genres & Styles / Punk bisacsh MUSIC / Genres & Styles / Heavy Metal bisacsh MUSIC / Genres & Styles / Rock bisacsh Rock music / Analysis, appreciation fast Rock music Analysis, appreciation Rockmusik (DE-588)4115774-6 gnd Musikalischer Stil (DE-588)4170806-4 gnd Stilistik (DE-588)4116621-8 gnd |
| topic_facet | Rock (Musique) / Analyse et appréciation MUSIC / Genres & Styles / Punk MUSIC / Genres & Styles / Heavy Metal MUSIC / Genres & Styles / Rock Rock music / Analysis, appreciation Rock music Analysis, appreciation Rockmusik Musikalischer Stil Stilistik |
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