Severo Sarduy and the neo-baroque image of thought in the visual arts:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
West Lafayette, Ind.
Purdue University Press
c2012
|
| Schriftenreihe: | Purdue studies in Romance literatures
v. 53 |
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references and index Severo Sarduy never enjoyed the same level of notoriety as did other Latin American writers like Garca Mrquez and Vargas-Llosa, and his compatriot, Cabrera-Infante. On the other hand, he never lacked for excellent critical interpretations of his work from critics like Roberto Gonzlez Echevarra, Ren Prieto, Gustavo Guerrero, and other reputable scholars. Missing, however, from what is otherwise an impressive body of critical commentary, is a study of the importance of painting and architecture, firstly, to his theory, and secondly, to his creative work. In order to fill this lacuna in Sarduy studies, Rolando Prez?s book undertakes a critical approach to Sarduy?s essays?Barroco, Escrito sobre un cuerpo,?Barroco y neobarroco,? and La simulacin?from the stand point of art history. Often overlooked in Sarduy studies is the fact that the twenty-three-year-old Sarduy left Cuba for Paris in 1961 to study not literature but art history, earning the equivalent of a Master?s Degree from the cole du Louvre with a thesis on Roman art. And yet it was the art of the Italian Renaissance (e.g., the paintings as well as the brilliant and numerous treatises on linear perspective produced from the 15th to the 16th century) and what Sarduy called the Italian, Spanish, and colonial Baroque or?neo-baroque? visually based aesthetic that interested him and to which he dedicated so many pages. In short, no book on Sarduy until now has traced the multifaceted art historical background that informed the work of this challenging and exciting writer. And though Severo Sarduy and the Neo-Baroque Image of Thought in the Visual Arts is far from being an introduction, it will be a book that many a critic of Sarduy and the Latin American?baroque? will consult in years to come |
| Beschreibung: | 1 Online-Ressource (xii, 318 p.) |
| ISBN: | 155753604X 1612491480 1612491499 9781557536044 9781612491486 9781612491493 |
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| 245 | 1 | 0 | |a Severo Sarduy and the neo-baroque image of thought in the visual arts |c Rolando Pérez |
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| 500 | |a Includes bibliographical references and index | ||
| 500 | |a Severo Sarduy never enjoyed the same level of notoriety as did other Latin American writers like Garca Mrquez and Vargas-Llosa, and his compatriot, Cabrera-Infante. On the other hand, he never lacked for excellent critical interpretations of his work from critics like Roberto Gonzlez Echevarra, Ren Prieto, Gustavo Guerrero, and other reputable scholars. Missing, however, from what is otherwise an impressive body of critical commentary, is a study of the importance of painting and architecture, firstly, to his theory, and secondly, to his creative work. In order to fill this lacuna in Sarduy studies, Rolando Prez?s book undertakes a critical approach to Sarduy?s essays?Barroco, Escrito sobre un cuerpo,?Barroco y neobarroco,? and La simulacin?from the stand point of art history. Often overlooked in Sarduy studies is the fact that the twenty-three-year-old Sarduy left Cuba for Paris in 1961 to study not literature but art history, earning the equivalent of a Master?s Degree from the cole du Louvre with a thesis on Roman art. And yet it was the art of the Italian Renaissance (e.g., the paintings as well as the brilliant and numerous treatises on linear perspective produced from the 15th to the 16th century) and what Sarduy called the Italian, Spanish, and colonial Baroque or?neo-baroque? visually based aesthetic that interested him and to which he dedicated so many pages. In short, no book on Sarduy until now has traced the multifaceted art historical background that informed the work of this challenging and exciting writer. And though Severo Sarduy and the Neo-Baroque Image of Thought in the Visual Arts is far from being an introduction, it will be a book that many a critic of Sarduy and the Latin American?baroque? will consult in years to come | ||
| 600 | 1 | 7 | |a Sarduy, Severo |2 fast |
| 600 | 1 | 4 | |a Sarduy, Severo |
| 600 | 1 | 4 | |a Sarduy, Severo |x Criticism and interpretation |
| 600 | 1 | 4 | |a Sarduy, Severo |x Knowledge |v Art |
| 600 | 1 | 4 | |a Sarduy, Severo |x Aesthetics |
| 600 | 1 | 7 | |a Sarduy, Severo |d 1937-1993 |0 (DE-588)118794574 |2 gnd |9 rswk-swf |
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| 650 | 4 | |a Geschichte | |
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| 650 | 4 | |a Art and literature | |
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Datensatz im Suchindex
| _version_ | 1804175466748182528 |
|---|---|
| any_adam_object | |
| author | Perez, Rolando |
| author_facet | Perez, Rolando |
| author_role | aut |
| author_sort | Perez, Rolando |
| author_variant | r p rp |
| building | Verbundindex |
| bvnumber | BV043077672 |
| collection | ZDB-4-EBA |
| ctrlnum | (OCoLC)794488907 (DE-599)BVBBV043077672 |
| dewey-full | 864/.64 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 864 - Spanish essays |
| dewey-raw | 864/.64 |
| dewey-search | 864/.64 |
| dewey-sort | 3864 264 |
| dewey-tens | 860 - Spanish & Portuguese literatures |
| discipline | Romanistik |
| format | Electronic eBook |
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| id | DE-604.BV043077672 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:16:44Z |
| institution | BVB |
| isbn | 155753604X 1612491480 1612491499 9781557536044 9781612491486 9781612491493 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028501864 |
| oclc_num | 794488907 |
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| owner | DE-1046 DE-1047 |
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| physical | 1 Online-Ressource (xii, 318 p.) |
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| publishDate | 2012 |
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| publisher | Purdue University Press |
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| series2 | Purdue studies in Romance literatures |
| spelling | Perez, Rolando Verfasser aut Severo Sarduy and the neo-baroque image of thought in the visual arts Rolando Pérez West Lafayette, Ind. Purdue University Press c2012 1 Online-Ressource (xii, 318 p.) txt rdacontent c rdamedia cr rdacarrier Purdue studies in Romance literatures v. 53 Includes bibliographical references and index Severo Sarduy never enjoyed the same level of notoriety as did other Latin American writers like Garca Mrquez and Vargas-Llosa, and his compatriot, Cabrera-Infante. On the other hand, he never lacked for excellent critical interpretations of his work from critics like Roberto Gonzlez Echevarra, Ren Prieto, Gustavo Guerrero, and other reputable scholars. Missing, however, from what is otherwise an impressive body of critical commentary, is a study of the importance of painting and architecture, firstly, to his theory, and secondly, to his creative work. In order to fill this lacuna in Sarduy studies, Rolando Prez?s book undertakes a critical approach to Sarduy?s essays?Barroco, Escrito sobre un cuerpo,?Barroco y neobarroco,? and La simulacin?from the stand point of art history. Often overlooked in Sarduy studies is the fact that the twenty-three-year-old Sarduy left Cuba for Paris in 1961 to study not literature but art history, earning the equivalent of a Master?s Degree from the cole du Louvre with a thesis on Roman art. And yet it was the art of the Italian Renaissance (e.g., the paintings as well as the brilliant and numerous treatises on linear perspective produced from the 15th to the 16th century) and what Sarduy called the Italian, Spanish, and colonial Baroque or?neo-baroque? visually based aesthetic that interested him and to which he dedicated so many pages. In short, no book on Sarduy until now has traced the multifaceted art historical background that informed the work of this challenging and exciting writer. And though Severo Sarduy and the Neo-Baroque Image of Thought in the Visual Arts is far from being an introduction, it will be a book that many a critic of Sarduy and the Latin American?baroque? will consult in years to come Sarduy, Severo fast Sarduy, Severo Sarduy, Severo Criticism and interpretation Sarduy, Severo Knowledge Art Sarduy, Severo Aesthetics Sarduy, Severo 1937-1993 (DE-588)118794574 gnd rswk-swf LITERARY COLLECTIONS / Essays bisacsh ART / History / Baroque & Rococo bisacsh Aesthetics fast Art fast Art and literature fast Geschichte Kunst Wissen Ästhetik Art and literature Kunst (DE-588)4114333-4 gnd rswk-swf Sarduy, Severo 1937-1993 (DE-588)118794574 p Kunst (DE-588)4114333-4 s 1\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=493450 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Perez, Rolando Severo Sarduy and the neo-baroque image of thought in the visual arts Sarduy, Severo fast Sarduy, Severo Sarduy, Severo Criticism and interpretation Sarduy, Severo Knowledge Art Sarduy, Severo Aesthetics Sarduy, Severo 1937-1993 (DE-588)118794574 gnd LITERARY COLLECTIONS / Essays bisacsh ART / History / Baroque & Rococo bisacsh Aesthetics fast Art fast Art and literature fast Geschichte Kunst Wissen Ästhetik Art and literature Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)118794574 (DE-588)4114333-4 |
| title | Severo Sarduy and the neo-baroque image of thought in the visual arts |
| title_auth | Severo Sarduy and the neo-baroque image of thought in the visual arts |
| title_exact_search | Severo Sarduy and the neo-baroque image of thought in the visual arts |
| title_full | Severo Sarduy and the neo-baroque image of thought in the visual arts Rolando Pérez |
| title_fullStr | Severo Sarduy and the neo-baroque image of thought in the visual arts Rolando Pérez |
| title_full_unstemmed | Severo Sarduy and the neo-baroque image of thought in the visual arts Rolando Pérez |
| title_short | Severo Sarduy and the neo-baroque image of thought in the visual arts |
| title_sort | severo sarduy and the neo baroque image of thought in the visual arts |
| topic | Sarduy, Severo fast Sarduy, Severo Sarduy, Severo Criticism and interpretation Sarduy, Severo Knowledge Art Sarduy, Severo Aesthetics Sarduy, Severo 1937-1993 (DE-588)118794574 gnd LITERARY COLLECTIONS / Essays bisacsh ART / History / Baroque & Rococo bisacsh Aesthetics fast Art fast Art and literature fast Geschichte Kunst Wissen Ästhetik Art and literature Kunst (DE-588)4114333-4 gnd |
| topic_facet | Sarduy, Severo Sarduy, Severo Criticism and interpretation Sarduy, Severo Knowledge Art Sarduy, Severo Aesthetics Sarduy, Severo 1937-1993 LITERARY COLLECTIONS / Essays ART / History / Baroque & Rococo Aesthetics Art Art and literature Geschichte Kunst Wissen Ästhetik |
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| work_keys_str_mv | AT perezrolando severosarduyandtheneobaroqueimageofthoughtinthevisualarts |