Movement as meaning: in experimental film
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Rodopi
2008
|
| Schriftenreihe: | Consciousness, literature & the arts
13 |
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes filmography Includes bibliographical references (pages 197-200) and index "This book offers sweeping and cogent arguments as to why analytic philosophers should take experimental cinema seriously as a medium for illuminating mechanisms of meaning in language. Using the analogy of the movie projector, Barnett deconstructs all communication acts into functions of interval, repetition and context. He describes how Wittgenstein's concepts of family resemblance and language games provide a dynamic perspective on the analysis of acts of reference. He then develops a hyper-simplified formula of movement as meaning to discuss, with true equivalence, the process of reference as it occurs in natural language, technical language, poetic language, painting, photography, music, and of course, cinema. Barnett then applies his analytic technique to an original perspective on cine-poetics based on Paul Valerys concept of omnivalence, and to a projection of how this style of analysis, derived from analog cinema, can help us clarify our view of the digital mediasphere and its relation to consciousness." "Informed by the philosophy of Quine, Dennett, Merleau-Ponty as well as the later work of Wittgenstein, among others, he uses the film work of Stan Brakhage, Tony Conrad, A.K. Dewdney, Nathaniel Dorsky, Ken Jacobs, Owen Land, Saul Levine, Gregory Markopoulos Michael Snow, and the poetry of Basho, John Cage, John Cayley and Paul Valery to illustrate the power of his unique perspective on meaning."--Jacket |
| Beschreibung: | 1 Online-Ressource (iv, 224 pages) |
| ISBN: | 1435642333 9042023856 9781435642331 9789042023857 |
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Datensatz im Suchindex
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| dewey-full | 791.43611 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
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| format | Electronic eBook |
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| isbn | 1435642333 9042023856 9781435642331 9789042023857 |
| language | English |
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| spelling | Barnett, Daniel Verfasser aut Movement as meaning in experimental film Daniel Barnett Amsterdam Rodopi 2008 1 Online-Ressource (iv, 224 pages) txt rdacontent c rdamedia cr rdacarrier Consciousness, literature & the arts 13 Includes filmography Includes bibliographical references (pages 197-200) and index "This book offers sweeping and cogent arguments as to why analytic philosophers should take experimental cinema seriously as a medium for illuminating mechanisms of meaning in language. Using the analogy of the movie projector, Barnett deconstructs all communication acts into functions of interval, repetition and context. He describes how Wittgenstein's concepts of family resemblance and language games provide a dynamic perspective on the analysis of acts of reference. He then develops a hyper-simplified formula of movement as meaning to discuss, with true equivalence, the process of reference as it occurs in natural language, technical language, poetic language, painting, photography, music, and of course, cinema. Barnett then applies his analytic technique to an original perspective on cine-poetics based on Paul Valerys concept of omnivalence, and to a projection of how this style of analysis, derived from analog cinema, can help us clarify our view of the digital mediasphere and its relation to consciousness." "Informed by the philosophy of Quine, Dennett, Merleau-Ponty as well as the later work of Wittgenstein, among others, he uses the film work of Stan Brakhage, Tony Conrad, A.K. Dewdney, Nathaniel Dorsky, Ken Jacobs, Owen Land, Saul Levine, Gregory Markopoulos Michael Snow, and the poetry of Basho, John Cage, John Cayley and Paul Valery to illustrate the power of his unique perspective on meaning."--Jacket Fine Arts PERFORMING ARTS / Reference bisacsh Experimental films fast Motion pictures fast Film Experimental films Motion pictures Experimentalfilm (DE-588)4153359-8 gnd rswk-swf Bewegung (DE-588)4006311-2 gnd rswk-swf Bewegung (DE-588)4006311-2 s Experimentalfilm (DE-588)4153359-8 s 1\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=223838 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Barnett, Daniel Movement as meaning in experimental film Fine Arts PERFORMING ARTS / Reference bisacsh Experimental films fast Motion pictures fast Film Experimental films Motion pictures Experimentalfilm (DE-588)4153359-8 gnd Bewegung (DE-588)4006311-2 gnd |
| subject_GND | (DE-588)4153359-8 (DE-588)4006311-2 |
| title | Movement as meaning in experimental film |
| title_auth | Movement as meaning in experimental film |
| title_exact_search | Movement as meaning in experimental film |
| title_full | Movement as meaning in experimental film Daniel Barnett |
| title_fullStr | Movement as meaning in experimental film Daniel Barnett |
| title_full_unstemmed | Movement as meaning in experimental film Daniel Barnett |
| title_short | Movement as meaning |
| title_sort | movement as meaning in experimental film |
| title_sub | in experimental film |
| topic | Fine Arts PERFORMING ARTS / Reference bisacsh Experimental films fast Motion pictures fast Film Experimental films Motion pictures Experimentalfilm (DE-588)4153359-8 gnd Bewegung (DE-588)4006311-2 gnd |
| topic_facet | Fine Arts PERFORMING ARTS / Reference Experimental films Motion pictures Film Experimentalfilm Bewegung |
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