Authenticating culture in imperial Japan: Kuki Shūzō and the rise of national aesthetics
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berkeley
University of California Press
©1996
|
| Schriftenreihe: | Twentieth-century Japan
5 |
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references (pages 249-258) and index Nearly a half century after Japan opened its doors to Western knowledge, intellectual discourse there took a sharp turn inward. Drawing on the cultural resources of a forgotten past, Japanese thinkers of the 1910s and 1930s imagined a realm of authenticity impervious to the fragmenting processes of modernization. Ultimately these thinkers equated authenticity with something irreducibly Japanese and in so doing became complicit, even instrumental, in a repressive and imperialist state apparatus. How did this cultural complicity take shape, and what does it reveal more generally about the troubled relationship between modernity and national culture? To explore these questions, Leslie Pincus focuses on the work of philosopher Kuki Shuzo, in particular his classic study of Edo style, "Iki" no kozo - a text that demonstrates with unusual clarity the philosophical sources, the modernist affiliations, and the ideological implications of this highly aestheticized discourse on culture in interwar Japan Pincus argues that Japanese intellectuals attempted to resist the inroads of Western hegemony and reclaim what they perceived as a threatened cultural authenticity. But after several generations of assimilation with a modernized West, they had no choice but to delineate Japaneseness against, and within, dominant discursive modes derived from the West. She discovers that these intellectuals were in fact reacting to the precipitous transformation of their own social world, in which the emergence of mass culture and the specter of mass politics promised a Japan of drastically different proportions. Ultimately their own struggle for hegemony over the form and content of national culture would lead to the most disastrous political consequences 1. Exotic Seductions and the Return to Japan -- 2. Encounters across Borders: The Philosophical Quest for Experience -- 3. History or Value: The Vicissitudes of Edo Culture -- 4. Hermeneutics; Or Culture Repossessed -- 5. An Aristocracy of Taste in an Age of Mass Culture -- Epilogue: How the Cultural Landscape Became the Property of the State |
| Beschreibung: | 1 Online-Ressource (xii, 271 pages) |
| ISBN: | 0520201345 0520916484 0585131708 9780520916487 9780585131702 |
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| 500 | |a Includes bibliographical references (pages 249-258) and index | ||
| 500 | |a Nearly a half century after Japan opened its doors to Western knowledge, intellectual discourse there took a sharp turn inward. Drawing on the cultural resources of a forgotten past, Japanese thinkers of the 1910s and 1930s imagined a realm of authenticity impervious to the fragmenting processes of modernization. Ultimately these thinkers equated authenticity with something irreducibly Japanese and in so doing became complicit, even instrumental, in a repressive and imperialist state apparatus. How did this cultural complicity take shape, and what does it reveal more generally about the troubled relationship between modernity and national culture? | ||
| 500 | |a To explore these questions, Leslie Pincus focuses on the work of philosopher Kuki Shuzo, in particular his classic study of Edo style, "Iki" no kozo - a text that demonstrates with unusual clarity the philosophical sources, the modernist affiliations, and the ideological implications of this highly aestheticized discourse on culture in interwar Japan | ||
| 500 | |a Pincus argues that Japanese intellectuals attempted to resist the inroads of Western hegemony and reclaim what they perceived as a threatened cultural authenticity. But after several generations of assimilation with a modernized West, they had no choice but to delineate Japaneseness against, and within, dominant discursive modes derived from the West. She discovers that these intellectuals were in fact reacting to the precipitous transformation of their own social world, in which the emergence of mass culture and the specter of mass politics promised a Japan of drastically different proportions. Ultimately their own struggle for hegemony over the form and content of national culture would lead to the most disastrous political consequences | ||
| 500 | |a 1. Exotic Seductions and the Return to Japan -- 2. Encounters across Borders: The Philosophical Quest for Experience -- 3. History or Value: The Vicissitudes of Edo Culture -- 4. Hermeneutics; Or Culture Repossessed -- 5. An Aristocracy of Taste in an Age of Mass Culture -- Epilogue: How the Cultural Landscape Became the Property of the State | ||
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Datensatz im Suchindex
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| any_adam_object | |
| author | Pincus, Leslie |
| author_facet | Pincus, Leslie |
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| dewey-full | 181/.12 |
| dewey-hundreds | 100 - Philosophy & psychology |
| dewey-ones | 181 - Eastern philosophy |
| dewey-raw | 181/.12 |
| dewey-search | 181/.12 |
| dewey-sort | 3181 212 |
| dewey-tens | 180 - Ancient, medieval, eastern philosophy |
| discipline | Philosophie |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:16:39Z |
| institution | BVB |
| isbn | 0520201345 0520916484 0585131708 9780520916487 9780585131702 |
| language | English |
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| spelling | Pincus, Leslie Verfasser aut Authenticating culture in imperial Japan Kuki Shūzō and the rise of national aesthetics Leslie Pincus Berkeley University of California Press ©1996 1 Online-Ressource (xii, 271 pages) txt rdacontent c rdamedia cr rdacarrier Twentieth-century Japan 5 Includes bibliographical references (pages 249-258) and index Nearly a half century after Japan opened its doors to Western knowledge, intellectual discourse there took a sharp turn inward. Drawing on the cultural resources of a forgotten past, Japanese thinkers of the 1910s and 1930s imagined a realm of authenticity impervious to the fragmenting processes of modernization. Ultimately these thinkers equated authenticity with something irreducibly Japanese and in so doing became complicit, even instrumental, in a repressive and imperialist state apparatus. How did this cultural complicity take shape, and what does it reveal more generally about the troubled relationship between modernity and national culture? To explore these questions, Leslie Pincus focuses on the work of philosopher Kuki Shuzo, in particular his classic study of Edo style, "Iki" no kozo - a text that demonstrates with unusual clarity the philosophical sources, the modernist affiliations, and the ideological implications of this highly aestheticized discourse on culture in interwar Japan Pincus argues that Japanese intellectuals attempted to resist the inroads of Western hegemony and reclaim what they perceived as a threatened cultural authenticity. But after several generations of assimilation with a modernized West, they had no choice but to delineate Japaneseness against, and within, dominant discursive modes derived from the West. She discovers that these intellectuals were in fact reacting to the precipitous transformation of their own social world, in which the emergence of mass culture and the specter of mass politics promised a Japan of drastically different proportions. Ultimately their own struggle for hegemony over the form and content of national culture would lead to the most disastrous political consequences 1. Exotic Seductions and the Return to Japan -- 2. Encounters across Borders: The Philosophical Quest for Experience -- 3. History or Value: The Vicissitudes of Edo Culture -- 4. Hermeneutics; Or Culture Repossessed -- 5. An Aristocracy of Taste in an Age of Mass Culture -- Epilogue: How the Cultural Landscape Became the Property of the State Kuki, Shūzō / 1888-1941 Kuki, Shūzō Kuki, Shūzō / 1888-1941 fast Kuki, Shūzō 1888-1941 Kuki, Shūzō 1888-1941 (DE-588)119422840 gnd rswk-swf PHILOSOPHY / Eastern bisacsh Moderniteit gtt Cultuurfilosofie gtt Kuki, Shūzō 1888-1941 (DE-588)119422840 p 1\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=10082 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Pincus, Leslie Authenticating culture in imperial Japan Kuki Shūzō and the rise of national aesthetics Kuki, Shūzō / 1888-1941 Kuki, Shūzō Kuki, Shūzō / 1888-1941 fast Kuki, Shūzō 1888-1941 Kuki, Shūzō 1888-1941 (DE-588)119422840 gnd PHILOSOPHY / Eastern bisacsh Moderniteit gtt Cultuurfilosofie gtt |
| subject_GND | (DE-588)119422840 |
| title | Authenticating culture in imperial Japan Kuki Shūzō and the rise of national aesthetics |
| title_auth | Authenticating culture in imperial Japan Kuki Shūzō and the rise of national aesthetics |
| title_exact_search | Authenticating culture in imperial Japan Kuki Shūzō and the rise of national aesthetics |
| title_full | Authenticating culture in imperial Japan Kuki Shūzō and the rise of national aesthetics Leslie Pincus |
| title_fullStr | Authenticating culture in imperial Japan Kuki Shūzō and the rise of national aesthetics Leslie Pincus |
| title_full_unstemmed | Authenticating culture in imperial Japan Kuki Shūzō and the rise of national aesthetics Leslie Pincus |
| title_short | Authenticating culture in imperial Japan |
| title_sort | authenticating culture in imperial japan kuki shuzo and the rise of national aesthetics |
| title_sub | Kuki Shūzō and the rise of national aesthetics |
| topic | Kuki, Shūzō / 1888-1941 Kuki, Shūzō Kuki, Shūzō / 1888-1941 fast Kuki, Shūzō 1888-1941 Kuki, Shūzō 1888-1941 (DE-588)119422840 gnd PHILOSOPHY / Eastern bisacsh Moderniteit gtt Cultuurfilosofie gtt |
| topic_facet | Kuki, Shūzō / 1888-1941 Kuki, Shūzō Kuki, Shūzō 1888-1941 PHILOSOPHY / Eastern Moderniteit Cultuurfilosofie |
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