Keaton's silent shorts: beyond the laughter
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Carbondale
Southern Illinois University Press
c1996
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 Includes bibliographical references (p. 377-385) and index This study of Buster Keaton's nineteen silent short films shot between 1920 and 1923 provides the first book-length examination of the independent silent short films of one of the acknowledged kings of comedy. Hardly a neglected artist, Keaton attracts biographers and film scholars capable of incisive comment on his work. He continues to draw the serious attention of both popular writers and scholars because as a comic genius and major comedy filmmaker during the silent age he rivals Charlie Chaplin. Yet writers have focused on the full-length films from 1923 to 1928, when Keaton joined MGM, lost his creative freedom, and began a glide toward oblivion that lasted until his rediscovery in the late 1950s. Filling a major gap in the critical canon, Gabriella Oldham's study chronicles the rapid growth in the filmmaker's understanding of what makes both comedy and film successful. Keaton developed his major themes in these nineteen short films: his persona "Buster" vs. Rival, Nature, Machine, Self, and Fate; his resilient pursuit of love and the efforts he makes to overcome any curves thrown by Fate; and his trademark "stone face" blocking any display of the passionate emotion he feels about everything he does. These short films clearly indicate Keaton's love of the camera and his concern for composition, symmetry, and images that delight the eye and startle the mind. Oldham reconstructs each of these rarely seen films in such a way as to enable the reader to "watch" Keaton's performance, devoting a separate chapter to each. She analyzes each film's strengths, weaknesses, and prevalent themes and threads. She also enables readers to plumb the depths of what seems to be surface comedy through philosophical, biographical, historical, and critical commentary, thus linking the shorts together into a cohesive study of Keaton's growth through his three-year independent venture as a filmmaker One Week (September 1920) -- Convict 13 (October 1920) -- The Scarecrow (December 1920) -- Neighbors (January 1921) -- The Haunted House (February 1921) -- Hard Luck (March 1921) -- The High Sign (April 1921) -- The Goat (May 1921) -- The Playhouse (January 1922) -- The Boat (November 1921) -- The Paleface (January 1922) -- Cops (March 1922) -- My Wife's Relations (May 1922) -- The Blacksmith (July 1922) -- The Frozen North (August 1922) -- Daydreams (September 1922) -- The Electric House (October 1922) -- The Balloonatic (January 1923) |
| Beschreibung: | 1 Online-Ressource (396 p.) |
| ISBN: | 0585108064 0809319519 0809319527 0809385945 9780585108063 9780809385942 |
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| 500 | |a This study of Buster Keaton's nineteen silent short films shot between 1920 and 1923 provides the first book-length examination of the independent silent short films of one of the acknowledged kings of comedy. Hardly a neglected artist, Keaton attracts biographers and film scholars capable of incisive comment on his work. He continues to draw the serious attention of both popular writers and scholars because as a comic genius and major comedy filmmaker during the silent age he rivals Charlie Chaplin. Yet writers have focused on the full-length films from 1923 to 1928, when Keaton joined MGM, lost his creative freedom, and began a glide toward oblivion that lasted until his rediscovery in the late 1950s. Filling a major gap in the critical canon, Gabriella Oldham's study chronicles the rapid growth in the filmmaker's understanding of what makes both comedy and film successful. Keaton developed his major themes in these nineteen short films: his persona "Buster" vs. Rival, Nature, Machine, Self, and Fate; his resilient pursuit of love and the efforts he makes to overcome any curves thrown by Fate; and his trademark "stone face" blocking any display of the passionate emotion he feels about everything he does. These short films clearly indicate Keaton's love of the camera and his concern for composition, symmetry, and images that delight the eye and startle the mind. Oldham reconstructs each of these rarely seen films in such a way as to enable the reader to "watch" Keaton's performance, devoting a separate chapter to each. She analyzes each film's strengths, weaknesses, and prevalent themes and threads. She also enables readers to plumb the depths of what seems to be surface comedy through philosophical, biographical, historical, and critical commentary, thus linking the shorts together into a cohesive study of Keaton's growth through his three-year independent venture as a filmmaker | ||
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Datensatz im Suchindex
| _version_ | 1804175460102307840 |
|---|---|
| any_adam_object | |
| author | Oldham, Gabriella |
| author_facet | Oldham, Gabriella |
| author_role | aut |
| author_sort | Oldham, Gabriella |
| author_variant | g o go |
| building | Verbundindex |
| bvnumber | BV043074092 |
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| collection | ZDB-4-EBA |
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| dewey-full | 791.43/028/092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/028/092 |
| dewey-search | 791.43/028/092 |
| dewey-sort | 3791.43 228 292 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| id | DE-604.BV043074092 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:16:38Z |
| institution | BVB |
| isbn | 0585108064 0809319519 0809319527 0809385945 9780585108063 9780809385942 |
| language | English |
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| oclc_num | 43476103 |
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| physical | 1 Online-Ressource (396 p.) |
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| publishDate | 1996 |
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| publisher | Southern Illinois University Press |
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| spelling | Oldham, Gabriella Verfasser aut Keaton's silent shorts beyond the laughter Gabriella Oldham Carbondale Southern Illinois University Press c1996 1 Online-Ressource (396 p.) txt rdacontent c rdamedia cr rdacarrier Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 Includes bibliographical references (p. 377-385) and index This study of Buster Keaton's nineteen silent short films shot between 1920 and 1923 provides the first book-length examination of the independent silent short films of one of the acknowledged kings of comedy. Hardly a neglected artist, Keaton attracts biographers and film scholars capable of incisive comment on his work. He continues to draw the serious attention of both popular writers and scholars because as a comic genius and major comedy filmmaker during the silent age he rivals Charlie Chaplin. Yet writers have focused on the full-length films from 1923 to 1928, when Keaton joined MGM, lost his creative freedom, and began a glide toward oblivion that lasted until his rediscovery in the late 1950s. Filling a major gap in the critical canon, Gabriella Oldham's study chronicles the rapid growth in the filmmaker's understanding of what makes both comedy and film successful. Keaton developed his major themes in these nineteen short films: his persona "Buster" vs. Rival, Nature, Machine, Self, and Fate; his resilient pursuit of love and the efforts he makes to overcome any curves thrown by Fate; and his trademark "stone face" blocking any display of the passionate emotion he feels about everything he does. These short films clearly indicate Keaton's love of the camera and his concern for composition, symmetry, and images that delight the eye and startle the mind. Oldham reconstructs each of these rarely seen films in such a way as to enable the reader to "watch" Keaton's performance, devoting a separate chapter to each. She analyzes each film's strengths, weaknesses, and prevalent themes and threads. She also enables readers to plumb the depths of what seems to be surface comedy through philosophical, biographical, historical, and critical commentary, thus linking the shorts together into a cohesive study of Keaton's growth through his three-year independent venture as a filmmaker One Week (September 1920) -- Convict 13 (October 1920) -- The Scarecrow (December 1920) -- Neighbors (January 1921) -- The Haunted House (February 1921) -- Hard Luck (March 1921) -- The High Sign (April 1921) -- The Goat (May 1921) -- The Playhouse (January 1922) -- The Boat (November 1921) -- The Paleface (January 1922) -- Cops (March 1922) -- My Wife's Relations (May 1922) -- The Blacksmith (July 1922) -- The Frozen North (August 1922) -- Daydreams (September 1922) -- The Electric House (October 1922) -- The Balloonatic (January 1923) Keaton, Buster / 1895-1966 / Criticism and interpretation Keaton, Buster / 1895-1966 fast Keaton, Buster 1895-1966 Criticism and interpretation Keaton, Buster 1895-1966 (DE-588)118560875 gnd rswk-swf PERFORMING ARTS / Acting & Auditioning bisacsh Stomme films gtt Kurzfilm (DE-588)4166233-7 gnd rswk-swf Keaton, Buster 1895-1966 (DE-588)118560875 p Kurzfilm (DE-588)4166233-7 s 1\p DE-604 Erscheint auch als Druck-Ausgabe, Paperback 0-8093-3002-4 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-8093-1951-0 Erscheint auch als Druck-Ausgabe, Paperback 978-0-8093-1952-7 Erscheint auch als Druck-Ausgabe, Paperback 978-0-8093-3002-7 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=11981 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Oldham, Gabriella Keaton's silent shorts beyond the laughter Keaton, Buster / 1895-1966 / Criticism and interpretation Keaton, Buster / 1895-1966 fast Keaton, Buster 1895-1966 Criticism and interpretation Keaton, Buster 1895-1966 (DE-588)118560875 gnd PERFORMING ARTS / Acting & Auditioning bisacsh Stomme films gtt Kurzfilm (DE-588)4166233-7 gnd |
| subject_GND | (DE-588)118560875 (DE-588)4166233-7 |
| title | Keaton's silent shorts beyond the laughter |
| title_auth | Keaton's silent shorts beyond the laughter |
| title_exact_search | Keaton's silent shorts beyond the laughter |
| title_full | Keaton's silent shorts beyond the laughter Gabriella Oldham |
| title_fullStr | Keaton's silent shorts beyond the laughter Gabriella Oldham |
| title_full_unstemmed | Keaton's silent shorts beyond the laughter Gabriella Oldham |
| title_short | Keaton's silent shorts |
| title_sort | keaton s silent shorts beyond the laughter |
| title_sub | beyond the laughter |
| topic | Keaton, Buster / 1895-1966 / Criticism and interpretation Keaton, Buster / 1895-1966 fast Keaton, Buster 1895-1966 Criticism and interpretation Keaton, Buster 1895-1966 (DE-588)118560875 gnd PERFORMING ARTS / Acting & Auditioning bisacsh Stomme films gtt Kurzfilm (DE-588)4166233-7 gnd |
| topic_facet | Keaton, Buster / 1895-1966 / Criticism and interpretation Keaton, Buster / 1895-1966 Keaton, Buster 1895-1966 Criticism and interpretation Keaton, Buster 1895-1966 PERFORMING ARTS / Acting & Auditioning Stomme films Kurzfilm |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=11981 |
| work_keys_str_mv | AT oldhamgabriella keatonssilentshortsbeyondthelaughter |