Imagic moments: indigenous North American film
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Athens
The University of Georgia Press
2013
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references and index Includes filmography Introduction: where to concentrate -- He was still the chief: Masayesva's imagining Indians -- Into the city: ordered freedom in The exiles -- The native presence in film: House made of dawn -- A concordance of narrative voices: Harold, trickster, and Harold of Orange -- I don't do portraits: Medicine River and the art of photography -- Keep your pony out of my garden: Powwow highway and "being Cheyenne" -- Feeling extra magical: the art of disappearing in Smoke signals -- Making his own music: death and life in The business of fancydancing -- Sharing the kitchen: Naturally native and women in American Indian film -- In the form of a spider: the interplay of narrative fiction and documentary in Skins -- The stories pour out: taking control in The doe boy -- Telling our own stories: seeking identity in Tkaronto -- People come around in circles: Harjo's Four sheets to the wind -- Epilogue: Barking water and beyond In Indigenous North American film Native Americans tell their own stories and thereby challenge a range of political and historical contradictions, including egregious misrepresentations by Hollywood. Although Indians in film have long been studied, especially as characters in Hollywood westerns, Indian film itself has received relatively little scholarly attention. In Imagic Moments Lee Schweninger offers a much-needed corrective, examining films in which the major inspiration, the source material, and the acting are essentially Native. Schweninger looks at a selection of mostly narrative fic |
| Beschreibung: | 1 Online-Ressource (pages cm) |
| ISBN: | 0820345148 0820345156 0820345768 129946419X 9780820345147 9780820345154 9780820345765 9781299464193 |
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| 500 | |a In Indigenous North American film Native Americans tell their own stories and thereby challenge a range of political and historical contradictions, including egregious misrepresentations by Hollywood. Although Indians in film have long been studied, especially as characters in Hollywood westerns, Indian film itself has received relatively little scholarly attention. In Imagic Moments Lee Schweninger offers a much-needed corrective, examining films in which the major inspiration, the source material, and the acting are essentially Native. Schweninger looks at a selection of mostly narrative fic | ||
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Datensatz im Suchindex
| _version_ | 1804175456775176192 |
|---|---|
| any_adam_object | |
| author | Schweninger, Lee |
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| dewey-ones | 791 - Public performances |
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| dewey-search | 791.43/652997 |
| dewey-sort | 3791.43 6652997 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:16:35Z |
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| language | English |
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| spelling | Schweninger, Lee Verfasser aut Imagic moments indigenous North American film Lee Schweninger Athens The University of Georgia Press 2013 1 Online-Ressource (pages cm) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index Includes filmography Introduction: where to concentrate -- He was still the chief: Masayesva's imagining Indians -- Into the city: ordered freedom in The exiles -- The native presence in film: House made of dawn -- A concordance of narrative voices: Harold, trickster, and Harold of Orange -- I don't do portraits: Medicine River and the art of photography -- Keep your pony out of my garden: Powwow highway and "being Cheyenne" -- Feeling extra magical: the art of disappearing in Smoke signals -- Making his own music: death and life in The business of fancydancing -- Sharing the kitchen: Naturally native and women in American Indian film -- In the form of a spider: the interplay of narrative fiction and documentary in Skins -- The stories pour out: taking control in The doe boy -- Telling our own stories: seeking identity in Tkaronto -- People come around in circles: Harjo's Four sheets to the wind -- Epilogue: Barking water and beyond In Indigenous North American film Native Americans tell their own stories and thereby challenge a range of political and historical contradictions, including egregious misrepresentations by Hollywood. Although Indians in film have long been studied, especially as characters in Hollywood westerns, Indian film itself has received relatively little scholarly attention. In Imagic Moments Lee Schweninger offers a much-needed corrective, examining films in which the major inspiration, the source material, and the acting are essentially Native. Schweninger looks at a selection of mostly narrative fic Geschichte gnd rswk-swf ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh PERFORMING ARTS / Film & Video / History & Criticism bisacsh Indians in motion pictures fast Indians in the motion picture industry fast Motion pictures fast Film Indians in motion pictures Motion pictures United States Motion pictures Canada Indians in the motion picture industry United States Indians in the motion picture industry Canada Indigenes Volk (DE-588)4187207-1 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Kanada USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Indigenes Volk (DE-588)4187207-1 s Film (DE-588)4017102-4 s Geschichte z 1\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=516895 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Schweninger, Lee Imagic moments indigenous North American film ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh PERFORMING ARTS / Film & Video / History & Criticism bisacsh Indians in motion pictures fast Indians in the motion picture industry fast Motion pictures fast Film Indians in motion pictures Motion pictures United States Motion pictures Canada Indians in the motion picture industry United States Indians in the motion picture industry Canada Indigenes Volk (DE-588)4187207-1 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4187207-1 (DE-588)4017102-4 (DE-588)4078704-7 |
| title | Imagic moments indigenous North American film |
| title_auth | Imagic moments indigenous North American film |
| title_exact_search | Imagic moments indigenous North American film |
| title_full | Imagic moments indigenous North American film Lee Schweninger |
| title_fullStr | Imagic moments indigenous North American film Lee Schweninger |
| title_full_unstemmed | Imagic moments indigenous North American film Lee Schweninger |
| title_short | Imagic moments |
| title_sort | imagic moments indigenous north american film |
| title_sub | indigenous North American film |
| topic | ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh PERFORMING ARTS / Film & Video / History & Criticism bisacsh Indians in motion pictures fast Indians in the motion picture industry fast Motion pictures fast Film Indians in motion pictures Motion pictures United States Motion pictures Canada Indians in the motion picture industry United States Indians in the motion picture industry Canada Indigenes Volk (DE-588)4187207-1 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | ART / Film & Video PERFORMING ARTS / Film & Video / Reference PERFORMING ARTS / Film & Video / History & Criticism Indians in motion pictures Indians in the motion picture industry Motion pictures Film Motion pictures United States Motion pictures Canada Indians in the motion picture industry United States Indians in the motion picture industry Canada Indigenes Volk Kanada USA |
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