Chromatic transformations in nineteenth-century music:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
©2002
|
| Ausgabe: | 1st ed |
| Schriftenreihe: | Cambridge studies in music theory and analysis
17 |
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references (pages 264-269) and index Common-tone tonality -- Three examples of functional chromatic mediant relations in Schubert -- Key harmonic systems and notions of third relations form Rameau -- Hugo Riemann -- Twentieth-century theory and chromatic third relations -- Riemann's legacy and transformation theories -- A chromatic transformation system -- Chromatic mediant relations in musical contexts -- Five analyses David Kopp's book develops a model of chromatic chord relations in nineteenth-century music by composers such as Schubert, Beethoven, Chopin, Schumann, and Brahms. The emphasis is on explaining chromatic third relations and the pivotal role they play in theory and practice. The book traces conceptions of harmonic system and of chromatic third relations from Rameau through nineteenth-century theorists such as Marx, Hauptmann, and Riemann, to the seminal twentieth-century theorists Schenker and Schoenberg and on to the present day. Drawing on tenets of nineteenth-century harmonic theory, contemporary transformation theory, and the author's own approach, the book presents a clear and elegant means for characterizing commonly acknowledged but loosely defined elements of chromatic harmony, and integrates them as fully-fledged entities into a chromatically-based conception of harmonic system. The historical and theoretical argument is supplemented by plentiful analytic examples.--Publisher description |
| Beschreibung: | 1 Online-Ressource (xiii, 275 pages) |
| ISBN: | 0511057393 0511063725 051107218X 0511481934 9780511057397 9780511063725 9780511072185 9780511481932 |
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| 500 | |a David Kopp's book develops a model of chromatic chord relations in nineteenth-century music by composers such as Schubert, Beethoven, Chopin, Schumann, and Brahms. The emphasis is on explaining chromatic third relations and the pivotal role they play in theory and practice. The book traces conceptions of harmonic system and of chromatic third relations from Rameau through nineteenth-century theorists such as Marx, Hauptmann, and Riemann, to the seminal twentieth-century theorists Schenker and Schoenberg and on to the present day. Drawing on tenets of nineteenth-century harmonic theory, contemporary transformation theory, and the author's own approach, the book presents a clear and elegant means for characterizing commonly acknowledged but loosely defined elements of chromatic harmony, and integrates them as fully-fledged entities into a chromatically-based conception of harmonic system. The historical and theoretical argument is supplemented by plentiful analytic examples.--Publisher description | ||
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Datensatz im Suchindex
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| any_adam_object | |
| author | Kopp, David |
| author_facet | Kopp, David |
| author_role | aut |
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| author_variant | d k dk |
| building | Verbundindex |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.2/52 |
| dewey-search | 781.2/52 |
| dewey-sort | 3781.2 252 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| edition | 1st ed |
| era | 1800 - 1899 fast Geschichte 1800-1900 Geschichte 1800-1900 gnd |
| era_facet | 1800 - 1899 Geschichte 1800-1900 |
| format | Electronic eBook |
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| id | DE-604.BV043072288 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:16:35Z |
| institution | BVB |
| isbn | 0511057393 0511063725 051107218X 0511481934 9780511057397 9780511063725 9780511072185 9780511481932 |
| language | English |
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| physical | 1 Online-Ressource (xiii, 275 pages) |
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| publishDate | 2002 |
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| publisher | Cambridge University Press |
| record_format | marc |
| series2 | Cambridge studies in music theory and analysis |
| spelling | Kopp, David Verfasser aut Chromatic transformations in nineteenth-century music David Kopp Chromatic transformations in 19th-century music 1st ed Cambridge Cambridge University Press ©2002 1 Online-Ressource (xiii, 275 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge studies in music theory and analysis 17 Includes bibliographical references (pages 264-269) and index Common-tone tonality -- Three examples of functional chromatic mediant relations in Schubert -- Key harmonic systems and notions of third relations form Rameau -- Hugo Riemann -- Twentieth-century theory and chromatic third relations -- Riemann's legacy and transformation theories -- A chromatic transformation system -- Chromatic mediant relations in musical contexts -- Five analyses David Kopp's book develops a model of chromatic chord relations in nineteenth-century music by composers such as Schubert, Beethoven, Chopin, Schumann, and Brahms. The emphasis is on explaining chromatic third relations and the pivotal role they play in theory and practice. The book traces conceptions of harmonic system and of chromatic third relations from Rameau through nineteenth-century theorists such as Marx, Hauptmann, and Riemann, to the seminal twentieth-century theorists Schenker and Schoenberg and on to the present day. Drawing on tenets of nineteenth-century harmonic theory, contemporary transformation theory, and the author's own approach, the book presents a clear and elegant means for characterizing commonly acknowledged but loosely defined elements of chromatic harmony, and integrates them as fully-fledged entities into a chromatically-based conception of harmonic system. The historical and theoretical argument is supplemented by plentiful analytic examples.--Publisher description 1800 - 1899 fast Geschichte 1800-1900 Geschichte 1800-1900 gnd rswk-swf MUSIC / Religious / Gospel bisacsh Chromaticism (Music) fast Harmony fast Music fast Musik Harmony Chromaticism (Music) Music 19th century History and criticism Chromatik (DE-588)4147951-8 gnd rswk-swf Chromatik (DE-588)4147951-8 s Geschichte 1800-1900 z 1\p DE-604 Erscheint auch als Druck-Ausgabe, Paperback 0-521-02849-3 Erscheint auch als Druck-Ausgabe, Hardcover 0-521-80463-9 Erscheint auch als Druck-Ausgabe, Paperback 978-0-521-02849-3 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-521-80463-9 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=120786 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Kopp, David Chromatic transformations in nineteenth-century music MUSIC / Religious / Gospel bisacsh Chromaticism (Music) fast Harmony fast Music fast Musik Harmony Chromaticism (Music) Music 19th century History and criticism Chromatik (DE-588)4147951-8 gnd |
| subject_GND | (DE-588)4147951-8 |
| title | Chromatic transformations in nineteenth-century music |
| title_alt | Chromatic transformations in 19th-century music |
| title_auth | Chromatic transformations in nineteenth-century music |
| title_exact_search | Chromatic transformations in nineteenth-century music |
| title_full | Chromatic transformations in nineteenth-century music David Kopp |
| title_fullStr | Chromatic transformations in nineteenth-century music David Kopp |
| title_full_unstemmed | Chromatic transformations in nineteenth-century music David Kopp |
| title_short | Chromatic transformations in nineteenth-century music |
| title_sort | chromatic transformations in nineteenth century music |
| topic | MUSIC / Religious / Gospel bisacsh Chromaticism (Music) fast Harmony fast Music fast Musik Harmony Chromaticism (Music) Music 19th century History and criticism Chromatik (DE-588)4147951-8 gnd |
| topic_facet | MUSIC / Religious / Gospel Chromaticism (Music) Harmony Music Musik Music 19th century History and criticism Chromatik |
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