Gender and performance in Shakespeare's problem comedies:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bloomington, Ind.
Indiana University Press
©1997
|
| Schriftenreihe: | Drama and performance studies
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 Includes bibliographical references and index 1. Introduction: All's Well That Ends Well -- Helena's Femininity: Subject vs. Object -- Bertram's Masculinity: Rite of Passage -- Drama of Difference: Old and New Tales Staging the Bed-Trick -- 2. Final Scenes: Unresolved Tension -- Measure for Measure -- The Duke as Ghostly Father -- Angelo's Sadism: Punishing Claudio -- Speechless Dialect: Isabella's (Lacking) Sexuality -- Angelo's Sadomasochistic Fantasy: Propositioning Isabella -- Isabella's Sadomasochism Gestic Staging -- The Duke's Sadomasochistic Spectacle -- Final Moments: "What Do You Think This Is?" -- 3. Troilus and Cressida The War as Empty Spectacle -- Troilus and Cressida: The Limits of Sexuality -- Seduction -- The Limits of Subjectivity Feminist Gestus -- Between Men: The Homoerotics of War Final Scenes "Composed at a critical moment in English history, Shakespeare's "problem plays"--All's Well That Ends Well, Measure for Measure, and Troilus and Cressida - dramatize a crisis in the sex-gender system. They register a male dread of emasculation and engulfment, a fear of female authority and sexuality. In these plays males identify desire for a female as dangerous and unmanly; females contend and confound traditional femininity. Male authority, even male ideas of the heroic, suffers in the face of a female's disruptive sexual power. By resisting comic closure, these plays leave uncontained the subversions of gender that comedies for the most part successfully hold in check." "David McCandless follows the drama of gender enacted in these plays. His approach weds a theoretically engaged textual analysis to the dynamics of performance. He adopts the perspective not of expert spectator but of practitioner, bringing directorial modes of inquiry to his analysis. While drawing upon the performance histories of the problem comedies, he exploits his own experience as a director in dramatizing and theorizing the enactment of gender. The book provides a unique and invigorating example of how performance criticism can illuminate these difficult, sometimes overlooked tragicomedies."--Jacket |
| Beschreibung: | 1 Online-Ressource (viii, 205 pages) |
| ISBN: | 0585161666 9780585161662 |
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| 500 | |a Includes bibliographical references and index | ||
| 500 | |a 1. Introduction: All's Well That Ends Well -- Helena's Femininity: Subject vs. Object -- Bertram's Masculinity: Rite of Passage -- Drama of Difference: Old and New Tales Staging the Bed-Trick -- 2. Final Scenes: Unresolved Tension -- Measure for Measure -- The Duke as Ghostly Father -- Angelo's Sadism: Punishing Claudio -- Speechless Dialect: Isabella's (Lacking) Sexuality -- Angelo's Sadomasochistic Fantasy: Propositioning Isabella -- Isabella's Sadomasochism Gestic Staging -- The Duke's Sadomasochistic Spectacle -- Final Moments: "What Do You Think This Is?" -- 3. Troilus and Cressida The War as Empty Spectacle -- Troilus and Cressida: The Limits of Sexuality -- Seduction -- The Limits of Subjectivity Feminist Gestus -- Between Men: The Homoerotics of War Final Scenes | ||
| 500 | |a "Composed at a critical moment in English history, Shakespeare's "problem plays"--All's Well That Ends Well, Measure for Measure, and Troilus and Cressida - dramatize a crisis in the sex-gender system. They register a male dread of emasculation and engulfment, a fear of female authority and sexuality. In these plays males identify desire for a female as dangerous and unmanly; females contend and confound traditional femininity. Male authority, even male ideas of the heroic, suffers in the face of a female's disruptive sexual power. By resisting comic closure, these plays leave uncontained the subversions of gender that comedies for the most part successfully hold in check." "David McCandless follows the drama of gender enacted in these plays. His approach weds a theoretically engaged textual analysis to the dynamics of performance. He adopts the perspective not of expert spectator but of practitioner, bringing directorial modes of inquiry to his analysis. While drawing upon the performance histories of the problem comedies, he exploits his own experience as a director in dramatizing and theorizing the enactment of gender. The book provides a unique and invigorating example of how performance criticism can illuminate these difficult, sometimes overlooked tragicomedies."--Jacket | ||
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Datensatz im Suchindex
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|---|---|
| any_adam_object | |
| author | McCandless, David Foley |
| author_facet | McCandless, David Foley |
| author_role | aut |
| author_sort | McCandless, David Foley |
| author_variant | d f m df dfm |
| building | Verbundindex |
| bvnumber | BV043071665 |
| classification_rvk | HI 3391 |
| collection | ZDB-4-EBA |
| ctrlnum | (OCoLC)44963693 (DE-599)BVBBV043071665 |
| dewey-full | 822.3/3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.3/3 |
| dewey-search | 822.3/3 |
| dewey-sort | 3822.3 13 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| era | 1500 - 1699 fast Geschichte 1600-1700 Geschichte 1500-1600 |
| era_facet | 1500 - 1699 Geschichte 1600-1700 Geschichte 1500-1600 |
| format | Electronic eBook |
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| id | DE-604.BV043071665 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:16:34Z |
| institution | BVB |
| isbn | 0585161666 9780585161662 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028495856 |
| oclc_num | 44963693 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 Online-Ressource (viii, 205 pages) |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 1997 |
| publishDateSearch | 1997 |
| publishDateSort | 1997 |
| publisher | Indiana University Press |
| record_format | marc |
| series2 | Drama and performance studies |
| spelling | McCandless, David Foley Verfasser aut Gender and performance in Shakespeare's problem comedies David McCandless Bloomington, Ind. Indiana University Press ©1997 1 Online-Ressource (viii, 205 pages) txt rdacontent c rdamedia cr rdacarrier Drama and performance studies Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 Includes bibliographical references and index 1. Introduction: All's Well That Ends Well -- Helena's Femininity: Subject vs. Object -- Bertram's Masculinity: Rite of Passage -- Drama of Difference: Old and New Tales Staging the Bed-Trick -- 2. Final Scenes: Unresolved Tension -- Measure for Measure -- The Duke as Ghostly Father -- Angelo's Sadism: Punishing Claudio -- Speechless Dialect: Isabella's (Lacking) Sexuality -- Angelo's Sadomasochistic Fantasy: Propositioning Isabella -- Isabella's Sadomasochism Gestic Staging -- The Duke's Sadomasochistic Spectacle -- Final Moments: "What Do You Think This Is?" -- 3. Troilus and Cressida The War as Empty Spectacle -- Troilus and Cressida: The Limits of Sexuality -- Seduction -- The Limits of Subjectivity Feminist Gestus -- Between Men: The Homoerotics of War Final Scenes "Composed at a critical moment in English history, Shakespeare's "problem plays"--All's Well That Ends Well, Measure for Measure, and Troilus and Cressida - dramatize a crisis in the sex-gender system. They register a male dread of emasculation and engulfment, a fear of female authority and sexuality. In these plays males identify desire for a female as dangerous and unmanly; females contend and confound traditional femininity. Male authority, even male ideas of the heroic, suffers in the face of a female's disruptive sexual power. By resisting comic closure, these plays leave uncontained the subversions of gender that comedies for the most part successfully hold in check." "David McCandless follows the drama of gender enacted in these plays. His approach weds a theoretically engaged textual analysis to the dynamics of performance. He adopts the perspective not of expert spectator but of practitioner, bringing directorial modes of inquiry to his analysis. While drawing upon the performance histories of the problem comedies, he exploits his own experience as a director in dramatizing and theorizing the enactment of gender. The book provides a unique and invigorating example of how performance criticism can illuminate these difficult, sometimes overlooked tragicomedies."--Jacket Shakespeare, William / 1564-1616 / Comédies Shakespeare, William / 1564-1616 / All's well that ends well Shakespeare, William / 1564-1616 / Troilus and Cressida Shakespeare, William / 1564-1616 / Measure for measure Shakespeare, William / 1564-1616 fast Shakespeare, William / 1564-1616 Shakespeare, William 1564-1616 Comedies Shakespeare, William 1564-1616 All's well that ends well Shakespeare, William 1564-1616 Troilus and Cressida Shakespeare, William 1564-1616 Measure for measure Shakespeare, William 1564-1616 All's well that ends well (DE-588)4349552-7 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Shakespeare, William 1564-1616 Troilus and Cressida (DE-588)4099372-3 gnd rswk-swf Shakespeare, William 1564-1616 Measure for measure (DE-588)4099362-0 gnd rswk-swf 1500 - 1699 fast Geschichte 1600-1700 Geschichte 1500-1600 Féminisme et littérature / Angleterre / Histoire / 16e siècle Féminisme et littérature / Angleterre / Histoire / 17e siècle Relations entre hommes et femmes dans la littérature Rôle selon le sexe dans la littérature Comédie LITERARY CRITICISM / Shakespeare bisacsh DRAMA / Shakespeare bisacsh Sekseverschillen gtt All's well that ends well (Shakespeare) gtt Measure for measure (Shakespeare) gtt Troilus and Cressida (Shakespeare) gtt All's well that ends well (Shakespeare, William) fast Measure for measure (Shakespeare, William) fast Troilus and Cressida (Shakespeare, William) fast Comedy fast Feminism and literature fast Humorous plays fast Man-woman relationships in literature fast Sex role in literature fast Geschichte Geschlechtsunterschied Feminism and literature England History 16th century Feminism and literature England History 17th century Man-woman relationships in literature Sex role in literature Comedy Komödie (DE-588)4031952-0 gnd rswk-swf Geschlechterrolle (DE-588)4071776-8 gnd rswk-swf Sexualität (DE-588)4054684-6 gnd rswk-swf Shakespeare, William 1564-1616 Measure for measure (DE-588)4099362-0 u Sexualität (DE-588)4054684-6 s Geschlechterrolle (DE-588)4071776-8 s 1\p DE-604 Shakespeare, William 1564-1616 All's well that ends well (DE-588)4349552-7 u 2\p DE-604 Shakespeare, William 1564-1616 (DE-588)118613723 p Komödie (DE-588)4031952-0 s 3\p DE-604 Shakespeare, William 1564-1616 Troilus and Cressida (DE-588)4099372-3 u 4\p DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 0-253-33306-7 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-253-33306-3 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=23149 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 4\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | McCandless, David Foley Gender and performance in Shakespeare's problem comedies Shakespeare, William / 1564-1616 / Comédies Shakespeare, William / 1564-1616 / All's well that ends well Shakespeare, William / 1564-1616 / Troilus and Cressida Shakespeare, William / 1564-1616 / Measure for measure Shakespeare, William / 1564-1616 fast Shakespeare, William / 1564-1616 Shakespeare, William 1564-1616 Comedies Shakespeare, William 1564-1616 All's well that ends well Shakespeare, William 1564-1616 Troilus and Cressida Shakespeare, William 1564-1616 Measure for measure Shakespeare, William 1564-1616 All's well that ends well (DE-588)4349552-7 gnd Shakespeare, William 1564-1616 (DE-588)118613723 gnd Shakespeare, William 1564-1616 Troilus and Cressida (DE-588)4099372-3 gnd Shakespeare, William 1564-1616 Measure for measure (DE-588)4099362-0 gnd Féminisme et littérature / Angleterre / Histoire / 16e siècle Féminisme et littérature / Angleterre / Histoire / 17e siècle Relations entre hommes et femmes dans la littérature Rôle selon le sexe dans la littérature Comédie LITERARY CRITICISM / Shakespeare bisacsh DRAMA / Shakespeare bisacsh Sekseverschillen gtt All's well that ends well (Shakespeare) gtt Measure for measure (Shakespeare) gtt Troilus and Cressida (Shakespeare) gtt All's well that ends well (Shakespeare, William) fast Measure for measure (Shakespeare, William) fast Troilus and Cressida (Shakespeare, William) fast Comedy fast Feminism and literature fast Humorous plays fast Man-woman relationships in literature fast Sex role in literature fast Geschichte Geschlechtsunterschied Feminism and literature England History 16th century Feminism and literature England History 17th century Man-woman relationships in literature Sex role in literature Comedy Komödie (DE-588)4031952-0 gnd Geschlechterrolle (DE-588)4071776-8 gnd Sexualität (DE-588)4054684-6 gnd |
| subject_GND | (DE-588)4349552-7 (DE-588)118613723 (DE-588)4099372-3 (DE-588)4099362-0 (DE-588)4031952-0 (DE-588)4071776-8 (DE-588)4054684-6 |
| title | Gender and performance in Shakespeare's problem comedies |
| title_auth | Gender and performance in Shakespeare's problem comedies |
| title_exact_search | Gender and performance in Shakespeare's problem comedies |
| title_full | Gender and performance in Shakespeare's problem comedies David McCandless |
| title_fullStr | Gender and performance in Shakespeare's problem comedies David McCandless |
| title_full_unstemmed | Gender and performance in Shakespeare's problem comedies David McCandless |
| title_short | Gender and performance in Shakespeare's problem comedies |
| title_sort | gender and performance in shakespeare s problem comedies |
| topic | Shakespeare, William / 1564-1616 / Comédies Shakespeare, William / 1564-1616 / All's well that ends well Shakespeare, William / 1564-1616 / Troilus and Cressida Shakespeare, William / 1564-1616 / Measure for measure Shakespeare, William / 1564-1616 fast Shakespeare, William / 1564-1616 Shakespeare, William 1564-1616 Comedies Shakespeare, William 1564-1616 All's well that ends well Shakespeare, William 1564-1616 Troilus and Cressida Shakespeare, William 1564-1616 Measure for measure Shakespeare, William 1564-1616 All's well that ends well (DE-588)4349552-7 gnd Shakespeare, William 1564-1616 (DE-588)118613723 gnd Shakespeare, William 1564-1616 Troilus and Cressida (DE-588)4099372-3 gnd Shakespeare, William 1564-1616 Measure for measure (DE-588)4099362-0 gnd Féminisme et littérature / Angleterre / Histoire / 16e siècle Féminisme et littérature / Angleterre / Histoire / 17e siècle Relations entre hommes et femmes dans la littérature Rôle selon le sexe dans la littérature Comédie LITERARY CRITICISM / Shakespeare bisacsh DRAMA / Shakespeare bisacsh Sekseverschillen gtt All's well that ends well (Shakespeare) gtt Measure for measure (Shakespeare) gtt Troilus and Cressida (Shakespeare) gtt All's well that ends well (Shakespeare, William) fast Measure for measure (Shakespeare, William) fast Troilus and Cressida (Shakespeare, William) fast Comedy fast Feminism and literature fast Humorous plays fast Man-woman relationships in literature fast Sex role in literature fast Geschichte Geschlechtsunterschied Feminism and literature England History 16th century Feminism and literature England History 17th century Man-woman relationships in literature Sex role in literature Comedy Komödie (DE-588)4031952-0 gnd Geschlechterrolle (DE-588)4071776-8 gnd Sexualität (DE-588)4054684-6 gnd |
| topic_facet | Shakespeare, William / 1564-1616 / Comédies Shakespeare, William / 1564-1616 / All's well that ends well Shakespeare, William / 1564-1616 / Troilus and Cressida Shakespeare, William / 1564-1616 / Measure for measure Shakespeare, William / 1564-1616 Shakespeare, William 1564-1616 Comedies Shakespeare, William 1564-1616 All's well that ends well Shakespeare, William 1564-1616 Troilus and Cressida Shakespeare, William 1564-1616 Measure for measure Shakespeare, William 1564-1616 Féminisme et littérature / Angleterre / Histoire / 16e siècle Féminisme et littérature / Angleterre / Histoire / 17e siècle Relations entre hommes et femmes dans la littérature Rôle selon le sexe dans la littérature Comédie LITERARY CRITICISM / Shakespeare DRAMA / Shakespeare Sekseverschillen All's well that ends well (Shakespeare) Measure for measure (Shakespeare) Troilus and Cressida (Shakespeare) All's well that ends well (Shakespeare, William) Measure for measure (Shakespeare, William) Troilus and Cressida (Shakespeare, William) Comedy Feminism and literature Humorous plays Man-woman relationships in literature Sex role in literature Geschichte Geschlechtsunterschied Feminism and literature England History 16th century Feminism and literature England History 17th century Komödie Geschlechterrolle Sexualität |
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| work_keys_str_mv | AT mccandlessdavidfoley genderandperformanceinshakespearesproblemcomedies |