Neo-segregation narratives: Jim Crow in post-civil rights American literature
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Athens
University of Georgia Press
c2010
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references and index Introduction. Jim Crow then: the emergence of neo-segregation narratives -- Jim Crow Jr.: Lorraine Hansberry's late segregation revisions and Toni Morrison's early post-civil rights ambivalence -- Jim Crow returns, Jim Crow remains: gender and segregation in David Bradley's The Chaneysville incident and Alice Walker's The color purple -- Jim too: black blackface minstrelsy in Wesley Brown's Darktown strutters and Spike Lee's Bamboozled -- Jim Crow in Idaho: clarifying blackness in multiethnic fiction -- Jim Crow Faulkner: Suzan-Lori Parks digs up the past, again -- Epilogue. Jim Crow today: when Jim Crow is but should not be This study of what Brian Norman terms a neo & ndash;segregation narrative tradition examines literary depictions of life under Jim Crow that were written well after the civil rights movement.; From Toni Morrison & rsquo;s first novel, The Bluest Eye, to bestselling black fiction of the 1980s to a string of recent work by black and nonblack authors and artists, Jim Crow haunts the post & ndash;civil rights imagination. Norman traces a neo & ndash;segregation narrative tradition & mdash;one that developed in tandem with neo & ndash;slave narratives & mdash;by which writers return to a moment of stark de jure segregation to address contemporary concerns about national identity and the persistence of racial divides. These writers upset dominant national narratives of achieved equality, portraying what are often more elusive racial divisions in what some would call a postracial present.; Norman examines works by black writers such as Lorraine Hansberry, Toni Morrison, Alice Walker, David Bradley, Wesley Brown, Suzan-Lori Parks, and Colson Whitehead, films by Spike Lee, and other cultural works that engage in debates about gender, Black Power, blackface minstrelsy, literary history, and whiteness and ethnicity. Norman also shows that multiethnic writers such as Sherman Alexie and Tom Spanbauer use Jim Crow as a reference point, extending the tradition of William Faulkner & rsquo;s representations of the segregated South and John Howard Griffin & rsquo;s notorious account of crossing the color line from white to black in his 1961 work Black Like Me |
| Beschreibung: | 1 Online-Ressource (x, 214 p.) |
| ISBN: | 0820335967 0820335975 0820337358 9780820335964 9780820335971 9780820337357 |
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| 500 | |a Introduction. Jim Crow then: the emergence of neo-segregation narratives -- Jim Crow Jr.: Lorraine Hansberry's late segregation revisions and Toni Morrison's early post-civil rights ambivalence -- Jim Crow returns, Jim Crow remains: gender and segregation in David Bradley's The Chaneysville incident and Alice Walker's The color purple -- Jim too: black blackface minstrelsy in Wesley Brown's Darktown strutters and Spike Lee's Bamboozled -- Jim Crow in Idaho: clarifying blackness in multiethnic fiction -- Jim Crow Faulkner: Suzan-Lori Parks digs up the past, again -- Epilogue. Jim Crow today: when Jim Crow is but should not be | ||
| 500 | |a This study of what Brian Norman terms a neo & ndash;segregation narrative tradition examines literary depictions of life under Jim Crow that were written well after the civil rights movement.; From Toni Morrison & rsquo;s first novel, The Bluest Eye, to bestselling black fiction of the 1980s to a string of recent work by black and nonblack authors and artists, Jim Crow haunts the post & ndash;civil rights imagination. Norman traces a neo & ndash;segregation narrative tradition & mdash;one that developed in tandem with neo & ndash;slave narratives & mdash;by which writers return to a moment of stark de jure segregation to address contemporary concerns about national identity and the persistence of racial divides. These writers upset dominant national narratives of achieved equality, portraying what are often more elusive racial divisions in what some would call a postracial present.; Norman examines works by black writers such as Lorraine Hansberry, Toni Morrison, Alice Walker, David Bradley, Wesley Brown, Suzan-Lori Parks, and Colson Whitehead, films by Spike Lee, and other cultural works that engage in debates about gender, Black Power, blackface minstrelsy, literary history, and whiteness and ethnicity. Norman also shows that multiethnic writers such as Sherman Alexie and Tom Spanbauer use Jim Crow as a reference point, extending the tradition of William Faulkner & rsquo;s representations of the segregated South and John Howard Griffin & rsquo;s notorious account of crossing the color line from white to black in his 1961 work Black Like Me | ||
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Datensatz im Suchindex
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| dewey-ones | 810 - American literature in English |
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| discipline | Anglistik / Amerikanistik |
| era | Geschichte 1900-2000 Geschichte 1970-2010 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1970-2010 |
| format | Electronic eBook |
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| spelling | Norman, Brian Verfasser aut Neo-segregation narratives Jim Crow in post-civil rights American literature Brian Norman Athens University of Georgia Press c2010 1 Online-Ressource (x, 214 p.) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index Introduction. Jim Crow then: the emergence of neo-segregation narratives -- Jim Crow Jr.: Lorraine Hansberry's late segregation revisions and Toni Morrison's early post-civil rights ambivalence -- Jim Crow returns, Jim Crow remains: gender and segregation in David Bradley's The Chaneysville incident and Alice Walker's The color purple -- Jim too: black blackface minstrelsy in Wesley Brown's Darktown strutters and Spike Lee's Bamboozled -- Jim Crow in Idaho: clarifying blackness in multiethnic fiction -- Jim Crow Faulkner: Suzan-Lori Parks digs up the past, again -- Epilogue. Jim Crow today: when Jim Crow is but should not be This study of what Brian Norman terms a neo & ndash;segregation narrative tradition examines literary depictions of life under Jim Crow that were written well after the civil rights movement.; From Toni Morrison & rsquo;s first novel, The Bluest Eye, to bestselling black fiction of the 1980s to a string of recent work by black and nonblack authors and artists, Jim Crow haunts the post & ndash;civil rights imagination. Norman traces a neo & ndash;segregation narrative tradition & mdash;one that developed in tandem with neo & ndash;slave narratives & mdash;by which writers return to a moment of stark de jure segregation to address contemporary concerns about national identity and the persistence of racial divides. These writers upset dominant national narratives of achieved equality, portraying what are often more elusive racial divisions in what some would call a postracial present.; Norman examines works by black writers such as Lorraine Hansberry, Toni Morrison, Alice Walker, David Bradley, Wesley Brown, Suzan-Lori Parks, and Colson Whitehead, films by Spike Lee, and other cultural works that engage in debates about gender, Black Power, blackface minstrelsy, literary history, and whiteness and ethnicity. Norman also shows that multiethnic writers such as Sherman Alexie and Tom Spanbauer use Jim Crow as a reference point, extending the tradition of William Faulkner & rsquo;s representations of the segregated South and John Howard Griffin & rsquo;s notorious account of crossing the color line from white to black in his 1961 work Black Like Me Geschichte 1900-2000 Geschichte 1970-2010 gnd rswk-swf LITERARY CRITICISM / American / General bisacsh SOCIAL SCIENCE / Ethnic Studies / African American Studies bisacsh American literature African American authors History and criticism American literature 20th century History and criticism African Americans in literature Segregation in literature Race discrimination in literature Schwarze (DE-588)4116433-7 gnd rswk-swf Rassendiskriminierung Motiv (DE-588)7563584-7 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Schwarze (DE-588)4116433-7 s Literatur (DE-588)4035964-5 s Rassendiskriminierung Motiv (DE-588)7563584-7 s Geschichte 1970-2010 z 1\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=343605 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Norman, Brian Neo-segregation narratives Jim Crow in post-civil rights American literature LITERARY CRITICISM / American / General bisacsh SOCIAL SCIENCE / Ethnic Studies / African American Studies bisacsh American literature African American authors History and criticism American literature 20th century History and criticism African Americans in literature Segregation in literature Race discrimination in literature Schwarze (DE-588)4116433-7 gnd Rassendiskriminierung Motiv (DE-588)7563584-7 gnd Literatur (DE-588)4035964-5 gnd |
| subject_GND | (DE-588)4116433-7 (DE-588)7563584-7 (DE-588)4035964-5 (DE-588)4078704-7 |
| title | Neo-segregation narratives Jim Crow in post-civil rights American literature |
| title_auth | Neo-segregation narratives Jim Crow in post-civil rights American literature |
| title_exact_search | Neo-segregation narratives Jim Crow in post-civil rights American literature |
| title_full | Neo-segregation narratives Jim Crow in post-civil rights American literature Brian Norman |
| title_fullStr | Neo-segregation narratives Jim Crow in post-civil rights American literature Brian Norman |
| title_full_unstemmed | Neo-segregation narratives Jim Crow in post-civil rights American literature Brian Norman |
| title_short | Neo-segregation narratives |
| title_sort | neo segregation narratives jim crow in post civil rights american literature |
| title_sub | Jim Crow in post-civil rights American literature |
| topic | LITERARY CRITICISM / American / General bisacsh SOCIAL SCIENCE / Ethnic Studies / African American Studies bisacsh American literature African American authors History and criticism American literature 20th century History and criticism African Americans in literature Segregation in literature Race discrimination in literature Schwarze (DE-588)4116433-7 gnd Rassendiskriminierung Motiv (DE-588)7563584-7 gnd Literatur (DE-588)4035964-5 gnd |
| topic_facet | LITERARY CRITICISM / American / General SOCIAL SCIENCE / Ethnic Studies / African American Studies American literature African American authors History and criticism American literature 20th century History and criticism African Americans in literature Segregation in literature Race discrimination in literature Schwarze Rassendiskriminierung Motiv Literatur USA |
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