The improvisation of musical dialogue: a phenomenology of music
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2003
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references and index Between composition and performance -- Composing : from Ursprung to Fassung letzter Hand -- Performing : the improvisation of preservation -- The Ergon with Energeia -- Being musical with the other This book is an important contribution to the philosophy of music. Bruce Benson's concern is the phenomenology of music making as an activity. He offers a radical thesis that it is improvisation that is primary in the moment of music making. It will be a provocative read |
| Beschreibung: | 1 Online-Ressource (xiv, 200 pages) |
| ISBN: | 0511064349 0511072805 0511615922 0521009324 0521810930 9780511064340 9780511072802 9780511615924 9780521009324 9780521810937 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV043069214 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 151126s2003 |||| o||u| ||||||eng d | ||
| 020 | |a 0511064349 |9 0-511-06434-9 | ||
| 020 | |a 0511072805 |9 0-511-07280-5 | ||
| 020 | |a 0511615922 |9 0-511-61592-2 | ||
| 020 | |a 0521009324 |9 0-521-00932-4 | ||
| 020 | |a 0521810930 |9 0-521-81093-0 | ||
| 020 | |a 9780511064340 |9 978-0-511-06434-0 | ||
| 020 | |a 9780511072802 |9 978-0-511-07280-2 | ||
| 020 | |a 9780511615924 |9 978-0-511-61592-4 | ||
| 020 | |a 9780521009324 |9 978-0-521-00932-4 | ||
| 020 | |a 9780521810937 |9 978-0-521-81093-7 | ||
| 035 | |a (OCoLC)57253797 | ||
| 035 | |a (DE-599)BVBBV043069214 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1046 |a DE-1047 | ||
| 082 | 0 | |a 781.4/3117 |2 22 | |
| 100 | 1 | |a Benson, Bruce Ellis |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a The improvisation of musical dialogue |b a phenomenology of music |c Bruce Ellis Benson |
| 264 | 1 | |a Cambridge |b Cambridge University Press |c 2003 | |
| 300 | |a 1 Online-Ressource (xiv, 200 pages) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 500 | |a Between composition and performance -- Composing : from Ursprung to Fassung letzter Hand -- Performing : the improvisation of preservation -- The Ergon with Energeia -- Being musical with the other | ||
| 500 | |a This book is an important contribution to the philosophy of music. Bruce Benson's concern is the phenomenology of music making as an activity. He offers a radical thesis that it is improvisation that is primary in the moment of music making. It will be a provocative read | ||
| 650 | 7 | |a MUSIC / Instruction & Study / Techniques |2 bisacsh | |
| 650 | 7 | |a Improvisation (Music) |2 fast | |
| 650 | 7 | |a Music / Philosophy and aesthetics |2 fast | |
| 650 | 7 | |a Improvisation musicale |2 rasuqam | |
| 650 | 7 | |a Esthétique musicale |2 rasuqam | |
| 650 | 7 | |a Composition musicale |2 rasuqam | |
| 650 | 7 | |a Interprétation musicale |2 rasuqam | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Music |x Philosophy and aesthetics | |
| 650 | 4 | |a Improvisation (Music) | |
| 650 | 0 | 7 | |a Improvisation |0 (DE-588)4127993-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musik |0 (DE-588)4040802-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Phänomenologie |0 (DE-588)4045660-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Aufführung |0 (DE-588)4143388-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Komposition |0 (DE-588)4032012-1 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Musik |0 (DE-588)4040802-4 |D s |
| 689 | 0 | 1 | |a Phänomenologie |0 (DE-588)4045660-2 |D s |
| 689 | 0 | |8 1\p |5 DE-604 | |
| 689 | 1 | 0 | |a Komposition |0 (DE-588)4032012-1 |D s |
| 689 | 1 | 1 | |a Aufführung |0 (DE-588)4143388-9 |D s |
| 689 | 1 | |8 2\p |5 DE-604 | |
| 689 | 2 | 0 | |a Improvisation |0 (DE-588)4127993-1 |D s |
| 689 | 2 | 1 | |a Musik |0 (DE-588)4040802-4 |D s |
| 689 | 2 | |8 3\p |5 DE-604 | |
| 856 | 4 | 0 | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=120751 |x Aggregator |3 Volltext |
| 912 | |a ZDB-4-EBA | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-028493406 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 2\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 3\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=120751 |l FAW01 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=120751 |l FAW02 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804175450918879232 |
|---|---|
| any_adam_object | |
| author | Benson, Bruce Ellis |
| author_facet | Benson, Bruce Ellis |
| author_role | aut |
| author_sort | Benson, Bruce Ellis |
| author_variant | b e b be beb |
| building | Verbundindex |
| bvnumber | BV043069214 |
| collection | ZDB-4-EBA |
| ctrlnum | (OCoLC)57253797 (DE-599)BVBBV043069214 |
| dewey-full | 781.4/3117 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.4/3117 |
| dewey-search | 781.4/3117 |
| dewey-sort | 3781.4 43117 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03681nmm a2200781zc 4500</leader><controlfield tag="001">BV043069214</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">151126s2003 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0511064349</subfield><subfield code="9">0-511-06434-9</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0511072805</subfield><subfield code="9">0-511-07280-5</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0511615922</subfield><subfield code="9">0-511-61592-2</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0521009324</subfield><subfield code="9">0-521-00932-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0521810930</subfield><subfield code="9">0-521-81093-0</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780511064340</subfield><subfield code="9">978-0-511-06434-0</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780511072802</subfield><subfield code="9">978-0-511-07280-2</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780511615924</subfield><subfield code="9">978-0-511-61592-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780521009324</subfield><subfield code="9">978-0-521-00932-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780521810937</subfield><subfield code="9">978-0-521-81093-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)57253797</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043069214</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-1047</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">781.4/3117</subfield><subfield code="2">22</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Benson, Bruce Ellis</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The improvisation of musical dialogue</subfield><subfield code="b">a phenomenology of music</subfield><subfield code="c">Bruce Ellis Benson</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2003</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xiv, 200 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Between composition and performance -- Composing : from Ursprung to Fassung letzter Hand -- Performing : the improvisation of preservation -- The Ergon with Energeia -- Being musical with the other</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">This book is an important contribution to the philosophy of music. Bruce Benson's concern is the phenomenology of music making as an activity. He offers a radical thesis that it is improvisation that is primary in the moment of music making. It will be a provocative read</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC / Instruction & Study / Techniques</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Improvisation (Music)</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music / Philosophy and aesthetics</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Improvisation musicale</subfield><subfield code="2">rasuqam</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Esthétique musicale</subfield><subfield code="2">rasuqam</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Composition musicale</subfield><subfield code="2">rasuqam</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Interprétation musicale</subfield><subfield code="2">rasuqam</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music</subfield><subfield code="x">Philosophy and aesthetics</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Improvisation (Music)</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Improvisation</subfield><subfield code="0">(DE-588)4127993-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Phänomenologie</subfield><subfield code="0">(DE-588)4045660-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Aufführung</subfield><subfield code="0">(DE-588)4143388-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Komposition</subfield><subfield code="0">(DE-588)4032012-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Phänomenologie</subfield><subfield code="0">(DE-588)4045660-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Komposition</subfield><subfield code="0">(DE-588)4032012-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Aufführung</subfield><subfield code="0">(DE-588)4143388-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Improvisation</subfield><subfield code="0">(DE-588)4127993-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="1"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="8">3\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=120751</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028493406</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">3\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=120751</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=120751</subfield><subfield code="l">FAW02</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV043069214 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:16:29Z |
| institution | BVB |
| isbn | 0511064349 0511072805 0511615922 0521009324 0521810930 9780511064340 9780511072802 9780511615924 9780521009324 9780521810937 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028493406 |
| oclc_num | 57253797 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 Online-Ressource (xiv, 200 pages) |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2003 |
| publishDateSearch | 2003 |
| publishDateSort | 2003 |
| publisher | Cambridge University Press |
| record_format | marc |
| spelling | Benson, Bruce Ellis Verfasser aut The improvisation of musical dialogue a phenomenology of music Bruce Ellis Benson Cambridge Cambridge University Press 2003 1 Online-Ressource (xiv, 200 pages) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index Between composition and performance -- Composing : from Ursprung to Fassung letzter Hand -- Performing : the improvisation of preservation -- The Ergon with Energeia -- Being musical with the other This book is an important contribution to the philosophy of music. Bruce Benson's concern is the phenomenology of music making as an activity. He offers a radical thesis that it is improvisation that is primary in the moment of music making. It will be a provocative read MUSIC / Instruction & Study / Techniques bisacsh Improvisation (Music) fast Music / Philosophy and aesthetics fast Improvisation musicale rasuqam Esthétique musicale rasuqam Composition musicale rasuqam Interprétation musicale rasuqam Musik Music Philosophy and aesthetics Improvisation (Music) Improvisation (DE-588)4127993-1 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Phänomenologie (DE-588)4045660-2 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf Komposition (DE-588)4032012-1 gnd rswk-swf Musik (DE-588)4040802-4 s Phänomenologie (DE-588)4045660-2 s 1\p DE-604 Komposition (DE-588)4032012-1 s Aufführung (DE-588)4143388-9 s 2\p DE-604 Improvisation (DE-588)4127993-1 s 3\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=120751 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Benson, Bruce Ellis The improvisation of musical dialogue a phenomenology of music MUSIC / Instruction & Study / Techniques bisacsh Improvisation (Music) fast Music / Philosophy and aesthetics fast Improvisation musicale rasuqam Esthétique musicale rasuqam Composition musicale rasuqam Interprétation musicale rasuqam Musik Music Philosophy and aesthetics Improvisation (Music) Improvisation (DE-588)4127993-1 gnd Musik (DE-588)4040802-4 gnd Phänomenologie (DE-588)4045660-2 gnd Aufführung (DE-588)4143388-9 gnd Komposition (DE-588)4032012-1 gnd |
| subject_GND | (DE-588)4127993-1 (DE-588)4040802-4 (DE-588)4045660-2 (DE-588)4143388-9 (DE-588)4032012-1 |
| title | The improvisation of musical dialogue a phenomenology of music |
| title_auth | The improvisation of musical dialogue a phenomenology of music |
| title_exact_search | The improvisation of musical dialogue a phenomenology of music |
| title_full | The improvisation of musical dialogue a phenomenology of music Bruce Ellis Benson |
| title_fullStr | The improvisation of musical dialogue a phenomenology of music Bruce Ellis Benson |
| title_full_unstemmed | The improvisation of musical dialogue a phenomenology of music Bruce Ellis Benson |
| title_short | The improvisation of musical dialogue |
| title_sort | the improvisation of musical dialogue a phenomenology of music |
| title_sub | a phenomenology of music |
| topic | MUSIC / Instruction & Study / Techniques bisacsh Improvisation (Music) fast Music / Philosophy and aesthetics fast Improvisation musicale rasuqam Esthétique musicale rasuqam Composition musicale rasuqam Interprétation musicale rasuqam Musik Music Philosophy and aesthetics Improvisation (Music) Improvisation (DE-588)4127993-1 gnd Musik (DE-588)4040802-4 gnd Phänomenologie (DE-588)4045660-2 gnd Aufführung (DE-588)4143388-9 gnd Komposition (DE-588)4032012-1 gnd |
| topic_facet | MUSIC / Instruction & Study / Techniques Improvisation (Music) Music / Philosophy and aesthetics Improvisation musicale Esthétique musicale Composition musicale Interprétation musicale Musik Music Philosophy and aesthetics Improvisation Phänomenologie Aufführung Komposition |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=120751 |
| work_keys_str_mv | AT bensonbruceellis theimprovisationofmusicaldialogueaphenomenologyofmusic |