Hitchcock's motifs:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
2005
|
| Schriftenreihe: | Film culture in transition
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references (pages 421-429) , filmography (p. 431-462) , and index Part I. - Hitchcock, Motifs and Melodrama - Introduction -- - Three motifs - Home movies -- - Cigarette case/lighter -- - Milk -- - Melodrama and Hitchcock's motifs -- - An elaborated motif: the Bed Scene in Rebecca and Marnie -- - A melodramatic motif: hands -- - Diagrammatic representations -- - Overview of the key motifs -- - Part II. - The Key Motifs - BED SCENE -- - Couples and beds -- - Beds and the police -- - BLONDES AND BRUNETTES -- - CAMEO APPEARANCES -- - Cameos and the police -- - CHILDREN -- - Children's cameos -- - Family members -- - Children and violence -- - Children and the police -- - CONFINED SPACES -- - Bathrooms and washrooms -- - Confinement and concealment -- - Cages and bars: fears of imprisonment -- - Washrooms and the police -- - THE CORPSE -- - The heroines -- - The heroes -- - The villains -- - Corpses and the police -- - DOGS AND CATS -- - Dogs and the police -- - DOUBLES -- - Doubles and the police -- - ENDINGS AND THE POLICE -- - ENTRY THROUGH A WINDOW -- - Entry through a window and the police -- - EXHIBITIONISM / VOYEURISM / THE LOOK -- - EXHIBITIONISM / VOYEURISM -- - SPY FILMS / THE LOOK -- - Exhibitionism, voyeurism and the police -- - FOOD AND MEALS -- - Food and marriage -- - Food and sex -- - Food and murder -- - Food and guilt -- - Chickens and eggs -- - Table talk and fascism -- - Food and the police -- - GUILTAND CONFESSION -- - Catholic overtones -- - Guilt and Hitchcock's villains -- - Transference of guilt -- - Guilt, confession and the police -- - HANDCUFFS AND BONDAGE -- - HANDS -- - Male hands/female hands -- - Held wrists -- - Damaged hands -- - Holding hands -- - Hands and the police -- - HEIGHTS AND FALLING -- - Heights, falling and the police -- - HOMOSEXUALITY -- - Critical positions -- - Gay undercurrents -- - Espionage and the look -- - Ivor Novello -- - Homosexuality and the police -- - JEWELLERY -- - Greed -- - Status -- - Female desire -- - Female beauty/male power -- - Male murderousness -- - Jewellery and the police -- - KEYS AND HANDBAGS -- - KEYS -- - Keys and handbags -- - HANDBAGS -- - Handbags and keys -- - Keys, handbags and the police -- - LIGHT(S) -- - Vampires and blinding -- - Murder and homosexuality -- - Lights and the police -- - THE MACGUFFIN -- - The MacGuffin and the police -- - MOTHERS AND HOUSES -- - Mothers and the police -- - PORTRAITS, PAINTINGS AND PAINTERS -- - PORTRAITS -- - PAINTINGS -- - Modern art -- - PAINTERS -- - Portraits, paintings and the police -- - PUBLIC DISTURBANCES -- - Public disturbances and the police -- - SPECTACLES -- - Spectacles and the police -- - STAIRCASES -- - Hitchcockian levels -- - Political variations -- - Sinister staircases -- - Freudian overtones -- - Couples and staircases -- - Staircases and the police -- - TRAINS AND BOATS / PLANES AND BUSES -- - TRAINS -- - BOATS -- - PLANES -- - BUSES -- - Trains and boats and the police -- - WATER AND RAIN -- - WATER -- - RAIN -- - Water and the police -- - Appendix I - TV Episodes - BED SCENE -- - CHILDREN -- - CONFINED SPACES -- - THE CORPSE -- - DOUBLES -- - FOOD AND MURDER / ENDINGS AND THE POLICE -- - LIGHTS -- - BOATS -- - Appendix II - Articles on Hitchcock's motifs -- - Appendix III - Definitions - Diegesis -- - Point-of-view editing Hitchcock's work through his recurring motifs |
| Beschreibung: | 1 Online-Ressource (490 pages) |
| ISBN: | 1280958162 1423746295 9048505453 9053567720 9053567739 9781280958168 9781423746294 9789048505456 9789053567722 9789053567739 |
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| 500 | |a Includes bibliographical references (pages 421-429) , filmography (p. 431-462) , and index | ||
| 500 | |a Part I. - Hitchcock, Motifs and Melodrama - Introduction -- - Three motifs - Home movies -- - Cigarette case/lighter -- - Milk -- - Melodrama and Hitchcock's motifs -- - An elaborated motif: the Bed Scene in Rebecca and Marnie -- - A melodramatic motif: hands -- - Diagrammatic representations -- - Overview of the key motifs -- - Part II. - The Key Motifs - BED SCENE -- - Couples and beds -- - Beds and the police -- - BLONDES AND BRUNETTES -- - CAMEO APPEARANCES -- - Cameos and the police -- - CHILDREN -- - Children's cameos -- - Family members -- - Children and violence -- - Children and the police -- - CONFINED SPACES -- - Bathrooms and washrooms -- - Confinement and concealment -- - Cages and bars: fears of imprisonment -- - Washrooms and the police -- - THE CORPSE -- - The heroines -- - The heroes -- - The villains -- - Corpses and the police -- - DOGS AND CATS -- - Dogs and the police -- - DOUBLES -- - Doubles and the police -- - ENDINGS AND THE POLICE -- | ||
| 500 | |a - ENTRY THROUGH A WINDOW -- - Entry through a window and the police -- - EXHIBITIONISM / VOYEURISM / THE LOOK -- - EXHIBITIONISM / VOYEURISM -- - SPY FILMS / THE LOOK -- - Exhibitionism, voyeurism and the police -- - FOOD AND MEALS -- - Food and marriage -- - Food and sex -- - Food and murder -- - Food and guilt -- - Chickens and eggs -- - Table talk and fascism -- - Food and the police -- - GUILTAND CONFESSION -- - Catholic overtones -- - Guilt and Hitchcock's villains -- - Transference of guilt -- - Guilt, confession and the police -- - HANDCUFFS AND BONDAGE -- - HANDS -- - Male hands/female hands -- - Held wrists -- - Damaged hands -- - Holding hands -- - Hands and the police -- - HEIGHTS AND FALLING -- - Heights, falling and the police -- - HOMOSEXUALITY -- - Critical positions -- - Gay undercurrents -- - Espionage and the look -- - Ivor Novello -- - Homosexuality and the police -- - JEWELLERY -- - Greed -- - Status -- - Female desire -- - Female beauty/male power -- | ||
| 500 | |a - Male murderousness -- - Jewellery and the police -- - KEYS AND HANDBAGS -- - KEYS -- - Keys and handbags -- - HANDBAGS -- - Handbags and keys -- - Keys, handbags and the police -- - LIGHT(S) -- - Vampires and blinding -- - Murder and homosexuality -- - Lights and the police -- - THE MACGUFFIN -- - The MacGuffin and the police -- - MOTHERS AND HOUSES -- - Mothers and the police -- - PORTRAITS, PAINTINGS AND PAINTERS -- - PORTRAITS -- - PAINTINGS -- - Modern art -- - PAINTERS -- - Portraits, paintings and the police -- - PUBLIC DISTURBANCES -- - Public disturbances and the police -- - SPECTACLES -- - Spectacles and the police -- - STAIRCASES -- - Hitchcockian levels -- - Political variations -- - Sinister staircases -- - Freudian overtones -- - Couples and staircases -- - Staircases and the police -- - TRAINS AND BOATS / PLANES AND BUSES -- - TRAINS -- - BOATS -- - PLANES -- - BUSES -- - Trains and boats and the police -- - WATER AND RAIN -- - WATER -- - RAIN -- | ||
| 500 | |a - Water and the police -- - Appendix I - TV Episodes - BED SCENE -- - CHILDREN -- - CONFINED SPACES -- - THE CORPSE -- - DOUBLES -- - FOOD AND MURDER / ENDINGS AND THE POLICE -- - LIGHTS -- - BOATS -- - Appendix II - Articles on Hitchcock's motifs -- - Appendix III - Definitions - Diegesis -- - Point-of-view editing | ||
| 500 | |a Hitchcock's work through his recurring motifs | ||
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Datensatz im Suchindex
| _version_ | 1804175446062923776 |
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| any_adam_object | |
| author | Walker, Michael |
| author_facet | Walker, Michael |
| author_role | aut |
| author_sort | Walker, Michael |
| author_variant | m w mw |
| building | Verbundindex |
| bvnumber | BV043066581 |
| collection | ZDB-4-EBA |
| ctrlnum | (OCoLC)62868619 (DE-599)BVBBV043066581 |
| dewey-full | 791.43/0233/092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/0233/092 |
| dewey-search | 791.43/0233/092 |
| dewey-sort | 3791.43 3233 292 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| indexdate | 2024-07-10T07:16:25Z |
| institution | BVB |
| isbn | 1280958162 1423746295 9048505453 9053567720 9053567739 9781280958168 9781423746294 9789048505456 9789053567722 9789053567739 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028490773 |
| oclc_num | 62868619 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 DE-Po75 |
| owner_facet | DE-1046 DE-1047 DE-Po75 |
| physical | 1 Online-Ressource (490 pages) |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2005 |
| publishDateSearch | 2005 |
| publishDateSort | 2005 |
| publisher | Amsterdam University Press |
| record_format | marc |
| series2 | Film culture in transition |
| spelling | Walker, Michael Verfasser aut Hitchcock's motifs Michael Walker Amsterdam Amsterdam University Press 2005 1 Online-Ressource (490 pages) txt rdacontent c rdamedia cr rdacarrier Film culture in transition Includes bibliographical references (pages 421-429) , filmography (p. 431-462) , and index Part I. - Hitchcock, Motifs and Melodrama - Introduction -- - Three motifs - Home movies -- - Cigarette case/lighter -- - Milk -- - Melodrama and Hitchcock's motifs -- - An elaborated motif: the Bed Scene in Rebecca and Marnie -- - A melodramatic motif: hands -- - Diagrammatic representations -- - Overview of the key motifs -- - Part II. - The Key Motifs - BED SCENE -- - Couples and beds -- - Beds and the police -- - BLONDES AND BRUNETTES -- - CAMEO APPEARANCES -- - Cameos and the police -- - CHILDREN -- - Children's cameos -- - Family members -- - Children and violence -- - Children and the police -- - CONFINED SPACES -- - Bathrooms and washrooms -- - Confinement and concealment -- - Cages and bars: fears of imprisonment -- - Washrooms and the police -- - THE CORPSE -- - The heroines -- - The heroes -- - The villains -- - Corpses and the police -- - DOGS AND CATS -- - Dogs and the police -- - DOUBLES -- - Doubles and the police -- - ENDINGS AND THE POLICE -- - ENTRY THROUGH A WINDOW -- - Entry through a window and the police -- - EXHIBITIONISM / VOYEURISM / THE LOOK -- - EXHIBITIONISM / VOYEURISM -- - SPY FILMS / THE LOOK -- - Exhibitionism, voyeurism and the police -- - FOOD AND MEALS -- - Food and marriage -- - Food and sex -- - Food and murder -- - Food and guilt -- - Chickens and eggs -- - Table talk and fascism -- - Food and the police -- - GUILTAND CONFESSION -- - Catholic overtones -- - Guilt and Hitchcock's villains -- - Transference of guilt -- - Guilt, confession and the police -- - HANDCUFFS AND BONDAGE -- - HANDS -- - Male hands/female hands -- - Held wrists -- - Damaged hands -- - Holding hands -- - Hands and the police -- - HEIGHTS AND FALLING -- - Heights, falling and the police -- - HOMOSEXUALITY -- - Critical positions -- - Gay undercurrents -- - Espionage and the look -- - Ivor Novello -- - Homosexuality and the police -- - JEWELLERY -- - Greed -- - Status -- - Female desire -- - Female beauty/male power -- - Male murderousness -- - Jewellery and the police -- - KEYS AND HANDBAGS -- - KEYS -- - Keys and handbags -- - HANDBAGS -- - Handbags and keys -- - Keys, handbags and the police -- - LIGHT(S) -- - Vampires and blinding -- - Murder and homosexuality -- - Lights and the police -- - THE MACGUFFIN -- - The MacGuffin and the police -- - MOTHERS AND HOUSES -- - Mothers and the police -- - PORTRAITS, PAINTINGS AND PAINTERS -- - PORTRAITS -- - PAINTINGS -- - Modern art -- - PAINTERS -- - Portraits, paintings and the police -- - PUBLIC DISTURBANCES -- - Public disturbances and the police -- - SPECTACLES -- - Spectacles and the police -- - STAIRCASES -- - Hitchcockian levels -- - Political variations -- - Sinister staircases -- - Freudian overtones -- - Couples and staircases -- - Staircases and the police -- - TRAINS AND BOATS / PLANES AND BUSES -- - TRAINS -- - BOATS -- - PLANES -- - BUSES -- - Trains and boats and the police -- - WATER AND RAIN -- - WATER -- - RAIN -- - Water and the police -- - Appendix I - TV Episodes - BED SCENE -- - CHILDREN -- - CONFINED SPACES -- - THE CORPSE -- - DOUBLES -- - FOOD AND MURDER / ENDINGS AND THE POLICE -- - LIGHTS -- - BOATS -- - Appendix II - Articles on Hitchcock's motifs -- - Appendix III - Definitions - Diegesis -- - Point-of-view editing Hitchcock's work through his recurring motifs Hitchcock, Alfred / 1899-1980 fast Hitchcock, Alfred 1899-1980 Criticism and interpretation Hitchcock, Alfred 1899-1980 (DE-588)118551647 gnd rswk-swf Hitchcock, Alfred PERFORMING ARTS / Film & Video / Direction & Production bisacsh PERFORMING ARTS / Film & Video / General bisacsh Motion pictures / Plots, themes, etc fast Film Motion pictures Plots, themes, etc Film (DE-588)4017102-4 gnd rswk-swf Motiv (DE-588)4040360-9 gnd rswk-swf 1\p (DE-588)4006804-3 Biografie gnd-content Hitchcock, Alfred 1899-1980 (DE-588)118551647 p Film (DE-588)4017102-4 s Motiv (DE-588)4040360-9 s 2\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=141881 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Walker, Michael Hitchcock's motifs Hitchcock, Alfred / 1899-1980 fast Hitchcock, Alfred 1899-1980 Criticism and interpretation Hitchcock, Alfred 1899-1980 (DE-588)118551647 gnd Hitchcock, Alfred PERFORMING ARTS / Film & Video / Direction & Production bisacsh PERFORMING ARTS / Film & Video / General bisacsh Motion pictures / Plots, themes, etc fast Film Motion pictures Plots, themes, etc Film (DE-588)4017102-4 gnd Motiv (DE-588)4040360-9 gnd |
| subject_GND | (DE-588)118551647 (DE-588)4017102-4 (DE-588)4040360-9 (DE-588)4006804-3 |
| title | Hitchcock's motifs |
| title_auth | Hitchcock's motifs |
| title_exact_search | Hitchcock's motifs |
| title_full | Hitchcock's motifs Michael Walker |
| title_fullStr | Hitchcock's motifs Michael Walker |
| title_full_unstemmed | Hitchcock's motifs Michael Walker |
| title_short | Hitchcock's motifs |
| title_sort | hitchcock s motifs |
| topic | Hitchcock, Alfred / 1899-1980 fast Hitchcock, Alfred 1899-1980 Criticism and interpretation Hitchcock, Alfred 1899-1980 (DE-588)118551647 gnd Hitchcock, Alfred PERFORMING ARTS / Film & Video / Direction & Production bisacsh PERFORMING ARTS / Film & Video / General bisacsh Motion pictures / Plots, themes, etc fast Film Motion pictures Plots, themes, etc Film (DE-588)4017102-4 gnd Motiv (DE-588)4040360-9 gnd |
| topic_facet | Hitchcock, Alfred / 1899-1980 Hitchcock, Alfred 1899-1980 Criticism and interpretation Hitchcock, Alfred 1899-1980 Hitchcock, Alfred PERFORMING ARTS / Film & Video / Direction & Production PERFORMING ARTS / Film & Video / General Motion pictures / Plots, themes, etc Film Motion pictures Plots, themes, etc Motiv Biografie |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=141881 |
| work_keys_str_mv | AT walkermichael hitchcocksmotifs |