The cinema of attractions reloaded:
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
©2006
|
| Schriftenreihe: | Film culture in transition
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 Includes bibliographical references (pages 421-433) and index Introduction to an Attractive Concept / Wanda Strauven -- Theory Formation ["The Cinema of Attractions"]. Attractions: How They Came into the World / Tom Gunning -- A Rational Reconstruction of "The Cinema of Attractions" / Warren Buckland -- The Cinema of Attractions as Dispositif / Frank Kessler -- Spectacle, Attractions and Visual Pleasure / Scott Bukatman -- Attraction Theories and Terminologies ["Early Film"]. From "Primitive Cinema" to "Kine-Attractography" / André Gaudreault -- From "Primitive Cinema" to "Marvelous" / Wanda Strauven -- The Attraction of the Intelligent Eye: Obsessions with the Vision Machine in Early Film Theories / Viva Paci -- Rhythmic Bodies/Movies: Dance as Attraction in Early Film Culture / Laurent Guido -- Audiences and Attractions ["Its Spectator"]. A Cinema of Contemplation, A Cinema of Discernment: Spectatorship, Intertextuality and Attractions in the 1890s / Charles Musser -- The Lecturer and the Attraction / Germain Lacasse -- Integrated Attractions: Style and Spectatorship in Transitional Cinema / Charlie Keil -- Discipline through Diegesis: The Rube Film between "Attractions" and "Narrative Integration" / Thomas Elsaesser -- Attraction Practices through History ["The Avant-Garde": section 1]. Circularity and Repetition at the Heart of the Attraction: Optical Toys and the Emergence of a New Cultural Series / Nicolas Dulac and André Gaudreault Lumiére, the Train and the Avant-Garde / Christa Blümlinger -- Programming Attractions: Avant-Garde Exhibition Practice in the 1920s and 1930s / Malte Hagener -- The Associational Attractions of the Musical / Pierre-Emmanuel Jaques -- Digital Media and (Un)Tamed Attractions ["The Avant-Garde": section 2]. Chez le Photographe c'est chez moi: Relationship of Actor and Filmed Subject to Camera in Early Film and Virtual Reality Spaces / Alison McMahan -- The Hollywood Cobweb: New Laws of Attraction / Dick Tomasovic -- Figures of Sensation: Between Still and Moving Images / Eivind Røssaak -- "Cutting to the Quick": Techne, Physis, and Poiesis and the Attractions of Slow Motion / Vivian Sobchack -- Dossier. Pie and Chase: Gag, Spectacle and Narrative in Slapstick Comedy / Donald Crafton -- Early Cinema as a Challenge to Film History / André Gaudreault and Tom Gunning -- The Cinema of Attraction[s]: Early Film, Its Spectator and the Avant-Garde / Tom Gunning -- Rethinking Early Cinema: Cinema of Attractions and Narrativity / Charles Musser Twenty years ago, noted film scholars Tom Gunning and Andre; Gaudreault introduced the phrase "cinema of attractions" to describe the essential qualities of films made in the medium's earliest days, those produced between 1895 and 1906. Now, The Cinema of Attractions Reloaded critically examines the term and its subsequent wide-ranging use in film studies. The collection opens with a history of the term, tracing the collaboration between Gaudreault and Gunning, the genesis of the term in their attempts to explain the spectacular effects of motion that lay at the heart of early cinema, and the pair's debts to Sergei Eisenstein and others. This reconstruction is followed by a look at applications of the term to more recent film productions, from the works of the Wachowski brothers to virtual reality and video games. With essays by an impressive collection of international film scholars - and featuring contributions by Gunning and Gaudreault as well - The Cinema of Attractions Reloaded will be necessary reading for all scholars of early film and its continuing influence |
| Beschreibung: | 1 Online-Ressource (460 pages) |
| ISBN: | 1429454644 9048505534 9053569448 9053569456 9781429454643 9789048505531 9789053569443 9789053569450 |
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| 500 | |a Includes bibliographical references (pages 421-433) and index | ||
| 500 | |a Introduction to an Attractive Concept / Wanda Strauven -- Theory Formation ["The Cinema of Attractions"]. Attractions: How They Came into the World / Tom Gunning -- A Rational Reconstruction of "The Cinema of Attractions" / Warren Buckland -- The Cinema of Attractions as Dispositif / Frank Kessler -- Spectacle, Attractions and Visual Pleasure / Scott Bukatman -- Attraction Theories and Terminologies ["Early Film"]. From "Primitive Cinema" to "Kine-Attractography" / André Gaudreault -- From "Primitive Cinema" to "Marvelous" / Wanda Strauven -- The Attraction of the Intelligent Eye: Obsessions with the Vision Machine in Early Film Theories / Viva Paci -- Rhythmic Bodies/Movies: Dance as Attraction in Early Film Culture / Laurent Guido -- Audiences and Attractions ["Its Spectator"]. A Cinema of Contemplation, A Cinema of Discernment: Spectatorship, Intertextuality and Attractions in the 1890s / Charles Musser -- The Lecturer and the Attraction / Germain Lacasse -- Integrated Attractions: Style and Spectatorship in Transitional Cinema / Charlie Keil -- Discipline through Diegesis: The Rube Film between "Attractions" and "Narrative Integration" / Thomas Elsaesser -- Attraction Practices through History ["The Avant-Garde": section 1]. Circularity and Repetition at the Heart of the Attraction: Optical Toys and the Emergence of a New Cultural Series / Nicolas Dulac and André Gaudreault | ||
| 500 | |a Lumiére, the Train and the Avant-Garde / Christa Blümlinger -- Programming Attractions: Avant-Garde Exhibition Practice in the 1920s and 1930s / Malte Hagener -- The Associational Attractions of the Musical / Pierre-Emmanuel Jaques -- Digital Media and (Un)Tamed Attractions ["The Avant-Garde": section 2]. Chez le Photographe c'est chez moi: Relationship of Actor and Filmed Subject to Camera in Early Film and Virtual Reality Spaces / Alison McMahan -- The Hollywood Cobweb: New Laws of Attraction / Dick Tomasovic -- Figures of Sensation: Between Still and Moving Images / Eivind Røssaak -- "Cutting to the Quick": Techne, Physis, and Poiesis and the Attractions of Slow Motion / Vivian Sobchack -- Dossier. Pie and Chase: Gag, Spectacle and Narrative in Slapstick Comedy / Donald Crafton -- Early Cinema as a Challenge to Film History / André Gaudreault and Tom Gunning -- The Cinema of Attraction[s]: Early Film, Its Spectator and the Avant-Garde / Tom Gunning -- Rethinking Early Cinema: Cinema of Attractions and Narrativity / Charles Musser | ||
| 500 | |a Twenty years ago, noted film scholars Tom Gunning and Andre; Gaudreault introduced the phrase "cinema of attractions" to describe the essential qualities of films made in the medium's earliest days, those produced between 1895 and 1906. Now, The Cinema of Attractions Reloaded critically examines the term and its subsequent wide-ranging use in film studies. The collection opens with a history of the term, tracing the collaboration between Gaudreault and Gunning, the genesis of the term in their attempts to explain the spectacular effects of motion that lay at the heart of early cinema, and the pair's debts to Sergei Eisenstein and others. This reconstruction is followed by a look at applications of the term to more recent film productions, from the works of the Wachowski brothers to virtual reality and video games. With essays by an impressive collection of international film scholars - and featuring contributions by Gunning and Gaudreault as well - The Cinema of Attractions Reloaded will be necessary reading for all scholars of early film and its continuing influence | ||
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| 648 | 4 | |a Geschichte 1900-2000 | |
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| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028488071 |
| oclc_num | 85784577 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 Online-Ressource (460 pages) |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2006 |
| publishDateSearch | 2006 |
| publishDateSort | 2006 |
| publisher | Amsterdam University Press |
| record_format | marc |
| series2 | Film culture in transition |
| spelling | The cinema of attractions reloaded edited by Wanda Strauven Amsterdam Amsterdam University Press ©2006 1 Online-Ressource (460 pages) txt rdacontent c rdamedia cr rdacarrier Film culture in transition Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 Includes bibliographical references (pages 421-433) and index Introduction to an Attractive Concept / Wanda Strauven -- Theory Formation ["The Cinema of Attractions"]. Attractions: How They Came into the World / Tom Gunning -- A Rational Reconstruction of "The Cinema of Attractions" / Warren Buckland -- The Cinema of Attractions as Dispositif / Frank Kessler -- Spectacle, Attractions and Visual Pleasure / Scott Bukatman -- Attraction Theories and Terminologies ["Early Film"]. From "Primitive Cinema" to "Kine-Attractography" / André Gaudreault -- From "Primitive Cinema" to "Marvelous" / Wanda Strauven -- The Attraction of the Intelligent Eye: Obsessions with the Vision Machine in Early Film Theories / Viva Paci -- Rhythmic Bodies/Movies: Dance as Attraction in Early Film Culture / Laurent Guido -- Audiences and Attractions ["Its Spectator"]. A Cinema of Contemplation, A Cinema of Discernment: Spectatorship, Intertextuality and Attractions in the 1890s / Charles Musser -- The Lecturer and the Attraction / Germain Lacasse -- Integrated Attractions: Style and Spectatorship in Transitional Cinema / Charlie Keil -- Discipline through Diegesis: The Rube Film between "Attractions" and "Narrative Integration" / Thomas Elsaesser -- Attraction Practices through History ["The Avant-Garde": section 1]. Circularity and Repetition at the Heart of the Attraction: Optical Toys and the Emergence of a New Cultural Series / Nicolas Dulac and André Gaudreault Lumiére, the Train and the Avant-Garde / Christa Blümlinger -- Programming Attractions: Avant-Garde Exhibition Practice in the 1920s and 1930s / Malte Hagener -- The Associational Attractions of the Musical / Pierre-Emmanuel Jaques -- Digital Media and (Un)Tamed Attractions ["The Avant-Garde": section 2]. Chez le Photographe c'est chez moi: Relationship of Actor and Filmed Subject to Camera in Early Film and Virtual Reality Spaces / Alison McMahan -- The Hollywood Cobweb: New Laws of Attraction / Dick Tomasovic -- Figures of Sensation: Between Still and Moving Images / Eivind Røssaak -- "Cutting to the Quick": Techne, Physis, and Poiesis and the Attractions of Slow Motion / Vivian Sobchack -- Dossier. Pie and Chase: Gag, Spectacle and Narrative in Slapstick Comedy / Donald Crafton -- Early Cinema as a Challenge to Film History / André Gaudreault and Tom Gunning -- The Cinema of Attraction[s]: Early Film, Its Spectator and the Avant-Garde / Tom Gunning -- Rethinking Early Cinema: Cinema of Attractions and Narrativity / Charles Musser Twenty years ago, noted film scholars Tom Gunning and Andre; Gaudreault introduced the phrase "cinema of attractions" to describe the essential qualities of films made in the medium's earliest days, those produced between 1895 and 1906. Now, The Cinema of Attractions Reloaded critically examines the term and its subsequent wide-ranging use in film studies. The collection opens with a history of the term, tracing the collaboration between Gaudreault and Gunning, the genesis of the term in their attempts to explain the spectacular effects of motion that lay at the heart of early cinema, and the pair's debts to Sergei Eisenstein and others. This reconstruction is followed by a look at applications of the term to more recent film productions, from the works of the Wachowski brothers to virtual reality and video games. With essays by an impressive collection of international film scholars - and featuring contributions by Gunning and Gaudreault as well - The Cinema of Attractions Reloaded will be necessary reading for all scholars of early film and its continuing influence 1900 - 1999 fast Geschichte 1900-2000 Geschichte gnd rswk-swf Attractions (Spectacles) Films expérimentaux / Histoire et critique Cinéma underground / Critique et interprétation Cinéma / Histoire / 20e siècle / Anthologies PERFORMING ARTS / Film & Video / Reference bisacsh PERFORMING ARTS / Film & Video / General bisacsh Motion pictures fast Filmkunst gtt Filmtheorie gtt Cinéma / Histoire / 20e siècle / Anthologies rvm Film Geschichte Motion pictures History Motion pictures History 20th century Spezialeffekt (DE-588)4260107-1 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Film (DE-588)4017102-4 s Spezialeffekt (DE-588)4260107-1 s Geschichte z 2\p DE-604 Strauven, Wanda Sonstige oth http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=174917 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | The cinema of attractions reloaded Attractions (Spectacles) Films expérimentaux / Histoire et critique Cinéma underground / Critique et interprétation Cinéma / Histoire / 20e siècle / Anthologies PERFORMING ARTS / Film & Video / Reference bisacsh PERFORMING ARTS / Film & Video / General bisacsh Motion pictures fast Filmkunst gtt Filmtheorie gtt Cinéma / Histoire / 20e siècle / Anthologies rvm Film Geschichte Motion pictures History Motion pictures History 20th century Spezialeffekt (DE-588)4260107-1 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4260107-1 (DE-588)4017102-4 (DE-588)4143413-4 |
| title | The cinema of attractions reloaded |
| title_auth | The cinema of attractions reloaded |
| title_exact_search | The cinema of attractions reloaded |
| title_full | The cinema of attractions reloaded edited by Wanda Strauven |
| title_fullStr | The cinema of attractions reloaded edited by Wanda Strauven |
| title_full_unstemmed | The cinema of attractions reloaded edited by Wanda Strauven |
| title_short | The cinema of attractions reloaded |
| title_sort | the cinema of attractions reloaded |
| topic | Attractions (Spectacles) Films expérimentaux / Histoire et critique Cinéma underground / Critique et interprétation Cinéma / Histoire / 20e siècle / Anthologies PERFORMING ARTS / Film & Video / Reference bisacsh PERFORMING ARTS / Film & Video / General bisacsh Motion pictures fast Filmkunst gtt Filmtheorie gtt Cinéma / Histoire / 20e siècle / Anthologies rvm Film Geschichte Motion pictures History Motion pictures History 20th century Spezialeffekt (DE-588)4260107-1 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Attractions (Spectacles) Films expérimentaux / Histoire et critique Cinéma underground / Critique et interprétation Cinéma / Histoire / 20e siècle / Anthologies PERFORMING ARTS / Film & Video / Reference PERFORMING ARTS / Film & Video / General Motion pictures Filmkunst Filmtheorie Film Geschichte Motion pictures History Motion pictures History 20th century Spezialeffekt Aufsatzsammlung |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=174917 |
| work_keys_str_mv | AT strauvenwanda thecinemaofattractionsreloaded |