Reframing Bollywood: theories of popular Hindi cinema
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New Delhi, India
SAGE Publications
2010
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references, filmography and index Introduction : reframing Bollywood -- Bollywood and its implied viewers -- the Bollywood song and dance, or making a culinary theatre from dung-cakes and dust : can the Bollywood film speak to the subaltern? -- Ho naa ho : the emergence of a homosexual subtext in Bollywood -- Usage problem : simulation and hyper-assimilation in the (crossover) Bollywood film -- Conclusion : travelling Bollywood This book combines multiple theoretical approaches to provide a fresh perspective on Bollywood and challenges the homogenizing tendencies in much of the ongoing scholarship in the field. It covers five areas of controversial theorization: the religious frame, the musical frame, the subaltern frame, the (hetero)sexual frame and the 'crossover' frame. By deconstructing each of these hegemonic paradigms, it reshapes the understanding of a Bollywood film and restructures its relationships with multiple disciplines including film and theatre studies, postcolonial studies, South Asian studies, queer studies, and transnational studies. This fusion of approaches is also representative of the larger objective of this work, namely, to destabilize Bollywood's position within any one sphere of reference and, instead, to illuminate how several realms of meaning are at play in its construction. The aim in doing so is to demonstrate how a variety of critical methodologies can enable a more comprehensive reading of the films making up this corpus |
| Beschreibung: | 1 Online-Ressource (xxiv, 165 pages) |
| ISBN: | 813210594X 9788132105947 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV043063712 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 151126s2010 |||| o||u| ||||||eng d | ||
| 020 | |a 813210594X |c electronic bk. |9 81-321-0594-X | ||
| 020 | |a 9788132105947 |c electronic bk. |9 978-81-321-0594-7 | ||
| 035 | |a (OCoLC)669520040 | ||
| 035 | |a (DE-599)BVBBV043063712 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1046 |a DE-1047 | ||
| 082 | 0 | |a 791.430954 |2 22 | |
| 100 | 1 | |a Gehlawat, Ajay |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Reframing Bollywood |b theories of popular Hindi cinema |c Ajay Gehlawat |
| 264 | 1 | |a New Delhi, India |b SAGE Publications |c 2010 | |
| 300 | |a 1 Online-Ressource (xxiv, 165 pages) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Includes bibliographical references, filmography and index | ||
| 500 | |a Introduction : reframing Bollywood -- Bollywood and its implied viewers -- the Bollywood song and dance, or making a culinary theatre from dung-cakes and dust : can the Bollywood film speak to the subaltern? -- Ho naa ho : the emergence of a homosexual subtext in Bollywood -- Usage problem : simulation and hyper-assimilation in the (crossover) Bollywood film -- Conclusion : travelling Bollywood | ||
| 500 | |a This book combines multiple theoretical approaches to provide a fresh perspective on Bollywood and challenges the homogenizing tendencies in much of the ongoing scholarship in the field. It covers five areas of controversial theorization: the religious frame, the musical frame, the subaltern frame, the (hetero)sexual frame and the 'crossover' frame. By deconstructing each of these hegemonic paradigms, it reshapes the understanding of a Bollywood film and restructures its relationships with multiple disciplines including film and theatre studies, postcolonial studies, South Asian studies, queer studies, and transnational studies. This fusion of approaches is also representative of the larger objective of this work, namely, to destabilize Bollywood's position within any one sphere of reference and, instead, to illuminate how several realms of meaning are at play in its construction. The aim in doing so is to demonstrate how a variety of critical methodologies can enable a more comprehensive reading of the films making up this corpus | ||
| 650 | 4 | |a Fine Arts | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / Reference |2 bisacsh | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures / Social aspects |2 fast | |
| 650 | 4 | |a Film | |
| 650 | 4 | |a Gesellschaft | |
| 650 | 4 | |a Motion pictures |z India | |
| 650 | 4 | |a Motion pictures |x Social aspects |z India | |
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Bollywood |0 (DE-588)7538399-8 |2 gnd |9 rswk-swf |
| 651 | 4 | |a Indien | |
| 689 | 0 | 0 | |a Bollywood |0 (DE-588)7538399-8 |D s |
| 689 | 0 | 1 | |a Film |0 (DE-588)4017102-4 |D s |
| 689 | 0 | |8 1\p |5 DE-604 | |
| 856 | 4 | 0 | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=340336 |x Aggregator |3 Volltext |
| 912 | |a ZDB-4-EBA | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-028487903 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=340336 |l FAW01 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=340336 |l FAW02 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804175440796975105 |
|---|---|
| any_adam_object | |
| author | Gehlawat, Ajay |
| author_facet | Gehlawat, Ajay |
| author_role | aut |
| author_sort | Gehlawat, Ajay |
| author_variant | a g ag |
| building | Verbundindex |
| bvnumber | BV043063712 |
| collection | ZDB-4-EBA |
| ctrlnum | (OCoLC)669520040 (DE-599)BVBBV043063712 |
| dewey-full | 791.430954 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.430954 |
| dewey-search | 791.430954 |
| dewey-sort | 3791.430954 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03576nmm a2200541zc 4500</leader><controlfield tag="001">BV043063712</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">151126s2010 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">813210594X</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">81-321-0594-X</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9788132105947</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">978-81-321-0594-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)669520040</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043063712</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-1047</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.430954</subfield><subfield code="2">22</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Gehlawat, Ajay</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Reframing Bollywood</subfield><subfield code="b">theories of popular Hindi cinema</subfield><subfield code="c">Ajay Gehlawat</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New Delhi, India</subfield><subfield code="b">SAGE Publications</subfield><subfield code="c">2010</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xxiv, 165 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references, filmography and index</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Introduction : reframing Bollywood -- Bollywood and its implied viewers -- the Bollywood song and dance, or making a culinary theatre from dung-cakes and dust : can the Bollywood film speak to the subaltern? -- Ho naa ho : the emergence of a homosexual subtext in Bollywood -- Usage problem : simulation and hyper-assimilation in the (crossover) Bollywood film -- Conclusion : travelling Bollywood</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">This book combines multiple theoretical approaches to provide a fresh perspective on Bollywood and challenges the homogenizing tendencies in much of the ongoing scholarship in the field. It covers five areas of controversial theorization: the religious frame, the musical frame, the subaltern frame, the (hetero)sexual frame and the 'crossover' frame. By deconstructing each of these hegemonic paradigms, it reshapes the understanding of a Bollywood film and restructures its relationships with multiple disciplines including film and theatre studies, postcolonial studies, South Asian studies, queer studies, and transnational studies. This fusion of approaches is also representative of the larger objective of this work, namely, to destabilize Bollywood's position within any one sphere of reference and, instead, to illuminate how several realms of meaning are at play in its construction. The aim in doing so is to demonstrate how a variety of critical methodologies can enable a more comprehensive reading of the films making up this corpus</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Fine Arts</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / Reference</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures / Social aspects</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Gesellschaft</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield><subfield code="z">India</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield><subfield code="x">Social aspects</subfield><subfield code="z">India</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Bollywood</subfield><subfield code="0">(DE-588)7538399-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Indien</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Bollywood</subfield><subfield code="0">(DE-588)7538399-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=340336</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028487903</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=340336</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=340336</subfield><subfield code="l">FAW02</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| geographic | Indien |
| geographic_facet | Indien |
| id | DE-604.BV043063712 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:16:20Z |
| institution | BVB |
| isbn | 813210594X 9788132105947 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028487903 |
| oclc_num | 669520040 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 Online-Ressource (xxiv, 165 pages) |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2010 |
| publishDateSearch | 2010 |
| publishDateSort | 2010 |
| publisher | SAGE Publications |
| record_format | marc |
| spelling | Gehlawat, Ajay Verfasser aut Reframing Bollywood theories of popular Hindi cinema Ajay Gehlawat New Delhi, India SAGE Publications 2010 1 Online-Ressource (xxiv, 165 pages) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references, filmography and index Introduction : reframing Bollywood -- Bollywood and its implied viewers -- the Bollywood song and dance, or making a culinary theatre from dung-cakes and dust : can the Bollywood film speak to the subaltern? -- Ho naa ho : the emergence of a homosexual subtext in Bollywood -- Usage problem : simulation and hyper-assimilation in the (crossover) Bollywood film -- Conclusion : travelling Bollywood This book combines multiple theoretical approaches to provide a fresh perspective on Bollywood and challenges the homogenizing tendencies in much of the ongoing scholarship in the field. It covers five areas of controversial theorization: the religious frame, the musical frame, the subaltern frame, the (hetero)sexual frame and the 'crossover' frame. By deconstructing each of these hegemonic paradigms, it reshapes the understanding of a Bollywood film and restructures its relationships with multiple disciplines including film and theatre studies, postcolonial studies, South Asian studies, queer studies, and transnational studies. This fusion of approaches is also representative of the larger objective of this work, namely, to destabilize Bollywood's position within any one sphere of reference and, instead, to illuminate how several realms of meaning are at play in its construction. The aim in doing so is to demonstrate how a variety of critical methodologies can enable a more comprehensive reading of the films making up this corpus Fine Arts PERFORMING ARTS / Film & Video / Reference bisacsh Motion pictures fast Motion pictures / Social aspects fast Film Gesellschaft Motion pictures India Motion pictures Social aspects India Film (DE-588)4017102-4 gnd rswk-swf Bollywood (DE-588)7538399-8 gnd rswk-swf Indien Bollywood (DE-588)7538399-8 s Film (DE-588)4017102-4 s 1\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=340336 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Gehlawat, Ajay Reframing Bollywood theories of popular Hindi cinema Fine Arts PERFORMING ARTS / Film & Video / Reference bisacsh Motion pictures fast Motion pictures / Social aspects fast Film Gesellschaft Motion pictures India Motion pictures Social aspects India Film (DE-588)4017102-4 gnd Bollywood (DE-588)7538399-8 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)7538399-8 |
| title | Reframing Bollywood theories of popular Hindi cinema |
| title_auth | Reframing Bollywood theories of popular Hindi cinema |
| title_exact_search | Reframing Bollywood theories of popular Hindi cinema |
| title_full | Reframing Bollywood theories of popular Hindi cinema Ajay Gehlawat |
| title_fullStr | Reframing Bollywood theories of popular Hindi cinema Ajay Gehlawat |
| title_full_unstemmed | Reframing Bollywood theories of popular Hindi cinema Ajay Gehlawat |
| title_short | Reframing Bollywood |
| title_sort | reframing bollywood theories of popular hindi cinema |
| title_sub | theories of popular Hindi cinema |
| topic | Fine Arts PERFORMING ARTS / Film & Video / Reference bisacsh Motion pictures fast Motion pictures / Social aspects fast Film Gesellschaft Motion pictures India Motion pictures Social aspects India Film (DE-588)4017102-4 gnd Bollywood (DE-588)7538399-8 gnd |
| topic_facet | Fine Arts PERFORMING ARTS / Film & Video / Reference Motion pictures Motion pictures / Social aspects Film Gesellschaft Motion pictures India Motion pictures Social aspects India Bollywood Indien |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=340336 |
| work_keys_str_mv | AT gehlawatajay reframingbollywoodtheoriesofpopularhindicinema |