Framed time: toward a postfilmic cinema
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Chicago
University of Chicago Press
2007
|
| Schriftenreihe: | Cinema and modernity
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references (p. 267-282) and index Acknowledgments; Introduction: On Optical Allusion; Lexeme to Pixel: An Experiment in Narratography; Trick Beginnings and the European Uncanny; Out of Body in Hollywood; Temportation; VR from Cimnemonics to Digitime; Media Archaeology, Hermeneutics, Narratography; Appendix: Precinematics; or, Reading the Narratogram; Notes; Terms; Index Italian director Michelangelo Antonioni claimed, three decades ago, that different conceptions of time helped define the split in film between European humanism and American science fiction. And as Garrett Stewart argues here, this transatlantic division has persisted since cinema?s 1995 centenary, made more complex by the digital technology that has detached movies from their dependence on the sequential frames of the celluloid strip. Brilliantly interpreting dozens of recent films?from Being John Malkovich, Donnie Darko, and The Sixth Sense to La mala educación and Caché ?Stewart investigate |
| Beschreibung: | 1 Online-Ressource (x, 299 p.) |
| ISBN: | 0226774570 9780226774572 |
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| 500 | |a Acknowledgments; Introduction: On Optical Allusion; Lexeme to Pixel: An Experiment in Narratography; Trick Beginnings and the European Uncanny; Out of Body in Hollywood; Temportation; VR from Cimnemonics to Digitime; Media Archaeology, Hermeneutics, Narratography; Appendix: Precinematics; or, Reading the Narratogram; Notes; Terms; Index | ||
| 500 | |a Italian director Michelangelo Antonioni claimed, three decades ago, that different conceptions of time helped define the split in film between European humanism and American science fiction. And as Garrett Stewart argues here, this transatlantic division has persisted since cinema?s 1995 centenary, made more complex by the digital technology that has detached movies from their dependence on the sequential frames of the celluloid strip. Brilliantly interpreting dozens of recent films?from Being John Malkovich, Donnie Darko, and The Sixth Sense to La mala educación and Caché ?Stewart investigate | ||
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/684 |
| dewey-search | 791.43/684 |
| dewey-sort | 3791.43 3684 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| spelling | Stewart, Garrett Verfasser aut Framed time toward a postfilmic cinema Garrett Stewart Chicago University of Chicago Press 2007 1 Online-Ressource (x, 299 p.) txt rdacontent c rdamedia cr rdacarrier Cinema and modernity Includes bibliographical references (p. 267-282) and index Acknowledgments; Introduction: On Optical Allusion; Lexeme to Pixel: An Experiment in Narratography; Trick Beginnings and the European Uncanny; Out of Body in Hollywood; Temportation; VR from Cimnemonics to Digitime; Media Archaeology, Hermeneutics, Narratography; Appendix: Precinematics; or, Reading the Narratogram; Notes; Terms; Index Italian director Michelangelo Antonioni claimed, three decades ago, that different conceptions of time helped define the split in film between European humanism and American science fiction. And as Garrett Stewart argues here, this transatlantic division has persisted since cinema?s 1995 centenary, made more complex by the digital technology that has detached movies from their dependence on the sequential frames of the celluloid strip. Brilliantly interpreting dozens of recent films?from Being John Malkovich, Donnie Darko, and The Sixth Sense to La mala educación and Caché ?Stewart investigate PERFORMING ARTS / Film & Video / Reference bisacsh Motion pictures fast Space and time fast Film Motion pictures Space and time in motion pictures Postmoderne (DE-588)4115604-3 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Zeit Motiv (DE-588)4207564-6 gnd rswk-swf Film (DE-588)4017102-4 s Zeit Motiv (DE-588)4207564-6 s Postmoderne (DE-588)4115604-3 s 1\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=260237 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Stewart, Garrett Framed time toward a postfilmic cinema PERFORMING ARTS / Film & Video / Reference bisacsh Motion pictures fast Space and time fast Film Motion pictures Space and time in motion pictures Postmoderne (DE-588)4115604-3 gnd Film (DE-588)4017102-4 gnd Zeit Motiv (DE-588)4207564-6 gnd |
| subject_GND | (DE-588)4115604-3 (DE-588)4017102-4 (DE-588)4207564-6 |
| title | Framed time toward a postfilmic cinema |
| title_auth | Framed time toward a postfilmic cinema |
| title_exact_search | Framed time toward a postfilmic cinema |
| title_full | Framed time toward a postfilmic cinema Garrett Stewart |
| title_fullStr | Framed time toward a postfilmic cinema Garrett Stewart |
| title_full_unstemmed | Framed time toward a postfilmic cinema Garrett Stewart |
| title_short | Framed time |
| title_sort | framed time toward a postfilmic cinema |
| title_sub | toward a postfilmic cinema |
| topic | PERFORMING ARTS / Film & Video / Reference bisacsh Motion pictures fast Space and time fast Film Motion pictures Space and time in motion pictures Postmoderne (DE-588)4115604-3 gnd Film (DE-588)4017102-4 gnd Zeit Motiv (DE-588)4207564-6 gnd |
| topic_facet | PERFORMING ARTS / Film & Video / Reference Motion pictures Space and time Film Space and time in motion pictures Postmoderne Zeit Motiv |
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