Island on the edge: Taiwan new cinema and after
Gespeichert in:
Bibliographische Detailangaben
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: Hong Kong Hong Kong University Press 2005
Schlagworte:
Online-Zugang:FAW01
FAW02
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Beschreibung:Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002
Includes bibliographical references and index
The Terrorizer and the great divide in contemporary Taiwan's cultural development - Sung-sheng Yvonne Chang -- - Reflections on the screen : Hou Hsiao Hsien's Dust in the Wind and the rhythms of the Taiwan new cinema - Haden Guest -- - A Borrowed Life in Banana Paradise : de-Cold War/decolonization, or modernity and its tears - Chen Kuan-Hsing -- - Hou Hsiao Hsien's City of Sadness : history and the dialogic female voice - Rosemary Haddon -- - Myth(ology) mythologizing its own closure : Edward Yang's A Brighter Summer Day - Liu Yu-hsiu -- - Hou Hsiao Hsien's The Puppetmaster : the poetics of landscape - Nick Browne -- - Where is the love? : hyperbolic realism and indulgence in Vive L'Amour - Chris Berry -- - Generational/cultural contradiction and global incorporation : Ang Lee's Eat Drink Man Woman - Ti Wei -- - On Tsai Mingliang's The River - Gina Marchetti -- - Compulsory orientalism : Hou Hsiao Hsien's Flowers of Shanghai - Nick Kaldis -- - Another cinema : Darkness & Light - Feii Lu -- - China simulacrum : genre, feminism, and Pan-Chinese cultural politics in Crouching Tiger, Hidden Dragon - Fran Martin
This English-language anthology on Taiwan new cinema and its legacy covers all the major filmmakers from Hou Hsiao Hsien and Edward Yang to Ang Lee, bringing together a range of essays that analyze individual films produced since the advent of Taiwan new cinema in the early 1980s
Beschreibung:1 Online-Ressource (ix, 195 pages)
ISBN:9789882201880
9882201881

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