Narration and Spectatorship in Moving Images:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne
Cambridge Scholars Pub.
2007
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | TABLE OF CONTENTS; ACKNOWLEDGMENTS; INTRODUCTION; CHAPTER ONE; BIO-CULTURALISM; CINEMA AS THE REDEMPTION OF ARCHETYPAL REALITY; CHAPTER TWO; NEUROTRANSMITTER PERSISTENCE, NARRATIVE STRUCTURE, AND EMOTION; EXPANDED EMPATHY; CHAPTER THREE; ASSESSING THE REALITY-STATUS OF FILM; UNDERSTANDING CHARACTER MOTIVATION; CHAPTER FOUR; FORMS MIRRORING FEELINGS; EMBODIED SPACES; CHAPTER FIVE; META-EMOTION AND GENRE PREFERENCE; THE EPISTEMOLOGY OF THE GAZE; CHAPTER SIX; ""THE SEA INSIDE""; RHYTHM AND IMAGE IN DREYER'S FILMS; CHAPTER SEVEN; THE IMPORTANCE OF EMPATHY IN THE ACTOR'S ART. EMPATHY AND THE EPISODIC STRUCTURE OF ENGAGEMENT IN FICTION FILMCHAPTER EIGHT; VIRTUAL REALITY IN MOVING IMAGES; PERCEPTUAL OPTIMIZATION OF AUDIO-VISUAL MEDIA; CHAPTER NINE; OVERCOMING CONFLICTS BY PLAY; COGNITIVE FILM THEORY AND FILM COMEDY; CHAPTER TEN; OMITTING DEPTH CUES; COGNITION AND THE AESTHETICS OF REEXPERIENCE; CONTRIBUTORS; INDEX. Philosophers and students of the arts have wondered since the time of Aristotle about the nature of aesthetic experience, and how this experience can seemingly be evoked by works of art. For more than a century producers and directors of motion pictures have made decisions about how to craft them based upon assumptions about complex stylistic devices and the effects such patterns of organization have on viewers. Over the past few years film scholars have made considerable progress in analyzin .. Includes bibliographical references and index |
| Beschreibung: | 1 Online-Ressource (295 pages) |
| ISBN: | 1443809217 9781443809214 |
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| 500 | |a TABLE OF CONTENTS; ACKNOWLEDGMENTS; INTRODUCTION; CHAPTER ONE; BIO-CULTURALISM; CINEMA AS THE REDEMPTION OF ARCHETYPAL REALITY; CHAPTER TWO; NEUROTRANSMITTER PERSISTENCE, NARRATIVE STRUCTURE, AND EMOTION; EXPANDED EMPATHY; CHAPTER THREE; ASSESSING THE REALITY-STATUS OF FILM; UNDERSTANDING CHARACTER MOTIVATION; CHAPTER FOUR; FORMS MIRRORING FEELINGS; EMBODIED SPACES; CHAPTER FIVE; META-EMOTION AND GENRE PREFERENCE; THE EPISTEMOLOGY OF THE GAZE; CHAPTER SIX; ""THE SEA INSIDE""; RHYTHM AND IMAGE IN DREYER'S FILMS; CHAPTER SEVEN; THE IMPORTANCE OF EMPATHY IN THE ACTOR'S ART. | ||
| 500 | |a EMPATHY AND THE EPISODIC STRUCTURE OF ENGAGEMENT IN FICTION FILMCHAPTER EIGHT; VIRTUAL REALITY IN MOVING IMAGES; PERCEPTUAL OPTIMIZATION OF AUDIO-VISUAL MEDIA; CHAPTER NINE; OVERCOMING CONFLICTS BY PLAY; COGNITIVE FILM THEORY AND FILM COMEDY; CHAPTER TEN; OMITTING DEPTH CUES; COGNITION AND THE AESTHETICS OF REEXPERIENCE; CONTRIBUTORS; INDEX. | ||
| 500 | |a Philosophers and students of the arts have wondered since the time of Aristotle about the nature of aesthetic experience, and how this experience can seemingly be evoked by works of art. For more than a century producers and directors of motion pictures have made decisions about how to craft them based upon assumptions about complex stylistic devices and the effects such patterns of organization have on viewers. Over the past few years film scholars have made considerable progress in analyzin .. | ||
| 500 | |a Includes bibliographical references and index | ||
| 650 | 4 | |a Motion picture audiences / Psychology / Congresses | |
| 650 | 4 | |a Motion pictures / Psychological aspects / Congresses | |
| 650 | 7 | |a PERFORMING ARTS / Reference |2 bisacsh | |
| 650 | 7 | |a Motion picture audiences / Psychology |2 fast | |
| 650 | 7 | |a Motion pictures / Psychological aspects |2 fast | |
| 650 | 7 | |a Narrativität |2 swd | |
| 650 | 7 | |a Filmästhetik |2 swd | |
| 650 | 4 | |a Film | |
| 650 | 4 | |a Psychologie | |
| 650 | 4 | |a Motion picture audiences |x Psychology |v Congresses | |
| 650 | 4 | |a Motion pictures |x Psychological aspects |v Congresses | |
| 650 | 0 | 7 | |a Narrativität |0 (DE-588)4379691-6 |2 gnd |9 rswk-swf |
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| 689 | 0 | 1 | |a Narrativität |0 (DE-588)4379691-6 |D s |
| 689 | 0 | |8 1\p |5 DE-604 | |
| 700 | 1 | |a Anderson, Barbara Fisher |e Sonstige |4 oth | |
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Datensatz im Suchindex
| _version_ | 1804175435760664576 |
|---|---|
| any_adam_object | |
| author | Anderson, Joseph D. |
| author_facet | Anderson, Joseph D. |
| author_role | aut |
| author_sort | Anderson, Joseph D. |
| author_variant | j d a jd jda |
| building | Verbundindex |
| bvnumber | BV043060978 |
| classification_rvk | AP 45600 |
| collection | ZDB-4-EBA |
| ctrlnum | (OCoLC)823720437 (DE-599)BVBBV043060978 |
| dewey-full | 791.4301 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4301 |
| dewey-search | 791.4301 |
| dewey-sort | 3791.4301 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| id | DE-604.BV043060978 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:16:15Z |
| institution | BVB |
| isbn | 1443809217 9781443809214 |
| language | English |
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| spelling | Anderson, Joseph D. Verfasser aut Narration and Spectatorship in Moving Images Newcastle upon Tyne Cambridge Scholars Pub. 2007 1 Online-Ressource (295 pages) txt rdacontent c rdamedia cr rdacarrier TABLE OF CONTENTS; ACKNOWLEDGMENTS; INTRODUCTION; CHAPTER ONE; BIO-CULTURALISM; CINEMA AS THE REDEMPTION OF ARCHETYPAL REALITY; CHAPTER TWO; NEUROTRANSMITTER PERSISTENCE, NARRATIVE STRUCTURE, AND EMOTION; EXPANDED EMPATHY; CHAPTER THREE; ASSESSING THE REALITY-STATUS OF FILM; UNDERSTANDING CHARACTER MOTIVATION; CHAPTER FOUR; FORMS MIRRORING FEELINGS; EMBODIED SPACES; CHAPTER FIVE; META-EMOTION AND GENRE PREFERENCE; THE EPISTEMOLOGY OF THE GAZE; CHAPTER SIX; ""THE SEA INSIDE""; RHYTHM AND IMAGE IN DREYER'S FILMS; CHAPTER SEVEN; THE IMPORTANCE OF EMPATHY IN THE ACTOR'S ART. EMPATHY AND THE EPISODIC STRUCTURE OF ENGAGEMENT IN FICTION FILMCHAPTER EIGHT; VIRTUAL REALITY IN MOVING IMAGES; PERCEPTUAL OPTIMIZATION OF AUDIO-VISUAL MEDIA; CHAPTER NINE; OVERCOMING CONFLICTS BY PLAY; COGNITIVE FILM THEORY AND FILM COMEDY; CHAPTER TEN; OMITTING DEPTH CUES; COGNITION AND THE AESTHETICS OF REEXPERIENCE; CONTRIBUTORS; INDEX. Philosophers and students of the arts have wondered since the time of Aristotle about the nature of aesthetic experience, and how this experience can seemingly be evoked by works of art. For more than a century producers and directors of motion pictures have made decisions about how to craft them based upon assumptions about complex stylistic devices and the effects such patterns of organization have on viewers. Over the past few years film scholars have made considerable progress in analyzin .. Includes bibliographical references and index Motion picture audiences / Psychology / Congresses Motion pictures / Psychological aspects / Congresses PERFORMING ARTS / Reference bisacsh Motion picture audiences / Psychology fast Motion pictures / Psychological aspects fast Narrativität swd Filmästhetik swd Film Psychologie Motion picture audiences Psychology Congresses Motion pictures Psychological aspects Congresses Narrativität (DE-588)4379691-6 gnd rswk-swf Filmästhetik (DE-588)4140881-0 gnd rswk-swf (DE-588)1071861417 Konferenzschrift gnd-content Filmästhetik (DE-588)4140881-0 s Narrativität (DE-588)4379691-6 s 1\p DE-604 Anderson, Barbara Fisher Sonstige oth Erscheint auch als Druck-Ausgabe, Hardcover 1-84718-309-3 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-84718-309-5 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=523925 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Anderson, Joseph D. Narration and Spectatorship in Moving Images Motion picture audiences / Psychology / Congresses Motion pictures / Psychological aspects / Congresses PERFORMING ARTS / Reference bisacsh Motion picture audiences / Psychology fast Motion pictures / Psychological aspects fast Narrativität swd Filmästhetik swd Film Psychologie Motion picture audiences Psychology Congresses Motion pictures Psychological aspects Congresses Narrativität (DE-588)4379691-6 gnd Filmästhetik (DE-588)4140881-0 gnd |
| subject_GND | (DE-588)4379691-6 (DE-588)4140881-0 (DE-588)1071861417 |
| title | Narration and Spectatorship in Moving Images |
| title_auth | Narration and Spectatorship in Moving Images |
| title_exact_search | Narration and Spectatorship in Moving Images |
| title_full | Narration and Spectatorship in Moving Images |
| title_fullStr | Narration and Spectatorship in Moving Images |
| title_full_unstemmed | Narration and Spectatorship in Moving Images |
| title_short | Narration and Spectatorship in Moving Images |
| title_sort | narration and spectatorship in moving images |
| topic | Motion picture audiences / Psychology / Congresses Motion pictures / Psychological aspects / Congresses PERFORMING ARTS / Reference bisacsh Motion picture audiences / Psychology fast Motion pictures / Psychological aspects fast Narrativität swd Filmästhetik swd Film Psychologie Motion picture audiences Psychology Congresses Motion pictures Psychological aspects Congresses Narrativität (DE-588)4379691-6 gnd Filmästhetik (DE-588)4140881-0 gnd |
| topic_facet | Motion picture audiences / Psychology / Congresses Motion pictures / Psychological aspects / Congresses PERFORMING ARTS / Reference Motion picture audiences / Psychology Motion pictures / Psychological aspects Narrativität Filmästhetik Film Psychologie Motion picture audiences Psychology Congresses Motion pictures Psychological aspects Congresses Konferenzschrift |
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