Watching pages, reading pictures: cinema and modern literature in Italy
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne
Cambridge Scholars
2008
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 Includes bibliographical references Table of contents; acknowledgements; introduction; section 1; translation, adaptation, transposition; literature and cinema; from literature to film; vadetecum; section 2; tarchetti's fosca and scola's passione d'amore; archibugi, a "writer" on the set; cristina comencini, novelist and filmmaker; of body and soul; francesco rosi's la tregua; section 3; engendering fidelity; look who's talking; untying the tangle; dog bites dog; visconti's melancholies between marcel proust and mario praz; a writer cannot believe two stories at once; section 4; beyond the figurative Fascism from stage to screenhow to deal with female penetration and not die in the attempt; with eyes wide shut; declares pereira; section 5; the amphibolic nature of pasolini's theorem(s); romanzo criminale; improvisation and novelisation in the recasting of italian identity in non ci resta che piangere; text-image, departure and return; contributors Deals with significant Italian film adaptations from literary materials which greatly exemplify the variety of styles, view-points, and attitudes produced by such an alliance, throughout the different periods. This book discusses adaptations such as those that have followed trends and critical debates, making them, at times, rather problematic |
| Beschreibung: | 1 Online-Ressource (viii, 440 pages) |
| ISBN: | 1282043234 1443803022 9781282043237 9781443803021 |
Internformat
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| 500 | |a Fascism from stage to screenhow to deal with female penetration and not die in the attempt; with eyes wide shut; declares pereira; section 5; the amphibolic nature of pasolini's theorem(s); romanzo criminale; improvisation and novelisation in the recasting of italian identity in non ci resta che piangere; text-image, departure and return; contributors | ||
| 500 | |a Deals with significant Italian film adaptations from literary materials which greatly exemplify the variety of styles, view-points, and attitudes produced by such an alliance, throughout the different periods. This book discusses adaptations such as those that have followed trends and critical debates, making them, at times, rather problematic | ||
| 546 | |a Some articles translated from the Italian | ||
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| 650 | 7 | |a PERFORMING ARTS / Film & Video / Reference |2 bisacsh | |
| 650 | 7 | |a Film adaptations |2 fast | |
| 650 | 7 | |a Motion pictures and literature |2 fast | |
| 650 | 4 | |a Motion pictures and literature |z Italy | |
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Datensatz im Suchindex
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4360945 |
| dewey-search | 791.4360945 |
| dewey-sort | 3791.4360945 |
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| geographic_facet | Italien |
| id | DE-604.BV043060885 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:16:15Z |
| institution | BVB |
| isbn | 1282043234 1443803022 9781282043237 9781443803021 |
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| spelling | Watching pages, reading pictures cinema and modern literature in Italy edited by Daniela De Pau and Georgina Torello Newcastle upon Tyne Cambridge Scholars 2008 1 Online-Ressource (viii, 440 pages) txt rdacontent c rdamedia cr rdacarrier Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 Includes bibliographical references Table of contents; acknowledgements; introduction; section 1; translation, adaptation, transposition; literature and cinema; from literature to film; vadetecum; section 2; tarchetti's fosca and scola's passione d'amore; archibugi, a "writer" on the set; cristina comencini, novelist and filmmaker; of body and soul; francesco rosi's la tregua; section 3; engendering fidelity; look who's talking; untying the tangle; dog bites dog; visconti's melancholies between marcel proust and mario praz; a writer cannot believe two stories at once; section 4; beyond the figurative Fascism from stage to screenhow to deal with female penetration and not die in the attempt; with eyes wide shut; declares pereira; section 5; the amphibolic nature of pasolini's theorem(s); romanzo criminale; improvisation and novelisation in the recasting of italian identity in non ci resta che piangere; text-image, departure and return; contributors Deals with significant Italian film adaptations from literary materials which greatly exemplify the variety of styles, view-points, and attitudes produced by such an alliance, throughout the different periods. This book discusses adaptations such as those that have followed trends and critical debates, making them, at times, rather problematic Some articles translated from the Italian ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh Film adaptations fast Motion pictures and literature fast Motion pictures and literature Italy Film adaptations History and criticism Italien Pau, Daniela de Sonstige oth Torello, Georgina Sonstige oth Erscheint auch als Druck-Ausgabe, Hardcover 1-84718-917-2 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-84718-917-2 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=553561 Aggregator Volltext |
| spellingShingle | Watching pages, reading pictures cinema and modern literature in Italy ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh Film adaptations fast Motion pictures and literature fast Motion pictures and literature Italy Film adaptations History and criticism |
| title | Watching pages, reading pictures cinema and modern literature in Italy |
| title_auth | Watching pages, reading pictures cinema and modern literature in Italy |
| title_exact_search | Watching pages, reading pictures cinema and modern literature in Italy |
| title_full | Watching pages, reading pictures cinema and modern literature in Italy edited by Daniela De Pau and Georgina Torello |
| title_fullStr | Watching pages, reading pictures cinema and modern literature in Italy edited by Daniela De Pau and Georgina Torello |
| title_full_unstemmed | Watching pages, reading pictures cinema and modern literature in Italy edited by Daniela De Pau and Georgina Torello |
| title_short | Watching pages, reading pictures |
| title_sort | watching pages reading pictures cinema and modern literature in italy |
| title_sub | cinema and modern literature in Italy |
| topic | ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh Film adaptations fast Motion pictures and literature fast Motion pictures and literature Italy Film adaptations History and criticism |
| topic_facet | ART / Film & Video PERFORMING ARTS / Film & Video / Reference Film adaptations Motion pictures and literature Motion pictures and literature Italy Film adaptations History and criticism Italien |
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