The movies on my mind: selected criticism, 2002-2007
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Newcastle
Cambridge Scholars
2008
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 The main purpose of The Movies on My Mind: Collected Criticism, 2002-2007 is to stake out territory for a certain type of film critic, somewhere between a reviewer-journalist and a scholar-theorist. At a time when the movie review has degenerated into me TABLE OF CONTENTS; PREFACE; VIOLENCE, VICTIMIZATION, AND THE CINEMA; THE VIOLENCE OF THE CHRIST; SHOOT THE PIANO PLAYER, OR THE HOLOCAUST AND AFTER; DOMESTICATED VIOLENCE; LEGITIMIZED VIOLENCE; LOVE AND WAR, OR SEX AND RELIGION; FALLING IN AND OUT OF LOVE, AGAIN (ON MICHEL GONDRY'S ETERNAL SUNSHINE OF THE SPOTLESS MIND AND DAVID MAMET'S EDMOND); GOD IS LOVE (ON SERGE BOURGUIGNON'S SUNDAYS AND CYBÈLE AND FEDERICO FELLINI'S LA STRADA); WAR AND LOVE (ON JEAN-PAUL RAPPENEAU'S BON VOYAGE, ERNST LUBITSCH'S TO BE OR NOT TO BE, JEAN-PIERRE JEUNET'S A VERY LONG ENGAGEMENT, AND ANDRÉ TECHINÉ'S STRAYED) FRIDAY NIGHT AND SUNDAY MORNING (ON INGMAR BERGMAN'S WINTER LIGHT AND CLAIRE DENIS'S FRIDAY NIGHT)THE AVANT-GARDE AND BEYOND; LUCK BE A LADY (ON JILL SPRECHER'S THIRTEEN CONVERSATIONS ABOUT ONE THING AND AGNÈS VARDA'S LA POINTE COURTE); BACK TO THE FUTURE, OR THE VANGUARD MEETS THE REARGUARD (ON GUS VAN SANT'S LAST DAYS AND MIRANDA JULY'S ME AND YOU AND EVERYONE WE KNOW); REALITY BITES (ON JUN ICHIKAWA'S TONY TAKITANI AND KIM KI-DUK'S 3-IRON); DOSTOYEVSKYAN SURGES, BRESSONIAN SPIRITS (ON LODGE KERRIGAN'S KEANE AND ROBERT BRESSON'S UNE FEMME DOUCE); GENDER, FAMILY, AND DYSFUNCTION. AN AFGHAN IS A WOMAN (ON SIDDIQ BARMAK'S OSAMA AND OTHER AFGHAN-IRANIAN FILMS)FILIAL LONGING (ON JULIE BERTUCELLI'S SINCE OTAR LEFT AND JEAN-PIERRE AND LUC DARDENNE'S THE SON); BROKEN ARTISTS (ON INGMAR BERGMAN'S SARABAND AND JIM JARMUSCH'S BROKEN FLOWERS); ART AND MATTER (ON STEPHEN DALDRY'S THE HOURS AND MIKE LEIGH'S ALL OR NOTHING); TIME AND TRANSITION; THE EMPLOYMENT OF TIME (ON LAURENT CANTET'S TIME OUT AND CLAUDE GORETTA'S THE LACEMAKER); LOST IN TRANSITION (ON RICHARD EYRE'S STAGE BEAUTY, YOJI YAMADA'S THE TWILIGHT SAMURAI, AND DAN ALGRANT'S PEOPLE I KNOW) IN SEARCH OF LOST TIME (ON BARBET SCHROEDER'S OUR LADY OF THE ASSASSINS AND AKI KAURISMÄKI'S THE MAN WITHOUT A PAST)THE GHOST OF FILMS PAST (ON LAST SUMMER, MCCABE AND MRS. MILLER, THEY SHOOT HORSES, DON'T THEY?, BADLANDS, AND SLAUGHTER-HOUSE FIVE); BIBLIOGRAPHY OF RELATED CRITICISM; CREDITS OF FILMS DISCUSSED; INDEX. |
| Beschreibung: | 1 Online-Ressource (310 pages) |
| ISBN: | 1282191144 1443807400 9781282191143 9781443807401 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV043059372 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 151126s2008 |||| o||u| ||||||eng d | ||
| 020 | |a 1282191144 |9 1-282-19114-4 | ||
| 020 | |a 1443807400 |c electronic bk. |9 1-4438-0740-0 | ||
| 020 | |a 9781282191143 |9 978-1-282-19114-3 | ||
| 020 | |a 9781443807401 |c electronic bk. |9 978-1-4438-0740-1 | ||
| 035 | |a (OCoLC)654424609 | ||
| 035 | |a (DE-599)BVBBV043059372 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1046 |a DE-1047 | ||
| 082 | 0 | |a 791.4375 |2 22 | |
| 100 | 1 | |a Cardullo, Bert |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a The movies on my mind |b selected criticism, 2002-2007 |c Bert Cardullo |
| 264 | 1 | |a Newcastle |b Cambridge Scholars |c 2008 | |
| 300 | |a 1 Online-Ressource (310 pages) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 | ||
| 500 | |a The main purpose of The Movies on My Mind: Collected Criticism, 2002-2007 is to stake out territory for a certain type of film critic, somewhere between a reviewer-journalist and a scholar-theorist. At a time when the movie review has degenerated into me | ||
| 500 | |a TABLE OF CONTENTS; PREFACE; VIOLENCE, VICTIMIZATION, AND THE CINEMA; THE VIOLENCE OF THE CHRIST; SHOOT THE PIANO PLAYER, OR THE HOLOCAUST AND AFTER; DOMESTICATED VIOLENCE; LEGITIMIZED VIOLENCE; LOVE AND WAR, OR SEX AND RELIGION; FALLING IN AND OUT OF LOVE, AGAIN (ON MICHEL GONDRY'S ETERNAL SUNSHINE OF THE SPOTLESS MIND AND DAVID MAMET'S EDMOND); GOD IS LOVE (ON SERGE BOURGUIGNON'S SUNDAYS AND CYBÈLE AND FEDERICO FELLINI'S LA STRADA); WAR AND LOVE (ON JEAN-PAUL RAPPENEAU'S BON VOYAGE, ERNST LUBITSCH'S TO BE OR NOT TO BE, JEAN-PIERRE JEUNET'S A VERY LONG ENGAGEMENT, AND ANDRÉ TECHINÉ'S STRAYED) | ||
| 500 | |a FRIDAY NIGHT AND SUNDAY MORNING (ON INGMAR BERGMAN'S WINTER LIGHT AND CLAIRE DENIS'S FRIDAY NIGHT)THE AVANT-GARDE AND BEYOND; LUCK BE A LADY (ON JILL SPRECHER'S THIRTEEN CONVERSATIONS ABOUT ONE THING AND AGNÈS VARDA'S LA POINTE COURTE); BACK TO THE FUTURE, OR THE VANGUARD MEETS THE REARGUARD (ON GUS VAN SANT'S LAST DAYS AND MIRANDA JULY'S ME AND YOU AND EVERYONE WE KNOW); REALITY BITES (ON JUN ICHIKAWA'S TONY TAKITANI AND KIM KI-DUK'S 3-IRON); DOSTOYEVSKYAN SURGES, BRESSONIAN SPIRITS (ON LODGE KERRIGAN'S KEANE AND ROBERT BRESSON'S UNE FEMME DOUCE); GENDER, FAMILY, AND DYSFUNCTION. | ||
| 500 | |a AN AFGHAN IS A WOMAN (ON SIDDIQ BARMAK'S OSAMA AND OTHER AFGHAN-IRANIAN FILMS)FILIAL LONGING (ON JULIE BERTUCELLI'S SINCE OTAR LEFT AND JEAN-PIERRE AND LUC DARDENNE'S THE SON); BROKEN ARTISTS (ON INGMAR BERGMAN'S SARABAND AND JIM JARMUSCH'S BROKEN FLOWERS); ART AND MATTER (ON STEPHEN DALDRY'S THE HOURS AND MIKE LEIGH'S ALL OR NOTHING); TIME AND TRANSITION; THE EMPLOYMENT OF TIME (ON LAURENT CANTET'S TIME OUT AND CLAUDE GORETTA'S THE LACEMAKER); LOST IN TRANSITION (ON RICHARD EYRE'S STAGE BEAUTY, YOJI YAMADA'S THE TWILIGHT SAMURAI, AND DAN ALGRANT'S PEOPLE I KNOW) | ||
| 500 | |a IN SEARCH OF LOST TIME (ON BARBET SCHROEDER'S OUR LADY OF THE ASSASSINS AND AKI KAURISMÄKI'S THE MAN WITHOUT A PAST)THE GHOST OF FILMS PAST (ON LAST SUMMER, MCCABE AND MRS. MILLER, THEY SHOOT HORSES, DON'T THEY?, BADLANDS, AND SLAUGHTER-HOUSE FIVE); BIBLIOGRAPHY OF RELATED CRITICISM; CREDITS OF FILMS DISCUSSED; INDEX. | ||
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 4 | |a Motion pictures / Reviews | |
| 650 | 7 | |a PERFORMING ARTS / Reference |2 bisacsh | |
| 650 | 4 | |a Film | |
| 650 | 4 | |a Motion pictures |v Reviews | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Paperback |z 1-4438-0028-7 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 1-84718-553-3 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Paperback |z 978-1-4438-0028-0 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 978-1-84718-553-2 |
| 856 | 4 | 0 | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=532307 |x Aggregator |3 Volltext |
| 912 | |a ZDB-4-EBA | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-028483564 | ||
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=532307 |l FAW01 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=532307 |l FAW02 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804175433137127424 |
|---|---|
| any_adam_object | |
| author | Cardullo, Bert |
| author_facet | Cardullo, Bert |
| author_role | aut |
| author_sort | Cardullo, Bert |
| author_variant | b c bc |
| building | Verbundindex |
| bvnumber | BV043059372 |
| collection | ZDB-4-EBA |
| ctrlnum | (OCoLC)654424609 (DE-599)BVBBV043059372 |
| dewey-full | 791.4375 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4375 |
| dewey-search | 791.4375 |
| dewey-sort | 3791.4375 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04553nmm a2200529zc 4500</leader><controlfield tag="001">BV043059372</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">151126s2008 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1282191144</subfield><subfield code="9">1-282-19114-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1443807400</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">1-4438-0740-0</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781282191143</subfield><subfield code="9">978-1-282-19114-3</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781443807401</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">978-1-4438-0740-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)654424609</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043059372</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-1047</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.4375</subfield><subfield code="2">22</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Cardullo, Bert</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The movies on my mind</subfield><subfield code="b">selected criticism, 2002-2007</subfield><subfield code="c">Bert Cardullo</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Newcastle</subfield><subfield code="b">Cambridge Scholars</subfield><subfield code="c">2008</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (310 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">The main purpose of The Movies on My Mind: Collected Criticism, 2002-2007 is to stake out territory for a certain type of film critic, somewhere between a reviewer-journalist and a scholar-theorist. At a time when the movie review has degenerated into me</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">TABLE OF CONTENTS; PREFACE; VIOLENCE, VICTIMIZATION, AND THE CINEMA; THE VIOLENCE OF THE CHRIST; SHOOT THE PIANO PLAYER, OR THE HOLOCAUST AND AFTER; DOMESTICATED VIOLENCE; LEGITIMIZED VIOLENCE; LOVE AND WAR, OR SEX AND RELIGION; FALLING IN AND OUT OF LOVE, AGAIN (ON MICHEL GONDRY'S ETERNAL SUNSHINE OF THE SPOTLESS MIND AND DAVID MAMET'S EDMOND); GOD IS LOVE (ON SERGE BOURGUIGNON'S SUNDAYS AND CYBÈLE AND FEDERICO FELLINI'S LA STRADA); WAR AND LOVE (ON JEAN-PAUL RAPPENEAU'S BON VOYAGE, ERNST LUBITSCH'S TO BE OR NOT TO BE, JEAN-PIERRE JEUNET'S A VERY LONG ENGAGEMENT, AND ANDRÉ TECHINÉ'S STRAYED)</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">FRIDAY NIGHT AND SUNDAY MORNING (ON INGMAR BERGMAN'S WINTER LIGHT AND CLAIRE DENIS'S FRIDAY NIGHT)THE AVANT-GARDE AND BEYOND; LUCK BE A LADY (ON JILL SPRECHER'S THIRTEEN CONVERSATIONS ABOUT ONE THING AND AGNÈS VARDA'S LA POINTE COURTE); BACK TO THE FUTURE, OR THE VANGUARD MEETS THE REARGUARD (ON GUS VAN SANT'S LAST DAYS AND MIRANDA JULY'S ME AND YOU AND EVERYONE WE KNOW); REALITY BITES (ON JUN ICHIKAWA'S TONY TAKITANI AND KIM KI-DUK'S 3-IRON); DOSTOYEVSKYAN SURGES, BRESSONIAN SPIRITS (ON LODGE KERRIGAN'S KEANE AND ROBERT BRESSON'S UNE FEMME DOUCE); GENDER, FAMILY, AND DYSFUNCTION.</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">AN AFGHAN IS A WOMAN (ON SIDDIQ BARMAK'S OSAMA AND OTHER AFGHAN-IRANIAN FILMS)FILIAL LONGING (ON JULIE BERTUCELLI'S SINCE OTAR LEFT AND JEAN-PIERRE AND LUC DARDENNE'S THE SON); BROKEN ARTISTS (ON INGMAR BERGMAN'S SARABAND AND JIM JARMUSCH'S BROKEN FLOWERS); ART AND MATTER (ON STEPHEN DALDRY'S THE HOURS AND MIKE LEIGH'S ALL OR NOTHING); TIME AND TRANSITION; THE EMPLOYMENT OF TIME (ON LAURENT CANTET'S TIME OUT AND CLAUDE GORETTA'S THE LACEMAKER); LOST IN TRANSITION (ON RICHARD EYRE'S STAGE BEAUTY, YOJI YAMADA'S THE TWILIGHT SAMURAI, AND DAN ALGRANT'S PEOPLE I KNOW)</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">IN SEARCH OF LOST TIME (ON BARBET SCHROEDER'S OUR LADY OF THE ASSASSINS AND AKI KAURISMÄKI'S THE MAN WITHOUT A PAST)THE GHOST OF FILMS PAST (ON LAST SUMMER, MCCABE AND MRS. MILLER, THEY SHOOT HORSES, DON'T THEY?, BADLANDS, AND SLAUGHTER-HOUSE FIVE); BIBLIOGRAPHY OF RELATED CRITICISM; CREDITS OF FILMS DISCUSSED; INDEX.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures / Reviews</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Reference</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield><subfield code="v">Reviews</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Paperback</subfield><subfield code="z">1-4438-0028-7</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">1-84718-553-3</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Paperback</subfield><subfield code="z">978-1-4438-0028-0</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-1-84718-553-2</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=532307</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028483564</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=532307</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=532307</subfield><subfield code="l">FAW02</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV043059372 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:16:12Z |
| institution | BVB |
| isbn | 1282191144 1443807400 9781282191143 9781443807401 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028483564 |
| oclc_num | 654424609 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 Online-Ressource (310 pages) |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2008 |
| publishDateSearch | 2008 |
| publishDateSort | 2008 |
| publisher | Cambridge Scholars |
| record_format | marc |
| spelling | Cardullo, Bert Verfasser aut The movies on my mind selected criticism, 2002-2007 Bert Cardullo Newcastle Cambridge Scholars 2008 1 Online-Ressource (310 pages) txt rdacontent c rdamedia cr rdacarrier Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 The main purpose of The Movies on My Mind: Collected Criticism, 2002-2007 is to stake out territory for a certain type of film critic, somewhere between a reviewer-journalist and a scholar-theorist. At a time when the movie review has degenerated into me TABLE OF CONTENTS; PREFACE; VIOLENCE, VICTIMIZATION, AND THE CINEMA; THE VIOLENCE OF THE CHRIST; SHOOT THE PIANO PLAYER, OR THE HOLOCAUST AND AFTER; DOMESTICATED VIOLENCE; LEGITIMIZED VIOLENCE; LOVE AND WAR, OR SEX AND RELIGION; FALLING IN AND OUT OF LOVE, AGAIN (ON MICHEL GONDRY'S ETERNAL SUNSHINE OF THE SPOTLESS MIND AND DAVID MAMET'S EDMOND); GOD IS LOVE (ON SERGE BOURGUIGNON'S SUNDAYS AND CYBÈLE AND FEDERICO FELLINI'S LA STRADA); WAR AND LOVE (ON JEAN-PAUL RAPPENEAU'S BON VOYAGE, ERNST LUBITSCH'S TO BE OR NOT TO BE, JEAN-PIERRE JEUNET'S A VERY LONG ENGAGEMENT, AND ANDRÉ TECHINÉ'S STRAYED) FRIDAY NIGHT AND SUNDAY MORNING (ON INGMAR BERGMAN'S WINTER LIGHT AND CLAIRE DENIS'S FRIDAY NIGHT)THE AVANT-GARDE AND BEYOND; LUCK BE A LADY (ON JILL SPRECHER'S THIRTEEN CONVERSATIONS ABOUT ONE THING AND AGNÈS VARDA'S LA POINTE COURTE); BACK TO THE FUTURE, OR THE VANGUARD MEETS THE REARGUARD (ON GUS VAN SANT'S LAST DAYS AND MIRANDA JULY'S ME AND YOU AND EVERYONE WE KNOW); REALITY BITES (ON JUN ICHIKAWA'S TONY TAKITANI AND KIM KI-DUK'S 3-IRON); DOSTOYEVSKYAN SURGES, BRESSONIAN SPIRITS (ON LODGE KERRIGAN'S KEANE AND ROBERT BRESSON'S UNE FEMME DOUCE); GENDER, FAMILY, AND DYSFUNCTION. AN AFGHAN IS A WOMAN (ON SIDDIQ BARMAK'S OSAMA AND OTHER AFGHAN-IRANIAN FILMS)FILIAL LONGING (ON JULIE BERTUCELLI'S SINCE OTAR LEFT AND JEAN-PIERRE AND LUC DARDENNE'S THE SON); BROKEN ARTISTS (ON INGMAR BERGMAN'S SARABAND AND JIM JARMUSCH'S BROKEN FLOWERS); ART AND MATTER (ON STEPHEN DALDRY'S THE HOURS AND MIKE LEIGH'S ALL OR NOTHING); TIME AND TRANSITION; THE EMPLOYMENT OF TIME (ON LAURENT CANTET'S TIME OUT AND CLAUDE GORETTA'S THE LACEMAKER); LOST IN TRANSITION (ON RICHARD EYRE'S STAGE BEAUTY, YOJI YAMADA'S THE TWILIGHT SAMURAI, AND DAN ALGRANT'S PEOPLE I KNOW) IN SEARCH OF LOST TIME (ON BARBET SCHROEDER'S OUR LADY OF THE ASSASSINS AND AKI KAURISMÄKI'S THE MAN WITHOUT A PAST)THE GHOST OF FILMS PAST (ON LAST SUMMER, MCCABE AND MRS. MILLER, THEY SHOOT HORSES, DON'T THEY?, BADLANDS, AND SLAUGHTER-HOUSE FIVE); BIBLIOGRAPHY OF RELATED CRITICISM; CREDITS OF FILMS DISCUSSED; INDEX. Motion pictures fast Motion pictures / Reviews PERFORMING ARTS / Reference bisacsh Film Motion pictures Reviews Erscheint auch als Druck-Ausgabe, Paperback 1-4438-0028-7 Erscheint auch als Druck-Ausgabe, Hardcover 1-84718-553-3 Erscheint auch als Druck-Ausgabe, Paperback 978-1-4438-0028-0 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-84718-553-2 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=532307 Aggregator Volltext |
| spellingShingle | Cardullo, Bert The movies on my mind selected criticism, 2002-2007 Motion pictures fast Motion pictures / Reviews PERFORMING ARTS / Reference bisacsh Film Motion pictures Reviews |
| title | The movies on my mind selected criticism, 2002-2007 |
| title_auth | The movies on my mind selected criticism, 2002-2007 |
| title_exact_search | The movies on my mind selected criticism, 2002-2007 |
| title_full | The movies on my mind selected criticism, 2002-2007 Bert Cardullo |
| title_fullStr | The movies on my mind selected criticism, 2002-2007 Bert Cardullo |
| title_full_unstemmed | The movies on my mind selected criticism, 2002-2007 Bert Cardullo |
| title_short | The movies on my mind |
| title_sort | the movies on my mind selected criticism 2002 2007 |
| title_sub | selected criticism, 2002-2007 |
| topic | Motion pictures fast Motion pictures / Reviews PERFORMING ARTS / Reference bisacsh Film Motion pictures Reviews |
| topic_facet | Motion pictures Motion pictures / Reviews PERFORMING ARTS / Reference Film Motion pictures Reviews |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=532307 |
| work_keys_str_mv | AT cardullobert themoviesonmymindselectedcriticism20022007 |