Bresson and others: spiritual style in the cinema
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Bibliographische Detailangaben
1. Verfasser: Cardullo, Bert (VerfasserIn)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: Newcastle upon Tyne, UK Cambridge Scholars Pub. 2009
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Online-Zugang:FAW01
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Beschreibung:Includes bibliographical references (p. [195]-201) and index
Introduction: Aesthetic asceticism: the films of Robert Bresson -- Take comfort, take caution: tragedy and homily in Day of wrath -- Neorealism of the spirit: on Rossellini's Europe '51 -- A passage to Tokyo: the art of Ozu, remembered -- God is love: on Bourguignon's Sundays and Cybèle and Fellini's La strada -- Early Bergman, or film and faith: Winter light revisited -- Saint cinema: on Cavalier's Thérèse -- Close encounters of a devilish kind: on Pialat's Under the sun of satan -- Miracle movie: on Jarmusch's Mystery train -- Mirabile visu et dictu: on Loach's Raining stones and Rohmer's A tale of winter -- Free spirit: on Jacquot's A single girl -- Life and nothing but: on Kore-eda's Maborosi and Doillon's Ponette -- Getting straight with God and man: on Lynch's The straight story -- The space of time, the sound of silence: on Ozon's Under the sand and Tsai's What time is it there? -- Reality bites: on Kim Ki-duk's 3-iron -- Lower depths, higher planes: on the Dardennes' Rosetta, The son, and L'enfant -- The passion of the Christ and the new cinema of violence: realism, reality, and the an-esthetic of the unreal -- Conclusion: Dostoyevskian surges, Bressonian spirits: on Kerrigan's Keane and Bresson's Une femme douce
A number of writers have attempted to capture Robert Bresson's style as well as his substance with such terms as ""minimalist,"" ""austere,"" ""ascetic,"" ""elliptical,"" ""autonomous,"" ""pure,"" even ""gentle."" Most famously, Paul Schrader once called Bresson's fil
Beschreibung:1 Online-Ressource (xviii, 212 p.)
ISBN:1443809926
1443810673
9781443809924
9781443810678

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