After neorealism: Italian filmmakers and their films : essays and interviews
Gespeichert in:
Format: | Elektronisch E-Book |
---|---|
Sprache: | English |
Veröffentlicht: |
Newcastle upon Tyne, UK
Cambridge Scholars Pub.
2009
|
Schlagworte: | |
Online-Zugang: | FAW01 FAW02 Volltext |
Beschreibung: | Includes bibliographical references (p. [185]-190) and index Filmography: p. [179]-183 The term "neorealism" was first applied by the critic Antonio Pietrangeli to Visconti's Ossessione (1942), and the style came to fruition in the mid-to-late forties in such films of Roberto Rossellini, Luchino Visconti, and Vittorio De Sica as Rome, Open City (1945), Shoeshine (1946), Paisan (1947), Bicycle Thieves (1948), and The Earth Trembles (1948). These pictures reacted not only against the banality that had long been the dominant mode of Italian cinema, but also against prevailing soc .. |
Beschreibung: | 1 Online-Ressource (vi, 198 p.) |
ISBN: | 1282189824 1443803847 9781282189829 9781443803847 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV043057575 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 151126s2009 |||| o||u| ||||||eng d | ||
020 | |a 1282189824 |9 1-282-18982-4 | ||
020 | |a 1443803847 |c electronic bk. |9 1-4438-0384-7 | ||
020 | |a 9781282189829 |9 978-1-282-18982-9 | ||
020 | |a 9781443803847 |c electronic bk. |9 978-1-4438-0384-7 | ||
035 | |a (OCoLC)432994417 | ||
035 | |a (DE-599)BVBBV043057575 | ||
040 | |a DE-604 |b ger |e aacr | ||
041 | 0 | |a eng | |
049 | |a DE-1046 |a DE-1047 | ||
082 | 0 | |a 791.4'3'0945 |2 22 | |
245 | 1 | 0 | |a After neorealism |b Italian filmmakers and their films : essays and interviews |c edited by Bert Cardullo |
264 | 1 | |a Newcastle upon Tyne, UK |b Cambridge Scholars Pub. |c 2009 | |
300 | |a 1 Online-Ressource (vi, 198 p.) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
500 | |a Includes bibliographical references (p. [185]-190) and index | ||
500 | |a Filmography: p. [179]-183 | ||
500 | |a The term "neorealism" was first applied by the critic Antonio Pietrangeli to Visconti's Ossessione (1942), and the style came to fruition in the mid-to-late forties in such films of Roberto Rossellini, Luchino Visconti, and Vittorio De Sica as Rome, Open City (1945), Shoeshine (1946), Paisan (1947), Bicycle Thieves (1948), and The Earth Trembles (1948). These pictures reacted not only against the banality that had long been the dominant mode of Italian cinema, but also against prevailing soc .. | ||
650 | 7 | |a Filmregisseur |2 swd | |
650 | 7 | |a Film |2 swd | |
650 | 7 | |a ART / Film & Video |2 bisacsh | |
650 | 7 | |a PERFORMING ARTS / Film & Video / Reference |2 bisacsh | |
650 | 7 | |a Motion picture producers and directors |2 fast | |
650 | 7 | |a Motion pictures |2 fast | |
650 | 7 | |a Realism in motion pictures |2 fast | |
650 | 4 | |a Film | |
650 | 4 | |a Geschichte | |
650 | 4 | |a Motion pictures |z Italy |x History | |
650 | 4 | |a Motion picture producers and directors |z Italy |v Interviews | |
650 | 4 | |a Realism in motion pictures | |
651 | 4 | |a Italien | |
700 | 1 | |a Cardullo, Bert |e Sonstige |4 oth | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 1-4438-0358-8 |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 978-1-4438-0358-8 |
856 | 4 | 0 | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=522871 |x Aggregator |3 Volltext |
912 | |a ZDB-4-EBA | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-028481767 | ||
966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=522871 |l FAW01 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=522871 |l FAW02 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext |
Datensatz im Suchindex
_version_ | 1804175430201114624 |
---|---|
any_adam_object | |
building | Verbundindex |
bvnumber | BV043057575 |
collection | ZDB-4-EBA |
ctrlnum | (OCoLC)432994417 (DE-599)BVBBV043057575 |
dewey-full | 791.4'3'0945 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.4'3'0945 |
dewey-search | 791.4'3'0945 |
dewey-sort | 3791.4 13 3945 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02832nmm a2200565zc 4500</leader><controlfield tag="001">BV043057575</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">151126s2009 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1282189824</subfield><subfield code="9">1-282-18982-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1443803847</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">1-4438-0384-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781282189829</subfield><subfield code="9">978-1-282-18982-9</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781443803847</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">978-1-4438-0384-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)432994417</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043057575</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-1047</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.4'3'0945</subfield><subfield code="2">22</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">After neorealism</subfield><subfield code="b">Italian filmmakers and their films : essays and interviews</subfield><subfield code="c">edited by Bert Cardullo</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Newcastle upon Tyne, UK</subfield><subfield code="b">Cambridge Scholars Pub.</subfield><subfield code="c">2009</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (vi, 198 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (p. [185]-190) and index</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Filmography: p. [179]-183</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">The term "neorealism" was first applied by the critic Antonio Pietrangeli to Visconti's Ossessione (1942), and the style came to fruition in the mid-to-late forties in such films of Roberto Rossellini, Luchino Visconti, and Vittorio De Sica as Rome, Open City (1945), Shoeshine (1946), Paisan (1947), Bicycle Thieves (1948), and The Earth Trembles (1948). These pictures reacted not only against the banality that had long been the dominant mode of Italian cinema, but also against prevailing soc ..</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Filmregisseur</subfield><subfield code="2">swd</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Film</subfield><subfield code="2">swd</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART / Film & Video</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / Reference</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion picture producers and directors</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Realism in motion pictures</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield><subfield code="z">Italy</subfield><subfield code="x">History</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion picture producers and directors</subfield><subfield code="z">Italy</subfield><subfield code="v">Interviews</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Realism in motion pictures</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Italien</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Cardullo, Bert</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">1-4438-0358-8</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-1-4438-0358-8</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=522871</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028481767</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=522871</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=522871</subfield><subfield code="l">FAW02</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
geographic | Italien |
geographic_facet | Italien |
id | DE-604.BV043057575 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:16:10Z |
institution | BVB |
isbn | 1282189824 1443803847 9781282189829 9781443803847 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028481767 |
oclc_num | 432994417 |
open_access_boolean | |
owner | DE-1046 DE-1047 |
owner_facet | DE-1046 DE-1047 |
physical | 1 Online-Ressource (vi, 198 p.) |
psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
publishDate | 2009 |
publishDateSearch | 2009 |
publishDateSort | 2009 |
publisher | Cambridge Scholars Pub. |
record_format | marc |
spelling | After neorealism Italian filmmakers and their films : essays and interviews edited by Bert Cardullo Newcastle upon Tyne, UK Cambridge Scholars Pub. 2009 1 Online-Ressource (vi, 198 p.) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references (p. [185]-190) and index Filmography: p. [179]-183 The term "neorealism" was first applied by the critic Antonio Pietrangeli to Visconti's Ossessione (1942), and the style came to fruition in the mid-to-late forties in such films of Roberto Rossellini, Luchino Visconti, and Vittorio De Sica as Rome, Open City (1945), Shoeshine (1946), Paisan (1947), Bicycle Thieves (1948), and The Earth Trembles (1948). These pictures reacted not only against the banality that had long been the dominant mode of Italian cinema, but also against prevailing soc .. Filmregisseur swd Film swd ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh Motion picture producers and directors fast Motion pictures fast Realism in motion pictures fast Film Geschichte Motion pictures Italy History Motion picture producers and directors Italy Interviews Realism in motion pictures Italien Cardullo, Bert Sonstige oth Erscheint auch als Druck-Ausgabe, Hardcover 1-4438-0358-8 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-4438-0358-8 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=522871 Aggregator Volltext |
spellingShingle | After neorealism Italian filmmakers and their films : essays and interviews Filmregisseur swd Film swd ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh Motion picture producers and directors fast Motion pictures fast Realism in motion pictures fast Film Geschichte Motion pictures Italy History Motion picture producers and directors Italy Interviews Realism in motion pictures |
title | After neorealism Italian filmmakers and their films : essays and interviews |
title_auth | After neorealism Italian filmmakers and their films : essays and interviews |
title_exact_search | After neorealism Italian filmmakers and their films : essays and interviews |
title_full | After neorealism Italian filmmakers and their films : essays and interviews edited by Bert Cardullo |
title_fullStr | After neorealism Italian filmmakers and their films : essays and interviews edited by Bert Cardullo |
title_full_unstemmed | After neorealism Italian filmmakers and their films : essays and interviews edited by Bert Cardullo |
title_short | After neorealism |
title_sort | after neorealism italian filmmakers and their films essays and interviews |
title_sub | Italian filmmakers and their films : essays and interviews |
topic | Filmregisseur swd Film swd ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh Motion picture producers and directors fast Motion pictures fast Realism in motion pictures fast Film Geschichte Motion pictures Italy History Motion picture producers and directors Italy Interviews Realism in motion pictures |
topic_facet | Filmregisseur Film ART / Film & Video PERFORMING ARTS / Film & Video / Reference Motion picture producers and directors Motion pictures Realism in motion pictures Geschichte Motion pictures Italy History Motion picture producers and directors Italy Interviews Italien |
url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=522871 |
work_keys_str_mv | AT cardullobert afterneorealismitalianfilmmakersandtheirfilmsessaysandinterviews |