Composing for the red screen: Prokofiev and Soviet film
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Bibliographische Detailangaben
1. Verfasser: Bartig, Kevin (VerfasserIn)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: New York Oxford University Press c2013
Schriftenreihe:Oxford music/media series
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Online-Zugang:DE-1046
DE-1047
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Beschreibung:Includes bibliographical references and index
Sound film captivated Sergey Prokofiev during the final two decades of his life: he considered composing for nearly two dozen pictures, eventually undertaking eight of them, all Soviet productions. Drawing on newly available sources, Composing for the Red Screen examines - for the first time - the full extent of this prodigious cinematic career
Introduction -- New media, new means : Lieutenant Kizhe. Cinema and new simplicity ; Outlines ; Music for an absent hero ; Celluloid sound ; Skazka -- The queen of spades, the 1937 Pushkin Jubilee, and repatriation. The new simplicity and Pushkin's "True spirit" ; A silent with a soundtrack ; New music for an old tale ; Committee intervention -- The year 1938 : halcyon days in Hollywood and an unanticipated collaboration. Hollywood, part two ; Popov, Eisenstein, and Prokofiev ; Forging collaborative methods -- Alexander Nevsky and the Stalinist Museum. Epic frame, epic sound ; The "assumed vernacular" ; Prokofiev's Russians ; Stalin Prize -- The wartime films. The path to Alma-ata ; Wartime collaboration ; Authenticity versus "Patriotic resonance" ; Cosmopolitan versus Russian ; Ukrainian partisans ; Realities -- Ivan the Terrible and the Russian national tradition. Outlines ; Ivan in Russian music ; Caricatures and villainy ; Prokofiev's Ivan, Eisenstein's Gesamtkunstwerk ; Eisenstein's multivalency ; Stalin Prize revisited -- Epilogue -- Appendix: Prokofiev, "His respect for music was so great"
Beschreibung:1 Online-Ressource (xi, 228 p.)
ISBN:0199967598
0199967601
9780199967599
9780199967605

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