A Tear in the Curtain: The Musical Diplomacy of Erzsebet Szoenyi: Musician, Composer, Teacher of Teachers
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Peter Lang Publishing Inc.
2014
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Description based upon print version of record Cover; Dedication; Table of Contents; List of Illustrations; List of Tables; Foreword; Preface; Acknowledgment; Chapter One: Anchored in Artistry; The School Years; A Manifest Career; Chapter Endnotes; Chapter Two: A Muse in the Making-The Academy Years; Opportunities in Abundance; Room to Fly-Life at the Academy; Music in Spite of War; Chapter Endnotes; Chapter Three: Up from the Ashes-Music Triumphant!; Teaching School; Challenges and Complications; Music out of Chaos; 1947-Prelude to Paris; Chapter Endnotes; Chapter Four: In Paris; Red Tape á la Mode; Surviving and Thriving in Paris In Tony Aubin''s ClassIn Olivier Messiaen''s Class; In Nadia Boulanger''s Class; Inside the French Solfège System; Success in Paris; Chapter Endnotes; Chapter Five: A New Life in "New" Hungary; A 'Bear' in the House of Hungary; First Encounters: Composing under, around and through Communism; Composing for the Other Career; Final Ironies; Chapter Endnotes; Chapter Six: The Other Hungarian Revolution; 'Back to the Future' of Hungarian Music Education; Musical Reading and Writing; Composers Who Teach; The Woman in Charge; A Trusted Traveler; A More Sure Foundation; The Winds of Change A Sound Heard Around the WorldChapter Endnotes; Chapter Seven: A New Kind of Teacher, A New Kind of Teaching; In North America; Global Turning Point; Inside Hungary: A New Generation of Music Teachers; A Cross-Section of Hungarian Students; Chapter Endnotes; Chapter Eight: A Tear in the Curtain; North America Joins the Revolution; The Boston "Ti" Party; The Ringer Kodály Fellowship Program; More Hands Across the Sea; Chapter Endnotes; Chapter Nine: Through the Curtain; Closer to Home and Far Away: Western Europe and the Pacific Basin; Time to Compose!; Chapter Endnotes Chapter Ten: Living Wisdom-The Muse at HomeA 'Break in Transmission'; Composing to Please Herself; Two Operas and a Musical Play; A Motet, a Cantata, and an Oratorio; Works for Instrumental Ensembles, Chamber Music and Solo Instruments; Accompanied Solo Voice; Choral Works; Musings on Her Art; Why She Composes; How She Composes; Composing for Instruments; On Being a Woman Composer; On Being an "All-Eater": Elements of Style; "What Are You Working On Now?"; Pedagogical Lectures and Writings; Music for Healing; On Living with Freedom; Laurels for the Muse; Chapter Endnotes; Coda; Appendix I Appendix IIBibliography; Archives; Interviews; Books and Articles; Index Why are so few women composers known to the general public and even fewer of their works studied and performed? More than one musicologist told the author that they are not famous enough to be considered! So then, can a woman who studied with Boulanger and Messiaen, who won the coveted Paris Conservatory Prize in Composition, who received the highest awards her country can bestow, and who produced some of the finest teaching musicians on the globe qualify as famous? This book is about one who can and does: Erzsebet Szoenyi, a Hungarian Renaissance woman, who, in spite of a repressive regime''s Includes bibliographical references and index |
| Beschreibung: | 1 Online-Ressource (352 p.) |
| ISBN: | 1322115826 1453912029 9781322115825 9781453912027 |
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| 500 | |a A Sound Heard Around the WorldChapter Endnotes; Chapter Seven: A New Kind of Teacher, A New Kind of Teaching; In North America; Global Turning Point; Inside Hungary: A New Generation of Music Teachers; A Cross-Section of Hungarian Students; Chapter Endnotes; Chapter Eight: A Tear in the Curtain; North America Joins the Revolution; The Boston "Ti" Party; The Ringer Kodály Fellowship Program; More Hands Across the Sea; Chapter Endnotes; Chapter Nine: Through the Curtain; Closer to Home and Far Away: Western Europe and the Pacific Basin; Time to Compose!; Chapter Endnotes | ||
| 500 | |a Chapter Ten: Living Wisdom-The Muse at HomeA 'Break in Transmission'; Composing to Please Herself; Two Operas and a Musical Play; A Motet, a Cantata, and an Oratorio; Works for Instrumental Ensembles, Chamber Music and Solo Instruments; Accompanied Solo Voice; Choral Works; Musings on Her Art; Why She Composes; How She Composes; Composing for Instruments; On Being a Woman Composer; On Being an "All-Eater": Elements of Style; "What Are You Working On Now?"; Pedagogical Lectures and Writings; Music for Healing; On Living with Freedom; Laurels for the Muse; Chapter Endnotes; Coda; Appendix I | ||
| 500 | |a Appendix IIBibliography; Archives; Interviews; Books and Articles; Index | ||
| 500 | |a Why are so few women composers known to the general public and even fewer of their works studied and performed? More than one musicologist told the author that they are not famous enough to be considered! So then, can a woman who studied with Boulanger and Messiaen, who won the coveted Paris Conservatory Prize in Composition, who received the highest awards her country can bestow, and who produced some of the finest teaching musicians on the globe qualify as famous? This book is about one who can and does: Erzsebet Szoenyi, a Hungarian Renaissance woman, who, in spite of a repressive regime''s | ||
| 500 | |a Includes bibliographical references and index | ||
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| author | Jaccard, Jerry L. |
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| spelling | Jaccard, Jerry L. Verfasser aut A Tear in the Curtain The Musical Diplomacy of Erzsebet Szoenyi: Musician, Composer, Teacher of Teachers New York Peter Lang Publishing Inc. 2014 1 Online-Ressource (352 p.) txt rdacontent c rdamedia cr rdacarrier Description based upon print version of record Cover; Dedication; Table of Contents; List of Illustrations; List of Tables; Foreword; Preface; Acknowledgment; Chapter One: Anchored in Artistry; The School Years; A Manifest Career; Chapter Endnotes; Chapter Two: A Muse in the Making-The Academy Years; Opportunities in Abundance; Room to Fly-Life at the Academy; Music in Spite of War; Chapter Endnotes; Chapter Three: Up from the Ashes-Music Triumphant!; Teaching School; Challenges and Complications; Music out of Chaos; 1947-Prelude to Paris; Chapter Endnotes; Chapter Four: In Paris; Red Tape á la Mode; Surviving and Thriving in Paris In Tony Aubin''s ClassIn Olivier Messiaen''s Class; In Nadia Boulanger''s Class; Inside the French Solfège System; Success in Paris; Chapter Endnotes; Chapter Five: A New Life in "New" Hungary; A 'Bear' in the House of Hungary; First Encounters: Composing under, around and through Communism; Composing for the Other Career; Final Ironies; Chapter Endnotes; Chapter Six: The Other Hungarian Revolution; 'Back to the Future' of Hungarian Music Education; Musical Reading and Writing; Composers Who Teach; The Woman in Charge; A Trusted Traveler; A More Sure Foundation; The Winds of Change A Sound Heard Around the WorldChapter Endnotes; Chapter Seven: A New Kind of Teacher, A New Kind of Teaching; In North America; Global Turning Point; Inside Hungary: A New Generation of Music Teachers; A Cross-Section of Hungarian Students; Chapter Endnotes; Chapter Eight: A Tear in the Curtain; North America Joins the Revolution; The Boston "Ti" Party; The Ringer Kodály Fellowship Program; More Hands Across the Sea; Chapter Endnotes; Chapter Nine: Through the Curtain; Closer to Home and Far Away: Western Europe and the Pacific Basin; Time to Compose!; Chapter Endnotes Chapter Ten: Living Wisdom-The Muse at HomeA 'Break in Transmission'; Composing to Please Herself; Two Operas and a Musical Play; A Motet, a Cantata, and an Oratorio; Works for Instrumental Ensembles, Chamber Music and Solo Instruments; Accompanied Solo Voice; Choral Works; Musings on Her Art; Why She Composes; How She Composes; Composing for Instruments; On Being a Woman Composer; On Being an "All-Eater": Elements of Style; "What Are You Working On Now?"; Pedagogical Lectures and Writings; Music for Healing; On Living with Freedom; Laurels for the Muse; Chapter Endnotes; Coda; Appendix I Appendix IIBibliography; Archives; Interviews; Books and Articles; Index Why are so few women composers known to the general public and even fewer of their works studied and performed? More than one musicologist told the author that they are not famous enough to be considered! So then, can a woman who studied with Boulanger and Messiaen, who won the coveted Paris Conservatory Prize in Composition, who received the highest awards her country can bestow, and who produced some of the finest teaching musicians on the globe qualify as famous? This book is about one who can and does: Erzsebet Szoenyi, a Hungarian Renaissance woman, who, in spite of a repressive regime''s Includes bibliographical references and index Szőnyi, Erzsébet fast Szőnyi, Erzsébet Szőnyi, Erzsébet 1924-2019 (DE-588)118164368 gnd rswk-swf Composers / Hungary / Biography Music teachers / Hungary / Biography MUSIC / Genres & Styles / Classical bisacsh MUSIC / Reference bisacsh Composers fast Music teachers fast Composers Hungary Biography Music teachers Hungary Biography Ungarn (DE-588)4006804-3 Biografie gnd-content Szőnyi, Erzsébet 1924-2019 (DE-588)118164368 p 1\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=843828 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Jaccard, Jerry L. A Tear in the Curtain The Musical Diplomacy of Erzsebet Szoenyi: Musician, Composer, Teacher of Teachers Szőnyi, Erzsébet fast Szőnyi, Erzsébet Szőnyi, Erzsébet 1924-2019 (DE-588)118164368 gnd Composers / Hungary / Biography Music teachers / Hungary / Biography MUSIC / Genres & Styles / Classical bisacsh MUSIC / Reference bisacsh Composers fast Music teachers fast Composers Hungary Biography Music teachers Hungary Biography |
| subject_GND | (DE-588)118164368 (DE-588)4006804-3 |
| title | A Tear in the Curtain The Musical Diplomacy of Erzsebet Szoenyi: Musician, Composer, Teacher of Teachers |
| title_auth | A Tear in the Curtain The Musical Diplomacy of Erzsebet Szoenyi: Musician, Composer, Teacher of Teachers |
| title_exact_search | A Tear in the Curtain The Musical Diplomacy of Erzsebet Szoenyi: Musician, Composer, Teacher of Teachers |
| title_full | A Tear in the Curtain The Musical Diplomacy of Erzsebet Szoenyi: Musician, Composer, Teacher of Teachers |
| title_fullStr | A Tear in the Curtain The Musical Diplomacy of Erzsebet Szoenyi: Musician, Composer, Teacher of Teachers |
| title_full_unstemmed | A Tear in the Curtain The Musical Diplomacy of Erzsebet Szoenyi: Musician, Composer, Teacher of Teachers |
| title_short | A Tear in the Curtain |
| title_sort | a tear in the curtain the musical diplomacy of erzsebet szoenyi musician composer teacher of teachers |
| title_sub | The Musical Diplomacy of Erzsebet Szoenyi: Musician, Composer, Teacher of Teachers |
| topic | Szőnyi, Erzsébet fast Szőnyi, Erzsébet Szőnyi, Erzsébet 1924-2019 (DE-588)118164368 gnd Composers / Hungary / Biography Music teachers / Hungary / Biography MUSIC / Genres & Styles / Classical bisacsh MUSIC / Reference bisacsh Composers fast Music teachers fast Composers Hungary Biography Music teachers Hungary Biography |
| topic_facet | Szőnyi, Erzsébet Szőnyi, Erzsébet 1924-2019 Composers / Hungary / Biography Music teachers / Hungary / Biography MUSIC / Genres & Styles / Classical MUSIC / Reference Composers Music teachers Composers Hungary Biography Music teachers Hungary Biography Ungarn Biografie |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=843828 |
| work_keys_str_mv | AT jaccardjerryl atearinthecurtainthemusicaldiplomacyoferzsebetszoenyimusiciancomposerteacherofteachers |