Questioning Schenkerism:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Frankfurt am Main
PL Academic Research
2015
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Einführung/Vorwort Inhaltstext Inhaltsverzeichnis |
| Beschreibung: | Literaturangaben |
| Beschreibung: | 497 S. Notenbeispiele 22 cm |
| ISBN: | 9783631661130 3631661134 |
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| 653 | |a musical interpretation | ||
| 653 | |a tonal closure | ||
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Datensatz im Suchindex
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| adam_text |
TABLE OF CONTENTS
PREFACE 11
CHAPTER 1 SCHENKERIAN THEORY AND BETTER COMPARISON:
AN OUT-OF-THE-WAY PERSPECTIVE 13
INTRODUCTION 13
SCHUBERT'S DAS WANDERRT AND THE QUESTION
OF CONSECUTIVE FIFTHS 17
WHAT WENT WRONG WITH THIS "GOOD COMPARISON"? 21
A FURTHER SCHENKERIAN READING OF DAS WANDERN 27
A FREE REDUCTION OF A FREE COMPOSITION 28
THE INITIAL THEME OF BEETHOVEN'S OP. 90:
SCHENKER'S BACKGROUND 31
SALZER'S REDUCTION 34
BEETHOVEN'S THEME: SOME PRELIMINARY OBSERVATIONS 38
AN ALTERNATIVE REDUCTION TO BE DISCARDED 42
FINAL ATTEMPTS AT A REDUCTION 43
BEETHOVEN'S THEME: SOME CONCLUSIONS 47
SCHENKER AND SCHUMANN'S AUS MEINEN THRANERT SPRIEFIEN 50
A CRITICAL SCRUTINY OF SCHENKER'S REDUCTION 53
SCHENKER'S ANALYSIS OF THE MIDDLE SECTION: THE FOREGROUND 57
SCHENKER'S ANALYSIS OF THE MIDDLE SECTION: THE MIDDLEGROUND 63
HARMONIC OBSERVATIONS 67
CONCLUSIONS AND A BOTTOM/UP ATTEMPT AT REDUCTION 70
BRINGING IN THE CONTEXT OF THE SONG 73
GENERAL CONCLUSIONS 75
CHAPTER 2 DISCIPLINING REDUCTION
AND TONALIZING INTERPRETATION 79
INTRODUCTION 79
REDUCTION AND INTERPRETATION 80
DISCIPLINING REDUCTION 90
SCHENKER'S ANALYSIS: THE FIRST PHRASE OF THE ANTECEDENT 90
THE SECOND PHRASE OF THE ANTECEDENT 93
5
HTTP://D-NB.INFO/1072841592
THE FIRST PART OF THE MIDDLE SECTION 99
THE SECOND PART OF THE MIDDLE SECTION 101
THE ENTIRE THEME 105
VON CUBE'S REDUCTION 108
CORRECTING THE DISCIPLE 113
VON CUBE'S DEFENCE 115
ENFORCING DISCIPLINE 119
MAINTAINING DISCIPLINE: BEACH TEACHING TEACHERS 123
THE A-SECTIONS ACCORDING TO BEACH 124
THE B-SECTION ACCORDING TO BEACH 131
TONALIZING INTERPRETATION 140
SCHENKER'S ANALYSIS 140
VON CUBE'S DUAL DESCENT READING 146
BEACH'S ANALYSIS 147
SEARCHING FOR THE THEME'S "TONAL CONTENT" 149
RISING FOURTHS AND FALLING SECONDS; A NETWORK OF IMPLICATIONS 150
A MODEL AND ITS EXPANDED, INVERTED-COUNTERPOINT REPLICA 155
TONAL STRUCTURE IN TERMS OF "DRONES" 159
TONAL STRUCTURE IN TERMS OF "FOCAL" EVENTS 161
"FOCAL" REDUCTION AND INTERPRETATION 163
CONCLUSIONS 169
CHAPTER 3 IS TONAL MUSIC HIERARCHIC?
AN IMPENITENT SERMON 171
INTRODUCTION 171
TWO WAYS OF PRESENTING TONAL REDUCTIONS 173
SCHENKER'S REDUCTION: THE FIRST HALF OF THE CHORALE 175
THE SECOND HALF OF THE CHORALE 179
COOK'S DISCUSSION OF SCHENKER'S ANALYSIS 184
COOK'S ALTERNATIVE REDUCTION 191
LERDAHL AND JACKENDOFF'S "GENERATIVE THEORY" 194
THE FIRST PHRASE: METRIC ACCENTS AND RHYTHMIC GROUPS 196
THE FIRST PHRASE: TIME-SPAN REDUCTION 199
THE FIRST PHRASE: PROLONGATIONAL REDUCTION 203
ISSUES OF "FINAL-STATE" UNDERSTANDING 205
CADENCES AND BRANCHING 212
ISSUES OF GROUPING AND FORM 216
ASSIGNING HIERARCHICAL STRUCTURE TO MUSIC 219
6
SUMMARY OF THE REDUCTIVE ACCOUNTS 224
TOWARDS A NON-HIERARCHICAL ANALYSIS 225
FINDING THE "FOCUS" OF THE CHORALE 231
CHAPTER 4 PROLONGATION VS. IMPLICATION 235
INTRODUCTION 235
IMPLICATIONS AND PROLONGATIONS IN THE
LES ADIEUX INTRODUCTION 240
COMPARING PROLONGATIONS AND IMPLICATIONS 247
A SELECTION OF OBSERVATIONS 252
CHAPTER 5 A HITCH-HIKER'S GUIDE TO THE REPEAT 255
INTRODUCTION 255
MAIN OBJECTION 257
THE FIRST SECTION 259
THE THIRD SECTION 261
THE MIDDLE SECTION 264
SCHACHTER'S MIDDLEGROUND AND SCHUBERT'S SKETCH 267
MOTIVIC RELATIONSHIPS AND THE ELEMENT OF DIALOGUE 270
SCHACHTER'S "PHRASE RHYTHM": SOME CRITICAL OBSERVATIONS 275
METRE AND RHYTHM IN THE MIDDLE SECTION 278
THE TRIO 284
A QUESTION OF MAPS 288
AN ALTERNATIVE STRUCTURAL ACCOUNT 289
THE OUTER SECTIONS 290
THE MIDDLE SECTION 291
CONCLUSIONS 297
SOME ISSUES OF INTERPRETATION 299
CHAPTER 6 SCHUBERT, SCHUMANN, AND SCHENKERISM.
TONAL VS. FOCAL REDUCTION 305
INTRODUCTION 305
SALZER'S READING OF A SCHUBERT WALTZ 306
A BOTTOM/UP REDUCTION OF THE WALTZ 313
SCHUMANN'S ALBUMBLATT: A PRELIMINARY MUSICAL DESCRIPTION .314
7
SOME ATTEMPTS TO MAKE REDUCTIVE SENSE OF THE ALBUMBLATT 320
"OUTER" FORM AND "TONAL" FORM; THE PROBLEM OF REPEATS 326
REVISITING SCHUBERT'S WALTZ 328
CONCLUSION 333
CHAPTER 7 SYNTACTIC VS. RHETORIC STRUCTURE. LANGUAGE,
MUSIC, AND TONAL REDUCTION 335
SYNTAX AND CLOSURE IN LANGUAGE AND MUSIC 335
CLAUSES AND SENTENCES IN LANGUAGE AND MUSIC 337
CLOSURE, UNITY, AND COHERENCE 340
TONAL STRUCTURE VS. TONAL CONTENT 341
GOD SAVE THE KING: TWO SYNTACTICALLY INDEPENDENT UNITS 344
A SCHENKERIAN REDUCTION 345
ALTERNATIVE READINGS 348
CONCLUSIONS 349
GOTT ERHALTE FRANZ DEN KAISER: THREE RELATIVELY
INDEPENDENT UNITS 351
SCHENKER'S REDUCTION IN DER FREIE SATZ 353
SCHENKER'S REDUCTION IN DER TONWILLE 357
ALTERNATIVE READINGS 361
CONCLUSIONS 363
GENERAL DISCUSSION 365
CHAPTER 8 TONICS AND RETURNS. A MODEST INVESTIGATION 371
INTRODUCTION 371
SALZER'S READINGS OF A SCHUBERT WALTZ AND A MOZART ADAGIO 373
MODULATING VARIANTS OF THE WALTZ AND THE ADAGIO 374
LERDAHL AND JACKENDOFF'S PROLONGATIONAL TREES 376
EXPERIMENTAL DESIGN 380
RESULTS 382
CONCLUSIONS AND DISCUSSION 385
CHAPTER 9 SHAVING SCHENKER
395
INTRODUCTION 395
SCHENKER'S AND BURSTEINS' READINGS: A COMPARISON 396
8
CRITICISM OF SCHENKER'S ANALYSIS 398
STARTING FROM SCRATCH 402
THREE DEEP-LAYER STRUCTURES 404
SUMMARY AND DISCUSSION 410
MUSIC EXAMPLES 416
CHAPTER 1 416
CHAPTER 2 426
CHAPTER 3 437
CHAPTER 4 450
CHAPTER 5 453
CHAPTER 6 466
CHAPTER 7 474
CHAPTER 8 480
CHAPTER 9 488
REFERENCES 495
9 |
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| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781 |
| dewey-search | 781 |
| dewey-sort | 3781 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Book |
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| spelling | Edlund, Bengt Verfasser (DE-588)1046440594 aut Questioning Schenkerism Bengt Edlund Frankfurt am Main PL Academic Research 2015 497 S. Notenbeispiele 22 cm txt rdacontent n rdamedia nc rdacarrier Literaturangaben Schenker, Heinrich 1868-1935 (DE-588)118607154 gnd rswk-swf Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf Musiktheorie (DE-588)4040876-0 gnd rswk-swf AVA Schenkerian theory analysis of tonal music musical interpretation tonal closure Schenker, Heinrich 1868-1935 (DE-588)118607154 p Musiktheorie (DE-588)4040876-0 s Musikalische Analyse (DE-588)4040814-0 s DE-604 Peter Lang GmbH (DE-588)1065711506 pbl X:MVB application/pdf http://www.peterlang.com/exportdatas/exportfiles/onix/toc/9783631661130_toc.pdf Inhaltsverzeichnis X:MVB application/pdf http://www.peterlang.com/exportdatas/exportfiles/onix/intro/9783631661130_leseprobe01.pdf Einführung/Vorwort X:MVB text/html http://deposit.dnb.de/cgi-bin/dokserv?id=5298902&prov=M&dok_var=1&dok_ext=htm Inhaltstext DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028473123&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Edlund, Bengt Questioning Schenkerism Schenker, Heinrich 1868-1935 (DE-588)118607154 gnd Musikalische Analyse (DE-588)4040814-0 gnd Musiktheorie (DE-588)4040876-0 gnd |
| subject_GND | (DE-588)118607154 (DE-588)4040814-0 (DE-588)4040876-0 |
| title | Questioning Schenkerism |
| title_auth | Questioning Schenkerism |
| title_exact_search | Questioning Schenkerism |
| title_full | Questioning Schenkerism Bengt Edlund |
| title_fullStr | Questioning Schenkerism Bengt Edlund |
| title_full_unstemmed | Questioning Schenkerism Bengt Edlund |
| title_short | Questioning Schenkerism |
| title_sort | questioning schenkerism |
| topic | Schenker, Heinrich 1868-1935 (DE-588)118607154 gnd Musikalische Analyse (DE-588)4040814-0 gnd Musiktheorie (DE-588)4040876-0 gnd |
| topic_facet | Schenker, Heinrich 1868-1935 Musikalische Analyse Musiktheorie |
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