Forensic art essentials: a manual for law enforcement artists
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Amsterdam
Academic Press
c2008
|
Schlagworte: | |
Online-Zugang: | FAW01 FAW02 Volltext |
Beschreibung: | The demand for forensic art usage in investigations is rapidly expanding due to media attention. Despite this fact, to date no book thoroughly explains how to sketch a suspect's face from a witness memory. Forensic Art Essentials teaches artists to extract information from a witness or victim about a face they have seen, and produce an image good enough to lead detectives to the criminal being described. After reading this book, anyone with adequate drawing skills will be able to learn the tools necessary to develop his or her skills as a forensic artist. Instruction focuses on an explanation of techniques for various scenarios and includes the use of case studies of special situations and how they should be handled. Additionally, Forensic Art Essentials covers skull reconstructions of unidentified murder victims and age progressions to aid in the apprehension of known fugitives. The book also provides step-by-step illustrations of how to reconstruct a face from a skull, and offers solutions to a multitude of common problems that occur in the field. With 500 full-color illustrations, this book is an essential tool for any forensic artist. * Provides insight as to the best way to responsibly interview and extract information from eye-witnesses and victims to develop accurate composite sketches * 500 illustrations, many full color, show examples of various challenges in developing sketches and reconstructing from skulls * Serves as a guide for forensic art professionals as well as a call to law enforcement agencies to expand the use of this valuable forensic tool CHAPTER ONE: THE MOST UNIQUE ART DISCIPLINE -- CHAPTER TWO: DRAWING IN FORENSIC ART -- CHAPTER THREE: PULLING FACES FROM WITNESS MEMORY -- CHAPTER FOUR: SPECIAL REFINEMNTS TO THE INTERVIEW -- CHAPTER FIVE: RACES, EXPRESSIONS, TEETH, WOMEN, VEHICLES, TATTOOS AND JEWELRY -- CHAPTER SIX: AGE PROGRESSION AND POST MORTEM -- CHAPTER SEVEN: FACIAL RECONSTRUCTION FROM SKELETAL REMAINS -- CHAPTER EIGHT: THREE-DIMENSIONAL FACIAL RECONSTRUCTION OF SKELETAL REMAINS -- CHAPTER NINE: IMPLEMENTATIONS AND CONCLUSIONS. Includes bibliographical references and index The most unique art discipline -- Drawing in forensic art -- Pulling faces from witness memory -- Special refinements to the interview -- Races, expressions, teeth, women, vehicles, tattoos, and jewelry -- Age progression and postmortem: portraits of unidentified homicide complainants -- Facial reconstruction from skeletal remains -- Three-dimensional facial reconstruction of skeletal remains -- Implementations and conclusions |
Beschreibung: | 1 Online-Ressource (422 p., [16] p. of plates) |
ISBN: | 0080559298 0123708982 9780080559292 9780123708984 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV043045164 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 151123s2008 |||| o||u| ||||||eng d | ||
020 | |a 0080559298 |c electronic bk. |9 0-08-055929-8 | ||
020 | |a 0123708982 |9 0-12-370898-2 | ||
020 | |a 9780080559292 |c electronic bk. |9 978-0-08-055929-2 | ||
020 | |a 9780123708984 |9 978-0-12-370898-4 | ||
035 | |a (OCoLC)228148412 | ||
035 | |a (DE-599)BVBBV043045164 | ||
040 | |a DE-604 |b ger |e aacr | ||
041 | 0 | |a eng | |
049 | |a DE-1046 |a DE-1047 | ||
082 | 0 | |a 363.25/8 |2 22 | |
100 | 1 | |a Gibson, Lois |e Verfasser |4 aut | |
245 | 1 | 0 | |a Forensic art essentials |b a manual for law enforcement artists |c Lois Gibson |
264 | 1 | |a Amsterdam |b Academic Press |c c2008 | |
300 | |a 1 Online-Ressource (422 p., [16] p. of plates) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
500 | |a The demand for forensic art usage in investigations is rapidly expanding due to media attention. Despite this fact, to date no book thoroughly explains how to sketch a suspect's face from a witness memory. Forensic Art Essentials teaches artists to extract information from a witness or victim about a face they have seen, and produce an image good enough to lead detectives to the criminal being described. After reading this book, anyone with adequate drawing skills will be able to learn the tools necessary to develop his or her skills as a forensic artist. Instruction focuses on an explanation of techniques for various scenarios and includes the use of case studies of special situations and how they should be handled. Additionally, Forensic Art Essentials covers skull reconstructions of unidentified murder victims and age progressions to aid in the apprehension of known fugitives. The book also provides step-by-step illustrations of how to reconstruct a face from a skull, and offers solutions to a multitude of common problems that occur in the field. With 500 full-color illustrations, this book is an essential tool for any forensic artist. * Provides insight as to the best way to responsibly interview and extract information from eye-witnesses and victims to develop accurate composite sketches * 500 illustrations, many full color, show examples of various challenges in developing sketches and reconstructing from skulls * Serves as a guide for forensic art professionals as well as a call to law enforcement agencies to expand the use of this valuable forensic tool | ||
500 | |a CHAPTER ONE: THE MOST UNIQUE ART DISCIPLINE -- CHAPTER TWO: DRAWING IN FORENSIC ART -- CHAPTER THREE: PULLING FACES FROM WITNESS MEMORY -- CHAPTER FOUR: SPECIAL REFINEMNTS TO THE INTERVIEW -- CHAPTER FIVE: RACES, EXPRESSIONS, TEETH, WOMEN, VEHICLES, TATTOOS AND JEWELRY -- CHAPTER SIX: AGE PROGRESSION AND POST MORTEM -- CHAPTER SEVEN: FACIAL RECONSTRUCTION FROM SKELETAL REMAINS -- CHAPTER EIGHT: THREE-DIMENSIONAL FACIAL RECONSTRUCTION OF SKELETAL REMAINS -- CHAPTER NINE: IMPLEMENTATIONS AND CONCLUSIONS. | ||
500 | |a Includes bibliographical references and index | ||
500 | |a The most unique art discipline -- Drawing in forensic art -- Pulling faces from witness memory -- Special refinements to the interview -- Races, expressions, teeth, women, vehicles, tattoos, and jewelry -- Age progression and postmortem: portraits of unidentified homicide complainants -- Facial reconstruction from skeletal remains -- Three-dimensional facial reconstruction of skeletal remains -- Implementations and conclusions | ||
650 | 4 | |a Police artists | |
650 | 4 | |a Criminals / Identification | |
650 | 4 | |a Drawing / Technique | |
650 | 4 | |a Facial reconstruction (Anthropology) | |
650 | 7 | |a LAW / Forensic Science |2 bisacsh | |
650 | 7 | |a Criminals / Identification |2 fast | |
650 | 7 | |a Drawing / Technique |2 fast | |
650 | 7 | |a Facial reconstruction (Anthropology) |2 fast | |
650 | 7 | |a Police artists |2 fast | |
650 | 4 | |a Police artists |v Handbooks, manuals, etc | |
650 | 4 | |a Criminals |x Identification |v Handbooks, manuals, etc | |
650 | 4 | |a Drawing |x Technique |v Handbooks, manuals, etc | |
650 | 4 | |a Facial reconstruction (Anthropology) |v Handbooks, manuals, etc | |
856 | 4 | 0 | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=219927 |x Aggregator |3 Volltext |
912 | |a ZDB-4-EBA | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-028469702 | ||
966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=219927 |l FAW01 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=219927 |l FAW02 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext |
Datensatz im Suchindex
_version_ | 1804175411765051392 |
---|---|
any_adam_object | |
author | Gibson, Lois |
author_facet | Gibson, Lois |
author_role | aut |
author_sort | Gibson, Lois |
author_variant | l g lg |
building | Verbundindex |
bvnumber | BV043045164 |
collection | ZDB-4-EBA |
ctrlnum | (OCoLC)228148412 (DE-599)BVBBV043045164 |
dewey-full | 363.25/8 |
dewey-hundreds | 300 - Social sciences |
dewey-ones | 363 - Other social problems and services |
dewey-raw | 363.25/8 |
dewey-search | 363.25/8 |
dewey-sort | 3363.25 18 |
dewey-tens | 360 - Social problems and services; associations |
discipline | Soziologie |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04740nmm a2200553zc 4500</leader><controlfield tag="001">BV043045164</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">151123s2008 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0080559298</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">0-08-055929-8</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0123708982</subfield><subfield code="9">0-12-370898-2</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780080559292</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">978-0-08-055929-2</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780123708984</subfield><subfield code="9">978-0-12-370898-4</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)228148412</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043045164</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-1047</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">363.25/8</subfield><subfield code="2">22</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Gibson, Lois</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Forensic art essentials</subfield><subfield code="b">a manual for law enforcement artists</subfield><subfield code="c">Lois Gibson</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Amsterdam</subfield><subfield code="b">Academic Press</subfield><subfield code="c">c2008</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (422 p., [16] p. of plates)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">The demand for forensic art usage in investigations is rapidly expanding due to media attention. Despite this fact, to date no book thoroughly explains how to sketch a suspect's face from a witness memory. Forensic Art Essentials teaches artists to extract information from a witness or victim about a face they have seen, and produce an image good enough to lead detectives to the criminal being described. After reading this book, anyone with adequate drawing skills will be able to learn the tools necessary to develop his or her skills as a forensic artist. Instruction focuses on an explanation of techniques for various scenarios and includes the use of case studies of special situations and how they should be handled. Additionally, Forensic Art Essentials covers skull reconstructions of unidentified murder victims and age progressions to aid in the apprehension of known fugitives. The book also provides step-by-step illustrations of how to reconstruct a face from a skull, and offers solutions to a multitude of common problems that occur in the field. With 500 full-color illustrations, this book is an essential tool for any forensic artist. * Provides insight as to the best way to responsibly interview and extract information from eye-witnesses and victims to develop accurate composite sketches * 500 illustrations, many full color, show examples of various challenges in developing sketches and reconstructing from skulls * Serves as a guide for forensic art professionals as well as a call to law enforcement agencies to expand the use of this valuable forensic tool</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">CHAPTER ONE: THE MOST UNIQUE ART DISCIPLINE -- CHAPTER TWO: DRAWING IN FORENSIC ART -- CHAPTER THREE: PULLING FACES FROM WITNESS MEMORY -- CHAPTER FOUR: SPECIAL REFINEMNTS TO THE INTERVIEW -- CHAPTER FIVE: RACES, EXPRESSIONS, TEETH, WOMEN, VEHICLES, TATTOOS AND JEWELRY -- CHAPTER SIX: AGE PROGRESSION AND POST MORTEM -- CHAPTER SEVEN: FACIAL RECONSTRUCTION FROM SKELETAL REMAINS -- CHAPTER EIGHT: THREE-DIMENSIONAL FACIAL RECONSTRUCTION OF SKELETAL REMAINS -- CHAPTER NINE: IMPLEMENTATIONS AND CONCLUSIONS.</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">The most unique art discipline -- Drawing in forensic art -- Pulling faces from witness memory -- Special refinements to the interview -- Races, expressions, teeth, women, vehicles, tattoos, and jewelry -- Age progression and postmortem: portraits of unidentified homicide complainants -- Facial reconstruction from skeletal remains -- Three-dimensional facial reconstruction of skeletal remains -- Implementations and conclusions</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Police artists</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Criminals / Identification</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Drawing / Technique</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Facial reconstruction (Anthropology)</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LAW / Forensic Science</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Criminals / Identification</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Drawing / Technique</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Facial reconstruction (Anthropology)</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Police artists</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Police artists</subfield><subfield code="v">Handbooks, manuals, etc</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Criminals</subfield><subfield code="x">Identification</subfield><subfield code="v">Handbooks, manuals, etc</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Drawing</subfield><subfield code="x">Technique</subfield><subfield code="v">Handbooks, manuals, etc</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Facial reconstruction (Anthropology)</subfield><subfield code="v">Handbooks, manuals, etc</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=219927</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028469702</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=219927</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=219927</subfield><subfield code="l">FAW02</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV043045164 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:15:52Z |
institution | BVB |
isbn | 0080559298 0123708982 9780080559292 9780123708984 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028469702 |
oclc_num | 228148412 |
open_access_boolean | |
owner | DE-1046 DE-1047 |
owner_facet | DE-1046 DE-1047 |
physical | 1 Online-Ressource (422 p., [16] p. of plates) |
psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
publishDate | 2008 |
publishDateSearch | 2008 |
publishDateSort | 2008 |
publisher | Academic Press |
record_format | marc |
spelling | Gibson, Lois Verfasser aut Forensic art essentials a manual for law enforcement artists Lois Gibson Amsterdam Academic Press c2008 1 Online-Ressource (422 p., [16] p. of plates) txt rdacontent c rdamedia cr rdacarrier The demand for forensic art usage in investigations is rapidly expanding due to media attention. Despite this fact, to date no book thoroughly explains how to sketch a suspect's face from a witness memory. Forensic Art Essentials teaches artists to extract information from a witness or victim about a face they have seen, and produce an image good enough to lead detectives to the criminal being described. After reading this book, anyone with adequate drawing skills will be able to learn the tools necessary to develop his or her skills as a forensic artist. Instruction focuses on an explanation of techniques for various scenarios and includes the use of case studies of special situations and how they should be handled. Additionally, Forensic Art Essentials covers skull reconstructions of unidentified murder victims and age progressions to aid in the apprehension of known fugitives. The book also provides step-by-step illustrations of how to reconstruct a face from a skull, and offers solutions to a multitude of common problems that occur in the field. With 500 full-color illustrations, this book is an essential tool for any forensic artist. * Provides insight as to the best way to responsibly interview and extract information from eye-witnesses and victims to develop accurate composite sketches * 500 illustrations, many full color, show examples of various challenges in developing sketches and reconstructing from skulls * Serves as a guide for forensic art professionals as well as a call to law enforcement agencies to expand the use of this valuable forensic tool CHAPTER ONE: THE MOST UNIQUE ART DISCIPLINE -- CHAPTER TWO: DRAWING IN FORENSIC ART -- CHAPTER THREE: PULLING FACES FROM WITNESS MEMORY -- CHAPTER FOUR: SPECIAL REFINEMNTS TO THE INTERVIEW -- CHAPTER FIVE: RACES, EXPRESSIONS, TEETH, WOMEN, VEHICLES, TATTOOS AND JEWELRY -- CHAPTER SIX: AGE PROGRESSION AND POST MORTEM -- CHAPTER SEVEN: FACIAL RECONSTRUCTION FROM SKELETAL REMAINS -- CHAPTER EIGHT: THREE-DIMENSIONAL FACIAL RECONSTRUCTION OF SKELETAL REMAINS -- CHAPTER NINE: IMPLEMENTATIONS AND CONCLUSIONS. Includes bibliographical references and index The most unique art discipline -- Drawing in forensic art -- Pulling faces from witness memory -- Special refinements to the interview -- Races, expressions, teeth, women, vehicles, tattoos, and jewelry -- Age progression and postmortem: portraits of unidentified homicide complainants -- Facial reconstruction from skeletal remains -- Three-dimensional facial reconstruction of skeletal remains -- Implementations and conclusions Police artists Criminals / Identification Drawing / Technique Facial reconstruction (Anthropology) LAW / Forensic Science bisacsh Criminals / Identification fast Drawing / Technique fast Facial reconstruction (Anthropology) fast Police artists fast Police artists Handbooks, manuals, etc Criminals Identification Handbooks, manuals, etc Drawing Technique Handbooks, manuals, etc Facial reconstruction (Anthropology) Handbooks, manuals, etc http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=219927 Aggregator Volltext |
spellingShingle | Gibson, Lois Forensic art essentials a manual for law enforcement artists Police artists Criminals / Identification Drawing / Technique Facial reconstruction (Anthropology) LAW / Forensic Science bisacsh Criminals / Identification fast Drawing / Technique fast Facial reconstruction (Anthropology) fast Police artists fast Police artists Handbooks, manuals, etc Criminals Identification Handbooks, manuals, etc Drawing Technique Handbooks, manuals, etc Facial reconstruction (Anthropology) Handbooks, manuals, etc |
title | Forensic art essentials a manual for law enforcement artists |
title_auth | Forensic art essentials a manual for law enforcement artists |
title_exact_search | Forensic art essentials a manual for law enforcement artists |
title_full | Forensic art essentials a manual for law enforcement artists Lois Gibson |
title_fullStr | Forensic art essentials a manual for law enforcement artists Lois Gibson |
title_full_unstemmed | Forensic art essentials a manual for law enforcement artists Lois Gibson |
title_short | Forensic art essentials |
title_sort | forensic art essentials a manual for law enforcement artists |
title_sub | a manual for law enforcement artists |
topic | Police artists Criminals / Identification Drawing / Technique Facial reconstruction (Anthropology) LAW / Forensic Science bisacsh Criminals / Identification fast Drawing / Technique fast Facial reconstruction (Anthropology) fast Police artists fast Police artists Handbooks, manuals, etc Criminals Identification Handbooks, manuals, etc Drawing Technique Handbooks, manuals, etc Facial reconstruction (Anthropology) Handbooks, manuals, etc |
topic_facet | Police artists Criminals / Identification Drawing / Technique Facial reconstruction (Anthropology) LAW / Forensic Science Police artists Handbooks, manuals, etc Criminals Identification Handbooks, manuals, etc Drawing Technique Handbooks, manuals, etc Facial reconstruction (Anthropology) Handbooks, manuals, etc |
url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=219927 |
work_keys_str_mv | AT gibsonlois forensicartessentialsamanualforlawenforcementartists |