Reconstructing violence: the southern rape complex in film and literature
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Baton Rouge
Louisiana State University Press
[2015]
|
Schriftenreihe: | Southern literary studies
|
Schlagworte: | |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | x, 270 Seiten Illustrationen |
ISBN: | 9780807160626 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV043041833 | ||
003 | DE-604 | ||
005 | 20160914 | ||
007 | t | ||
008 | 151123s2015 a||| |||| 00||| eng d | ||
020 | |a 9780807160626 |c (hbk.) |9 978-0-8071-6062-6 | ||
035 | |a (OCoLC)936239083 | ||
035 | |a (DE-599)BVBBV043041833 | ||
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041 | 0 | |a eng | |
049 | |a DE-12 |a DE-188 | ||
082 | 0 | |a 791.436552 |2 23 | |
100 | 1 | |a Barker, Deborah |d 1956- |e Verfasser |0 (DE-588)1089199929 |4 aut | |
245 | 1 | 0 | |a Reconstructing violence |b the southern rape complex in film and literature |c Deborah E. Barker |
264 | 1 | |a Baton Rouge |b Louisiana State University Press |c [2015] | |
300 | |a x, 270 Seiten |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 0 | |a Southern literary studies | |
500 | |a Includes bibliographical references and index | ||
505 | 8 | |a Confederate abjection in D. W. Griffith's early Civil War films and Thomas Dixon's Clansman -- Taking the South out of the southern rape complex in The Story of Temple Drake -- Believing in Mammy: Sanctuary (1961), the movie -- The power of the false in Touch of Evil -- "That man doesn't deserve equal rights": civil rights in Cape Fear -- "Blind spots": the visual logic and historical context of To Kill a Mockingbird -- Coda: A Time to Kill (1996) and post civil rights variations on the southern rape complex | |
648 | 7 | |a Geschichte 1930-1965 |2 gnd |9 rswk-swf | |
650 | 4 | |a Violence in motion pictures | |
650 | 4 | |a Violence in literature | |
650 | 4 | |a Race relations in motion pictures | |
650 | 4 | |a Race relations in literature | |
650 | 4 | |a Power (Social sciences) in motion pictures | |
650 | 4 | |a Power (Social sciences) in literature | |
650 | 7 | |a Power (Social sciences) in literature |2 fast | |
650 | 7 | |a Power (Social sciences) in motion pictures |2 fast | |
650 | 7 | |a Race relations in literature |2 fast | |
650 | 7 | |a Race relations in motion pictures |2 fast | |
650 | 7 | |a Violence in literature |2 fast | |
650 | 7 | |a Violence in motion pictures |2 fast | |
650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Vergewaltigung |g Motiv |0 (DE-588)4187708-1 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Gewalt |g Motiv |0 (DE-588)4113748-6 |2 gnd |9 rswk-swf |
651 | 7 | |a USA |x Südstaaten |0 (DE-588)4078674-2 |2 gnd |9 rswk-swf | |
689 | 0 | 0 | |a USA |x Südstaaten |0 (DE-588)4078674-2 |D g |
689 | 0 | 1 | |a Film |0 (DE-588)4017102-4 |D s |
689 | 0 | 2 | |a Gewalt |g Motiv |0 (DE-588)4113748-6 |D s |
689 | 0 | 3 | |a Vergewaltigung |g Motiv |0 (DE-588)4187708-1 |D s |
689 | 0 | 4 | |a Geschichte 1930-1965 |A z |
689 | 0 | |5 DE-604 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-028466436 | ||
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942 | 1 | 1 | |c 791.409 |e 22/bsb |f 09046 |g 73 |
942 | 1 | 1 | |c 791.409 |e 22/bsb |f 09043 |g 73 |
942 | 1 | 1 | |c 791.409 |e 22/bsb |f 09045 |g 73 |
Datensatz im Suchindex
_version_ | 1804175405706379264 |
---|---|
any_adam_object | |
author | Barker, Deborah 1956- |
author_GND | (DE-588)1089199929 |
author_facet | Barker, Deborah 1956- |
author_role | aut |
author_sort | Barker, Deborah 1956- |
author_variant | d b db |
building | Verbundindex |
bvnumber | BV043041833 |
contents | Confederate abjection in D. W. Griffith's early Civil War films and Thomas Dixon's Clansman -- Taking the South out of the southern rape complex in The Story of Temple Drake -- Believing in Mammy: Sanctuary (1961), the movie -- The power of the false in Touch of Evil -- "That man doesn't deserve equal rights": civil rights in Cape Fear -- "Blind spots": the visual logic and historical context of To Kill a Mockingbird -- Coda: A Time to Kill (1996) and post civil rights variations on the southern rape complex |
ctrlnum | (OCoLC)936239083 (DE-599)BVBBV043041833 |
dewey-full | 791.436552 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.436552 |
dewey-search | 791.436552 |
dewey-sort | 3791.436552 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
era | Geschichte 1930-1965 gnd |
era_facet | Geschichte 1930-1965 |
format | Book |
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id | DE-604.BV043041833 |
illustrated | Illustrated |
indexdate | 2024-07-10T07:15:46Z |
institution | BVB |
isbn | 9780807160626 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028466436 |
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open_access_boolean | |
owner | DE-12 DE-188 |
owner_facet | DE-12 DE-188 |
physical | x, 270 Seiten Illustrationen |
publishDate | 2015 |
publishDateSearch | 2015 |
publishDateSort | 2015 |
publisher | Louisiana State University Press |
record_format | marc |
series2 | Southern literary studies |
spelling | Barker, Deborah 1956- Verfasser (DE-588)1089199929 aut Reconstructing violence the southern rape complex in film and literature Deborah E. Barker Baton Rouge Louisiana State University Press [2015] x, 270 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Southern literary studies Includes bibliographical references and index Confederate abjection in D. W. Griffith's early Civil War films and Thomas Dixon's Clansman -- Taking the South out of the southern rape complex in The Story of Temple Drake -- Believing in Mammy: Sanctuary (1961), the movie -- The power of the false in Touch of Evil -- "That man doesn't deserve equal rights": civil rights in Cape Fear -- "Blind spots": the visual logic and historical context of To Kill a Mockingbird -- Coda: A Time to Kill (1996) and post civil rights variations on the southern rape complex Geschichte 1930-1965 gnd rswk-swf Violence in motion pictures Violence in literature Race relations in motion pictures Race relations in literature Power (Social sciences) in motion pictures Power (Social sciences) in literature Power (Social sciences) in literature fast Power (Social sciences) in motion pictures fast Race relations in literature fast Race relations in motion pictures fast Violence in literature fast Violence in motion pictures fast Film (DE-588)4017102-4 gnd rswk-swf Vergewaltigung Motiv (DE-588)4187708-1 gnd rswk-swf Gewalt Motiv (DE-588)4113748-6 gnd rswk-swf USA Südstaaten (DE-588)4078674-2 gnd rswk-swf USA Südstaaten (DE-588)4078674-2 g Film (DE-588)4017102-4 s Gewalt Motiv (DE-588)4113748-6 s Vergewaltigung Motiv (DE-588)4187708-1 s Geschichte 1930-1965 z DE-604 |
spellingShingle | Barker, Deborah 1956- Reconstructing violence the southern rape complex in film and literature Confederate abjection in D. W. Griffith's early Civil War films and Thomas Dixon's Clansman -- Taking the South out of the southern rape complex in The Story of Temple Drake -- Believing in Mammy: Sanctuary (1961), the movie -- The power of the false in Touch of Evil -- "That man doesn't deserve equal rights": civil rights in Cape Fear -- "Blind spots": the visual logic and historical context of To Kill a Mockingbird -- Coda: A Time to Kill (1996) and post civil rights variations on the southern rape complex Violence in motion pictures Violence in literature Race relations in motion pictures Race relations in literature Power (Social sciences) in motion pictures Power (Social sciences) in literature Power (Social sciences) in literature fast Power (Social sciences) in motion pictures fast Race relations in literature fast Race relations in motion pictures fast Violence in literature fast Violence in motion pictures fast Film (DE-588)4017102-4 gnd Vergewaltigung Motiv (DE-588)4187708-1 gnd Gewalt Motiv (DE-588)4113748-6 gnd |
subject_GND | (DE-588)4017102-4 (DE-588)4187708-1 (DE-588)4113748-6 (DE-588)4078674-2 |
title | Reconstructing violence the southern rape complex in film and literature |
title_auth | Reconstructing violence the southern rape complex in film and literature |
title_exact_search | Reconstructing violence the southern rape complex in film and literature |
title_full | Reconstructing violence the southern rape complex in film and literature Deborah E. Barker |
title_fullStr | Reconstructing violence the southern rape complex in film and literature Deborah E. Barker |
title_full_unstemmed | Reconstructing violence the southern rape complex in film and literature Deborah E. Barker |
title_short | Reconstructing violence |
title_sort | reconstructing violence the southern rape complex in film and literature |
title_sub | the southern rape complex in film and literature |
topic | Violence in motion pictures Violence in literature Race relations in motion pictures Race relations in literature Power (Social sciences) in motion pictures Power (Social sciences) in literature Power (Social sciences) in literature fast Power (Social sciences) in motion pictures fast Race relations in literature fast Race relations in motion pictures fast Violence in literature fast Violence in motion pictures fast Film (DE-588)4017102-4 gnd Vergewaltigung Motiv (DE-588)4187708-1 gnd Gewalt Motiv (DE-588)4113748-6 gnd |
topic_facet | Violence in motion pictures Violence in literature Race relations in motion pictures Race relations in literature Power (Social sciences) in motion pictures Power (Social sciences) in literature Film Vergewaltigung Motiv Gewalt Motiv USA Südstaaten |
work_keys_str_mv | AT barkerdeborah reconstructingviolencethesouthernrapecomplexinfilmandliterature |