The musical as drama: a study of the principles and conventions behind musical shows from Kern to Sondheim
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton, N.J.
Princeton University Press
[2006]
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Print version record. - Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 |
| Beschreibung: | 1 online resource (xvi, 230 pages) illustrations |
| ISBN: | 0691127301 1400865409 9780691127309 9781400865406 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV043039900 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 151120s2006 |||| o||u| ||||||eng d | ||
| 020 | |a 0691127301 |9 0-691-12730-1 | ||
| 020 | |a 1400865409 |9 1-4008-6540-9 | ||
| 020 | |a 9780691127309 |9 978-0-691-12730-9 | ||
| 020 | |a 9781400865406 |9 978-1-4008-6540-6 | ||
| 035 | |a (OCoLC)894227096 | ||
| 035 | |a (DE-599)BVBBV043039900 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1046 |a DE-1047 | ||
| 082 | 0 | |a 792.60973 |2 22 | |
| 100 | 1 | |a McMillin, Scott |d 1934-2006 |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a The musical as drama |b a study of the principles and conventions behind musical shows from Kern to Sondheim |c Scott McMillin |
| 264 | 1 | |a Princeton, N.J. |b Princeton University Press |c [2006] | |
| 264 | 4 | |c © 2006 | |
| 300 | |a 1 online resource (xvi, 230 pages) |b illustrations | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Print version record. - Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 | ||
| 505 | 8 | |a Integration and difference -- The book and the numbers -- Character and the voice of the musical -- The ensemble effect -- The drama of numbers -- The orchestra -- Narration and technology : systems of omniscience -- What kind of drama is this? | |
| 505 | 8 | |a "Derived from the colorful traditions of vaudeville, burlesque, revue, and operetta, the musical has blossomed into America's most popular form of theater. Scott McMillin has developed a fresh aesthetic theory of this underrated art form, exploring the musical as a type of drama deserving the kind of critical and theoretical regard given to Chekhov or opera. Until recently, the musical has been considered either an "integrated" form of theater or an inferior sibling of opera. McMillin demonstrates that neither of these views is accurate, and that the musical holds true to the disjunctive and irreverent forms of popular entertainment from which it arose a century ago." | |
| 505 | 8 | |a "Discussing composers and writers such as Rodgers and Hammerstein, Stephen Sondheim, Kander and Ebb, Leonard Bernstein, and Jerome Kern, The Musical as Drama describes the continuity of this distinctively American dramatic genre, from the shows of the 1920s and 1930s to the musicals of today."--BOOK JACKET. | |
| 650 | 7 | |a Musicals |2 gtt | |
| 650 | 7 | |a Theorieën |2 gtt | |
| 650 | 7 | |a Dramaturgie |2 swd | |
| 650 | 7 | |a Musical |2 swd | |
| 650 | 7 | |a Musicals |2 fast | |
| 650 | 7 | |a PERFORMING ARTS / Theater / General |2 bisacsh | |
| 650 | 4 | |a Musicals |z United States |x History and criticism | |
| 650 | 0 | 7 | |a Musical |0 (DE-588)4040801-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Dramaturgie |0 (DE-588)4124796-6 |2 gnd |9 rswk-swf |
| 651 | 4 | |a USA | |
| 689 | 0 | 0 | |a Musical |0 (DE-588)4040801-2 |D s |
| 689 | 0 | 1 | |a Dramaturgie |0 (DE-588)4124796-6 |D s |
| 689 | 0 | |8 1\p |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |a McMillin, Scott, 1934-2006 |t Musical as drama |
| 856 | 4 | 0 | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=873104 |x Aggregator |3 Volltext |
| 912 | |a ZDB-4-EBA | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-028464547 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=873104 |l FAW01 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=873104 |l FAW02 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804175403005247488 |
|---|---|
| any_adam_object | |
| author | McMillin, Scott 1934-2006 |
| author_facet | McMillin, Scott 1934-2006 |
| author_role | aut |
| author_sort | McMillin, Scott 1934-2006 |
| author_variant | s m sm |
| building | Verbundindex |
| bvnumber | BV043039900 |
| collection | ZDB-4-EBA |
| contents | Integration and difference -- The book and the numbers -- Character and the voice of the musical -- The ensemble effect -- The drama of numbers -- The orchestra -- Narration and technology : systems of omniscience -- What kind of drama is this? "Derived from the colorful traditions of vaudeville, burlesque, revue, and operetta, the musical has blossomed into America's most popular form of theater. Scott McMillin has developed a fresh aesthetic theory of this underrated art form, exploring the musical as a type of drama deserving the kind of critical and theoretical regard given to Chekhov or opera. Until recently, the musical has been considered either an "integrated" form of theater or an inferior sibling of opera. McMillin demonstrates that neither of these views is accurate, and that the musical holds true to the disjunctive and irreverent forms of popular entertainment from which it arose a century ago." "Discussing composers and writers such as Rodgers and Hammerstein, Stephen Sondheim, Kander and Ebb, Leonard Bernstein, and Jerome Kern, The Musical as Drama describes the continuity of this distinctively American dramatic genre, from the shows of the 1920s and 1930s to the musicals of today."--BOOK JACKET. |
| ctrlnum | (OCoLC)894227096 (DE-599)BVBBV043039900 |
| dewey-full | 792.60973 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.60973 |
| dewey-search | 792.60973 |
| dewey-sort | 3792.60973 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03750nmm a2200589zc 4500</leader><controlfield tag="001">BV043039900</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">151120s2006 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0691127301</subfield><subfield code="9">0-691-12730-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1400865409</subfield><subfield code="9">1-4008-6540-9</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780691127309</subfield><subfield code="9">978-0-691-12730-9</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781400865406</subfield><subfield code="9">978-1-4008-6540-6</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)894227096</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043039900</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-1047</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">792.60973</subfield><subfield code="2">22</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">McMillin, Scott</subfield><subfield code="d">1934-2006</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The musical as drama</subfield><subfield code="b">a study of the principles and conventions behind musical shows from Kern to Sondheim</subfield><subfield code="c">Scott McMillin</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Princeton, N.J.</subfield><subfield code="b">Princeton University Press</subfield><subfield code="c">[2006]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2006</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xvi, 230 pages)</subfield><subfield code="b">illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Print version record. - Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Integration and difference -- The book and the numbers -- Character and the voice of the musical -- The ensemble effect -- The drama of numbers -- The orchestra -- Narration and technology : systems of omniscience -- What kind of drama is this?</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">"Derived from the colorful traditions of vaudeville, burlesque, revue, and operetta, the musical has blossomed into America's most popular form of theater. Scott McMillin has developed a fresh aesthetic theory of this underrated art form, exploring the musical as a type of drama deserving the kind of critical and theoretical regard given to Chekhov or opera. Until recently, the musical has been considered either an "integrated" form of theater or an inferior sibling of opera. McMillin demonstrates that neither of these views is accurate, and that the musical holds true to the disjunctive and irreverent forms of popular entertainment from which it arose a century ago."</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">"Discussing composers and writers such as Rodgers and Hammerstein, Stephen Sondheim, Kander and Ebb, Leonard Bernstein, and Jerome Kern, The Musical as Drama describes the continuity of this distinctively American dramatic genre, from the shows of the 1920s and 1930s to the musicals of today."--BOOK JACKET.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Musicals</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Theorieën</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Dramaturgie</subfield><subfield code="2">swd</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Musical</subfield><subfield code="2">swd</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Musicals</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Theater / General</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musicals</subfield><subfield code="z">United States</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musical</subfield><subfield code="0">(DE-588)4040801-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Dramaturgie</subfield><subfield code="0">(DE-588)4124796-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">USA</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Musical</subfield><subfield code="0">(DE-588)4040801-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Dramaturgie</subfield><subfield code="0">(DE-588)4124796-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="a">McMillin, Scott, 1934-2006</subfield><subfield code="t">Musical as drama</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=873104</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028464547</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=873104</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=873104</subfield><subfield code="l">FAW02</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| geographic | USA |
| geographic_facet | USA |
| id | DE-604.BV043039900 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:15:44Z |
| institution | BVB |
| isbn | 0691127301 1400865409 9780691127309 9781400865406 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028464547 |
| oclc_num | 894227096 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 online resource (xvi, 230 pages) illustrations |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2006 |
| publishDateSearch | 2006 |
| publishDateSort | 2006 |
| publisher | Princeton University Press |
| record_format | marc |
| spelling | McMillin, Scott 1934-2006 Verfasser aut The musical as drama a study of the principles and conventions behind musical shows from Kern to Sondheim Scott McMillin Princeton, N.J. Princeton University Press [2006] © 2006 1 online resource (xvi, 230 pages) illustrations txt rdacontent c rdamedia cr rdacarrier Print version record. - Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 Integration and difference -- The book and the numbers -- Character and the voice of the musical -- The ensemble effect -- The drama of numbers -- The orchestra -- Narration and technology : systems of omniscience -- What kind of drama is this? "Derived from the colorful traditions of vaudeville, burlesque, revue, and operetta, the musical has blossomed into America's most popular form of theater. Scott McMillin has developed a fresh aesthetic theory of this underrated art form, exploring the musical as a type of drama deserving the kind of critical and theoretical regard given to Chekhov or opera. Until recently, the musical has been considered either an "integrated" form of theater or an inferior sibling of opera. McMillin demonstrates that neither of these views is accurate, and that the musical holds true to the disjunctive and irreverent forms of popular entertainment from which it arose a century ago." "Discussing composers and writers such as Rodgers and Hammerstein, Stephen Sondheim, Kander and Ebb, Leonard Bernstein, and Jerome Kern, The Musical as Drama describes the continuity of this distinctively American dramatic genre, from the shows of the 1920s and 1930s to the musicals of today."--BOOK JACKET. Musicals gtt Theorieën gtt Dramaturgie swd Musical swd Musicals fast PERFORMING ARTS / Theater / General bisacsh Musicals United States History and criticism Musical (DE-588)4040801-2 gnd rswk-swf Dramaturgie (DE-588)4124796-6 gnd rswk-swf USA Musical (DE-588)4040801-2 s Dramaturgie (DE-588)4124796-6 s 1\p DE-604 Erscheint auch als Druck-Ausgabe McMillin, Scott, 1934-2006 Musical as drama http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=873104 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | McMillin, Scott 1934-2006 The musical as drama a study of the principles and conventions behind musical shows from Kern to Sondheim Integration and difference -- The book and the numbers -- Character and the voice of the musical -- The ensemble effect -- The drama of numbers -- The orchestra -- Narration and technology : systems of omniscience -- What kind of drama is this? "Derived from the colorful traditions of vaudeville, burlesque, revue, and operetta, the musical has blossomed into America's most popular form of theater. Scott McMillin has developed a fresh aesthetic theory of this underrated art form, exploring the musical as a type of drama deserving the kind of critical and theoretical regard given to Chekhov or opera. Until recently, the musical has been considered either an "integrated" form of theater or an inferior sibling of opera. McMillin demonstrates that neither of these views is accurate, and that the musical holds true to the disjunctive and irreverent forms of popular entertainment from which it arose a century ago." "Discussing composers and writers such as Rodgers and Hammerstein, Stephen Sondheim, Kander and Ebb, Leonard Bernstein, and Jerome Kern, The Musical as Drama describes the continuity of this distinctively American dramatic genre, from the shows of the 1920s and 1930s to the musicals of today."--BOOK JACKET. Musicals gtt Theorieën gtt Dramaturgie swd Musical swd Musicals fast PERFORMING ARTS / Theater / General bisacsh Musicals United States History and criticism Musical (DE-588)4040801-2 gnd Dramaturgie (DE-588)4124796-6 gnd |
| subject_GND | (DE-588)4040801-2 (DE-588)4124796-6 |
| title | The musical as drama a study of the principles and conventions behind musical shows from Kern to Sondheim |
| title_auth | The musical as drama a study of the principles and conventions behind musical shows from Kern to Sondheim |
| title_exact_search | The musical as drama a study of the principles and conventions behind musical shows from Kern to Sondheim |
| title_full | The musical as drama a study of the principles and conventions behind musical shows from Kern to Sondheim Scott McMillin |
| title_fullStr | The musical as drama a study of the principles and conventions behind musical shows from Kern to Sondheim Scott McMillin |
| title_full_unstemmed | The musical as drama a study of the principles and conventions behind musical shows from Kern to Sondheim Scott McMillin |
| title_short | The musical as drama |
| title_sort | the musical as drama a study of the principles and conventions behind musical shows from kern to sondheim |
| title_sub | a study of the principles and conventions behind musical shows from Kern to Sondheim |
| topic | Musicals gtt Theorieën gtt Dramaturgie swd Musical swd Musicals fast PERFORMING ARTS / Theater / General bisacsh Musicals United States History and criticism Musical (DE-588)4040801-2 gnd Dramaturgie (DE-588)4124796-6 gnd |
| topic_facet | Musicals Theorieën Dramaturgie Musical PERFORMING ARTS / Theater / General Musicals United States History and criticism USA |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=873104 |
| work_keys_str_mv | AT mcmillinscott themusicalasdramaastudyoftheprinciplesandconventionsbehindmusicalshowsfromkerntosondheim |