Cinema and evil: moral complexities and the "dangerous" film
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne, UK
Cambridge Scholars Publishing
2013
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Description based on print version record |
| Beschreibung: | 1 online resource (xi, 217 pages.) |
| ISBN: | 1443843423 1443865583 9781443843423 9781443865586 |
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| 245 | 1 | 0 | |a Cinema and evil |b moral complexities and the "dangerous" film |c by Dara Waldron |
| 264 | 1 | |a Newcastle upon Tyne, UK |b Cambridge Scholars Publishing |c 2013 | |
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| 505 | 8 | |a Introduction : from Lang to Haneke : the 'dangerous' film -- 'Trying to see darkness' : a genealogy of evil from Manicheanism to Bataille -- The 'Discourse on evil' in Fritz Lang's M (1931) and Orson Welles's Touch of evil (1958) -- Pasolini and the remnants of neorealism : towards an immeasurable evil -- 'Strike dear mistress and cure his heart' : evil and the law in Liliana Cavani's The night porter (1974) -- 'Barbarism begins at home' : Augustinian evil in Haneke's Benny's video (1992) -- Doli incapax? : re-evaluating evil and its origins in Michael Haneke's Caché (2005) -- Seeing and failing to see again : on the evil of Michael Haneke's The white ribbon (2009) -- Conclusion : the "dangerous" film -- Postscript : a curious kind of elephant | |
| 505 | 8 | |a "Malevolence (and its causes) has been central to film since its inception; the birth of film coinciding with a fascination with crime, death, murder, horror, etc. Films which address the problem of evil, however, are less frequent and fewer in quantity; especially films which respond to a body of thought -- philosophical or theological -- which has deliberated on the topic of evil over the centuries. Cinema and Evil: Moral Responsibility and the "Dangerous" Film addresses these films. It explores the legacy of evil from Manicheanism to Arendt, assessing the alternative definitions offered by philosophers, theologians and writers per se, on its problematic status." -- Publisher website | |
| 650 | 7 | |a Good and evil |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
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Datensatz im Suchindex
| _version_ | 1804175402772463616 |
|---|---|
| any_adam_object | |
| author | Waldron, Dara |
| author_facet | Waldron, Dara |
| author_role | aut |
| author_sort | Waldron, Dara |
| author_variant | d w dw |
| building | Verbundindex |
| bvnumber | BV043039791 |
| collection | ZDB-4-EBA |
| contents | Introduction : from Lang to Haneke : the 'dangerous' film -- 'Trying to see darkness' : a genealogy of evil from Manicheanism to Bataille -- The 'Discourse on evil' in Fritz Lang's M (1931) and Orson Welles's Touch of evil (1958) -- Pasolini and the remnants of neorealism : towards an immeasurable evil -- 'Strike dear mistress and cure his heart' : evil and the law in Liliana Cavani's The night porter (1974) -- 'Barbarism begins at home' : Augustinian evil in Haneke's Benny's video (1992) -- Doli incapax? : re-evaluating evil and its origins in Michael Haneke's Caché (2005) -- Seeing and failing to see again : on the evil of Michael Haneke's The white ribbon (2009) -- Conclusion : the "dangerous" film -- Postscript : a curious kind of elephant "Malevolence (and its causes) has been central to film since its inception; the birth of film coinciding with a fascination with crime, death, murder, horror, etc. Films which address the problem of evil, however, are less frequent and fewer in quantity; especially films which respond to a body of thought -- philosophical or theological -- which has deliberated on the topic of evil over the centuries. Cinema and Evil: Moral Responsibility and the "Dangerous" Film addresses these films. It explores the legacy of evil from Manicheanism to Arendt, assessing the alternative definitions offered by philosophers, theologians and writers per se, on its problematic status." -- Publisher website |
| ctrlnum | (OCoLC)889931218 (DE-599)BVBBV043039791 |
| dewey-full | 791.43653 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43653 |
| dewey-search | 791.43653 |
| dewey-sort | 3791.43653 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| id | DE-604.BV043039791 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:15:43Z |
| institution | BVB |
| isbn | 1443843423 1443865583 9781443843423 9781443865586 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028464437 |
| oclc_num | 889931218 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 online resource (xi, 217 pages.) |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Cambridge Scholars Publishing |
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| spelling | Waldron, Dara Verfasser aut Cinema and evil moral complexities and the "dangerous" film by Dara Waldron Newcastle upon Tyne, UK Cambridge Scholars Publishing 2013 1 online resource (xi, 217 pages.) txt rdacontent c rdamedia cr rdacarrier Description based on print version record Introduction : from Lang to Haneke : the 'dangerous' film -- 'Trying to see darkness' : a genealogy of evil from Manicheanism to Bataille -- The 'Discourse on evil' in Fritz Lang's M (1931) and Orson Welles's Touch of evil (1958) -- Pasolini and the remnants of neorealism : towards an immeasurable evil -- 'Strike dear mistress and cure his heart' : evil and the law in Liliana Cavani's The night porter (1974) -- 'Barbarism begins at home' : Augustinian evil in Haneke's Benny's video (1992) -- Doli incapax? : re-evaluating evil and its origins in Michael Haneke's Caché (2005) -- Seeing and failing to see again : on the evil of Michael Haneke's The white ribbon (2009) -- Conclusion : the "dangerous" film -- Postscript : a curious kind of elephant "Malevolence (and its causes) has been central to film since its inception; the birth of film coinciding with a fascination with crime, death, murder, horror, etc. Films which address the problem of evil, however, are less frequent and fewer in quantity; especially films which respond to a body of thought -- philosophical or theological -- which has deliberated on the topic of evil over the centuries. Cinema and Evil: Moral Responsibility and the "Dangerous" Film addresses these films. It explores the legacy of evil from Manicheanism to Arendt, assessing the alternative definitions offered by philosophers, theologians and writers per se, on its problematic status." -- Publisher website Good and evil fast Motion pictures fast PERFORMING ARTS / Reference bisacsh Film Evil in motion pictures Sünde Motiv (DE-588)4183975-4 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Das Böse (DE-588)4007524-2 gnd rswk-swf Film (DE-588)4017102-4 s Das Böse (DE-588)4007524-2 s Sünde Motiv (DE-588)4183975-4 s 1\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=827561 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Waldron, Dara Cinema and evil moral complexities and the "dangerous" film Introduction : from Lang to Haneke : the 'dangerous' film -- 'Trying to see darkness' : a genealogy of evil from Manicheanism to Bataille -- The 'Discourse on evil' in Fritz Lang's M (1931) and Orson Welles's Touch of evil (1958) -- Pasolini and the remnants of neorealism : towards an immeasurable evil -- 'Strike dear mistress and cure his heart' : evil and the law in Liliana Cavani's The night porter (1974) -- 'Barbarism begins at home' : Augustinian evil in Haneke's Benny's video (1992) -- Doli incapax? : re-evaluating evil and its origins in Michael Haneke's Caché (2005) -- Seeing and failing to see again : on the evil of Michael Haneke's The white ribbon (2009) -- Conclusion : the "dangerous" film -- Postscript : a curious kind of elephant "Malevolence (and its causes) has been central to film since its inception; the birth of film coinciding with a fascination with crime, death, murder, horror, etc. Films which address the problem of evil, however, are less frequent and fewer in quantity; especially films which respond to a body of thought -- philosophical or theological -- which has deliberated on the topic of evil over the centuries. Cinema and Evil: Moral Responsibility and the "Dangerous" Film addresses these films. It explores the legacy of evil from Manicheanism to Arendt, assessing the alternative definitions offered by philosophers, theologians and writers per se, on its problematic status." -- Publisher website Good and evil fast Motion pictures fast PERFORMING ARTS / Reference bisacsh Film Evil in motion pictures Sünde Motiv (DE-588)4183975-4 gnd Film (DE-588)4017102-4 gnd Das Böse (DE-588)4007524-2 gnd |
| subject_GND | (DE-588)4183975-4 (DE-588)4017102-4 (DE-588)4007524-2 |
| title | Cinema and evil moral complexities and the "dangerous" film |
| title_auth | Cinema and evil moral complexities and the "dangerous" film |
| title_exact_search | Cinema and evil moral complexities and the "dangerous" film |
| title_full | Cinema and evil moral complexities and the "dangerous" film by Dara Waldron |
| title_fullStr | Cinema and evil moral complexities and the "dangerous" film by Dara Waldron |
| title_full_unstemmed | Cinema and evil moral complexities and the "dangerous" film by Dara Waldron |
| title_short | Cinema and evil |
| title_sort | cinema and evil moral complexities and the dangerous film |
| title_sub | moral complexities and the "dangerous" film |
| topic | Good and evil fast Motion pictures fast PERFORMING ARTS / Reference bisacsh Film Evil in motion pictures Sünde Motiv (DE-588)4183975-4 gnd Film (DE-588)4017102-4 gnd Das Böse (DE-588)4007524-2 gnd |
| topic_facet | Good and evil Motion pictures PERFORMING ARTS / Reference Film Evil in motion pictures Sünde Motiv Das Böse |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=827561 |
| work_keys_str_mv | AT waldrondara cinemaandevilmoralcomplexitiesandthedangerousfilm |