Writing against time:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Stanford, Calif.
Stanford University Press
©2013
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Print version record |
| Beschreibung: | 1 online resource |
| ISBN: | 0804770816 0804770824 0804784825 9780804770811 9780804770828 9780804784825 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV043039617 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 151120s2013 |||| o||u| ||||||eng d | ||
| 020 | |a 0804770816 |9 0-8047-7081-6 | ||
| 020 | |a 0804770824 |9 0-8047-7082-4 | ||
| 020 | |a 0804784825 |9 0-8047-8482-5 | ||
| 020 | |a 9780804770811 |9 978-0-8047-7081-1 | ||
| 020 | |a 9780804770828 |9 978-0-8047-7082-8 | ||
| 020 | |a 9780804784825 |9 978-0-8047-8482-5 | ||
| 035 | |a (OCoLC)818734168 | ||
| 035 | |a (DE-599)BVBBV043039617 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1046 |a DE-1047 | ||
| 082 | 0 | |a 809/.93384 |2 23 | |
| 100 | 1 | |a Clune, Michael W. |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Writing against time |c Michael W. Clune |
| 264 | 1 | |a Stanford, Calif. |b Stanford University Press |c ©2013 | |
| 300 | |a 1 online resource | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Print version record | ||
| 505 | 8 | |a Introduction : writing against time -- Imaginary music -- The addictive image -- Big Brother stops time -- The cultured image -- Conclusion : from representation to creation | |
| 505 | 8 | |a For centuries, a central goal of art has been to make us see the world with new eyes. Thinkers from Edmund Burke to Elaine Scarry have understood this effort as the attempt to create new forms. But as anyone who has ever worn out a song by repeated listening knows, artistic form is hardly immune to sensation-killing habit. Some of our most ambitious writers-Keats, Proust, Nabokov, Ashbery-have been obsessed by this problem. Attempting to create an image that never gets old, they experiment with virtual, ideal forms. Poems and novels become workshops, as fragments of the real world are scr | |
| 650 | 7 | |a BIOGRAPHY & AUTOBIOGRAPHY / Literary |2 bisacsh | |
| 650 | 4 | |a Literature, Modern |x History and criticism | |
| 650 | 4 | |a Time in literature | |
| 650 | 0 | 7 | |a Literatur |0 (DE-588)4035964-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Zeit |g Motiv |0 (DE-588)4207564-6 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Literatur |0 (DE-588)4035964-5 |D s |
| 689 | 0 | 1 | |a Zeit |g Motiv |0 (DE-588)4207564-6 |D s |
| 689 | 0 | |8 1\p |5 DE-604 | |
| 856 | 4 | 0 | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=713639 |x Aggregator |3 Volltext |
| 912 | |a ZDB-4-EBA | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-028464264 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=713639 |l FAW01 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=713639 |l FAW02 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804175402473619456 |
|---|---|
| any_adam_object | |
| author | Clune, Michael W. |
| author_facet | Clune, Michael W. |
| author_role | aut |
| author_sort | Clune, Michael W. |
| author_variant | m w c mw mwc |
| building | Verbundindex |
| bvnumber | BV043039617 |
| collection | ZDB-4-EBA |
| contents | Introduction : writing against time -- Imaginary music -- The addictive image -- Big Brother stops time -- The cultured image -- Conclusion : from representation to creation For centuries, a central goal of art has been to make us see the world with new eyes. Thinkers from Edmund Burke to Elaine Scarry have understood this effort as the attempt to create new forms. But as anyone who has ever worn out a song by repeated listening knows, artistic form is hardly immune to sensation-killing habit. Some of our most ambitious writers-Keats, Proust, Nabokov, Ashbery-have been obsessed by this problem. Attempting to create an image that never gets old, they experiment with virtual, ideal forms. Poems and novels become workshops, as fragments of the real world are scr |
| ctrlnum | (OCoLC)818734168 (DE-599)BVBBV043039617 |
| dewey-full | 809/.93384 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 809 - History, description & criticism |
| dewey-raw | 809/.93384 |
| dewey-search | 809/.93384 |
| dewey-sort | 3809 593384 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Literaturwissenschaft |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02791nmm a2200517zc 4500</leader><controlfield tag="001">BV043039617</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">151120s2013 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0804770816</subfield><subfield code="9">0-8047-7081-6</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0804770824</subfield><subfield code="9">0-8047-7082-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0804784825</subfield><subfield code="9">0-8047-8482-5</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780804770811</subfield><subfield code="9">978-0-8047-7081-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780804770828</subfield><subfield code="9">978-0-8047-7082-8</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780804784825</subfield><subfield code="9">978-0-8047-8482-5</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)818734168</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043039617</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-1047</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">809/.93384</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Clune, Michael W.</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Writing against time</subfield><subfield code="c">Michael W. Clune</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Stanford, Calif.</subfield><subfield code="b">Stanford University Press</subfield><subfield code="c">©2013</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Print version record</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Introduction : writing against time -- Imaginary music -- The addictive image -- Big Brother stops time -- The cultured image -- Conclusion : from representation to creation</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">For centuries, a central goal of art has been to make us see the world with new eyes. Thinkers from Edmund Burke to Elaine Scarry have understood this effort as the attempt to create new forms. But as anyone who has ever worn out a song by repeated listening knows, artistic form is hardly immune to sensation-killing habit. Some of our most ambitious writers-Keats, Proust, Nabokov, Ashbery-have been obsessed by this problem. Attempting to create an image that never gets old, they experiment with virtual, ideal forms. Poems and novels become workshops, as fragments of the real world are scr</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">BIOGRAPHY & AUTOBIOGRAPHY / Literary</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Literature, Modern</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Time in literature</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Zeit</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4207564-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Zeit</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4207564-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=713639</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028464264</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=713639</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=713639</subfield><subfield code="l">FAW02</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV043039617 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:15:43Z |
| institution | BVB |
| isbn | 0804770816 0804770824 0804784825 9780804770811 9780804770828 9780804784825 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028464264 |
| oclc_num | 818734168 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 online resource |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Stanford University Press |
| record_format | marc |
| spelling | Clune, Michael W. Verfasser aut Writing against time Michael W. Clune Stanford, Calif. Stanford University Press ©2013 1 online resource txt rdacontent c rdamedia cr rdacarrier Print version record Introduction : writing against time -- Imaginary music -- The addictive image -- Big Brother stops time -- The cultured image -- Conclusion : from representation to creation For centuries, a central goal of art has been to make us see the world with new eyes. Thinkers from Edmund Burke to Elaine Scarry have understood this effort as the attempt to create new forms. But as anyone who has ever worn out a song by repeated listening knows, artistic form is hardly immune to sensation-killing habit. Some of our most ambitious writers-Keats, Proust, Nabokov, Ashbery-have been obsessed by this problem. Attempting to create an image that never gets old, they experiment with virtual, ideal forms. Poems and novels become workshops, as fragments of the real world are scr BIOGRAPHY & AUTOBIOGRAPHY / Literary bisacsh Literature, Modern History and criticism Time in literature Literatur (DE-588)4035964-5 gnd rswk-swf Zeit Motiv (DE-588)4207564-6 gnd rswk-swf Literatur (DE-588)4035964-5 s Zeit Motiv (DE-588)4207564-6 s 1\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=713639 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Clune, Michael W. Writing against time Introduction : writing against time -- Imaginary music -- The addictive image -- Big Brother stops time -- The cultured image -- Conclusion : from representation to creation For centuries, a central goal of art has been to make us see the world with new eyes. Thinkers from Edmund Burke to Elaine Scarry have understood this effort as the attempt to create new forms. But as anyone who has ever worn out a song by repeated listening knows, artistic form is hardly immune to sensation-killing habit. Some of our most ambitious writers-Keats, Proust, Nabokov, Ashbery-have been obsessed by this problem. Attempting to create an image that never gets old, they experiment with virtual, ideal forms. Poems and novels become workshops, as fragments of the real world are scr BIOGRAPHY & AUTOBIOGRAPHY / Literary bisacsh Literature, Modern History and criticism Time in literature Literatur (DE-588)4035964-5 gnd Zeit Motiv (DE-588)4207564-6 gnd |
| subject_GND | (DE-588)4035964-5 (DE-588)4207564-6 |
| title | Writing against time |
| title_auth | Writing against time |
| title_exact_search | Writing against time |
| title_full | Writing against time Michael W. Clune |
| title_fullStr | Writing against time Michael W. Clune |
| title_full_unstemmed | Writing against time Michael W. Clune |
| title_short | Writing against time |
| title_sort | writing against time |
| topic | BIOGRAPHY & AUTOBIOGRAPHY / Literary bisacsh Literature, Modern History and criticism Time in literature Literatur (DE-588)4035964-5 gnd Zeit Motiv (DE-588)4207564-6 gnd |
| topic_facet | BIOGRAPHY & AUTOBIOGRAPHY / Literary Literature, Modern History and criticism Time in literature Literatur Zeit Motiv |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=713639 |
| work_keys_str_mv | AT clunemichaelw writingagainsttime |