Marronnage and Arts: Revolts in Bodies and Voices
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Newcastle upon Tyne
Cambridge Scholars Pub.
2012
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Schlagworte: | |
Online-Zugang: | FAW01 FAW02 Volltext |
Beschreibung: | Print version record |
Beschreibung: | 1 online resource (224 pages) |
ISBN: | 129965861X 1443841420 1443844063 9781299658615 9781443841429 9781443844062 |
Internformat
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505 | 8 | |a TABLE OF CONTENTS; LIST OF ILLUSTRATIONS; LIST OF TABLES; FOREWORD; ACKNOWLEDGEMENTS; PART I; THE EVOLUTION OF GWO KA FROM THE TWENTIETH CENTURY TO THE PRESENT DAY; BÈLÈ IN MARTINIQUE; THE TAMBOR-DE-CRIOULA AND THE ISSUES OF AFRO-DESCENDANTS; MALOYA AND DANCE; PART II; FREEDOM IN THE MAS; JAZZMUSIC AND AMIRI BARAKA'S CONTINUUM; MIZIK KONT PWOFITASYON; REGGAE, RASTA AND THE TRANSCENDENTAL USE OF ALTERNATIVE PUBLIC SPACES IN THE UK BY DANCEHALL DEEJAYS; PART III; THE CREOLE HIP HOP CULTURE; WILL THE REAL NÈG MAWON PLEASE STAND UP. | |
505 | 8 | |a WALKING THE PATHS OF MARRONNAGE TO THE CREATION OF DANCEHALL AND RAP MUSICFROM THE GREAT ISLAND TO THE AFRICAN CONTINENT THROUGH THE WESTERN WORLD; BIBLIOGRAPHY; CONTRIBUTORS; NOTES. | |
505 | 8 | |a Marronnage is a stance, an attitude, a mentality or even a style. This book gives a large span of declensions of marronnage and shows how the quest for freedom during Slavery has infiltrated social relationships and the arts. Thus, identity approaches and expressions very specific to postcolonial societies and conditioned by the interracial and phenotypical-social interactions have developed. Those musics and dances are cosmogonies with their particular codes. New spheres where the enslaved .. | |
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650 | 7 | |a Dance, Black |2 fast | |
650 | 7 | |a Folk music |2 fast | |
650 | 7 | |a Slavery |2 fast | |
650 | 4 | |a Geschichte | |
650 | 4 | |a Musik | |
650 | 4 | |a Sklaverei | |
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650 | 4 | |a Blacks |x Music |x History and criticism |v Congresses | |
650 | 4 | |a Dance, Black |x History and criticism |v Congresses | |
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Datensatz im Suchindex
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any_adam_object | |
author | Melyon-Reinette, Stephanie |
author_facet | Melyon-Reinette, Stephanie |
author_role | aut |
author_sort | Melyon-Reinette, Stephanie |
author_variant | s m r smr |
building | Verbundindex |
bvnumber | BV043039479 |
collection | ZDB-4-EBA |
contents | TABLE OF CONTENTS; LIST OF ILLUSTRATIONS; LIST OF TABLES; FOREWORD; ACKNOWLEDGEMENTS; PART I; THE EVOLUTION OF GWO KA FROM THE TWENTIETH CENTURY TO THE PRESENT DAY; BÈLÈ IN MARTINIQUE; THE TAMBOR-DE-CRIOULA AND THE ISSUES OF AFRO-DESCENDANTS; MALOYA AND DANCE; PART II; FREEDOM IN THE MAS; JAZZMUSIC AND AMIRI BARAKA'S CONTINUUM; MIZIK KONT PWOFITASYON; REGGAE, RASTA AND THE TRANSCENDENTAL USE OF ALTERNATIVE PUBLIC SPACES IN THE UK BY DANCEHALL DEEJAYS; PART III; THE CREOLE HIP HOP CULTURE; WILL THE REAL NÈG MAWON PLEASE STAND UP. WALKING THE PATHS OF MARRONNAGE TO THE CREATION OF DANCEHALL AND RAP MUSICFROM THE GREAT ISLAND TO THE AFRICAN CONTINENT THROUGH THE WESTERN WORLD; BIBLIOGRAPHY; CONTRIBUTORS; NOTES. Marronnage is a stance, an attitude, a mentality or even a style. This book gives a large span of declensions of marronnage and shows how the quest for freedom during Slavery has infiltrated social relationships and the arts. Thus, identity approaches and expressions very specific to postcolonial societies and conditioned by the interracial and phenotypical-social interactions have developed. Those musics and dances are cosmogonies with their particular codes. New spheres where the enslaved .. |
ctrlnum | (OCoLC)902948489 (DE-599)BVBBV043039479 |
dewey-full | 780.8996 |
dewey-hundreds | 700 - The arts |
dewey-ones | 780 - Music |
dewey-raw | 780.8996 |
dewey-search | 780.8996 |
dewey-sort | 3780.8996 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
format | Electronic eBook |
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spelling | Melyon-Reinette, Stephanie Verfasser aut Marronnage and Arts Revolts in Bodies and Voices Newcastle upon Tyne Cambridge Scholars Pub. 2012 1 online resource (224 pages) txt rdacontent c rdamedia cr rdacarrier Print version record TABLE OF CONTENTS; LIST OF ILLUSTRATIONS; LIST OF TABLES; FOREWORD; ACKNOWLEDGEMENTS; PART I; THE EVOLUTION OF GWO KA FROM THE TWENTIETH CENTURY TO THE PRESENT DAY; BÈLÈ IN MARTINIQUE; THE TAMBOR-DE-CRIOULA AND THE ISSUES OF AFRO-DESCENDANTS; MALOYA AND DANCE; PART II; FREEDOM IN THE MAS; JAZZMUSIC AND AMIRI BARAKA'S CONTINUUM; MIZIK KONT PWOFITASYON; REGGAE, RASTA AND THE TRANSCENDENTAL USE OF ALTERNATIVE PUBLIC SPACES IN THE UK BY DANCEHALL DEEJAYS; PART III; THE CREOLE HIP HOP CULTURE; WILL THE REAL NÈG MAWON PLEASE STAND UP. WALKING THE PATHS OF MARRONNAGE TO THE CREATION OF DANCEHALL AND RAP MUSICFROM THE GREAT ISLAND TO THE AFRICAN CONTINENT THROUGH THE WESTERN WORLD; BIBLIOGRAPHY; CONTRIBUTORS; NOTES. Marronnage is a stance, an attitude, a mentality or even a style. This book gives a large span of declensions of marronnage and shows how the quest for freedom during Slavery has infiltrated social relationships and the arts. Thus, identity approaches and expressions very specific to postcolonial societies and conditioned by the interracial and phenotypical-social interactions have developed. Those musics and dances are cosmogonies with their particular codes. New spheres where the enslaved .. Blacks / Music / History and criticism Dance, Black Music and race MUSIC / History & Criticism bisacsh Blacks / Music fast Dance, Black fast Folk music fast Slavery fast Geschichte Musik Sklaverei Folk music History and criticism Congresses Blacks Music History and criticism Congresses Dance, Black History and criticism Congresses Slavery History Congresses Afroamerikanischer Tanz (DE-588)4122768-2 gnd rswk-swf Afroamerikanische Musik (DE-588)4122767-0 gnd rswk-swf Postkolonialismus (DE-588)4566658-1 gnd rswk-swf Kunstfreiheit (DE-588)4033433-8 gnd rswk-swf (DE-588)1071861417 Konferenzschrift gnd-content Afroamerikanische Musik (DE-588)4122767-0 s Afroamerikanischer Tanz (DE-588)4122768-2 s Postkolonialismus (DE-588)4566658-1 s Kunstfreiheit (DE-588)4033433-8 s 1\p DE-604 Erscheint auch als Druck-Ausgabe Melyon-Reinette, Stephanie Marronnage and Arts : Revolts in Bodies and Voices http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=523894 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Melyon-Reinette, Stephanie Marronnage and Arts Revolts in Bodies and Voices TABLE OF CONTENTS; LIST OF ILLUSTRATIONS; LIST OF TABLES; FOREWORD; ACKNOWLEDGEMENTS; PART I; THE EVOLUTION OF GWO KA FROM THE TWENTIETH CENTURY TO THE PRESENT DAY; BÈLÈ IN MARTINIQUE; THE TAMBOR-DE-CRIOULA AND THE ISSUES OF AFRO-DESCENDANTS; MALOYA AND DANCE; PART II; FREEDOM IN THE MAS; JAZZMUSIC AND AMIRI BARAKA'S CONTINUUM; MIZIK KONT PWOFITASYON; REGGAE, RASTA AND THE TRANSCENDENTAL USE OF ALTERNATIVE PUBLIC SPACES IN THE UK BY DANCEHALL DEEJAYS; PART III; THE CREOLE HIP HOP CULTURE; WILL THE REAL NÈG MAWON PLEASE STAND UP. WALKING THE PATHS OF MARRONNAGE TO THE CREATION OF DANCEHALL AND RAP MUSICFROM THE GREAT ISLAND TO THE AFRICAN CONTINENT THROUGH THE WESTERN WORLD; BIBLIOGRAPHY; CONTRIBUTORS; NOTES. Marronnage is a stance, an attitude, a mentality or even a style. This book gives a large span of declensions of marronnage and shows how the quest for freedom during Slavery has infiltrated social relationships and the arts. Thus, identity approaches and expressions very specific to postcolonial societies and conditioned by the interracial and phenotypical-social interactions have developed. Those musics and dances are cosmogonies with their particular codes. New spheres where the enslaved .. Blacks / Music / History and criticism Dance, Black Music and race MUSIC / History & Criticism bisacsh Blacks / Music fast Dance, Black fast Folk music fast Slavery fast Geschichte Musik Sklaverei Folk music History and criticism Congresses Blacks Music History and criticism Congresses Dance, Black History and criticism Congresses Slavery History Congresses Afroamerikanischer Tanz (DE-588)4122768-2 gnd Afroamerikanische Musik (DE-588)4122767-0 gnd Postkolonialismus (DE-588)4566658-1 gnd Kunstfreiheit (DE-588)4033433-8 gnd |
subject_GND | (DE-588)4122768-2 (DE-588)4122767-0 (DE-588)4566658-1 (DE-588)4033433-8 (DE-588)1071861417 |
title | Marronnage and Arts Revolts in Bodies and Voices |
title_auth | Marronnage and Arts Revolts in Bodies and Voices |
title_exact_search | Marronnage and Arts Revolts in Bodies and Voices |
title_full | Marronnage and Arts Revolts in Bodies and Voices |
title_fullStr | Marronnage and Arts Revolts in Bodies and Voices |
title_full_unstemmed | Marronnage and Arts Revolts in Bodies and Voices |
title_short | Marronnage and Arts |
title_sort | marronnage and arts revolts in bodies and voices |
title_sub | Revolts in Bodies and Voices |
topic | Blacks / Music / History and criticism Dance, Black Music and race MUSIC / History & Criticism bisacsh Blacks / Music fast Dance, Black fast Folk music fast Slavery fast Geschichte Musik Sklaverei Folk music History and criticism Congresses Blacks Music History and criticism Congresses Dance, Black History and criticism Congresses Slavery History Congresses Afroamerikanischer Tanz (DE-588)4122768-2 gnd Afroamerikanische Musik (DE-588)4122767-0 gnd Postkolonialismus (DE-588)4566658-1 gnd Kunstfreiheit (DE-588)4033433-8 gnd |
topic_facet | Blacks / Music / History and criticism Dance, Black Music and race MUSIC / History & Criticism Blacks / Music Folk music Slavery Geschichte Musik Sklaverei Folk music History and criticism Congresses Blacks Music History and criticism Congresses Dance, Black History and criticism Congresses Slavery History Congresses Afroamerikanischer Tanz Afroamerikanische Musik Postkolonialismus Kunstfreiheit Konferenzschrift |
url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=523894 |
work_keys_str_mv | AT melyonreinettestephanie marronnageandartsrevoltsinbodiesandvoices |