Beyond the Soundtrack: Representing Music in Cinema
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berkeley
University of California Press
2007
|
| Schriftenreihe: | Ahmanson Foundation book in the humanities
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Print version record |
| Beschreibung: | 1 online resource (333 pages) |
| ISBN: | 0520940555 9780520940550 |
Internformat
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| 100 | 1 | |a Goldmark, Daniel |d 1973- |e Verfasser |0 (DE-588)1024741303 |4 aut | |
| 245 | 1 | 0 | |a Beyond the Soundtrack |b Representing Music in Cinema |c Daniel Goldmark, Lawrence Kramer, Richard D. Leppert |
| 264 | 1 | |a Berkeley |b University of California Press |c 2007 | |
| 300 | |a 1 online resource (333 pages) | ||
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| 505 | 8 | |a List of Illustrations; Introduction. Phonoplay: Recasting Film Music; PART I: MUSICAL MEANING; 1. The Boy on the Train, or Bad Symphonies and Good Movies: The Revealing Error of the "Symphonic Score"; 2. Representing Beethoven: Romance and Sonata Form in Simon Cellan Jones's Eroica; 3. Minima Romantica; 4. Melodic Trains: Music in Polanski's The Pianist; 5. Mute Music: Polanski's The Pianist and Campion's The Piano; PART II: MUSICAL AGENCY; 6. Opera, Aesthetic Violence, and the Imposition of Modernity: Fitzcarraldo | |
| 505 | 8 | |a 7. Sight, Sound, and the Temporality of Myth Making in Koyaanisqatsi8. How Sound Floats on Land: The Suppression and Release of Folk and Indigenous Musics in the Cinematic Terrain; 9. Auteur Music; 10. Transport and Transportation in Audiovisual Memory; 11. The Fantastical Gap between Diegetic and Nondiegetic; PART III: MUSICAL IDENTITY; 12. Early Film Themes: Roxy, Adorno, and the Problem of Cultural Capital; 13. Before Willie: Reconsidering Music and the Animated Cartoon of the 1920s; 14. Side by Side: Nino Rota, Music, and Film; 15. White Face, Black Noise: Miles Davis and the Soundtrack | |
| 505 | 8 | |a 16. Men at the Keyboard: Liminal Spaces and the Heterotopian Function of MusicNotes on Contributors; Works Cited; Index of Films Cited; Index of Names; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z. | |
| 505 | 8 | |a This groundbreaking collection by the most distinguished musicologists and film scholars in their fields gives long overdue recognition to music as equal to the image in shaping the experience of film. Refuting the familiar idea that music serves as an unnoticed prop for narrative, these essays demonstrate that music is a fully imagined and active power in the worlds of film. Even where films do give it a supporting role--and many do much more--music makes an independent contribution. Drawing on recent advances in musicology and cinema studies, Beyond the Soundtrack interprets the cinematic repr | |
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Motion picture music / History and criticism | |
| 650 | 4 | |a Fine Arts | |
| 650 | 7 | |a MUSIC / Printed Music / Musicals, Film & TV. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / General |2 bisacsh | |
| 650 | 7 | |a Motion picture music |2 fast | |
| 650 | 4 | |a Motion picture music |x History and criticism | |
| 650 | 0 | 7 | |a Filmmusik |0 (DE-588)4017129-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
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| 689 | 1 | 1 | |a Geschichte |A z |
| 689 | 1 | |8 3\p |5 DE-604 | |
| 700 | 1 | |a Kramer, Lawrence |d 1946- |e Sonstige |0 (DE-588)120902877 |4 oth | |
| 700 | 1 | |a Leppert, Richard D. |d 1943- |e Sonstige |0 (DE-588)115110895 |4 oth | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |a Goldmark, Daniel |t Beyond the Soundtrack : Representing Music in Cinema |z 978-0-520-25069-7 |
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Datensatz im Suchindex
| _version_ | 1804175402212524032 |
|---|---|
| any_adam_object | |
| author | Goldmark, Daniel 1973- |
| author_GND | (DE-588)1024741303 (DE-588)120902877 (DE-588)115110895 |
| author_facet | Goldmark, Daniel 1973- |
| author_role | aut |
| author_sort | Goldmark, Daniel 1973- |
| author_variant | d g dg |
| building | Verbundindex |
| bvnumber | BV043039467 |
| classification_rvk | LR 53509 AP 51450 LT 53509 |
| collection | ZDB-4-EBA ebook |
| contents | List of Illustrations; Introduction. Phonoplay: Recasting Film Music; PART I: MUSICAL MEANING; 1. The Boy on the Train, or Bad Symphonies and Good Movies: The Revealing Error of the "Symphonic Score"; 2. Representing Beethoven: Romance and Sonata Form in Simon Cellan Jones's Eroica; 3. Minima Romantica; 4. Melodic Trains: Music in Polanski's The Pianist; 5. Mute Music: Polanski's The Pianist and Campion's The Piano; PART II: MUSICAL AGENCY; 6. Opera, Aesthetic Violence, and the Imposition of Modernity: Fitzcarraldo 7. Sight, Sound, and the Temporality of Myth Making in Koyaanisqatsi8. How Sound Floats on Land: The Suppression and Release of Folk and Indigenous Musics in the Cinematic Terrain; 9. Auteur Music; 10. Transport and Transportation in Audiovisual Memory; 11. The Fantastical Gap between Diegetic and Nondiegetic; PART III: MUSICAL IDENTITY; 12. Early Film Themes: Roxy, Adorno, and the Problem of Cultural Capital; 13. Before Willie: Reconsidering Music and the Animated Cartoon of the 1920s; 14. Side by Side: Nino Rota, Music, and Film; 15. White Face, Black Noise: Miles Davis and the Soundtrack 16. Men at the Keyboard: Liminal Spaces and the Heterotopian Function of MusicNotes on Contributors; Works Cited; Index of Films Cited; Index of Names; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z. This groundbreaking collection by the most distinguished musicologists and film scholars in their fields gives long overdue recognition to music as equal to the image in shaping the experience of film. Refuting the familiar idea that music serves as an unnoticed prop for narrative, these essays demonstrate that music is a fully imagined and active power in the worlds of film. Even where films do give it a supporting role--and many do much more--music makes an independent contribution. Drawing on recent advances in musicology and cinema studies, Beyond the Soundtrack interprets the cinematic repr |
| ctrlnum | (OCoLC)794663683 (DE-599)BVBBV043039467 |
| dewey-full | 781.542 781.5/42 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.542 781.5/42 |
| dewey-search | 781.542 781.5/42 |
| dewey-sort | 3781.542 |
| dewey-tens | 780 - Music |
| discipline | Allgemeines Musikwissenschaft |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
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| genre_facet | Aufsatzsammlung |
| id | DE-604.BV043039467 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:15:43Z |
| institution | BVB |
| isbn | 0520940555 9780520940550 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028464114 |
| oclc_num | 794663683 |
| open_access_boolean | |
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| owner_facet | DE-1046 DE-1047 DE-11 |
| physical | 1 online resource (333 pages) |
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| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | University of California Press |
| record_format | marc |
| series2 | Ahmanson Foundation book in the humanities |
| spelling | Goldmark, Daniel 1973- Verfasser (DE-588)1024741303 aut Beyond the Soundtrack Representing Music in Cinema Daniel Goldmark, Lawrence Kramer, Richard D. Leppert Berkeley University of California Press 2007 1 online resource (333 pages) txt rdacontent c rdamedia cr rdacarrier Ahmanson Foundation book in the humanities Print version record List of Illustrations; Introduction. Phonoplay: Recasting Film Music; PART I: MUSICAL MEANING; 1. The Boy on the Train, or Bad Symphonies and Good Movies: The Revealing Error of the "Symphonic Score"; 2. Representing Beethoven: Romance and Sonata Form in Simon Cellan Jones's Eroica; 3. Minima Romantica; 4. Melodic Trains: Music in Polanski's The Pianist; 5. Mute Music: Polanski's The Pianist and Campion's The Piano; PART II: MUSICAL AGENCY; 6. Opera, Aesthetic Violence, and the Imposition of Modernity: Fitzcarraldo 7. Sight, Sound, and the Temporality of Myth Making in Koyaanisqatsi8. How Sound Floats on Land: The Suppression and Release of Folk and Indigenous Musics in the Cinematic Terrain; 9. Auteur Music; 10. Transport and Transportation in Audiovisual Memory; 11. The Fantastical Gap between Diegetic and Nondiegetic; PART III: MUSICAL IDENTITY; 12. Early Film Themes: Roxy, Adorno, and the Problem of Cultural Capital; 13. Before Willie: Reconsidering Music and the Animated Cartoon of the 1920s; 14. Side by Side: Nino Rota, Music, and Film; 15. White Face, Black Noise: Miles Davis and the Soundtrack 16. Men at the Keyboard: Liminal Spaces and the Heterotopian Function of MusicNotes on Contributors; Works Cited; Index of Films Cited; Index of Names; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z. This groundbreaking collection by the most distinguished musicologists and film scholars in their fields gives long overdue recognition to music as equal to the image in shaping the experience of film. Refuting the familiar idea that music serves as an unnoticed prop for narrative, these essays demonstrate that music is a fully imagined and active power in the worlds of film. Even where films do give it a supporting role--and many do much more--music makes an independent contribution. Drawing on recent advances in musicology and cinema studies, Beyond the Soundtrack interprets the cinematic repr Geschichte gnd rswk-swf Motion picture music / History and criticism Fine Arts MUSIC / Printed Music / Musicals, Film & TV. bisacsh PERFORMING ARTS / Film & Video / General bisacsh Motion picture music fast Motion picture music History and criticism Filmmusik (DE-588)4017129-2 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Musik Motiv (DE-588)4114652-9 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Film (DE-588)4017102-4 s Musik Motiv (DE-588)4114652-9 s 2\p DE-604 Filmmusik (DE-588)4017129-2 s Geschichte z 3\p DE-604 Kramer, Lawrence 1946- Sonstige (DE-588)120902877 oth Leppert, Richard D. 1943- Sonstige (DE-588)115110895 oth Erscheint auch als Druck-Ausgabe Goldmark, Daniel Beyond the Soundtrack : Representing Music in Cinema 978-0-520-25069-7 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=306065 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Goldmark, Daniel 1973- Beyond the Soundtrack Representing Music in Cinema List of Illustrations; Introduction. Phonoplay: Recasting Film Music; PART I: MUSICAL MEANING; 1. The Boy on the Train, or Bad Symphonies and Good Movies: The Revealing Error of the "Symphonic Score"; 2. Representing Beethoven: Romance and Sonata Form in Simon Cellan Jones's Eroica; 3. Minima Romantica; 4. Melodic Trains: Music in Polanski's The Pianist; 5. Mute Music: Polanski's The Pianist and Campion's The Piano; PART II: MUSICAL AGENCY; 6. Opera, Aesthetic Violence, and the Imposition of Modernity: Fitzcarraldo 7. Sight, Sound, and the Temporality of Myth Making in Koyaanisqatsi8. How Sound Floats on Land: The Suppression and Release of Folk and Indigenous Musics in the Cinematic Terrain; 9. Auteur Music; 10. Transport and Transportation in Audiovisual Memory; 11. The Fantastical Gap between Diegetic and Nondiegetic; PART III: MUSICAL IDENTITY; 12. Early Film Themes: Roxy, Adorno, and the Problem of Cultural Capital; 13. Before Willie: Reconsidering Music and the Animated Cartoon of the 1920s; 14. Side by Side: Nino Rota, Music, and Film; 15. White Face, Black Noise: Miles Davis and the Soundtrack 16. Men at the Keyboard: Liminal Spaces and the Heterotopian Function of MusicNotes on Contributors; Works Cited; Index of Films Cited; Index of Names; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z. This groundbreaking collection by the most distinguished musicologists and film scholars in their fields gives long overdue recognition to music as equal to the image in shaping the experience of film. Refuting the familiar idea that music serves as an unnoticed prop for narrative, these essays demonstrate that music is a fully imagined and active power in the worlds of film. Even where films do give it a supporting role--and many do much more--music makes an independent contribution. Drawing on recent advances in musicology and cinema studies, Beyond the Soundtrack interprets the cinematic repr Motion picture music / History and criticism Fine Arts MUSIC / Printed Music / Musicals, Film & TV. bisacsh PERFORMING ARTS / Film & Video / General bisacsh Motion picture music fast Motion picture music History and criticism Filmmusik (DE-588)4017129-2 gnd Film (DE-588)4017102-4 gnd Musik Motiv (DE-588)4114652-9 gnd |
| subject_GND | (DE-588)4017129-2 (DE-588)4017102-4 (DE-588)4114652-9 (DE-588)4143413-4 |
| title | Beyond the Soundtrack Representing Music in Cinema |
| title_auth | Beyond the Soundtrack Representing Music in Cinema |
| title_exact_search | Beyond the Soundtrack Representing Music in Cinema |
| title_full | Beyond the Soundtrack Representing Music in Cinema Daniel Goldmark, Lawrence Kramer, Richard D. Leppert |
| title_fullStr | Beyond the Soundtrack Representing Music in Cinema Daniel Goldmark, Lawrence Kramer, Richard D. Leppert |
| title_full_unstemmed | Beyond the Soundtrack Representing Music in Cinema Daniel Goldmark, Lawrence Kramer, Richard D. Leppert |
| title_short | Beyond the Soundtrack |
| title_sort | beyond the soundtrack representing music in cinema |
| title_sub | Representing Music in Cinema |
| topic | Motion picture music / History and criticism Fine Arts MUSIC / Printed Music / Musicals, Film & TV. bisacsh PERFORMING ARTS / Film & Video / General bisacsh Motion picture music fast Motion picture music History and criticism Filmmusik (DE-588)4017129-2 gnd Film (DE-588)4017102-4 gnd Musik Motiv (DE-588)4114652-9 gnd |
| topic_facet | Motion picture music / History and criticism Fine Arts MUSIC / Printed Music / Musicals, Film & TV. PERFORMING ARTS / Film & Video / General Motion picture music Motion picture music History and criticism Filmmusik Film Musik Motiv Aufsatzsammlung |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=306065 |
| work_keys_str_mv | AT goldmarkdaniel beyondthesoundtrackrepresentingmusicincinema AT kramerlawrence beyondthesoundtrackrepresentingmusicincinema AT leppertrichardd beyondthesoundtrackrepresentingmusicincinema |