History of the Oratorio, Vol. 1: the Oratorio in the Baroque Era
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Chapel Hill
The University of North Carolina Press
1977
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Print version record |
| Beschreibung: | 1 online resource (513 pages) |
| ISBN: | 0807837733 9780807837733 |
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| 505 | 8 | |a Cover; Contents; Preface; Abbreviations; I. Introduction; PART I: The Antecedents and Origins of the Oratorio; II. The Middle Ages, Renaissance, and Roman Catholic Reform; Some Antecedents of the Oratorio; The Oratorians and Their Social Context; Antecedents of the Oratorio in Neri's Oratory; A Reappraisal of Some Oratorio Antecedents; III. The Early Baroque: Antecedents and Incunabula of the Oratorio; Antecedents; Anerio's Teatro and Some Incunabula of the Oratorio; PART II: The Oratorio in Italy, Circa 1640--1720; IV. Mid-Century Rome I: The Oratorio Volgare | |
| 505 | 8 | |a Social, Artistic, and Literary BackgroundMusical Background; The Oratories and Their Music; Examples of the Oratorio Volgare; The Chief Characteristics of the Oratorio Volgare; V. Mid-Century Rome II: Carissimi and the Oratorio Latino; Rome's Latin Oratory and Its Music; Giacomo Carissimi; Some Contemporaries of Carissimi; The Chief Characteristics of the Oratorio Latino; VI. The Later Baroque I: Social Contexts, Patrons, Composers, Poets; Rome; Other Centers; VII. The Later Baroque II: The Libretto and Music; The Libretto; The Music of the Oratorio from the 1660s to the 1680s | |
| 505 | 8 | |a The Music of the Oratorio from the 1680s to about 1720Conclusion; PART III: The Italian Oratorio Outside Italy; VIII. Vienna; The Oratorio and Sepolcro in Vienna; IX. Paris; Social and Musical Background; Marc-Antoine Charpentier and the Latin Oratorio; Parisian Oratorios After Charpentier; Bibliography | |
| 505 | 8 | |a Howard Smither has written the first definitive work on the history of the oratorio since Arnold Schering published his Geschichte des Oratoriums in 1911. This volume is the first of a four-volume comprehensive study that offers a new synthesis of what is known to date about the oratorio. Volume 1, divided into three parts, opens with the examination of the medieval, Renaissance, and early Baroque antecedents and origins of the oratorio, with emphasis on Rome and Philip Neri's Congregation of the Oratory and with special attention to the earliest works for which the term oratorio seems appropriate | |
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Datensatz im Suchindex
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| author | Smither, Howard E. |
| author_facet | Smither, Howard E. |
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| author_sort | Smither, Howard E. |
| author_variant | h e s he hes |
| building | Verbundindex |
| bvnumber | BV043038461 |
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| contents | Cover; Contents; Preface; Abbreviations; I. Introduction; PART I: The Antecedents and Origins of the Oratorio; II. The Middle Ages, Renaissance, and Roman Catholic Reform; Some Antecedents of the Oratorio; The Oratorians and Their Social Context; Antecedents of the Oratorio in Neri's Oratory; A Reappraisal of Some Oratorio Antecedents; III. The Early Baroque: Antecedents and Incunabula of the Oratorio; Antecedents; Anerio's Teatro and Some Incunabula of the Oratorio; PART II: The Oratorio in Italy, Circa 1640--1720; IV. Mid-Century Rome I: The Oratorio Volgare Social, Artistic, and Literary BackgroundMusical Background; The Oratories and Their Music; Examples of the Oratorio Volgare; The Chief Characteristics of the Oratorio Volgare; V. Mid-Century Rome II: Carissimi and the Oratorio Latino; Rome's Latin Oratory and Its Music; Giacomo Carissimi; Some Contemporaries of Carissimi; The Chief Characteristics of the Oratorio Latino; VI. The Later Baroque I: Social Contexts, Patrons, Composers, Poets; Rome; Other Centers; VII. The Later Baroque II: The Libretto and Music; The Libretto; The Music of the Oratorio from the 1660s to the 1680s The Music of the Oratorio from the 1680s to about 1720Conclusion; PART III: The Italian Oratorio Outside Italy; VIII. Vienna; The Oratorio and Sepolcro in Vienna; IX. Paris; Social and Musical Background; Marc-Antoine Charpentier and the Latin Oratorio; Parisian Oratorios After Charpentier; Bibliography Howard Smither has written the first definitive work on the history of the oratorio since Arnold Schering published his Geschichte des Oratoriums in 1911. This volume is the first of a four-volume comprehensive study that offers a new synthesis of what is known to date about the oratorio. Volume 1, divided into three parts, opens with the examination of the medieval, Renaissance, and early Baroque antecedents and origins of the oratorio, with emphasis on Rome and Philip Neri's Congregation of the Oratory and with special attention to the earliest works for which the term oratorio seems appropriate |
| ctrlnum | (OCoLC)798536134 (DE-599)BVBBV043038461 |
| dewey-full | 782.8209 782.8/2/09 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.8209 782.8/2/09 |
| dewey-search | 782.8209 782.8/2/09 |
| dewey-sort | 3782.8209 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| id | DE-604.BV043038461 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:15:41Z |
| institution | BVB |
| isbn | 0807837733 9780807837733 |
| language | English |
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| spelling | Smither, Howard E. Verfasser aut History of the Oratorio, Vol. 1 the Oratorio in the Baroque Era Howard E. Smither Chapel Hill The University of North Carolina Press 1977 1 online resource (513 pages) txt rdacontent c rdamedia cr rdacarrier Print version record Cover; Contents; Preface; Abbreviations; I. Introduction; PART I: The Antecedents and Origins of the Oratorio; II. The Middle Ages, Renaissance, and Roman Catholic Reform; Some Antecedents of the Oratorio; The Oratorians and Their Social Context; Antecedents of the Oratorio in Neri's Oratory; A Reappraisal of Some Oratorio Antecedents; III. The Early Baroque: Antecedents and Incunabula of the Oratorio; Antecedents; Anerio's Teatro and Some Incunabula of the Oratorio; PART II: The Oratorio in Italy, Circa 1640--1720; IV. Mid-Century Rome I: The Oratorio Volgare Social, Artistic, and Literary BackgroundMusical Background; The Oratories and Their Music; Examples of the Oratorio Volgare; The Chief Characteristics of the Oratorio Volgare; V. Mid-Century Rome II: Carissimi and the Oratorio Latino; Rome's Latin Oratory and Its Music; Giacomo Carissimi; Some Contemporaries of Carissimi; The Chief Characteristics of the Oratorio Latino; VI. The Later Baroque I: Social Contexts, Patrons, Composers, Poets; Rome; Other Centers; VII. The Later Baroque II: The Libretto and Music; The Libretto; The Music of the Oratorio from the 1660s to the 1680s The Music of the Oratorio from the 1680s to about 1720Conclusion; PART III: The Italian Oratorio Outside Italy; VIII. Vienna; The Oratorio and Sepolcro in Vienna; IX. Paris; Social and Musical Background; Marc-Antoine Charpentier and the Latin Oratorio; Parisian Oratorios After Charpentier; Bibliography Howard Smither has written the first definitive work on the history of the oratorio since Arnold Schering published his Geschichte des Oratoriums in 1911. This volume is the first of a four-volume comprehensive study that offers a new synthesis of what is known to date about the oratorio. Volume 1, divided into three parts, opens with the examination of the medieval, Renaissance, and early Baroque antecedents and origins of the oratorio, with emphasis on Rome and Philip Neri's Congregation of the Oratory and with special attention to the earliest works for which the term oratorio seems appropriate MUSIC / Instruction & Study / Voice bisacsh MUSIC / Lyrics bisacsh MUSIC / Printed Music / Vocal bisacsh Oratorio fast Oratorio Erscheint auch als Druck-Ausgabe Smither, Howard E . History of the Oratorio, Vol. 1 : The Oratorio in the Baroque Era http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=466073 Aggregator Volltext |
| spellingShingle | Smither, Howard E. History of the Oratorio, Vol. 1 the Oratorio in the Baroque Era Cover; Contents; Preface; Abbreviations; I. Introduction; PART I: The Antecedents and Origins of the Oratorio; II. The Middle Ages, Renaissance, and Roman Catholic Reform; Some Antecedents of the Oratorio; The Oratorians and Their Social Context; Antecedents of the Oratorio in Neri's Oratory; A Reappraisal of Some Oratorio Antecedents; III. The Early Baroque: Antecedents and Incunabula of the Oratorio; Antecedents; Anerio's Teatro and Some Incunabula of the Oratorio; PART II: The Oratorio in Italy, Circa 1640--1720; IV. Mid-Century Rome I: The Oratorio Volgare Social, Artistic, and Literary BackgroundMusical Background; The Oratories and Their Music; Examples of the Oratorio Volgare; The Chief Characteristics of the Oratorio Volgare; V. Mid-Century Rome II: Carissimi and the Oratorio Latino; Rome's Latin Oratory and Its Music; Giacomo Carissimi; Some Contemporaries of Carissimi; The Chief Characteristics of the Oratorio Latino; VI. The Later Baroque I: Social Contexts, Patrons, Composers, Poets; Rome; Other Centers; VII. The Later Baroque II: The Libretto and Music; The Libretto; The Music of the Oratorio from the 1660s to the 1680s The Music of the Oratorio from the 1680s to about 1720Conclusion; PART III: The Italian Oratorio Outside Italy; VIII. Vienna; The Oratorio and Sepolcro in Vienna; IX. Paris; Social and Musical Background; Marc-Antoine Charpentier and the Latin Oratorio; Parisian Oratorios After Charpentier; Bibliography Howard Smither has written the first definitive work on the history of the oratorio since Arnold Schering published his Geschichte des Oratoriums in 1911. This volume is the first of a four-volume comprehensive study that offers a new synthesis of what is known to date about the oratorio. Volume 1, divided into three parts, opens with the examination of the medieval, Renaissance, and early Baroque antecedents and origins of the oratorio, with emphasis on Rome and Philip Neri's Congregation of the Oratory and with special attention to the earliest works for which the term oratorio seems appropriate MUSIC / Instruction & Study / Voice bisacsh MUSIC / Lyrics bisacsh MUSIC / Printed Music / Vocal bisacsh Oratorio fast Oratorio |
| title | History of the Oratorio, Vol. 1 the Oratorio in the Baroque Era |
| title_auth | History of the Oratorio, Vol. 1 the Oratorio in the Baroque Era |
| title_exact_search | History of the Oratorio, Vol. 1 the Oratorio in the Baroque Era |
| title_full | History of the Oratorio, Vol. 1 the Oratorio in the Baroque Era Howard E. Smither |
| title_fullStr | History of the Oratorio, Vol. 1 the Oratorio in the Baroque Era Howard E. Smither |
| title_full_unstemmed | History of the Oratorio, Vol. 1 the Oratorio in the Baroque Era Howard E. Smither |
| title_short | History of the Oratorio, Vol. 1 |
| title_sort | history of the oratorio vol 1 the oratorio in the baroque era |
| title_sub | the Oratorio in the Baroque Era |
| topic | MUSIC / Instruction & Study / Voice bisacsh MUSIC / Lyrics bisacsh MUSIC / Printed Music / Vocal bisacsh Oratorio fast Oratorio |
| topic_facet | MUSIC / Instruction & Study / Voice MUSIC / Lyrics MUSIC / Printed Music / Vocal Oratorio |
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