Brutality garden: Tropicália and the emergence of a Brazilian counterculture
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Chapel Hill, NC
University of North Carolina Press
[2001]
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Description based on print version record. - Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 |
| Beschreibung: | 1 online resource (xii, 256 pages) illustrations |
| ISBN: | 0807826510 0807849766 1469615711 9780807826515 9780807849767 9781469615714 |
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| 245 | 1 | 0 | |a Brutality garden |b Tropicália and the emergence of a Brazilian counterculture |c Christopher Dunn |
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| 505 | 8 | |a Poetry for export : modernity, nationality, and internationalism in Brazilian culture -- Participation, pop music, and the universal sound -- The Tropicalist moment -- In the adverse hour : Tropicalia performed and proscribed -- Tropicalia, counterculture, and Afro-diasporic connections -- Traces of Tropicalia | |
| 505 | 8 | |a In the late 1960s, Brazilian artists forged a watershed cultural movement known as Tropicália. Music inspired by that movement is today enjoying considerable attention at home and abroad. Few new listeners, however, make the connection between this music and the circumstances surrounding its creation, the most violent and repressive days of the military regime that governed Brazil from 1964 to 1985. With key manifestations in theater, cinema, visual arts, literature, and especially popular music, Tropicália dynamically articulated the conflicts and aspirations of a generation of young, urban Brazilians. Focusing on a group of musicians from Bahia, an impoverished state in northeastern Brazil noted for its vibrant Afro-Brazilian culture, Christopher Dunn reveals how artists including Caetano Veloso, Gilberto Gil, Gal Costa, and Tom Zé created this movement together with the musical and poetic vanguards of Sao Paulo, Brazil's most modern and industrialized city. He shows how the tropicalists selectively appropriated and parodied cultural practices from Brazil and abroad in order to expose the fissure between their nation's idealized image as a peaceful tropical "garden" and the daily brutality visited upon its citizens.--Publisher description | |
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Datensatz im Suchindex
| _version_ | 1804175399572209664 |
|---|---|
| any_adam_object | |
| author | Dunn, Christopher 1964- |
| author_facet | Dunn, Christopher 1964- |
| author_role | aut |
| author_sort | Dunn, Christopher 1964- |
| author_variant | c d cd |
| building | Verbundindex |
| bvnumber | BV043037977 |
| collection | ZDB-4-EBA |
| contents | Poetry for export : modernity, nationality, and internationalism in Brazilian culture -- Participation, pop music, and the universal sound -- The Tropicalist moment -- In the adverse hour : Tropicalia performed and proscribed -- Tropicalia, counterculture, and Afro-diasporic connections -- Traces of Tropicalia In the late 1960s, Brazilian artists forged a watershed cultural movement known as Tropicália. Music inspired by that movement is today enjoying considerable attention at home and abroad. Few new listeners, however, make the connection between this music and the circumstances surrounding its creation, the most violent and repressive days of the military regime that governed Brazil from 1964 to 1985. With key manifestations in theater, cinema, visual arts, literature, and especially popular music, Tropicália dynamically articulated the conflicts and aspirations of a generation of young, urban Brazilians. Focusing on a group of musicians from Bahia, an impoverished state in northeastern Brazil noted for its vibrant Afro-Brazilian culture, Christopher Dunn reveals how artists including Caetano Veloso, Gilberto Gil, Gal Costa, and Tom Zé created this movement together with the musical and poetic vanguards of Sao Paulo, Brazil's most modern and industrialized city. He shows how the tropicalists selectively appropriated and parodied cultural practices from Brazil and abroad in order to expose the fissure between their nation's idealized image as a peaceful tropical "garden" and the daily brutality visited upon its citizens.--Publisher description |
| ctrlnum | (OCoLC)862077082 (DE-599)BVBBV043037977 |
| dewey-full | 306.4/84 |
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| dewey-ones | 306 - Culture and institutions |
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| dewey-search | 306.4/84 |
| dewey-sort | 3306.4 284 |
| dewey-tens | 300 - Social sciences |
| discipline | Soziologie |
| era | 1900 - 1999 fast Geschichte 1900-2000 |
| era_facet | 1900 - 1999 Geschichte 1900-2000 |
| format | Electronic eBook |
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| id | DE-604.BV043037977 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:15:40Z |
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| isbn | 0807826510 0807849766 1469615711 9780807826515 9780807849767 9781469615714 |
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| publisher | University of North Carolina Press |
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| spelling | Dunn, Christopher 1964- Verfasser aut Brutality garden Tropicália and the emergence of a Brazilian counterculture Christopher Dunn Chapel Hill, NC University of North Carolina Press [2001] © 2001 1 online resource (xii, 256 pages) illustrations txt rdacontent c rdamedia cr rdacarrier Description based on print version record. - Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 Poetry for export : modernity, nationality, and internationalism in Brazilian culture -- Participation, pop music, and the universal sound -- The Tropicalist moment -- In the adverse hour : Tropicalia performed and proscribed -- Tropicalia, counterculture, and Afro-diasporic connections -- Traces of Tropicalia In the late 1960s, Brazilian artists forged a watershed cultural movement known as Tropicália. Music inspired by that movement is today enjoying considerable attention at home and abroad. Few new listeners, however, make the connection between this music and the circumstances surrounding its creation, the most violent and repressive days of the military regime that governed Brazil from 1964 to 1985. With key manifestations in theater, cinema, visual arts, literature, and especially popular music, Tropicália dynamically articulated the conflicts and aspirations of a generation of young, urban Brazilians. Focusing on a group of musicians from Bahia, an impoverished state in northeastern Brazil noted for its vibrant Afro-Brazilian culture, Christopher Dunn reveals how artists including Caetano Veloso, Gilberto Gil, Gal Costa, and Tom Zé created this movement together with the musical and poetic vanguards of Sao Paulo, Brazil's most modern and industrialized city. He shows how the tropicalists selectively appropriated and parodied cultural practices from Brazil and abroad in order to expose the fissure between their nation's idealized image as a peaceful tropical "garden" and the daily brutality visited upon its citizens.--Publisher description 1900 - 1999 fast Geschichte 1900-2000 Tropicalismo swd POLITICAL SCIENCE / Public Policy / Cultural Policy bisacsh SOCIAL SCIENCE / Anthropology / Cultural bisacsh SOCIAL SCIENCE / Popular Culture bisacsh Counterculture fast Popular music fast Tropicália (Music) fast Geschichte Tropicália (Music) History and criticism Popular music Brazil History and criticism Counterculture Brazil History 20th century Tropicalismo (DE-588)4517335-7 gnd rswk-swf Brasilien Tropicalismo (DE-588)4517335-7 s 1\p DE-604 Erscheint auch als Druck-Ausgabe Dunn, Christopher, 1964- Brutality garden http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=658408 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Dunn, Christopher 1964- Brutality garden Tropicália and the emergence of a Brazilian counterculture Poetry for export : modernity, nationality, and internationalism in Brazilian culture -- Participation, pop music, and the universal sound -- The Tropicalist moment -- In the adverse hour : Tropicalia performed and proscribed -- Tropicalia, counterculture, and Afro-diasporic connections -- Traces of Tropicalia In the late 1960s, Brazilian artists forged a watershed cultural movement known as Tropicália. Music inspired by that movement is today enjoying considerable attention at home and abroad. Few new listeners, however, make the connection between this music and the circumstances surrounding its creation, the most violent and repressive days of the military regime that governed Brazil from 1964 to 1985. With key manifestations in theater, cinema, visual arts, literature, and especially popular music, Tropicália dynamically articulated the conflicts and aspirations of a generation of young, urban Brazilians. Focusing on a group of musicians from Bahia, an impoverished state in northeastern Brazil noted for its vibrant Afro-Brazilian culture, Christopher Dunn reveals how artists including Caetano Veloso, Gilberto Gil, Gal Costa, and Tom Zé created this movement together with the musical and poetic vanguards of Sao Paulo, Brazil's most modern and industrialized city. He shows how the tropicalists selectively appropriated and parodied cultural practices from Brazil and abroad in order to expose the fissure between their nation's idealized image as a peaceful tropical "garden" and the daily brutality visited upon its citizens.--Publisher description Tropicalismo swd POLITICAL SCIENCE / Public Policy / Cultural Policy bisacsh SOCIAL SCIENCE / Anthropology / Cultural bisacsh SOCIAL SCIENCE / Popular Culture bisacsh Counterculture fast Popular music fast Tropicália (Music) fast Geschichte Tropicália (Music) History and criticism Popular music Brazil History and criticism Counterculture Brazil History 20th century Tropicalismo (DE-588)4517335-7 gnd |
| subject_GND | (DE-588)4517335-7 |
| title | Brutality garden Tropicália and the emergence of a Brazilian counterculture |
| title_auth | Brutality garden Tropicália and the emergence of a Brazilian counterculture |
| title_exact_search | Brutality garden Tropicália and the emergence of a Brazilian counterculture |
| title_full | Brutality garden Tropicália and the emergence of a Brazilian counterculture Christopher Dunn |
| title_fullStr | Brutality garden Tropicália and the emergence of a Brazilian counterculture Christopher Dunn |
| title_full_unstemmed | Brutality garden Tropicália and the emergence of a Brazilian counterculture Christopher Dunn |
| title_short | Brutality garden |
| title_sort | brutality garden tropicalia and the emergence of a brazilian counterculture |
| title_sub | Tropicália and the emergence of a Brazilian counterculture |
| topic | Tropicalismo swd POLITICAL SCIENCE / Public Policy / Cultural Policy bisacsh SOCIAL SCIENCE / Anthropology / Cultural bisacsh SOCIAL SCIENCE / Popular Culture bisacsh Counterculture fast Popular music fast Tropicália (Music) fast Geschichte Tropicália (Music) History and criticism Popular music Brazil History and criticism Counterculture Brazil History 20th century Tropicalismo (DE-588)4517335-7 gnd |
| topic_facet | Tropicalismo POLITICAL SCIENCE / Public Policy / Cultural Policy SOCIAL SCIENCE / Anthropology / Cultural SOCIAL SCIENCE / Popular Culture Counterculture Popular music Tropicália (Music) Geschichte Tropicália (Music) History and criticism Popular music Brazil History and criticism Counterculture Brazil History 20th century Brasilien |
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| work_keys_str_mv | AT dunnchristopher brutalitygardentropicaliaandtheemergenceofabraziliancounterculture |