Bauhaus: 1919-1933, Weimar-Dessau-Berlin
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New York, USA
Parkstone Press International
[2009?]
|
Schriftenreihe: | Temporis collection
|
Schlagworte: | |
Online-Zugang: | FAW01 FAW02 Volltext |
Beschreibung: | Print version record |
Beschreibung: | 1 online resource (255 pages) illustrations (some color) |
ISBN: | 1780429304 1859956246 1859956262 9781780429304 9781859956243 9781859956267 |
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505 | 8 | |a Preface -- History of the Bauhaus -- Forerunners, Roots and History -- Art School Reform -- Ruskin, Olbrich and Others -- Deutscher Werkbund (German Association of Craftsmen) -- De Stijl, Blauer Reiter (Blue Rider) and Der Sturm -- The Staatliches Bauhaus in Weimar (1919 to 1925) -- Between Vision and Reality: The 1919 to 1920 Construction Phase -- On the Way to [Becoming] the Modern Academy of Design: The 1921-1922 Formation Phase -- "Art and Technology-A New Unity" and the 1923 Bauhaus Exhibition -- Bauhaus Dessau: Academy for Design (1925 to 1932) -- The Bauhaus Becomes an Academy --Laboratories for Industry -- Workshop WorkPlanning and Building -- The Hannes Meyer Era -- The Ludwig Mies van der Rohe Era -- The Closure of the Bauhaus in Dessau -- Bauhaus Berlin: Free Education and Research Institute (1932-1933) -- The Closure of the Bauhaus in Berlin -- Preparatory Course andBasic Design Education -- The Preparatory Course -- Wassily Kandinsky's Course -- Paul Klee's Course -- Oskar Schlemmer's Course -- Joost Schmidt's Course -- The Workshops -- Pottery Workshop -- Bookbinding -- Stained Glass Painting Workshop -- Graphic Print Shop -- Typography/Printing and Advertising Workshop -- Mural Painting Workshop -- Stone Sculpting and Woodcarving/Plastic WorkshopWeaving Workshop -- Carpentry/Furniture Workshop -- Metal Workshop -- Theatre Workshop -- Architecture/Building Studies/Building Department -- Photography/Photo Workshop -- The Photography Workshop -- Fine Arts -- Life and Work -- Effect and Reaction -- Bauhaus and the Third Reich -- The Bauhaus and the United States -- The Bauhaus and the Soviet Union -- The Bauhaus and the Federal Republic of Germany -- Bauhaus and the GDR (German Democratic Republic) -- Bauhaus in Reunified Germany -- Bauhaus: A Creative Method -- Notes -- Chronology -- Bibliography -- Bauhaus Teachers -- Bauhaus -- Archives, Collections and Museums Index | |
505 | 8 | |a "The Bauhaus movement (meaning the 'house of building') developed in three German cities - it began in Weimar between 1919 and 1925, then continued in Dessau, from 1925 to 1932, and finally ended in 1932-1933 in Berlin. Three leaders presided over the growth of the movement: Walter Gropius, from 1919 to 1928, Hannes Meyer, from 1928 to 1930, and Ludwig Mies van der Rohe, from 1930 to 1933. Founded by Gropius in the rather conservative city of Weimar, the new capital of Germany, which had just been defeated by the other European nations in the First World War, the movement became a flamboyant response to this humiliation. Combining new styles in architecture, design, and painting, the Bauhaus aspired to be an expression of a generational utopia, striving to free artists facing a society that remained conservative in spite of the revolutionary efforts of the post-war period. Using the most modern materials, the Bauhaus was born out of the precepts of William Morris and the Arts and Crafts movement, introducing new forms, inspired by the most ordinary of objects, into everyday life. The shuttering of the center in Berlin by the Nazis in 1933 did not put an end to the movement, since many of its members chose the path of exile and established themselves in the United States. Although they all went in different directions artistically, their work shared the same origin. The most influential among the Bauhaus artists were Anni Albers, Josef Albers, Marianne Brandt, Marcel Breuer, Lyonel Feininger, Ludwig Hilberseimer, Paul Klee, Wassily Kandisky, and Lothar Schreyer. Through a series of beautiful reproductions, this work provides an overview of the Bauhaus era, including the history, influence, and major figures of this revolutionary movement, which turned everyday life into art"--Provided by publisher | |
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Datensatz im Suchindex
_version_ | 1804175398929432576 |
---|---|
any_adam_object | |
author | Siebenbrodt, Michael |
author_facet | Siebenbrodt, Michael |
author_role | aut |
author_sort | Siebenbrodt, Michael |
author_variant | m s ms |
building | Verbundindex |
bvnumber | BV043037575 |
collection | ZDB-4-EBA |
contents | Preface -- History of the Bauhaus -- Forerunners, Roots and History -- Art School Reform -- Ruskin, Olbrich and Others -- Deutscher Werkbund (German Association of Craftsmen) -- De Stijl, Blauer Reiter (Blue Rider) and Der Sturm -- The Staatliches Bauhaus in Weimar (1919 to 1925) -- Between Vision and Reality: The 1919 to 1920 Construction Phase -- On the Way to [Becoming] the Modern Academy of Design: The 1921-1922 Formation Phase -- "Art and Technology-A New Unity" and the 1923 Bauhaus Exhibition -- Bauhaus Dessau: Academy for Design (1925 to 1932) -- The Bauhaus Becomes an Academy --Laboratories for Industry -- Workshop WorkPlanning and Building -- The Hannes Meyer Era -- The Ludwig Mies van der Rohe Era -- The Closure of the Bauhaus in Dessau -- Bauhaus Berlin: Free Education and Research Institute (1932-1933) -- The Closure of the Bauhaus in Berlin -- Preparatory Course andBasic Design Education -- The Preparatory Course -- Wassily Kandinsky's Course -- Paul Klee's Course -- Oskar Schlemmer's Course -- Joost Schmidt's Course -- The Workshops -- Pottery Workshop -- Bookbinding -- Stained Glass Painting Workshop -- Graphic Print Shop -- Typography/Printing and Advertising Workshop -- Mural Painting Workshop -- Stone Sculpting and Woodcarving/Plastic WorkshopWeaving Workshop -- Carpentry/Furniture Workshop -- Metal Workshop -- Theatre Workshop -- Architecture/Building Studies/Building Department -- Photography/Photo Workshop -- The Photography Workshop -- Fine Arts -- Life and Work -- Effect and Reaction -- Bauhaus and the Third Reich -- The Bauhaus and the United States -- The Bauhaus and the Soviet Union -- The Bauhaus and the Federal Republic of Germany -- Bauhaus and the GDR (German Democratic Republic) -- Bauhaus in Reunified Germany -- Bauhaus: A Creative Method -- Notes -- Chronology -- Bibliography -- Bauhaus Teachers -- Bauhaus -- Archives, Collections and Museums Index "The Bauhaus movement (meaning the 'house of building') developed in three German cities - it began in Weimar between 1919 and 1925, then continued in Dessau, from 1925 to 1932, and finally ended in 1932-1933 in Berlin. Three leaders presided over the growth of the movement: Walter Gropius, from 1919 to 1928, Hannes Meyer, from 1928 to 1930, and Ludwig Mies van der Rohe, from 1930 to 1933. Founded by Gropius in the rather conservative city of Weimar, the new capital of Germany, which had just been defeated by the other European nations in the First World War, the movement became a flamboyant response to this humiliation. Combining new styles in architecture, design, and painting, the Bauhaus aspired to be an expression of a generational utopia, striving to free artists facing a society that remained conservative in spite of the revolutionary efforts of the post-war period. Using the most modern materials, the Bauhaus was born out of the precepts of William Morris and the Arts and Crafts movement, introducing new forms, inspired by the most ordinary of objects, into everyday life. The shuttering of the center in Berlin by the Nazis in 1933 did not put an end to the movement, since many of its members chose the path of exile and established themselves in the United States. Although they all went in different directions artistically, their work shared the same origin. The most influential among the Bauhaus artists were Anni Albers, Josef Albers, Marianne Brandt, Marcel Breuer, Lyonel Feininger, Ludwig Hilberseimer, Paul Klee, Wassily Kandisky, and Lothar Schreyer. Through a series of beautiful reproductions, this work provides an overview of the Bauhaus era, including the history, influence, and major figures of this revolutionary movement, which turned everyday life into art"--Provided by publisher |
ctrlnum | (OCoLC)793511421 (DE-599)BVBBV043037575 |
dewey-full | 708.3155 720.9 |
dewey-hundreds | 700 - The arts |
dewey-ones | 708 - Galleries, museums & private collections 720 - Architecture |
dewey-raw | 708.3155 720.9 |
dewey-search | 708.3155 720.9 |
dewey-sort | 3708.3155 |
dewey-tens | 700 - The arts 720 - Architecture |
discipline | Kunstgeschichte Architektur |
era | 1900 - 1999 fast Geschichte 1900-2000 Geschichte 1919-1933 gnd |
era_facet | 1900 - 1999 Geschichte 1900-2000 Geschichte 1919-1933 |
format | Electronic eBook |
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geographic | Deutschland |
geographic_facet | Deutschland |
id | DE-604.BV043037575 |
illustrated | Illustrated |
indexdate | 2024-07-10T07:15:40Z |
institution | BVB |
isbn | 1780429304 1859956246 1859956262 9781780429304 9781859956243 9781859956267 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028462222 |
oclc_num | 793511421 |
open_access_boolean | |
owner | DE-1046 DE-1047 |
owner_facet | DE-1046 DE-1047 |
physical | 1 online resource (255 pages) illustrations (some color) |
psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
publishDate | 2009 |
publishDateSearch | 2009 |
publishDateSort | 2009 |
publisher | Parkstone Press International |
record_format | marc |
series2 | Temporis collection |
spelling | Siebenbrodt, Michael Verfasser aut Bauhaus 1919-1933, Weimar-Dessau-Berlin Michael Siebenbrodt & Lutz Schöbe New York, USA Parkstone Press International [2009?] 1 online resource (255 pages) illustrations (some color) txt rdacontent c rdamedia cr rdacarrier Temporis collection Print version record Preface -- History of the Bauhaus -- Forerunners, Roots and History -- Art School Reform -- Ruskin, Olbrich and Others -- Deutscher Werkbund (German Association of Craftsmen) -- De Stijl, Blauer Reiter (Blue Rider) and Der Sturm -- The Staatliches Bauhaus in Weimar (1919 to 1925) -- Between Vision and Reality: The 1919 to 1920 Construction Phase -- On the Way to [Becoming] the Modern Academy of Design: The 1921-1922 Formation Phase -- "Art and Technology-A New Unity" and the 1923 Bauhaus Exhibition -- Bauhaus Dessau: Academy for Design (1925 to 1932) -- The Bauhaus Becomes an Academy --Laboratories for Industry -- Workshop WorkPlanning and Building -- The Hannes Meyer Era -- The Ludwig Mies van der Rohe Era -- The Closure of the Bauhaus in Dessau -- Bauhaus Berlin: Free Education and Research Institute (1932-1933) -- The Closure of the Bauhaus in Berlin -- Preparatory Course andBasic Design Education -- The Preparatory Course -- Wassily Kandinsky's Course -- Paul Klee's Course -- Oskar Schlemmer's Course -- Joost Schmidt's Course -- The Workshops -- Pottery Workshop -- Bookbinding -- Stained Glass Painting Workshop -- Graphic Print Shop -- Typography/Printing and Advertising Workshop -- Mural Painting Workshop -- Stone Sculpting and Woodcarving/Plastic WorkshopWeaving Workshop -- Carpentry/Furniture Workshop -- Metal Workshop -- Theatre Workshop -- Architecture/Building Studies/Building Department -- Photography/Photo Workshop -- The Photography Workshop -- Fine Arts -- Life and Work -- Effect and Reaction -- Bauhaus and the Third Reich -- The Bauhaus and the United States -- The Bauhaus and the Soviet Union -- The Bauhaus and the Federal Republic of Germany -- Bauhaus and the GDR (German Democratic Republic) -- Bauhaus in Reunified Germany -- Bauhaus: A Creative Method -- Notes -- Chronology -- Bibliography -- Bauhaus Teachers -- Bauhaus -- Archives, Collections and Museums Index "The Bauhaus movement (meaning the 'house of building') developed in three German cities - it began in Weimar between 1919 and 1925, then continued in Dessau, from 1925 to 1932, and finally ended in 1932-1933 in Berlin. Three leaders presided over the growth of the movement: Walter Gropius, from 1919 to 1928, Hannes Meyer, from 1928 to 1930, and Ludwig Mies van der Rohe, from 1930 to 1933. Founded by Gropius in the rather conservative city of Weimar, the new capital of Germany, which had just been defeated by the other European nations in the First World War, the movement became a flamboyant response to this humiliation. Combining new styles in architecture, design, and painting, the Bauhaus aspired to be an expression of a generational utopia, striving to free artists facing a society that remained conservative in spite of the revolutionary efforts of the post-war period. Using the most modern materials, the Bauhaus was born out of the precepts of William Morris and the Arts and Crafts movement, introducing new forms, inspired by the most ordinary of objects, into everyday life. The shuttering of the center in Berlin by the Nazis in 1933 did not put an end to the movement, since many of its members chose the path of exile and established themselves in the United States. Although they all went in different directions artistically, their work shared the same origin. The most influential among the Bauhaus artists were Anni Albers, Josef Albers, Marianne Brandt, Marcel Breuer, Lyonel Feininger, Ludwig Hilberseimer, Paul Klee, Wassily Kandisky, and Lothar Schreyer. Through a series of beautiful reproductions, this work provides an overview of the Bauhaus era, including the history, influence, and major figures of this revolutionary movement, which turned everyday life into art"--Provided by publisher Bauhaus / History Bauhaus fast Bauhaus Bauhaus History Staatliches Bauhaus Weimar (DE-588)2022609-3 gnd rswk-swf Bauhaus Berlin (DE-588)2085915-6 gnd rswk-swf Bauhaus Dessau 1925-1932 (DE-588)1047685-4 gnd rswk-swf 1900 - 1999 fast Geschichte 1900-2000 Geschichte 1919-1933 gnd rswk-swf ART / Collections, Catalogs, Exhibitions / Permanent Collections bisacsh ART / Museum Studies bisacsh Art, German fast Design fast Geschichte Art, German 20th century Design Germany History 20th century Bauhaus (DE-588)4130303-9 gnd rswk-swf Deutschland Bauhaus (DE-588)4130303-9 s Geschichte 1919-1933 z 1\p DE-604 2\p DE-604 Bauhaus Berlin (DE-588)2085915-6 b 3\p DE-604 Bauhaus Dessau 1925-1932 (DE-588)1047685-4 b 4\p DE-604 Staatliches Bauhaus Weimar (DE-588)2022609-3 b 5\p DE-604 Schöbe, Lutz Sonstige oth Erscheint auch als Druck-Ausgabe Siebenbrodt, Michael Bauhaus 1919-1933 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=455914 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 4\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 5\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Siebenbrodt, Michael Bauhaus 1919-1933, Weimar-Dessau-Berlin Preface -- History of the Bauhaus -- Forerunners, Roots and History -- Art School Reform -- Ruskin, Olbrich and Others -- Deutscher Werkbund (German Association of Craftsmen) -- De Stijl, Blauer Reiter (Blue Rider) and Der Sturm -- The Staatliches Bauhaus in Weimar (1919 to 1925) -- Between Vision and Reality: The 1919 to 1920 Construction Phase -- On the Way to [Becoming] the Modern Academy of Design: The 1921-1922 Formation Phase -- "Art and Technology-A New Unity" and the 1923 Bauhaus Exhibition -- Bauhaus Dessau: Academy for Design (1925 to 1932) -- The Bauhaus Becomes an Academy --Laboratories for Industry -- Workshop WorkPlanning and Building -- The Hannes Meyer Era -- The Ludwig Mies van der Rohe Era -- The Closure of the Bauhaus in Dessau -- Bauhaus Berlin: Free Education and Research Institute (1932-1933) -- The Closure of the Bauhaus in Berlin -- Preparatory Course andBasic Design Education -- The Preparatory Course -- Wassily Kandinsky's Course -- Paul Klee's Course -- Oskar Schlemmer's Course -- Joost Schmidt's Course -- The Workshops -- Pottery Workshop -- Bookbinding -- Stained Glass Painting Workshop -- Graphic Print Shop -- Typography/Printing and Advertising Workshop -- Mural Painting Workshop -- Stone Sculpting and Woodcarving/Plastic WorkshopWeaving Workshop -- Carpentry/Furniture Workshop -- Metal Workshop -- Theatre Workshop -- Architecture/Building Studies/Building Department -- Photography/Photo Workshop -- The Photography Workshop -- Fine Arts -- Life and Work -- Effect and Reaction -- Bauhaus and the Third Reich -- The Bauhaus and the United States -- The Bauhaus and the Soviet Union -- The Bauhaus and the Federal Republic of Germany -- Bauhaus and the GDR (German Democratic Republic) -- Bauhaus in Reunified Germany -- Bauhaus: A Creative Method -- Notes -- Chronology -- Bibliography -- Bauhaus Teachers -- Bauhaus -- Archives, Collections and Museums Index "The Bauhaus movement (meaning the 'house of building') developed in three German cities - it began in Weimar between 1919 and 1925, then continued in Dessau, from 1925 to 1932, and finally ended in 1932-1933 in Berlin. Three leaders presided over the growth of the movement: Walter Gropius, from 1919 to 1928, Hannes Meyer, from 1928 to 1930, and Ludwig Mies van der Rohe, from 1930 to 1933. Founded by Gropius in the rather conservative city of Weimar, the new capital of Germany, which had just been defeated by the other European nations in the First World War, the movement became a flamboyant response to this humiliation. Combining new styles in architecture, design, and painting, the Bauhaus aspired to be an expression of a generational utopia, striving to free artists facing a society that remained conservative in spite of the revolutionary efforts of the post-war period. Using the most modern materials, the Bauhaus was born out of the precepts of William Morris and the Arts and Crafts movement, introducing new forms, inspired by the most ordinary of objects, into everyday life. The shuttering of the center in Berlin by the Nazis in 1933 did not put an end to the movement, since many of its members chose the path of exile and established themselves in the United States. Although they all went in different directions artistically, their work shared the same origin. The most influential among the Bauhaus artists were Anni Albers, Josef Albers, Marianne Brandt, Marcel Breuer, Lyonel Feininger, Ludwig Hilberseimer, Paul Klee, Wassily Kandisky, and Lothar Schreyer. Through a series of beautiful reproductions, this work provides an overview of the Bauhaus era, including the history, influence, and major figures of this revolutionary movement, which turned everyday life into art"--Provided by publisher Bauhaus / History Bauhaus fast Bauhaus Bauhaus History Staatliches Bauhaus Weimar (DE-588)2022609-3 gnd Bauhaus Berlin (DE-588)2085915-6 gnd Bauhaus Dessau 1925-1932 (DE-588)1047685-4 gnd ART / Collections, Catalogs, Exhibitions / Permanent Collections bisacsh ART / Museum Studies bisacsh Art, German fast Design fast Geschichte Art, German 20th century Design Germany History 20th century Bauhaus (DE-588)4130303-9 gnd |
subject_GND | (DE-588)2022609-3 (DE-588)2085915-6 (DE-588)1047685-4 (DE-588)4130303-9 |
title | Bauhaus 1919-1933, Weimar-Dessau-Berlin |
title_auth | Bauhaus 1919-1933, Weimar-Dessau-Berlin |
title_exact_search | Bauhaus 1919-1933, Weimar-Dessau-Berlin |
title_full | Bauhaus 1919-1933, Weimar-Dessau-Berlin Michael Siebenbrodt & Lutz Schöbe |
title_fullStr | Bauhaus 1919-1933, Weimar-Dessau-Berlin Michael Siebenbrodt & Lutz Schöbe |
title_full_unstemmed | Bauhaus 1919-1933, Weimar-Dessau-Berlin Michael Siebenbrodt & Lutz Schöbe |
title_short | Bauhaus |
title_sort | bauhaus 1919 1933 weimar dessau berlin |
title_sub | 1919-1933, Weimar-Dessau-Berlin |
topic | Bauhaus / History Bauhaus fast Bauhaus Bauhaus History Staatliches Bauhaus Weimar (DE-588)2022609-3 gnd Bauhaus Berlin (DE-588)2085915-6 gnd Bauhaus Dessau 1925-1932 (DE-588)1047685-4 gnd ART / Collections, Catalogs, Exhibitions / Permanent Collections bisacsh ART / Museum Studies bisacsh Art, German fast Design fast Geschichte Art, German 20th century Design Germany History 20th century Bauhaus (DE-588)4130303-9 gnd |
topic_facet | Bauhaus / History Bauhaus Bauhaus History Staatliches Bauhaus Weimar Bauhaus Berlin Bauhaus Dessau 1925-1932 ART / Collections, Catalogs, Exhibitions / Permanent Collections ART / Museum Studies Art, German Design Geschichte Art, German 20th century Design Germany History 20th century Deutschland |
url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=455914 |
work_keys_str_mv | AT siebenbrodtmichael bauhaus19191933weimardessauberlin AT schobelutz bauhaus19191933weimardessauberlin |