That's All Folks?: Ecocritical Readings of American Animated Features
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Lincoln
UNP - Nebraska
2011
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 FKWA1 Volltext |
| Beschreibung: | Print version record |
| Beschreibung: | 1 online resource (296 pages) |
| ISBN: | 0803239645 9780803239647 |
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| 505 | 8 | |a Cover; Title Page; Copyright Page; Contents; Illustrations; Acknowledgments; IntroductionA Foundation for Contemporary Enviro-toons; 1. Bambi and Mr. Bug Goes to Town: Nature with or without Us; 2. Animal Liberation inthe 1940s and 1950s: What Disney Does for the Animal Rights Movement; 3. The UPA and the Environment: A Modernist Look at Urban Nature; 4. Animation and Live Action: A Demonstration of Interdependence?; 5. Rankin/Bass Studios, Nature, and the Supernatural: Where Technology Serves and Destroys; 6. Disney in the 1960s and 1970s: Blurring Boundaries between Human and Nonhuman Nature | |
| 505 | 8 | |a 7. Dinosaurs Return: Evolution Outplays Disney's Binaries8. DreamWorks and Human and Nonhuman Ecology: Escape or Interdependence in Over the Hedge and Bee Movie; 9. Pixar and the Case of WALL-E: Moving between Environmental Adaptation and Sentimental Nostalgia; 10. The Simpsons Movie, Happy Feet, and Avatar: The Continuing Influence of Human, Organismic, Economic, and Chaotic Approaches to Ecology; Conclusion: Animation's Movement to Green?; Filmography; Works Cited; Index | |
| 505 | 8 | |a Although some credit the environmental movement of the 1970s, with its profound impact on children's television programs and movies, for paving the way for later eco-films, the history of environmental expression in animated film reaches much further back in American history, as That's All Folks? makes clear. Countering the view that the contemporary environmental movement--and the cartoons it influenced--came to life in the 1960s, Robin L. Murray and Joseph K. Heumann reveal how environmentalism was already a growing concern in animated films of the 1930s, 1940s, and 1950s. From Felix the Cat c | |
| 648 | 7 | |a Geschichte 1930-2011 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Animated features | |
| 650 | 7 | |a PERFORMING ARTS / Animation |2 bisacsh | |
| 650 | 7 | |a Animated films |2 fast | |
| 650 | 7 | |a Environmentalism |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 4 | |a Film | |
| 650 | 4 | |a Environmentalism in motion pictures | |
| 650 | 4 | |a Animated films | |
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Datensatz im Suchindex
| _version_ | 1804175398890635264 |
|---|---|
| any_adam_object | |
| author | Murray, Robin L. |
| author_facet | Murray, Robin L. |
| author_role | aut |
| author_sort | Murray, Robin L. |
| author_variant | r l m rl rlm |
| building | Verbundindex |
| bvnumber | BV043037555 |
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| contents | Cover; Title Page; Copyright Page; Contents; Illustrations; Acknowledgments; IntroductionA Foundation for Contemporary Enviro-toons; 1. Bambi and Mr. Bug Goes to Town: Nature with or without Us; 2. Animal Liberation inthe 1940s and 1950s: What Disney Does for the Animal Rights Movement; 3. The UPA and the Environment: A Modernist Look at Urban Nature; 4. Animation and Live Action: A Demonstration of Interdependence?; 5. Rankin/Bass Studios, Nature, and the Supernatural: Where Technology Serves and Destroys; 6. Disney in the 1960s and 1970s: Blurring Boundaries between Human and Nonhuman Nature 7. Dinosaurs Return: Evolution Outplays Disney's Binaries8. DreamWorks and Human and Nonhuman Ecology: Escape or Interdependence in Over the Hedge and Bee Movie; 9. Pixar and the Case of WALL-E: Moving between Environmental Adaptation and Sentimental Nostalgia; 10. The Simpsons Movie, Happy Feet, and Avatar: The Continuing Influence of Human, Organismic, Economic, and Chaotic Approaches to Ecology; Conclusion: Animation's Movement to Green?; Filmography; Works Cited; Index Although some credit the environmental movement of the 1970s, with its profound impact on children's television programs and movies, for paving the way for later eco-films, the history of environmental expression in animated film reaches much further back in American history, as That's All Folks? makes clear. Countering the view that the contemporary environmental movement--and the cartoons it influenced--came to life in the 1960s, Robin L. Murray and Joseph K. Heumann reveal how environmentalism was already a growing concern in animated films of the 1930s, 1940s, and 1950s. From Felix the Cat c |
| ctrlnum | (OCoLC)793511402 (DE-599)BVBBV043037555 |
| dewey-full | 791.4334 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4334 |
| dewey-search | 791.4334 |
| dewey-sort | 3791.4334 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | Geschichte 1930-2011 gnd |
| era_facet | Geschichte 1930-2011 |
| format | Electronic eBook |
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| indexdate | 2024-07-10T07:15:40Z |
| institution | BVB |
| isbn | 0803239645 9780803239647 |
| language | English |
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| spelling | Murray, Robin L. Verfasser aut That's All Folks? Ecocritical Readings of American Animated Features Lincoln UNP - Nebraska 2011 1 online resource (296 pages) txt rdacontent c rdamedia cr rdacarrier Print version record Cover; Title Page; Copyright Page; Contents; Illustrations; Acknowledgments; IntroductionA Foundation for Contemporary Enviro-toons; 1. Bambi and Mr. Bug Goes to Town: Nature with or without Us; 2. Animal Liberation inthe 1940s and 1950s: What Disney Does for the Animal Rights Movement; 3. The UPA and the Environment: A Modernist Look at Urban Nature; 4. Animation and Live Action: A Demonstration of Interdependence?; 5. Rankin/Bass Studios, Nature, and the Supernatural: Where Technology Serves and Destroys; 6. Disney in the 1960s and 1970s: Blurring Boundaries between Human and Nonhuman Nature 7. Dinosaurs Return: Evolution Outplays Disney's Binaries8. DreamWorks and Human and Nonhuman Ecology: Escape or Interdependence in Over the Hedge and Bee Movie; 9. Pixar and the Case of WALL-E: Moving between Environmental Adaptation and Sentimental Nostalgia; 10. The Simpsons Movie, Happy Feet, and Avatar: The Continuing Influence of Human, Organismic, Economic, and Chaotic Approaches to Ecology; Conclusion: Animation's Movement to Green?; Filmography; Works Cited; Index Although some credit the environmental movement of the 1970s, with its profound impact on children's television programs and movies, for paving the way for later eco-films, the history of environmental expression in animated film reaches much further back in American history, as That's All Folks? makes clear. Countering the view that the contemporary environmental movement--and the cartoons it influenced--came to life in the 1960s, Robin L. Murray and Joseph K. Heumann reveal how environmentalism was already a growing concern in animated films of the 1930s, 1940s, and 1950s. From Felix the Cat c Geschichte 1930-2011 gnd rswk-swf Animated features PERFORMING ARTS / Animation bisacsh Animated films fast Environmentalism fast Motion pictures fast Film Environmentalism in motion pictures Animated films Zeichentrickfilm (DE-588)4190578-7 gnd rswk-swf Ökologische Bewegung (DE-588)4115439-3 gnd rswk-swf Umwelt Motiv (DE-588)4121809-7 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Zeichentrickfilm (DE-588)4190578-7 s Umwelt Motiv (DE-588)4121809-7 s Ökologische Bewegung (DE-588)4115439-3 s Geschichte 1930-2011 z 1\p DE-604 Heumann, Joseph K. Sonstige oth Erscheint auch als Druck-Ausgabe Murray, Robin L . That's All Folks? : Ecocritical Readings of American Animated Features http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=447379 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Murray, Robin L. That's All Folks? Ecocritical Readings of American Animated Features Cover; Title Page; Copyright Page; Contents; Illustrations; Acknowledgments; IntroductionA Foundation for Contemporary Enviro-toons; 1. Bambi and Mr. Bug Goes to Town: Nature with or without Us; 2. Animal Liberation inthe 1940s and 1950s: What Disney Does for the Animal Rights Movement; 3. The UPA and the Environment: A Modernist Look at Urban Nature; 4. Animation and Live Action: A Demonstration of Interdependence?; 5. Rankin/Bass Studios, Nature, and the Supernatural: Where Technology Serves and Destroys; 6. Disney in the 1960s and 1970s: Blurring Boundaries between Human and Nonhuman Nature 7. Dinosaurs Return: Evolution Outplays Disney's Binaries8. DreamWorks and Human and Nonhuman Ecology: Escape or Interdependence in Over the Hedge and Bee Movie; 9. Pixar and the Case of WALL-E: Moving between Environmental Adaptation and Sentimental Nostalgia; 10. The Simpsons Movie, Happy Feet, and Avatar: The Continuing Influence of Human, Organismic, Economic, and Chaotic Approaches to Ecology; Conclusion: Animation's Movement to Green?; Filmography; Works Cited; Index Although some credit the environmental movement of the 1970s, with its profound impact on children's television programs and movies, for paving the way for later eco-films, the history of environmental expression in animated film reaches much further back in American history, as That's All Folks? makes clear. Countering the view that the contemporary environmental movement--and the cartoons it influenced--came to life in the 1960s, Robin L. Murray and Joseph K. Heumann reveal how environmentalism was already a growing concern in animated films of the 1930s, 1940s, and 1950s. From Felix the Cat c Animated features PERFORMING ARTS / Animation bisacsh Animated films fast Environmentalism fast Motion pictures fast Film Environmentalism in motion pictures Animated films Zeichentrickfilm (DE-588)4190578-7 gnd Ökologische Bewegung (DE-588)4115439-3 gnd Umwelt Motiv (DE-588)4121809-7 gnd |
| subject_GND | (DE-588)4190578-7 (DE-588)4115439-3 (DE-588)4121809-7 (DE-588)4078704-7 |
| title | That's All Folks? Ecocritical Readings of American Animated Features |
| title_auth | That's All Folks? Ecocritical Readings of American Animated Features |
| title_exact_search | That's All Folks? Ecocritical Readings of American Animated Features |
| title_full | That's All Folks? Ecocritical Readings of American Animated Features |
| title_fullStr | That's All Folks? Ecocritical Readings of American Animated Features |
| title_full_unstemmed | That's All Folks? Ecocritical Readings of American Animated Features |
| title_short | That's All Folks? |
| title_sort | that s all folks ecocritical readings of american animated features |
| title_sub | Ecocritical Readings of American Animated Features |
| topic | Animated features PERFORMING ARTS / Animation bisacsh Animated films fast Environmentalism fast Motion pictures fast Film Environmentalism in motion pictures Animated films Zeichentrickfilm (DE-588)4190578-7 gnd Ökologische Bewegung (DE-588)4115439-3 gnd Umwelt Motiv (DE-588)4121809-7 gnd |
| topic_facet | Animated features PERFORMING ARTS / Animation Animated films Environmentalism Motion pictures Film Environmentalism in motion pictures Zeichentrickfilm Ökologische Bewegung Umwelt Motiv USA |
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