The radical fiction of Ann Petry:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Baton Rouge
Louisiana State University Press
[2013]
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Description based on print version record |
| Beschreibung: | 1 online resource (pages cm) |
| ISBN: | 0807150673 9780807150672 |
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| 245 | 1 | 0 | |a The radical fiction of Ann Petry |c Keith Clark |
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| 505 | 8 | |a The "literary bones" of Ann Petry: excavating and re-situating a reluctant icon -- From gangsta to gothic: ann petry's unbounded aesthetic universe -- Black boys, hoods, and wannabes: images of imperiled Black manhood in the narrows -- Masculine angst revisited: the anguished Black men of "Like a winding sheet," "Has anybody seen Miss Dora Dean?" and "Miss Muriel" -- "Oppositional gothic": the street and Ann Petry's place in the literature of terror -- Haunting/haunted b(l)ack: tormented and tormenting souls in "The bones of Louella Brown" and "The witness" -- "Entombed while still alive": images of domestic terror and monstrousness in country place -- "A queer mixture of violence and love and hate and terror": (wannabe) gangsta, gothic, and grotesquerie in "In darkness and confusion" -- Conclusion: from the 1960s to the 2000s and beyond: Ann Petry's prescient vision | |
| 505 | 8 | |a This welcome study delivers a long-overdue analysis of the works of Ann Petry (1908-1997), a major mid-twentieth-century African American author. Primarily known as the sole female member of the "Wright School of Social Protest," Petry has been most recognized for her 1946 novel The Street, about a woman's struggle to raise her son in a hardscrabble Harlem neighborhood. Keith Clark moves beyond assessments of Petry as a sort of literary descendent of Richard Wright to acclaim her innovative approaches to gender performance, sexuality, and literary technique. Engaging a variety of disciplinary f | |
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Datensatz im Suchindex
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|---|---|
| any_adam_object | |
| author | Clark, Keith 1963- |
| author_facet | Clark, Keith 1963- |
| author_role | aut |
| author_sort | Clark, Keith 1963- |
| author_variant | k c kc |
| building | Verbundindex |
| bvnumber | BV043037518 |
| collection | ZDB-4-EBA |
| contents | The "literary bones" of Ann Petry: excavating and re-situating a reluctant icon -- From gangsta to gothic: ann petry's unbounded aesthetic universe -- Black boys, hoods, and wannabes: images of imperiled Black manhood in the narrows -- Masculine angst revisited: the anguished Black men of "Like a winding sheet," "Has anybody seen Miss Dora Dean?" and "Miss Muriel" -- "Oppositional gothic": the street and Ann Petry's place in the literature of terror -- Haunting/haunted b(l)ack: tormented and tormenting souls in "The bones of Louella Brown" and "The witness" -- "Entombed while still alive": images of domestic terror and monstrousness in country place -- "A queer mixture of violence and love and hate and terror": (wannabe) gangsta, gothic, and grotesquerie in "In darkness and confusion" -- Conclusion: from the 1960s to the 2000s and beyond: Ann Petry's prescient vision This welcome study delivers a long-overdue analysis of the works of Ann Petry (1908-1997), a major mid-twentieth-century African American author. Primarily known as the sole female member of the "Wright School of Social Protest," Petry has been most recognized for her 1946 novel The Street, about a woman's struggle to raise her son in a hardscrabble Harlem neighborhood. Keith Clark moves beyond assessments of Petry as a sort of literary descendent of Richard Wright to acclaim her innovative approaches to gender performance, sexuality, and literary technique. Engaging a variety of disciplinary f |
| ctrlnum | (OCoLC)841229170 (DE-599)BVBBV043037518 |
| dewey-full | 813/.54 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 813 - American fiction in English |
| dewey-raw | 813/.54 |
| dewey-search | 813/.54 |
| dewey-sort | 3813 254 |
| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
| format | Electronic eBook |
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| id | DE-604.BV043037518 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:15:40Z |
| institution | BVB |
| isbn | 0807150673 9780807150672 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028462166 |
| oclc_num | 841229170 |
| open_access_boolean | |
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| owner_facet | DE-1046 DE-1047 |
| physical | 1 online resource (pages cm) |
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| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Louisiana State University Press |
| record_format | marc |
| spelling | Clark, Keith 1963- Verfasser aut The radical fiction of Ann Petry Keith Clark Baton Rouge Louisiana State University Press [2013] 1 online resource (pages cm) txt rdacontent c rdamedia cr rdacarrier Description based on print version record The "literary bones" of Ann Petry: excavating and re-situating a reluctant icon -- From gangsta to gothic: ann petry's unbounded aesthetic universe -- Black boys, hoods, and wannabes: images of imperiled Black manhood in the narrows -- Masculine angst revisited: the anguished Black men of "Like a winding sheet," "Has anybody seen Miss Dora Dean?" and "Miss Muriel" -- "Oppositional gothic": the street and Ann Petry's place in the literature of terror -- Haunting/haunted b(l)ack: tormented and tormenting souls in "The bones of Louella Brown" and "The witness" -- "Entombed while still alive": images of domestic terror and monstrousness in country place -- "A queer mixture of violence and love and hate and terror": (wannabe) gangsta, gothic, and grotesquerie in "In darkness and confusion" -- Conclusion: from the 1960s to the 2000s and beyond: Ann Petry's prescient vision This welcome study delivers a long-overdue analysis of the works of Ann Petry (1908-1997), a major mid-twentieth-century African American author. Primarily known as the sole female member of the "Wright School of Social Protest," Petry has been most recognized for her 1946 novel The Street, about a woman's struggle to raise her son in a hardscrabble Harlem neighborhood. Keith Clark moves beyond assessments of Petry as a sort of literary descendent of Richard Wright to acclaim her innovative approaches to gender performance, sexuality, and literary technique. Engaging a variety of disciplinary f Petry, Ann / 1908-1997 fast Petry, Ann / 1908-1997 Petry, Ann 1908-1997 Criticism and interpretation Petry, Ann 1908-1997 (DE-588)118908774 gnd rswk-swf LITERARY CRITICISM / American / General bisacsh Petry, Ann 1908-1997 (DE-588)118908774 p 1\p DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 0-8071-5066-5 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-8071-5066-5 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=520976 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Clark, Keith 1963- The radical fiction of Ann Petry The "literary bones" of Ann Petry: excavating and re-situating a reluctant icon -- From gangsta to gothic: ann petry's unbounded aesthetic universe -- Black boys, hoods, and wannabes: images of imperiled Black manhood in the narrows -- Masculine angst revisited: the anguished Black men of "Like a winding sheet," "Has anybody seen Miss Dora Dean?" and "Miss Muriel" -- "Oppositional gothic": the street and Ann Petry's place in the literature of terror -- Haunting/haunted b(l)ack: tormented and tormenting souls in "The bones of Louella Brown" and "The witness" -- "Entombed while still alive": images of domestic terror and monstrousness in country place -- "A queer mixture of violence and love and hate and terror": (wannabe) gangsta, gothic, and grotesquerie in "In darkness and confusion" -- Conclusion: from the 1960s to the 2000s and beyond: Ann Petry's prescient vision This welcome study delivers a long-overdue analysis of the works of Ann Petry (1908-1997), a major mid-twentieth-century African American author. Primarily known as the sole female member of the "Wright School of Social Protest," Petry has been most recognized for her 1946 novel The Street, about a woman's struggle to raise her son in a hardscrabble Harlem neighborhood. Keith Clark moves beyond assessments of Petry as a sort of literary descendent of Richard Wright to acclaim her innovative approaches to gender performance, sexuality, and literary technique. Engaging a variety of disciplinary f Petry, Ann / 1908-1997 fast Petry, Ann / 1908-1997 Petry, Ann 1908-1997 Criticism and interpretation Petry, Ann 1908-1997 (DE-588)118908774 gnd LITERARY CRITICISM / American / General bisacsh |
| subject_GND | (DE-588)118908774 |
| title | The radical fiction of Ann Petry |
| title_auth | The radical fiction of Ann Petry |
| title_exact_search | The radical fiction of Ann Petry |
| title_full | The radical fiction of Ann Petry Keith Clark |
| title_fullStr | The radical fiction of Ann Petry Keith Clark |
| title_full_unstemmed | The radical fiction of Ann Petry Keith Clark |
| title_short | The radical fiction of Ann Petry |
| title_sort | the radical fiction of ann petry |
| topic | Petry, Ann / 1908-1997 fast Petry, Ann / 1908-1997 Petry, Ann 1908-1997 Criticism and interpretation Petry, Ann 1908-1997 (DE-588)118908774 gnd LITERARY CRITICISM / American / General bisacsh |
| topic_facet | Petry, Ann / 1908-1997 Petry, Ann 1908-1997 Criticism and interpretation Petry, Ann 1908-1997 LITERARY CRITICISM / American / General |
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