Agnolo Bronzino: Medici court artist in context
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne
Cambridge Scholars
[2013]
|
| Schlagworte: | |
| Online-Zugang: | DE-1046 DE-1047 Volltext |
| Beschreibung: | Papers presented at a conference organized by the British Institute in Florence in conjunction with the exhibition, Bronzino : artist and poet at the Court of the Medici," held at the Palazzo Strozzi, Florence, Italy, Sept. 24, 2010-Jan. 23, 2011 Description based on print version record |
| Beschreibung: | 1 online resource (xxii,159 pages) illustrations |
| ISBN: | 1443844128 1443866350 9781443844123 9781443866354 |
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| 500 | |a Papers presented at a conference organized by the British Institute in Florence in conjunction with the exhibition, Bronzino : artist and poet at the Court of the Medici," held at the Palazzo Strozzi, Florence, Italy, Sept. 24, 2010-Jan. 23, 2011 | ||
| 500 | |a Description based on print version record | ||
| 505 | 8 | |a Style and dress : an interdisciplinary study of the female portraits by Agnolo Bronzino -- Bronzino's portrait of Maria Salviati -- Identity and likeness : Bronzino's Medici portraits -- Bronzino's Corpus between ancient models and modern masters -- Bronzino and his freinds : the Medici-Toledo tapestries -- Altered context : Bronzino's Descent of Christ into Limbo -- Towards a postmodernist Bronzino? | |
| 505 | 8 | |a "The Florentine artist Agnolo Bronzino (1503-1572) has long been celebrated as the consummate court painter and his sumptuous portrayals of Duke Cosimo de' Medici and Duchess Eleonora de Toledo have become icons of Italian Renaissance art. In this volume, an international assembly of scholars advances modern perceptions of Bronzino's art by applying fresh research paradigms not only to the well-known portraits, but also to other painted subjects, frescoes, and tapestries within the context of ancient Roman precedents, Renaissance European court culture, and postmodernist theory. The seven essays supplement two recent Bronzino exhibitions in New York and Florence (2010) by addressing Bronzino's portraiture, creative process, and tapestry production as well as past and present attitudes towards nudity, sexuality, landscapes, and poetic satire in Bronzino's imagery."--pub. desc | |
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Datensatz im Suchindex
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| contents | Style and dress : an interdisciplinary study of the female portraits by Agnolo Bronzino -- Bronzino's portrait of Maria Salviati -- Identity and likeness : Bronzino's Medici portraits -- Bronzino's Corpus between ancient models and modern masters -- Bronzino and his freinds : the Medici-Toledo tapestries -- Altered context : Bronzino's Descent of Christ into Limbo -- Towards a postmodernist Bronzino? "The Florentine artist Agnolo Bronzino (1503-1572) has long been celebrated as the consummate court painter and his sumptuous portrayals of Duke Cosimo de' Medici and Duchess Eleonora de Toledo have become icons of Italian Renaissance art. In this volume, an international assembly of scholars advances modern perceptions of Bronzino's art by applying fresh research paradigms not only to the well-known portraits, but also to other painted subjects, frescoes, and tapestries within the context of ancient Roman precedents, Renaissance European court culture, and postmodernist theory. The seven essays supplement two recent Bronzino exhibitions in New York and Florence (2010) by addressing Bronzino's portraiture, creative process, and tapestry production as well as past and present attitudes towards nudity, sexuality, landscapes, and poetic satire in Bronzino's imagery."--pub. desc |
| ctrlnum | (OCoLC)890370400 (DE-599)BVBBV043037450 |
| dewey-full | 709.945 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.945 |
| dewey-search | 709.945 |
| dewey-sort | 3709.945 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| id | DE-604.BV043037450 |
| illustrated | Illustrated |
| indexdate | 2024-12-17T17:02:21Z |
| institution | BVB |
| isbn | 1443844128 1443866350 9781443844123 9781443866354 |
| language | English |
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| oclc_num | 890370400 |
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| physical | 1 online resource (xxii,159 pages) illustrations |
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| publishDate | 2013 |
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| publisher | Cambridge Scholars |
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| spelling | Agnolo Bronzino Medici court artist in context edited by Andrea M. Gáldy Newcastle upon Tyne Cambridge Scholars [2013] © 2013 1 online resource (xxii,159 pages) illustrations txt rdacontent c rdamedia cr rdacarrier Papers presented at a conference organized by the British Institute in Florence in conjunction with the exhibition, Bronzino : artist and poet at the Court of the Medici," held at the Palazzo Strozzi, Florence, Italy, Sept. 24, 2010-Jan. 23, 2011 Description based on print version record Style and dress : an interdisciplinary study of the female portraits by Agnolo Bronzino -- Bronzino's portrait of Maria Salviati -- Identity and likeness : Bronzino's Medici portraits -- Bronzino's Corpus between ancient models and modern masters -- Bronzino and his freinds : the Medici-Toledo tapestries -- Altered context : Bronzino's Descent of Christ into Limbo -- Towards a postmodernist Bronzino? "The Florentine artist Agnolo Bronzino (1503-1572) has long been celebrated as the consummate court painter and his sumptuous portrayals of Duke Cosimo de' Medici and Duchess Eleonora de Toledo have become icons of Italian Renaissance art. In this volume, an international assembly of scholars advances modern perceptions of Bronzino's art by applying fresh research paradigms not only to the well-known portraits, but also to other painted subjects, frescoes, and tapestries within the context of ancient Roman precedents, Renaissance European court culture, and postmodernist theory. The seven essays supplement two recent Bronzino exhibitions in New York and Florence (2010) by addressing Bronzino's portraiture, creative process, and tapestry production as well as past and present attitudes towards nudity, sexuality, landscapes, and poetic satire in Bronzino's imagery."--pub. desc Bronzino, Agnolo / 1503-1572 fast Bronzino, Agnolo 1503-1572 Congresses Medici, House of Art patronage Congresses Bronzino, Agnolo 1503-1572 (DE-588)119168774 gnd rswk-swf ART / History / General bisacsh Geschichte (DE-588)1071861417 Konferenzschrift gnd-content Bronzino, Agnolo 1503-1572 (DE-588)119168774 p 1\p DE-604 Bronzino, Agnolo 1503-1572 Sonstige oth Gáldy, Andrea Sonstige oth Fondazione Palazzo Strozzi (Florence, Italy) Sonstige oth British Institute of Florence Sonstige oth Erscheint auch als Druck-Ausgabe Agnolo Bronzino http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=839503 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Agnolo Bronzino Medici court artist in context Style and dress : an interdisciplinary study of the female portraits by Agnolo Bronzino -- Bronzino's portrait of Maria Salviati -- Identity and likeness : Bronzino's Medici portraits -- Bronzino's Corpus between ancient models and modern masters -- Bronzino and his freinds : the Medici-Toledo tapestries -- Altered context : Bronzino's Descent of Christ into Limbo -- Towards a postmodernist Bronzino? "The Florentine artist Agnolo Bronzino (1503-1572) has long been celebrated as the consummate court painter and his sumptuous portrayals of Duke Cosimo de' Medici and Duchess Eleonora de Toledo have become icons of Italian Renaissance art. In this volume, an international assembly of scholars advances modern perceptions of Bronzino's art by applying fresh research paradigms not only to the well-known portraits, but also to other painted subjects, frescoes, and tapestries within the context of ancient Roman precedents, Renaissance European court culture, and postmodernist theory. The seven essays supplement two recent Bronzino exhibitions in New York and Florence (2010) by addressing Bronzino's portraiture, creative process, and tapestry production as well as past and present attitudes towards nudity, sexuality, landscapes, and poetic satire in Bronzino's imagery."--pub. desc Bronzino, Agnolo / 1503-1572 fast Bronzino, Agnolo 1503-1572 Congresses Medici, House of Art patronage Congresses Bronzino, Agnolo 1503-1572 (DE-588)119168774 gnd ART / History / General bisacsh Geschichte |
| subject_GND | (DE-588)119168774 (DE-588)1071861417 |
| title | Agnolo Bronzino Medici court artist in context |
| title_auth | Agnolo Bronzino Medici court artist in context |
| title_exact_search | Agnolo Bronzino Medici court artist in context |
| title_full | Agnolo Bronzino Medici court artist in context edited by Andrea M. Gáldy |
| title_fullStr | Agnolo Bronzino Medici court artist in context edited by Andrea M. Gáldy |
| title_full_unstemmed | Agnolo Bronzino Medici court artist in context edited by Andrea M. Gáldy |
| title_short | Agnolo Bronzino |
| title_sort | agnolo bronzino medici court artist in context |
| title_sub | Medici court artist in context |
| topic | Bronzino, Agnolo / 1503-1572 fast Bronzino, Agnolo 1503-1572 Congresses Medici, House of Art patronage Congresses Bronzino, Agnolo 1503-1572 (DE-588)119168774 gnd ART / History / General bisacsh Geschichte |
| topic_facet | Bronzino, Agnolo / 1503-1572 Bronzino, Agnolo 1503-1572 Congresses Medici, House of Art patronage Congresses Bronzino, Agnolo 1503-1572 ART / History / General Geschichte Konferenzschrift |
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