Re-imagining Greek tragedy on the American stage:
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Berkeley
University of California Press
2012
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Schriftenreihe: | Sather classical lectures
v. 70 |
Schlagworte: | |
Online-Zugang: | FAW01 FAW02 Volltext |
Beschreibung: | 1 online resource (pages) |
ISBN: | 0520272447 0520953657 9780520272446 9780520953659 |
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505 | 8 | |a This book explores the emergence of Greek tragedy on the American stage from the nineteenth century to the present. Despite the gap separating the world of classical Greece from our own, Greek tragedy has provided a fertile source for some of the most innovative American theater. Helene P. Foley shows how plays like Oedipus Rex and Medea have resonated deeply with contemporary concerns and controversies-over war, slavery, race, the status of women, religion, identity, and immigration. Although Greek tragedy was often initially embraced for its melodramatic possibilities, by the twentieth centu | |
505 | 8 | |a Greek tragedy finds an American audience -- Setting the stage -- American theater makes Greek tragedy its own -- Making total theater in America: choreography and music -- Hellenic influences on the development of American modern dance -- American Gesamtkunste Werke -- Musical theater -- Visual choreography in Robert Wilson's Alcestis -- Democratizing Greek tragedy -- Antigone and politics in the nineteenth century: the Boston 1890 Antigone -- Performance groups in the 1960s-1970s: Brecht's Antigone by the living theatre -- The 1980s and beyond: Peter Sellars' Persians, Ajax and the Children of Heracles compared with other versions of Persians and Ajax -- Aeschylus' Prometheus bound in the U.S.: from the threat of apocalypse to communal reconciliation -- Re-envisioning the hero: American Oedipus -- Oedipus as scapegoat -- Plagues -- Theban cycles -- Deconstructing fatality -- Abandonment -- Re-imagining Medea as American other -- Setting the stage: nineteenth century Medea -- Medea as social critic from the mid-1930s-the late 1940s -- Medea as ethnic other from the 1970s-the present -- Medea's divided self: drag and cross dressed performances | |
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Datensatz im Suchindex
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any_adam_object | |
author | Foley, Helene P. 1942- |
author_facet | Foley, Helene P. 1942- |
author_role | aut |
author_sort | Foley, Helene P. 1942- |
author_variant | h p f hp hpf |
building | Verbundindex |
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contents | This book explores the emergence of Greek tragedy on the American stage from the nineteenth century to the present. Despite the gap separating the world of classical Greece from our own, Greek tragedy has provided a fertile source for some of the most innovative American theater. Helene P. Foley shows how plays like Oedipus Rex and Medea have resonated deeply with contemporary concerns and controversies-over war, slavery, race, the status of women, religion, identity, and immigration. Although Greek tragedy was often initially embraced for its melodramatic possibilities, by the twentieth centu Greek tragedy finds an American audience -- Setting the stage -- American theater makes Greek tragedy its own -- Making total theater in America: choreography and music -- Hellenic influences on the development of American modern dance -- American Gesamtkunste Werke -- Musical theater -- Visual choreography in Robert Wilson's Alcestis -- Democratizing Greek tragedy -- Antigone and politics in the nineteenth century: the Boston 1890 Antigone -- Performance groups in the 1960s-1970s: Brecht's Antigone by the living theatre -- The 1980s and beyond: Peter Sellars' Persians, Ajax and the Children of Heracles compared with other versions of Persians and Ajax -- Aeschylus' Prometheus bound in the U.S.: from the threat of apocalypse to communal reconciliation -- Re-envisioning the hero: American Oedipus -- Oedipus as scapegoat -- Plagues -- Theban cycles -- Deconstructing fatality -- Abandonment -- Re-imagining Medea as American other -- Setting the stage: nineteenth century Medea -- Medea as social critic from the mid-1930s-the late 1940s -- Medea as ethnic other from the 1970s-the present -- Medea's divided self: drag and cross dressed performances |
ctrlnum | (OCoLC)812570464 (DE-599)BVBBV043036768 |
dewey-full | 792.120973 792.1 |
dewey-hundreds | 700 - The arts |
dewey-ones | 792 - Stage presentations |
dewey-raw | 792.120973 792.1 |
dewey-search | 792.120973 792.1 |
dewey-sort | 3792.120973 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
era | Geschichte gnd |
era_facet | Geschichte |
format | Electronic eBook |
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spelling | Foley, Helene P. 1942- Verfasser aut Re-imagining Greek tragedy on the American stage Helene P. Foley Berkeley University of California Press 2012 1 online resource (pages) txt rdacontent c rdamedia cr rdacarrier Sather classical lectures v. 70 This book explores the emergence of Greek tragedy on the American stage from the nineteenth century to the present. Despite the gap separating the world of classical Greece from our own, Greek tragedy has provided a fertile source for some of the most innovative American theater. Helene P. Foley shows how plays like Oedipus Rex and Medea have resonated deeply with contemporary concerns and controversies-over war, slavery, race, the status of women, religion, identity, and immigration. Although Greek tragedy was often initially embraced for its melodramatic possibilities, by the twentieth centu Greek tragedy finds an American audience -- Setting the stage -- American theater makes Greek tragedy its own -- Making total theater in America: choreography and music -- Hellenic influences on the development of American modern dance -- American Gesamtkunste Werke -- Musical theater -- Visual choreography in Robert Wilson's Alcestis -- Democratizing Greek tragedy -- Antigone and politics in the nineteenth century: the Boston 1890 Antigone -- Performance groups in the 1960s-1970s: Brecht's Antigone by the living theatre -- The 1980s and beyond: Peter Sellars' Persians, Ajax and the Children of Heracles compared with other versions of Persians and Ajax -- Aeschylus' Prometheus bound in the U.S.: from the threat of apocalypse to communal reconciliation -- Re-envisioning the hero: American Oedipus -- Oedipus as scapegoat -- Plagues -- Theban cycles -- Deconstructing fatality -- Abandonment -- Re-imagining Medea as American other -- Setting the stage: nineteenth century Medea -- Medea as social critic from the mid-1930s-the late 1940s -- Medea as ethnic other from the 1970s-the present -- Medea's divided self: drag and cross dressed performances Geschichte gnd rswk-swf PERFORMING ARTS / Theater / General bisacsh HISTORY / Ancient / General bisacsh Greek drama fast Theater fast Geschichte Greek drama History and criticism Theater United States History Aufführung (DE-588)4143388-9 gnd rswk-swf Griechisch (DE-588)4113791-7 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf Griechisch (DE-588)4113791-7 s Drama (DE-588)4012899-4 s Aufführung (DE-588)4143388-9 s USA (DE-588)4078704-7 g Geschichte z 1\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=500854 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Foley, Helene P. 1942- Re-imagining Greek tragedy on the American stage This book explores the emergence of Greek tragedy on the American stage from the nineteenth century to the present. Despite the gap separating the world of classical Greece from our own, Greek tragedy has provided a fertile source for some of the most innovative American theater. Helene P. Foley shows how plays like Oedipus Rex and Medea have resonated deeply with contemporary concerns and controversies-over war, slavery, race, the status of women, religion, identity, and immigration. Although Greek tragedy was often initially embraced for its melodramatic possibilities, by the twentieth centu Greek tragedy finds an American audience -- Setting the stage -- American theater makes Greek tragedy its own -- Making total theater in America: choreography and music -- Hellenic influences on the development of American modern dance -- American Gesamtkunste Werke -- Musical theater -- Visual choreography in Robert Wilson's Alcestis -- Democratizing Greek tragedy -- Antigone and politics in the nineteenth century: the Boston 1890 Antigone -- Performance groups in the 1960s-1970s: Brecht's Antigone by the living theatre -- The 1980s and beyond: Peter Sellars' Persians, Ajax and the Children of Heracles compared with other versions of Persians and Ajax -- Aeschylus' Prometheus bound in the U.S.: from the threat of apocalypse to communal reconciliation -- Re-envisioning the hero: American Oedipus -- Oedipus as scapegoat -- Plagues -- Theban cycles -- Deconstructing fatality -- Abandonment -- Re-imagining Medea as American other -- Setting the stage: nineteenth century Medea -- Medea as social critic from the mid-1930s-the late 1940s -- Medea as ethnic other from the 1970s-the present -- Medea's divided self: drag and cross dressed performances PERFORMING ARTS / Theater / General bisacsh HISTORY / Ancient / General bisacsh Greek drama fast Theater fast Geschichte Greek drama History and criticism Theater United States History Aufführung (DE-588)4143388-9 gnd Griechisch (DE-588)4113791-7 gnd Drama (DE-588)4012899-4 gnd |
subject_GND | (DE-588)4143388-9 (DE-588)4113791-7 (DE-588)4012899-4 (DE-588)4078704-7 |
title | Re-imagining Greek tragedy on the American stage |
title_auth | Re-imagining Greek tragedy on the American stage |
title_exact_search | Re-imagining Greek tragedy on the American stage |
title_full | Re-imagining Greek tragedy on the American stage Helene P. Foley |
title_fullStr | Re-imagining Greek tragedy on the American stage Helene P. Foley |
title_full_unstemmed | Re-imagining Greek tragedy on the American stage Helene P. Foley |
title_short | Re-imagining Greek tragedy on the American stage |
title_sort | re imagining greek tragedy on the american stage |
topic | PERFORMING ARTS / Theater / General bisacsh HISTORY / Ancient / General bisacsh Greek drama fast Theater fast Geschichte Greek drama History and criticism Theater United States History Aufführung (DE-588)4143388-9 gnd Griechisch (DE-588)4113791-7 gnd Drama (DE-588)4012899-4 gnd |
topic_facet | PERFORMING ARTS / Theater / General HISTORY / Ancient / General Greek drama Theater Geschichte Greek drama History and criticism Theater United States History Aufführung Griechisch Drama USA |
url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=500854 |
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